In the spirit of Thanksgiving, we’d like to give thanks to our favourite watchmakers for giving us some horological humdingers this month. Many newcomers were presented during the undeniably glamorous and increasingly important Dubai Watch Week, which saw more than 90 brands come together and exhibit at Burj Park. To give you a taste, the folks at Ulysse Nardin and Urwerk unveiled a co-branded marvel aptly named Ur-Freak, De Bethune debuted a perpetual calendar and a double-sided GMT and Chopard revealed its most complicated timepiece yet.
Outside of the event in the UAE, Blancpain returned to high horology with a $2 million chiming watch. Omega launched the fourth generation of its Seamaster Planet Ocean collection at a gala party in Miami. Jaeger-LeCoultre dropped not one but four new references, including two limited-edition Master Ultra Thins. Breitling revealed a gold collection for the holiday season. Roger Dubuis created a one-off and a limited edition in honour of its Swiss founder. And, to top it off, Vacheron Constantin unveiled a new series of Les Cabinotiers watches that pays homage to astronomy and the odysseys of ancient times.
Below are the best watch releases of the month.
Hublot Big Bang Unico Winter and Big Bang Ahmed Seddiqi
Photo : Hublot
Hublot dropped two very cool Big Bang Unicos this month. The 42 mm winter editions pay homage to the chilliest season, with icy white and glacier blue tones. “From the ice of Zermatt to the energy of Aspen, from powder mornings to fire-lit nights, they capture the spirit of winter in a bold, festive style,” Hublot CEO Julien Tornare says. One showcases a transparent sapphire case, while the other features a titanium case and a white ceramic bezel. Both share the same striking openworked dials. The coolest part—sorry, we’ll stop now—is that the in-house self-winding movement (HUB1280 Unico flyback chronograph) is now equipped with a snowflake-shaped oscillating weight that is visible through the caseback. The sapphire edition costs $121,000, while the titanium version retails for $39,400.
The Big Bang All Black Ahmed Seddiqi 75th AnniversaryHublot
Hublot, like many of the top brands at Dubai Watch Week, also unveiled limited editions in honour of Ahmed Seddiqi & Sons, the family-owned luxury watch retailer that founded the event in 2015. The folks at Hublot took it one step further, though, dropping two commemorative timepieces celebrating the 75th anniversary of Ahmed Seddiqi and the 20th anniversary of the Big Bang. Both feature dials with Arabic numerals and self-winding movements with solid-gold oscillating weights engraved with a special Seddiqi logo. The first is crafted in full black ceramic, limited to 10 pieces, and priced at $32,600, while the second is made of titanium, limited to 25 examples, and retails for $39,400.
Omega Seamaster Planet Ocean
Photo : Omega
Omega made a splash in Miami this month, revealing the fourth generation of its Seamaster Planet Ocean collection. The seven new models take design cues from the original that debuted in 2005, but feature a new case design, an updated movement, and new strap options. Some also showcase a brighter shade of orange on the ceramic bezel. Perhaps more importantly, the helium valve of previous iterations has been removed and a flatter crystal added to create a thinner case. (It now measures 13.79 mm thick instead of the previous 16.1 mm.) “The new Planet Ocean is still a diving watch but it’s also an elegant watch,” Omega CEO Raynald Aeschlimann told Robb Report. The new references start at $13,575.
De Bethune DB25 Perpetual Sky and DB Kind of Two Jumping GMT
Photo : De Bethune
It was a De Bethune kind of month, with the Swiss watchmaker releasing not one but two timepieces. The first, known as the DB Kind of Two Jumping GMT, displays two time zones across two distinct faces. (The contemporary dial shows the hours around a balance wheel at 6 o’clock and the minutes around the periphery, while the classic guilloché dial features the second time zone.)
De Bethune DB25 Perpetual SkyDe Bethune
The second is a new 40 mm version of the DB25 Perpetual Sky , with this iteration of the perpetual calendar featuring a titanium case and the signature starry dial with day, date and month indications plus the brand’s patented spherical moon phase.
Jaeger-LeCoultre Master Ultra Thin and Rendez-Vous
Photo : Jaeger-LeCoultre
Jaeger-LeCoultre decided to give two of its models a makeover in November, releasing new versions of the Master Ultra Thin and Rendez-Vous watches. Starting with the limited-edition Master Ultra Thin Moon (pictured top) and Master Ultra Thin Date: Both are limited to 800 pieces and feature a fresh, grained dial in a copper hue. Plus, each are equipped with the Calibre 925 and 899, respectively.
Jaeger-LeCoultre Rendez-Vous MoonJaeger-LeCoultre
With the Rendez-Vous, a total of 64 elements have been modified (including significant technical upgrades). The new 34 mm Rendez-Vous Night & Day is offered in all steel, steel with a diamond-set bezel and 18-carat pink gold with a diamond-set bezel, while the new 34 mm Rendez-Vous Moon is offered in steel or 18-carat pink gold with a diamond-set bezel. Prices for all are available upon request.
Chopard L.U.C. Grand Strike
Photo : Chopard
Chopard’s newest release is sure to strike a chord with collectors. The new L.U.C Grand Strike is the most complicated chiming watch from the Swiss maison, featuring, for the first time, a grand sonnerie, plus a petite sonnerie, a minute repeater with proprietary sapphire crystal gongs and a tourbillon. All that is packed into a 43 mm 18-carat ethical gold case, with a dial-less display allowing the wearer to fully appreciate many of the 686 components in the in-house, hand-wound movement (calibre L.U.C 08.03-L). The newcomer, unsurprisingly, took 11,000 hours of research and development to come to fruition and carries both COSC and Poinçon de Genève certifications. It’s not a limited edition, but only approximately three pieces will be made per year. Price upon request.
Breitling Gold Capsule Collection
Photo : Breitling
Breitling is helping horophiles shine bright this holiday season, releasing a gold capsule collection comprising three Navitimers and three Premiers. All six references are crafted in 18-carat red gold and showcase dial colours and movements that have never before been combined.
Premier B21 Chronograph Tourbillon 42Breitling
The pick of the bunch is the Premier B21 Chronograph Tourbillon 42. The limited edition, which is available only in the U.S. and Canada, features a striking new blue gradient dial with a central chronograph seconds hand and a 60-minute counter at 6 o’clock and a mesmerising tourbillon at 12 o’clock. Developed with movement specialist La Joux Perret, the B21 caliber unites the complexity of a tourbillon with the precision of a chronograph. “The Premier B21 Chronograph Tourbillon 42 is the ultimate expression of Breitling’s design expertise and technical mastery,” says Thierry Prissert, president of Breitling USA.
TAG Heuer Formula 1 Chronograph x Senna and Monaco
Photo : TAG Heuer
TAG Heuer tipped a hat—or helmet, perhaps—to Formula 1 in November, dropping four new racing-inspired chronographs. Two are contemporary takes on the original Monaco that debuted in 1969. Both showcase square-shaped titanium cases and skeletonised movements, but that is largely where the similarities end. The first, known as the Air 1 (price upon request), features a sleek, sculpted case created using a new “Selective Laser Melting” technique, while the second features lume elements on the dial that evoke the neon lights at the night races of F1.
TAG Heuer Formula 1 Chronograph x SennaTAG Heuer
The other two are part of the watchmaker’s long-running Senna series that honours famous F1 driver Ayrton Senna. The titanium 44 mm and the steel 43 mm both showcase the same bright-green and yellow hues that graced the Brazilian’s helmet, plus other Senna-inspired touches.
Louis Vuitton Escale
Photo : Louis Vuitton
Louis Vuitton showed off some incredible ornamental stonework this month, unveiling two limited-edition Escale watches with decorative minerals for dials. One puts turquoise front and center; the other, malachite. The 40 mm platinum case also showcases a monolithic ring crafted from the same mineral that appears on the face, adding an unexpected pop of colour to the profile. The lugs, bezel, caseback and crown are all platinum, while the new Saffiano leather strap is Arroyo gray on the turquoise model and Rainforest green on the malachite reference. Both time-only newcomers are equipped with a self-winding mechanical movement (Caliber LFT023) with a power reserve of 50 hours. Each one is limited to 30 pieces. The malachite design is priced at $107,000, while the turquoise piece is not yet listed on the website.
Vacheron Constantin Les Cabinotiers La Quête
Photo : Vacheron Constantin
Vacheron Constantin went all out for its 270th anniversary, unveiling a new series comprising 13 unique (or “Les Cabinotiers”) and highly complex timepieces. Aptly titled La Quête, or “the quest” in English, the line reflects the Swiss watchmaker’s ongoing pursuit of excellence. Inspired by astronomy and ancient odysseys, each piece is a feat of haute horlogerie that combines technical innovations and grand complications with decorative arts, such as engraving, enameling, gem-setting and miniature sculpture. One standout is the Cosmica Duo—Grand Complication, a double-sided, reversible watch with 24 complications, including a minute repeater, a tourbillon and impressive astronomical functions. One dial spotlights the stars above, while the other highlights a dazzling new movement (Calibre 2756-B1) with 1,003 components. Prices available upon request.
Roger Dubuis Hommage La Placide and Sukoon Al-Layl
Photo : Roger Dubuis
Roger Dubuis first introduced the Hommage collection in 1996 to honour the watchmakers who influenced him. The latest two additions to the line are a tribute to Dubuis himself, though. The first, the Hommage La Placide, pays homage to his calm nature. (La Placide, French for “the calm,” was actually his childhood nickname.) It features a 38 mm pink-gold case, a “Léman Blue” dial inspired by the calm waters of Lake Geneva, and a new biretrograde perpetual calendar (RD1472 caliber) that combines two famous Dubuis movements.
Roger Dubuis Hommage Sukoon Al-LaylRoger Dubuis
The second, the Hommage Sukoon Al-Layl, evokes the serenity of a nighttime desert as another nod to his calm demeanor. (The name actually translates to “the serenity of night.”) This piece showcases a 38 mm platinum case, a layered dial that combines guilloché, lacquer and mother of pearl, and the same RD1472 caliber. The La Placide is limited to 28 examples and priced around $201,000, while the Sukoon Al-Layl is a one-off boutique exclusive.
Gérald Genta Gentissima Oursin
Photo : Gérald Genta
Gérald Genta has taken the Gentissima Oursin into new, extraterrestrial territory. The sea urchin-inspired timepiece—designed by Genta in 1994, then released in three variations in 2024—has been reimagined with a bold new meteorite dial. The house unveiled not one but two pieces decked out in the asteroid-derived material. One has blue meteorite on the face; the other, green. Both come fitted with rubber straps in complementary hues. They also feature 41 mm titanium cases, making them larger than the six 36.5 mm references in the lineup. Both are priced at 25,000 Swiss Francs (or about $47,300) and will be made at Louis Vuitton’s esteemed La Fabrique du Temps watch manufacture. (LVMH, the owner of Louis Vuitton, acquired Gérald Genta indirectly when it purchased Bulgari in 2011.)
Ulysse Nardin × Urwerk Ur-Freak
Photo : Ulysse Nardin/Urwerk
Ulysse Nardin and Urwerk created what could be your—or should we say “ur?”—dream watch this month. The aptly named Ur-Freak doesn’t just showcase the design DNA of the two Swiss watchmakers; it also marries their respective mechanical mastery by incorporating Urwerk’s signature satellite system for indicating the time with Ulysse Nardin’s incredible in-house silicon tech. The 44 mm titanium timepiece also features an entirely new mechanical movement co-developed by the brands. The Caliber UN-241 is notably equipped with a silicon oscillator that operates at a frequency of 3Hz and offers an utterly freakish 90 hours of power reserve. Limited to 100 pieces, the Ur-Freak price on demand.
Blancpain Grande Double Sonnerie
Photo : Blancpain
Blancpain celebrated 190 years in style, unveiling its most complex watch to date. Eight years in the making, the Grande Double Sonnerie signals the maison’s return to the upper echelons of high horology. The grand complication combines grande and petite sonnerie, a minute repeater, a flying tourbillon and a retrograde perpetual calendar in one rather wearable 47 mm gold case. It also features the world’s first dual-melody four-tone system that allows it to play either a Westminster chime or a bespoke sequence composed by Eric Singer of Kiss. Available in white or pink gold, the newcomer is priced at 1.7 million Swiss francs (or about $3.2 million). Production will be limited to two pieces each year.
H. Moser & Cie. Streamliner Perpetual Moon Concept Meteorite
Photo : H. Moser & Cie.
H. Moser & Cie.’s new Streamliner is out of this world. Unveiled during Dubai Watch Week, the newcomer pairs a sleek steel case and integrated bracelet with a gorgeous gold-hued meteorite dial. Crafted specifically from the Gibeon meteorite, the face undergoes a meticulous treatment that accentuates the natural Widmanstätten pattern, according to the brand. It is further enhanced with Moser’s signature fumé effect. Inside lies a self-winding version of the perpetual moon phase caliber that H. Moser previously introduced as a hand-wound movement. The automatic HMC 270 caliber has a three-day power reserve and a moonphase accuracy of one day per 1027 years. The watch will cost you 35,000 Swiss francs (or about $66,000).
The Swiss watchmaker just unveiled its new Constellation Observatory Collection today, the next step in its Constellation lineage and the first two-hand hour and minute timepieces to ever earn Master Chronometer certification. And if you were paying attention to any of the dazzling watches spotted at the Oscars this year, you would’ve caught a glimpse of the new line already: Sinners star Delroy Lindo rocked one of the models on the Academy Awards red carpet, giving us a pre-release preview of the collection.
Developed at Omega’s new Laboratoire de Précision (its chronometer testing lab open to all brands), the collection houses a set of nine 39.4 mm watches. The watches underwent 25 days of scrutiny there, analysed via a new acoustic testing method that recorded every sound emitted from the timepiece to track irregularities, temperature sensitivities, and more in the name of all things precision. (Details such as water resistance and power reserve are also thoroughly examined.) This meticulous process is all in the name of snagging that Master Chronometer label, meaning that the timepiece is highly accurate and surpasses the threshold for ultra-high performance. The Constellation Observatory Collection has now changed the game, though, thanks to its lack of a seconds hand.
A watch from the Constellation Observatory Collection, with the Observatory dome on display. Omega
“Until now, precision certification has required a seconds hand,” Raynald Aeschlimann, president and CEO of OMEGA, said in a press statement. “The development of a new acoustic testing methodology has made that requirement obsolete. It is this breakthrough that has enabled us to present the Constellation Observatory, the first two-hand watch to achieve Master Chronometer certification.”
In addition to notching its place in history, the collection also debuted a new pair of movements: the Calibre 8915 and the Calibre 8914, each perched on a skeletonised rotor base. The former’s Grand Luxe iteration will appear on the 950 Platinum-Gold model in the collection, which offers up that base in 18-karat Sedna Gold alongside a Constellation medallion in 18-karat white gold with an Observatory dome done in white opal enamel surrounded by stars. The second Calibre 8915, the Luxe, will find its home on the other precious-metal models in the line, either made with the brand’s 18-karat Sedna, Moonshine, or Canopus gold seen across the case, the hand-guilloché dial, and, of course, the movement itself. (Lindo chose to rock the Moonshine Gold on Moonshine Gold iteration, priced at approximately $86,000, for Sinners‘s big night at the Oscars.) As for the Calibre 8914, it can be found in the collection’s four steel models.
A look at a gold case-back from the collection. Omega
Each model is a callback to myriad design features on past Omega models. That two-hand dial, for one, comes from the 1948 Centenary (the brand’s first chronometer-certified automatic wristwatch), while the pie-pan dial (seen in various blue, green, and golden hues throughout the line) and that Constellation medallion caseback both appear on watches from 1952. The star adorning the space above 6 o’clock also harks back to 1950s timepieces from Omega. And to finish off the look, you can opt for alligator straps in a variety of colours, or perhaps a gold iteration to match the precious-metal models; the brick-like pattern on the 18-karat Moonshine bracelet was also inspired by Omega watches from the ’50s.
We’ll have to keep our eyes peeled for any other Constellation Observatory timepieces (or any other unreleased models from the brand) at the rest of the star-studded events headed our way this year—perhaps the Met Gala?
Colorado’s barely known San Juan Mountains do a fine line in bespoke skiing experiences, luring alpine-sports cognoscenti and billionaire thrill-seekers alike.
“Though no one currently on staff is at liberty to say, billionaire actor Tom Cruise is a very average heli-snowboarder. But although no one currently on staff is at liberty to say, Amazon CEO Jeff Bezos—the world’s second richest human—makes up for Cruise’s inability with his off-piste prowess. The pair have been clients of Telluride Helitrax, a heli-skiing outfit operating in the backcountry behind Telluride Mountain Resort, in remote south-west Colorado, since 1982. My source, a former guide who prefers to remain anonymous, admits he’s entertained a host of household-name One Percenters over the years.”
“Power billionaires aren’t going to the popular resorts any more,” he reveals over a happy-hour drink at a Telluride bar. “Luxury skiing these days, it’s all about exclusivity. No one with any clout shares snow, and at every resort, no matter how fancy, you have to share the slopes. But nowhere is more exclusive than the backcountry. That’s your billionaire’s playground. And no backcountry is more exclusive than San Juan backcountry.”
Conditions match those found in Alaska, according to those in-the know.
Which is precisely why I am here. Australia’s considerable brigade of free-spending, snow-crazed executives may jet off to Vail and Aspen each northern winter for thrills, but it turns out some of the world’s most choicest ski experiences have been right under their noses—only a short helicopter ride, car journey or private jet flight from said resorts.
Packed into the ultra-rugged southern end of the Rocky Mountains, the San Juans are a little chunk of the Swiss Alps in the US—young, ridiculously spectacular formations known for their steep slopes, deep powder snow and Disney-esque triangular peaks, all bathed in 300-plus days of sunshine a year. And the region is augmented by unique, and select, backcountry options that rival anything currently in the upscale ski orbit.
Carving clouds in Silverton backcountry terrain.
Case in point: North America’s highest skiing setting, Silverton Mountain. Located in the heart of the San Juans, outside the tiny town of Silverton, the 4,111 m peak boasts 736 hectares of chair-accessible terrain set among what is reputedly the deepest, steepest snow in the nation. It also offers a further 10,000 hectares of private terrain, serviced by heli-ski operation Heli Adventures. This is the Shangri-La of skiing: every slope connoisseur has heard of it, though most wonder if it actually exists.
We arrive via the treacherous Million Dollar Highway, where a disturbing lack of guard rails sometimes causes travellers to plummet into the valley floor (the death toll, grimly, averages eight people per year). Silverton Mountain was bought in 2023 by Heli Adventures’ young co-founders Andy Culp and Brock Strasbourger. While private punters can book the hill in its entirety, starting from around $14,000 per day, plus extra for single heli-skiing runs, the destination is also open to the public from Thursdays to Saturdays through winter.
“Silverton is a bastion for the pure ski experience,” Culp says. “All that corporate consolidation that happened when ski resorts all over the world developed condos and real estate and got super-busy… well, it never happened here. You’re able to access Alaska-like terrain from an old rickety chairlift, but you’re an hour’s drive from a pretty major airport [Montrose]. And you can access snow that’s even better than most heli-skiing straight off your lift.”
There’s no radio-frequency lift passes when I arrive. In fact, I don’t get a lift pass at all. A discarded school bus doubles as the “second chairlift”; it picks me up and returns me to a yurt which serves as a restaurant and bar. “There’s a time and a place to hang out at The Little Nell [Aspen’s legendary après-ski bar] and the world doesn’t need more of that,” Culp says. “This is the new luxury. We also run a heli-ski business out of Aspen [Aspen Heli-Skiing] but this is where we come. You can’t put a price tag on what we have here.”
I drive away from the mountain, back along the perilous Million Dollar Highway, park my car and disappear into the San Juan National Forest with guide Kaylee Walden. This white-coated outback between Silverton and Ouray, dubbed “the Switzerland of America”, offers swathes of primo backcountry skiing terrain. The ski touring here is often likened to Europe’s iconic Haute Route—an emblematic trail between Mont Blanc and the Matterhorn.
The operator Mountain Trip offers a Colorado version of that feted circuit, on a multi-day traverse between secluded huts. All in all, there’s nearly 8,000 km² of national forest and 2,500 hectares of wilderness to explore, frequented only by the occasional intrepid enthusiast.
A wood-burning sauna is being prepared as I arrive at Thelma Hut, 4,500 m above sea level. Traditionally, US Forest Service huts were humble affairs, with rudimentary bunks, self-service kitchens, and food supplies brought in by skiers. This evening, however, a chef is preparing local bison across from an open fireplace as the sun sets through a floor-to-ceiling window against a horizon of white mountains. As he works, I walk out into the snow to study the twilight sky; beaming planets shine down on me, necklaces of tiny stars sparkle.
Thelma Hut, in the San Juan National Forest.
Back down to earth, upon my return to “civilisation”, we take a two-hour car ride to Telluride, probing through the San Juans. The small town is picture-postcard pretty, wedged at the end of a box canyon surrounded by Colorado’s tallest waterfalls, and hosts the highest concentration of 4,000-m-plus peaks in the state. Most of its buildings are on the National Register of Historic Places, including a bank that was robbed in 1889 by the outlaw Butch Cassidy.
While the locale offers everything from luxurious on-mountain dining options to 7-km-long runs, it’s the heli-ski enterprise that’s lured me. Telluride Helitrax holds sole rights to over 500 km² of completely deserted ski terrain, a few minutes’ flying time from town. The company runs a range of Eurocopters which guests can charter into Colorado’s best alpine basins, cirques and couloirs. “The range mightn’t be as expansive as Alaska,” says Telluride Helitrax program director Joseph Shults. “But the views, the terrain, the snow depth and quality is as good.”
I’m staying in a privately owned three-bedroom penthouse apartment, where a helicopter takes off each morning for convenience (when I’m done carving clouds, I move a kilometre up the mountain to the seven-bedroom, three-storey mountain retreat Hood Park Haven, valued at around $42 million). Telluride Helitrax uses an abundance of drop-off locations, all above the tree line, meaning everyone from intermediates to experts can be catered for.
Telluride Helitrax offers a multitude of drop-off points.The $42 million Hood Park Haven retreat.
During my three-day odyssey, I don’t cross a single other ski track, but it’s the peace that is most startling. In this pocket of montane paradise, there is, literally, not a single sound—a stark contrast to the whirling fury of the chopper that transports me. My experienced guide Bill Allen won’t reveal who’s come before Robb Report. “You’d know their names,” he says, grinning.
And so the San Juans remain a secret to all but a fortunate few. Of all the luxuries the ultra-wealthy enjoy in the skiing ecosphere, the promise of untouched snow is by far the most enviable. Here in Colorado is where the white gold truly lies.
Photography: Kane Scheidegger (heli-skiing); Patrick Coulie (hut); Courtesy of Colorado Tourism Office (Hood Park Haven).
This article appears in the Autumn issue 2026 of Robb Report Australia New-Zealand. Click here to subscribe.
A modern classic in the making, combining naturally aspirated power with elegant restraint to deliver performance that feels as refined as it is visceral.
In a year when carmakers of all persuasions sheepishly extended hyperbolic electric targets, it’s fitting that the monastic puritans of Maranello—who, lest we forget, won’t finally yield to the sin of battery power until October with the Elettrica—opted to make combustion their major power play.
As an uncertain future of AI omnipresence barrels towards us, the 12Cilindri—an analogue, open-topped tribute to Ferrari’s late-’60s/early-’70s grand tourer, the Daytona—represents a defiant fade into the past, a pause for breath, a fleeting return to The Good Times when nascent technology provoked excitement rather than existential dread.
Guiding this automotive nostalgia trip is, as the nomenclature suggests, a naturally aspirated 6.5-litre V12 engine, generating an unceasing wave of power as it sears towards the 9,500 rpm redline with relative nonchalance. That’s because the 12Cilindri is not a mouth-foaming attack-dog. It scales performance heights with the refinement of the finest Italian works of art; its “Bumpy Road” mode facilitates comfy al fresco GT cruising, and even the imperious powerplant is mannerly at most speeds.
For all the yesteryear romance, progressive technologies and engineering, such as a world-class 8-speed transmission, advanced electronic aids and independent four-wheel steering, are baked into the deal. The 12Cilindri’s clean, stark design somehow toggles between retro and modern; and while vaguely polarising, one can’t ignore its magnetic road presence.
In terms of aesthetics, Ferrari describes the 12Cilindri as being “ready for space”; in many ways, a fantasy vehicle that transports users to another dimension is probably what the world needs right now.
At Le Bernardin, Aldo Sohm oversees one of the most formidable cellars in fine dining. But on the beach, he’ll happily drink a cheap rosé. The world-class sommelier explains why taste—and humility—matter more than price.
Aldo Sohm is one of the most accomplished sommeliers in the world. The 54-year-old Austrian heads up an oenophile’s empire on New York City’s West 51st Street, where he both serves as wine director at Michelin three-star Le Bernardin and leads his namesake wine bar, just across the road from the fine-dining institution. (He spends his time literally running back and forth between the two.) So it may come as a surprise that this man, who sips prized varietals all day, admits to the joys of a glass of Whispering Angel, a ubiquitous rosé that retails at stateside Target stores for US$22.99 (around $30) a bottle.
The context here is important; the aptly named Sohm is quick to clarify that he’s not about to start serving Whispering Angel as one of the pairings with chef Eric Ripert’s US$530 (around $750) eight-course tasting menu. But during a trip to the Caribbean for the Cayman Cookout food festival, Sohm’s wife requested a glass of rosé on the beach. When he went to fetch it, she specified that she wanted a cheap drop, not the fancy stuff that he likely would have grabbed. “I felt kind of gobsmacked, right?”
Sohm says as we’re sitting in the tasting room at Aldo Sohm Wine Bar. “Now, rather than just criticising, I have to admit: I got out of the water, and I tried Whispering Angel, too. It was delicious.”
Aldo Sohm Wine Bar, across the street from Le Bernardin in midtown Manhattan.
Unlikely as it may be, this humility is perhaps the key to Sohm’s success. His lack of self-seriousness makes him an anomaly in the oftentimes highfalutin world of fine wine. Rather than shaming you for your preferences, Sohm will indulge your desires. Maybe, as in the case of his wife, you’re going to be right. More likely than not, you’re going to be wrong. He won’t simply tell you that, though; he’ll use his encyclopedic knowledge of wine to subtly steer you in the right direction, allowing you to come to that conclusion on your own. “You just wake up from your dream—and mistake—and realise that, ‘Oh yeah, he’s right,’” says Ripert, who has worked with Sohm for almost two decades.
Sohm intended to move to New York for only 18 months. Growing up in Innsbruck, in the Austrian Alps, he wanted to be a helicopter pilot. Like many childhood fantasies, that didn’t come to fruition, and he settled on something more practical, becoming a teacher at a hospitality school. Having overcorrected—“That was way too boring for me,” he admits—he switched to the more public-facing side of the industry, getting a job as a restaurant server. It was then, when he was about 21, that Sohm fell in love with wine. (Prior to that, he was a self-proclaimed Bacardi and coke guy.)
The menu’s croque monsieur
After studying wine on his own time, he began his formal sommelier education in 1998. He rose quickly through the ranks and was named the best sommelier in Austria in 2002, a title he defended the following two years and reclaimed in 2006. Amid that stretch, he sojourned to New York in 2004 with the goal of improving his English to compete in international competitions. It paid off: four years later, he won the top prize from the World Sommelier Association. But more than the accolades, Sohm had discovered a career. By then, he had joined Le Bernardin after stints at Wallsé, Café Sabarsky and Blaue Gans—all Austrian restaurants in Manhattan.
“Back then we had a very strong French sommelier community, and they controlled everything,” he says. “And it was an uproar because how come an Austrian sommelier came to one of the most French restaurants?” He proved his bona fides, and in 2013 Ripert and Maguy Le Coze, the co-owners of Le Bernardin, approached him with the idea of partnering with them in a wine bar. It was Ripert who suggested putting the connoisseur’s name on it.
Aldo Sohm Wine Bar debuted the following year, with a team that Sohm handpicked. Sarah Thomas was part of that opening crew, after meeting Sohm during a fateful dinner at Le Bernardin with her cousins. When her relatives divulged to him that she was a sommelier in Pittsburgh, he proceeded to serve a blind tasting to Thomas. “He didn’t say what I got right or wrong. He didn’t care about that,” she tells me. “He just wanted to hear me talk about wine, I guess. So I did.”
When he offered her a job at the end of the meal, she laughed. Sohm didn’t. Thomas promptly packed up and moved to New York. After she spent about nine months at the wine bar, Sohm promoted her to Le Bernardin, where she worked for another five years. When she decided to start her own business—Kalamata’s Kitchen, which aims to teach kids about other cultures through food—Sohm was one of her earliest investors. He may have found full-time teaching to be too banal, but it’s still a huge part of what he does now, identifying the next generation of stars and giving them the guidance to grow into their own—whether that takes them into the upper echelons of fine dining or beyond the white tablecloths altogether.
Sohm’s side hustles include a line of wineglasses, a Grüner Veltliner produced in his native Austria, and books such as Wine Simple: Perfect Pairings.
Overseeing two teams, at two very different spaces, feeds Sohm’s prodigious ambition. He’s on a mission to completely reshape the world of wine, from what’s in your glass to the glass itself to what you enjoy it with—say, Champagne with eggs. Along with his day jobs, he has partnered with the Austrian brand Zalto to create his own wineglasses. “As a sommelier, you criticise only, but you make nothing,” Sohm says. So, he also now wears the winemaker hat, producing a Grüner Veltliner under the Sohm & Kracher label, a relatively accessible quaff that’s a collaboration with his fellow countryman Gerhard Kracher. And in 2019 he added author to his résumé, releasing Wine Simple, a “totally approachable guide”, as the book’s subtitle puts it. He followed that up with Wine Simple: Perfect Pairings, to help you pick the right bottle for the right meal and the right moment.
“In wine pairings, you have three possible combinations,” Sohm says. “There’s the perfect pairing. Then sometimes you have flavours just going along… it’s like humans—they talk, they interact, but they never connect. And then there’s conflict.” It’s that first one he’s after every time.
“Sohm fell in love with wine when he was about 21. Prior to that, he was a self-proclaimed Bacardi and coke guy.”
Outside of the restaurant, the wine bar and the cellar, Sohm is an avid cyclist who owns six bikes, a number he admits is excessive—especially in New York City. Riding is what he credits with keeping him healthy, when so much of his time is spent eating and drinking—and drinking some more.
Still, despite the 18-year career at one of the world’s best restaurants, despite the top honours from his peers, despite the wine and the wineglasses and the wine books, Sohm doesn’t consider himself successful. Every day, he’s trying to figure out how he can self-correct. “I like what I do, so I go back home that night, think of things which I can improve,” he says. “I get annoyed when I make a mistake, but I improve the next day.”
His quest for perfection may never be over, but Sohm does concede that he’s happy—its own type of success. Sometimes he finds that happiness while sipping a glass of 1980 Domaine de la Romanée-Conti La Tâche, a bottle now so rare and coveted that he calls it “unattainable”. And sometimes, if to his chagrin, he finds it while drinking a mass-produced rosé on the beach.
Photography by Tori Latham
This article appears in the Autumn issue 2026 of Robb Report Australia New-Zealand. Click here to subscribe.
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This article appears in the Autumn issue 2026 of Robb Report Australia New-Zealand. Click here to subscribe.