The Plot Thickens

Production for the third season of HBO’s award-winning anthology series The White Lotus is already underway in Thailand. But where will Mike White’s sun-soaked dramedy go from here? 

By Abigail Montanez 26/11/2024

After an impressive debut, HBO’s critically acclaimed social satire The White Lotus returned for a second installment, offering viewers more dysfunctionally affluent guests and put-out staffers and a serious case of travel envy. The immensely popular series has amassed a cult following within the luxury world, many of whom have strong opinions about where the show should film next—and who could possibly fill the Jennifer Coolidge–size hole in their hearts.

Ahead of season three’s arrival next year, we asked top designers, travel advisers, jewellers, chefs and sommeliers—plus a casting director, a mafia expert and even a former mobster—to take a turn in the showrunner’s chair. After all, who better to weigh in than those who spend their time catering to those “challenging” clients the show so successfully sends up? If you’re reading this, Mike White, take notes. 

Pool.Terrace, One&Only, Kea Island, Greece.

WHERE WOULD YOU HAVE SET THE NEXT SEASON? 

• “Palm Springs, like Hawaii or Sicily, is one of those singular locations where you have a dramatic landscape and this sense of reality versus fantasy. It evokes Hollywood glamour, but there’s an underbelly. There are also a lot of over-the-top gays, which seems to be an important part of The White Lotus brand.”—Jonathan Adler, potter, interior designer, and author 

• “If they were to do it in Iceland, there’s so many riffs that they could pull just having a different climate. There’s a big troll culture there, the northern lights, volcanic tunnels—things you’ve never seen or encountered before.”—Jennifer Schwartz, managing partner at Authentic Explorations. 

• “As someone who loves to get off the beaten path and immerse myself into other cultures, I’d like to see a season of White Lotus in Egypt. You couldn’t possibly find a more dramatic setting than the pyramids or the River Nile.” Camilla Franks, Fashion Designer Camilla

IF YOU HAD TO CAST YOURSELF AS A NEW CHARACTER, WHAT ROLE WOULD YOU PLAY? 

• “The family decorator that gets killed. Local designer gone missing? Where should I send my casting tape?”—Jeremiah Brent, interior designer, founder of lifestyle brand Atrio, and Queer Eye host 

Jennifer Coolidge’s always artfully dressed Tanya mingles with her new friends in Sicily.  Photography: Fabio Lovino/HBO

WHO WOULD YOU CAST? 

• “I think someone comedic like Ilana Glazer and Abbi Jacobson from Broad City would be great. Who’s going to replace the Jennifer Coolidge of it all? So maybe it’s a duo, like Aaron Paul and Bryan Cranston.”—June Rodil, master sommelier and CEO and partner of Goodnight Hospitality 

• “Kristin Scott Thomas, Emily Blunt, or Anne Hathaway. Ewan McGregor, Ryan Gosling—Rupert Everett for sure, and maybe even Meryl Streep.”—Jules Maury, head of Scott Dunn Private 

DO YOU HAVE A VACATION HORROR STORY À LA THE WHITE LOTUS? 

• “When I was in Egypt a few years ago, someone was murdered in the hotel. Some wealthy businessman brought in a hooker who ended up stabbing and robbing him at a very glamorous hotel in the middle of Cairo.”—Martyn Lawrence Bullard, interior designer and author

• “A huge group came in to celebrate someone’s 50th birthday. The night before, they were all out on the patio drinking and having a good time. On the way back to the room, the guest of honour tripped, fell, hit his head and passed away.”—Leigh Anne Dolecki, president of concierge association Les Clefs d’Or USA 

“We were hitchhiking in Thailand, trying to get to some restaurant that we had heard about from locals. Long story short, we ended up in the wrong car, and this gentleman decided to drive on the wrong side of the highway at full speed uphill. So, when we got to a red light we jumped out, but I left my cell phone in the car.”—Matt Kammerer, executive chef at the Michelin two-star Harbor House Inn 

Getty Images (leopard)

• “A game ranger took a group out for a ride at night and said, ‘I’ll be right back, I thought I heard something,’ and walked away from the vehicle. He didn’t come back, and the guests started getting nervous. There’s a radio in the vehicle, so at some point they called in. As it turns out, a leopard had jumped from a tree and killed him.”—Lisa Beach, casting director whose credits include Wedding Crashers and Center Stage 

Jon Gries Fabio Lovino/HBO

CREATE YOUR OWN WHITE LOTUS PLOT. 

• “I imagine Jennifer Coolidge’s husband turning up, but he’s with another wife. Weirdly, she’s not like that broken, older woman—she’s far more confident, sassy, together, well-dressed. Maybe she could be Jennifer’s niece or someone who lost their inheritance [from Coolidge’s character, Tanya] because he inherited all her money. There could also be a Jeremy Irons–type character from Brideshead Revisited sitting in a corner with a book, and maybe he’s really Jennifer’s long-lost son and he’s out to get revenge because he loved his mother so much. 

“To throw it off a bit, there’s always one of these families, but maybe rather than elegant, rich, refined people, they own car showrooms in Texas or somewhere in the Midwest. They arrive with their sugar-sodden children and are putting everyone’s noses out of joint, but we all love them by the end, and they’re the heroes.”—Adam Brown, founder of resortwear label Orlebar Brown, whose orange polo Cameron (Theo James) sported in the season-two opener.

• “There’s a group of people that came together. They’re on the Africa leg of an Abercrombie & Kent trip around the world, and they go by private charter to one of those wildly exclusive and expensive places like Singita. This woman in her 50s, maybe Viola Davis, is on this spiritual journey to Africa to discover her roots and really immerse herself in the culture. She has a name-change ceremony and goes to the sangoma, a witch doctor, who tells her fortune. 

Fabio Lovino/HBO

“Suffice to say, she finds herself, but as it happens, sometimes these single women get a very bad case of what the locals call khaki fever. That’s when an American woman falls madly in love with their game ranger. 

“The guide, who’s the black-sheep heir to a South African diamond fortune, is going to be either Chris Hemsworth or Will Poulter. Somebody’s going to get killed on safari, but you don’t know whether they were eaten by a lion or thrown in front of one or bitten by a black mamba.”—Lisa Beach

WHAT HOTEL WOULD YOU USE AS A STAND-IN FOR WHITE LOTUS?

• “The Grand Hôtel de Cala Rossa in Corsica is one of the dreamiest hotels, and no one knows about it. When you go there, you’re either Middle Eastern royalty or some major European celebrity. It’s not like the South of France, where everybody’s just nobody and pretends to be somebody—this is the spot where people really go to hide.”—Sylva Yepremian, founder of jewellery brand Sylva & Cie

“The new One& Only Kéa Island would be fab, with all the Greek legends, intrigue and so much to explore: a stop in Athens, a visit to Amanzoe en route, diving for treasures.”—Jules Maury

One & Only, Kéa Island, Greece.

WHAT DETAILS DOES THE WHITE LOTUS GET RIGHT?

• “I was obsessed with Villa Tasca from Daphne and Harper’s getaway in season two. The pool, the lounge, the citrus trees—everything about it was so dramatic and timeless. I love the idea of the historical murals on the walls reflecting the plotline.”—Jeremiah Brent

• “I think White Lotus shows the magic and the theatre of staying in luxury hotels. Suddenly, wherever you’re staying, as long as there are other guests, you find yourself in a live play where you get to know the other dramatic personae and speculate about them. That’s what White Lotus captures so brilliantly, and I think a lot of young people who only do Airbnb are missing out.”—Jonathan Adler

Ferretti 97 Courtesy of Ferretti

• “The Ferretti 97, the boat they used in the show, is one of the most luxurious, so I think it was appropriate. They used it for the day trip from Taormina to Palermo. It’s a five-cabin boat with six crew members. Last year, it was the biggest boat we had in Taormina.”—Vincenzo Sorbello, manager and CEO at charter specialist Vento di Grecale

• “I couldn’t help but be inspired by the overall styling and representation of resortwear in both seasons. In season one, you’ve got your laid-back, casual costumes, then really big and bold designer fashion in season two. Funnily enough, our 2025 high-summer collection is inspired by the TV series.”—Danny Ching, head of design at Frescobol Carioca

• “The Australian character, Murray Bartlett who plays Armond in the first season struck me because he is so true to life. Hotel general managers always play a straight bat to guests, but get them back of house and they are just lunatics. Behind closed doors they are always the ones to let their hair down.” Mike Dwyer, Virtuoso Adviser, Mainbeach Travel

• “Everyone paints Italian mobsters as old-world bigots, but although they never spoke within the guidelines of political correctness, they never judged people on the basis of colour, religion or sexuality. They only saw money, which, if it overrides hatreds, isn’t such a bad outlook. The Genovese family’s stronghold was Greenwich Village, and they either owned or controlled all the gay bars and clubs there for decades, long before ordinary Americans were ready to accept gays. In a strange way, the mob, by opening gay bars and clubs which were protected by mobsters, did more for gay rights than any other group in America.”—Louis Ferrante, author and former member of the Gambino crime family

Fabio Lovino/HBO (The White Lotus scenes)

WHERE DO YOU THINK THE WHITE LOTUS FALLS FLAT? 

• “It’s a crime to stay at the hotel the whole time. It’s like an insult to culture and the region, and kind
of cringey to see that as a viewer. It’s probably not top of mind [for the characters] to go wander down a back alley somewhere and see what grandma’s cooking, which is unfortunate.”—Matt Kammerer 

• “I think it was fantastic and genius for them to use Italian actors [including Simona Tabasco and Beatrice Grannò]. They were amazing, and the hotel itself is a gorgeous property. The thing that was just very confusing is the fact that they did a juxtaposition of the hotel and a beach that was two hours away. We have clients that come, and they’re like, ‘We want to go to the beach—where’s the beach?’, and there is no beach because the resort is on top of a mountain.”—Jennifer Schwartz 

The season-two White Lotus staff greet their guests in Sicily. Fabio Lovino/HBO (The White Lotus scenes)

• “As a mum with an 11-year-old who has been to 31 countries, I would love them to have some younger role models—kids who learn languages, can sit at a table without a device, share their knowledge with parents.”—Cari Gray, founder of private-travel specialist Gray & Co. 

• “The thing that was a bit confusing was the miles between the hotel and the other parts of Sicily. With a powerboat, going from Taormina to Cefalù, it takes about nine hours of navigation or more. But in the show, it only took, like, an hour.”—Vincenzo Sorbello 

• “The idea that the drug dealer [Stefano Gianino] would belong to an influential mafia family from Palermo is a grotesque representation of the mafia. The mafia is a more complex phenomenon, characterised by people in power—politicians, businessmen. Imagine a plot with criminals and lawyers putting a strategy together to invest the proceeds of a crime. That would’ve been a better representation of the mafia.”—Antonio Nicaso, author, professor, and expert on organized crime 

WHAT FORMER CHARACTER WOULD YOU LIKE TO RETURN?

• “I would love Portia [Haley Lu Richardson] to come back. What if she inherits a little bit of Tanya’s fortune, and then you see this kind of rags-to-riches story and how money can really damage a character. There was just a loving quirkiness about her that I really enjoyed watching. She was like a little mirror image of Jennifer Coolidge’s character, so I could almost see her growing int something very similar.”—Sylva Yepremian

IS THERE A FAN THEORY YOU WANT TO SEE PLAY OUT? 

• “The main one is, what’s going to happen to Tanya’s money? I feel like Belinda needs some sort
of compensation, if not Portia.”— Danny Ching 

• “There are always these rather horrific scenes that shock you, so I quite liked the idea of Tanya’s husband [Jon Gries] going into a meat grinder in the end.”—Adam Brown 

[picture credits]

Plotline proposed by Martyn Lawrence Bullard, interior designer

TOP ILLUSTRATIONS BY Brahm Revel

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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