First Drive: McLaren Artura

After a somewhat stalled launch, the hybrid wonder that is the McLaren Artura finally makes its Australian debut.

By Stephen Corby 31/08/2023

What do you get if you cross the modern, mad thrusting, light-switch-like acceleration of an electric vehicle with the highly strung, beautifully sung sound and fury of a traditional, petrol-powered supercar engine?

While I’d call it a very good idea, McLaren calls it the Artura (and mentions, in brackets just like this, that it’s a “plug-in hybrid electric vehicle”).

The Artura—which I drove for the first time recently on a local racetrack, an experience that still fizzes my adrenal glands whenever I think about it—is also something of a collector’s item; a fast-moving moment in time that represents what the chief engineer for this mad McLaren, Geoff Grose, describes as a “golden age” for supercars.

Fully electric high-performance cars are definitely coming, but McLaren doesn’t believe they’re ready for market yet—mainly because batteries are too heavy and weight is the enemy of performance. And so, in the meantime, it’s all about combining EV tech with traditional combustion engines to make crazy-fast hybrids.

“We do see hybrid as being the dominant powertrain to the end of the decade, because we don’t believe EV technology is mature enough to deliver a full EV supercar that would be true to the DNA of our brand, which is about exhilaration, engagement and light weight,” Grose explains.

In the not-too-distant future, the Artura will be a kind of museum oddity, but right now it is one of the most ferociously exciting ways to hurl yourself around a race track because the power from its E-Motor punches you off the line and out of corners and then, faster than you can take breath, the twin-turbo V6 kicks in to spin you towards the stratosphere.

The combined power figure is 500 kW, which combines with the two different kinds of torque (McLaren describes the E-Motor’s job as providing “torque infill”, meaning there is never a flat spot) to produce 720 Nm. All of that grunt somehow gets to the ground through the rear wheels alone, which should make it a big hairy handful to drive, but this F1-bred company knows a thing or two about software and traction, and the electronics manage to make you feel in control at all times, with just a tiny touch of tail wagging now and then to also make you feel alive.

I have no problem at all believing the claims for the Artura’s zero to 200 km/h time of 7.2 seconds ( just ponder that for a moment; it takes some hot hatches that long to get to 100 km/h, a number the McLaren hits in 2.9 seconds), because I experienced it several times at Sydney Motorsport Park.

The Artura is capable of coming out of the last corner onto the long straight there like one of Space X’s more explosive rockets and you find yourself smashing past 200km/h less than a third of the way down. At this point you wonder whether 300 is possible (the car can easily exceed that number, of course), and perhaps it would be in a racing driver’s hands. My right foot became as nervous as my thudding heart at 260 km/h and I eased off, smacked its incredible brakes and hurled into turn one at 180 km/h.

It is at this juncture that the aero package on a vehicle like this really comes into its own. I was pretty sure I’d gone into the bend at a speed faster than my abilities, and this was confirmed when the Artura squirrelled underneath me, just enough to push my eyelids to the top of my skull, but this McLaren is so nailed to the ground that it just gripped, ripped and poured through the bend like liquid metal. It was wonderful, thrilling, entirely enervating.

Throw in its brilliantly sharp steering and an engine note from that 3.0-litre V6 that somehow manages to sound more angry and yet pleasant than any McLaren V8 before it and you’ve got one hell of a supercar. Soon, of course, engine notes like that will be gone, so soaking up this golden-age moment with several dozen more laps seemed the only appropriate thing to do.

Yes, a Ferrari 296 GTB, another super hybrid, is a bit faster, but the McLaren is more than quick enough, and it’s cheaper too, at $449,500.

And it’s a fair bet that it will be worth more than that in a few years. Yes, you really should buy one.

$449,500; mclaren.com

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Sitting on the Dock of Balmain

Is The Dry Dock Sydney’s Hottest New Pub Renovation?

By Belinda Aucott-christie 15/05/2024

At its peak, in the late 1890s, Balmain had 55 pubs. They were noisy watering holes that serviced thirsty hordes after a day’s labour at the suburb’s harbourside coal mine and shipyards. Today, Balmain is dotted with charming workers’ cottages set behind picket fences and stolid corner pubs, which have been converted into restaurants and homes.

One such establishment, the Dry Dock on Cameron Street, has undergone a multi-million dollar renovation. As an original public house built in 1857, it remains fixed in a local backstreet and offers a porthole to the suburb’s blue-collar roots.

Locals can still bring their dogs into the front bar, or retreat to the lounge to sit next to a crackling log fire. 

The renovation carried out by Studio Isgro and H&E Architects combines rustic touches—like the acid-etched sandstone exterior, exposed brickwork and beams  —with elegant light fittings, an incredible sound system and tasteful art. “It has a transportive, escapist quality, where you could be anywhere, or right at home,” says interior designer Bianca Isgro of Studio Isgro, who spent two years on the overhaul. Her team designed a modern gastropub on the site after gutting and stripping the building, which had been neglected for years. 

Founder and managing director James Ingram (ex-Solotel and Merivale) has assembled a warm, friendly service team that matches the pub’s character. He says his team has fought hard to preserve the pub’s long-standing connection to residents and to get the mix of old and new right.

“Balmain is home to so many devoted residents who are rightly proud of the suburb’s working-class roots,” says Ingram over a frothy beer in the warm-toned front bar.

“The Dry Dock has been designed to have that timeless feel that stands the test of time.” 

The large open kitchen features an oyster bar and serves French-style fare, delicious sides, and hot desserts. The wine list is on point, with something in every price range and a friendly sommelier doing the rounds. 

The kitchen is led by seasoned chef Ben Sitton, who previously rattled the pans at institutions including Felix, Uccello and Rockpool Bar & Grill. His kitchen faces a large dining room with unclothed tables, bentwood chairs, tumbled marble floors and exposed trusses that give it a contemporary feel.

The back of the room overlooks a walled garden, with a giant ghost gum at its centre and views of neighbouring residential fences. 

 

Chef Sitton says his team relishes the opportunity to cook from an expansive modern European repertoire with quality produce. The robust flavours and textures are centred around the smoky quality that comes from Josper charcoal grills, wood-fired ovens, and the rotisserie.  

You can order steak frites with charred baby carrots, or baked market fish with a cheesy, potato gratin.

The Peninsula Hospitality Group, the team behind Dry Dock, is now looking to expand its foothold in Balmain by opening at least one other venue.

Visit for the food, stay for the vibe.

The Dry Dock, Public House & Dining Room, 22 Cameron Street, Balmain, NSW 2041. P: 02 9555 1306; drydock.com.au

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How To Drink Salon, Guilt-Free with Nick Hildebrandt

Once-in-a-Lifetime Wines By The Glass Come to Melbourne’s Atria and Sydney’s Bentley Restaurant + Bar

By Belinda Aucott-christie 15/05/2024

Want to eat a succulent starter of pearl meat and smoked lime butter with a glass of 2013 Champagne Salon? Or sink your teeth into chef’s cut Tallow-age beef while sipping a silky glass of 2021 Bass Phillip Pinot Noir?

This month you can. 

All through May, wine-loving patrons can order such rare drops by the glass at Michael Greenlaw’s Atria at The Ritz-Carlton in Melbourne, and Brent Savage’s The Bentley Restaurant + Bar in Sydney. Think glasses of Margaux  for around $70 and Crozes-Hermitage for under $50.

These precious wines that never grace wine lists, let alone by-the-glass menus, are being offered at 50% below the expected by-the-glass price, courtesy of Coravin’s World Wine Tour. 

Coravin is the life-preserving wine tech that allows oenophiles to pour vintage wines without removing the cork. The patented needle and gas system allows for the extraction of fine wine, without exposing the precious vintages to ruinous oxygen.

“This is a great initiative,” says owner and sommelier Nick Hildebrandt from his dimly-lit ground floor venue The Bentley Restaurant + Bar.. 

“This May we have the opportunity to pour by the glass some of the world’s most sought after wines. Especially Champagne Salon, which is extremely rare, and my favourite Champagne of all time,” he says beaming at the thought of serving the scarce blanc de blancs.

“We have a large following of loyal wine lovers who come to our restaurants and they are super excited to taste these wines at a reasonable price.”

The smiling sommelier continues, “Our guests will have the opportunity to taste a selection of famous and rare wines in pristine condition without spending hundreds or, in some instances, thousands on a bottle.” 

Until the end of May, patrons can sample wines from a limited list expertly curated by Coravin, featuring local and international gems. Learn more about Coravin’s World Wine Tour here.

To book visit Atria or Bentley Restaurant + Bar

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Painted Black

Dion Lee is teaming up with Cho Cho San for an Australian Fashion Week event.

By Horacio Silva 10/05/2024

The more things change, the more things stay the same. Nowhere more than in the fashion world. Despite the vagaries of taste, black remains the go-to colour of choice. Fitting, then, that for next week’s Australian Fashion Week, the perennially black-clad media darling Dion Lee has partnered with Pott’s Point Izakaya joint Cho Cho San on a black-themed late-night ramen bar.

Lee, based in New York and not showing in Sydney next week, has worked with the restaurant to create a menu inspired by his inky, haute-industrial aesthetic and favourite flavours.

As part of the signature offering ($50pp) guests are offered “Dion’s Martini” on arrival (his take on the classic vodka drink spiked with a black olive, natch), a Tokyo-style shoyu ramen with shitake mushrooms, smoked daikon and crunchy tempura shiso leaf, and a winning black sesame and cocoa soft-serve ice-cream replete with black cone. (Trust us, it tastes infinitely better than it sounds.)

Lee rarely strays outside his fashion lane, but a little blackbirdie tells us to expect an announcement soon about a major new collaboration. Let’s hope it involves black ice cream.

Cho Cho San x Dion Lee: Late Night Ramen Bar

Available from May 13-16, 5pm to late.

Signature set: $50pp includes Dion’s Martini, Tokyo Shoyu Ramen and Black Sesame Soft Serve.

To book click here

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A New Chapter for Jaeger-LeCoultre’s ‘Reverso Stories’

A special Reverso exhibit arrives in Sydney this week.

By Josh Bozin 08/05/2024

Few watch enthusiasts would be unfamiliar with Jaeger-LeCoultre and its enduring Reverso collection. Since 1931, the Reverso has been celebrated as one of the great dress watches of the 20th century.

In recent years, the watch has gone from strength to strength—in 2023 alone, we received the new Reverso Tribute Chronograph, the impressive Duoface Tourbillon, and the slimmer Reverso Tribute Small Seconds—capturing the imagination of casual observers, collectors, and those looking to scale the horological ladder.

Jaeger-LeCoultre
Jaeger-LeCoultre

It is also part of the cultural conversation thanks to exceptional branding experiences, such as ‘Reverso Stories’, a travelling experiential trunk show. Jaeger-LeCoultre is again summoning its movable experience to Australia, this time in the heart of Sydney’s CBD. For a limited time, eager fans can glimpse the Reverso collection up close via a multi-sensory exhibition tracing the history of this remarkable timepiece.

Presented in four chapters ( Icon, Style and design, Innovation, and Craftsmanship), the Reverso story will be told through the lens of Jaeger-LeCoultre’s expert watchmakers, who combine nine decades of craftsmanship, inventiveness, and design into one interactive experience.

As a bonus, guests will be privy to a large-scale art installation by Korean artist Yiyun Kang—commissioned by the Maison under its ‘Made of Makers’ programme—and the launch of three exceptional new Reverso timepieces, yet to be revealed. These watches will showcase skills such as enamelling, gold-leaf paillonage, and gem-setting, mastered by the manufacturer’s in-house Métiers Rares (Rare Handcrafts) atelier.

Jaeger-LeCoultre
Jaeger-LeCoultre

Completing the immersion into the spirit of Art Deco, guests will be able to enjoy a complementary refreshment post-experience at the pop-up Jaeger-LeCoultre 1931 Café.

‘Reverso Stories’ will be held in Sydney’s Martin Place from 10–19 May 2024. It will be open daily from 9 a.m. to 7 p.m. (and 5 p.m. on Sundays) and free to the public. Visitors are welcome to book online here or register upon arrival.

For more information, visit Jaeger-LeCoultre.

 

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Thanks to Coravin, You Can Order the World’s Best Wines by the Glass

The Coravin World Wine Tour offers foodies exceptional wines by the glass at two Australian restaurants.

By Josh Bozin 15/05/2024

Before 2013, the idea of preserving (expensive) wine was a real issue for wine connoisseurs, professional and otherwise. That was until Greg Lambrecht stepped in.

To save exceptional wine from spoiling, the American inventor created the Coravin, a preservation and pouring device that extracts wine from the bottle without compromising its taste or pressure. In other words, if you wanted to enjoy a glass of that Cabernet Sauvignon from Bordeaux you’ve been saving but don’t want to finish the entire bottle, you wouldn’t put a silver teaspoon in the bottleneck and hope for the best. You’d use a Coravin.

“It’s always been my dream to enable wine lovers to drink whatever they want, whenever they want, in the quantity that is right for that moment,” Lambrecht tells Robb Report. “Some nights, that may be just one or two glasses from an incredible bottle of wine or maybe treating yourself to a fine Champagne, and with Coravin you can do this without feeling the pressure to finish the bottle or risk of throwing wine away when it’s past its prime.”

Coravin changed the game and is arguably one of the best advancements in modern Oenology. It has become a mainstay in the wine and hospitality industry globally, with most top-end restaurants and sommeliers utilising of its many iterations to service varied worldly wines.

Today, 11 years later, Coravin celebrates its achievements in the wine industry with an official, inaugural Coravin World Wine Tour. Wine connoisseurs who dream of tasting some of the best wines from around the world at almost 50 percent below the standard price, take heed.

For the month of May, patrons can sample wines from a limited list expertly curated by Coravin. The list features local and international wines of recognition that rarely grace restaurant lists, let alone by-the-glass.

Bentley Restaurant in Sydney and Atria at The Ritz-Carlton Melbourne will be serving customers exceptional, high-profile wines by the glass using the innovative Coravin wine serving system until May 31st. If you fancy indulging in some of the world’s rarest wines, such as Champagne Salon ‘S’ Blanc de Blanc Brut 2013—which retails for $3,800 a bottle and will be served by the glass exclusively at Bentley—or scarcely available Australian wines such as Bass Phillip Pinot Noir 2021 and Bass Phillip Chardonnay 2021, this is your chance.

“A notable trend in the industry is many venues are starting to offer alternative pour sizes, to suit single diners or tables of two better. This is to ensure a more comprehensive wine experience at the venue, without needing to commit to a full bottle or wines that are not available in a half bottle format,” says Sean Lam, head sommelier at Atria.

“Coravin technology enhances the traditional wine-tasting experience and elevates the overall dining journey. At Atria, for example, we can offer side-by-side a Margaret River Chardonnay, Mornington Peninsula Chardonnay and a Premier Cru Chablis, and all three wines are in peak condition.”

Christopher Tan, director at Bass Phillip, adds that it’s a privilege to contribute to Coravin’s first World Wine Tour. “We are talking about wines that would be the envy of any serious wine collection, so it’s outstanding to see these being served in restaurants, let alone by the glass.”

Atria Melbourne

In addition to Australia, the Coravin World Wine Tour will also run in the UK, Italy, and France. To experience this special Coravin first-hand, Sydneysiders can make a reservation at Bentley Restaurant + Bar and Melburnians at Atria at The Ritz-Carlton anytime this month.

For more information, visit Coravin.

 

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