Homage to Patagonia

It’s been immortalised in literature and on film—join us as we follow Che Guevara’s footsteps and tackle a rugged Andean passage from Argentina to Chile.

By Mark Johanson 21/03/2025

There’s a point near the start of Che Guevara’s classic travelogue The Motorcycle Diaries when the young Marxist revolutionary crosses from his native Argentina into the unknown wilderness of Chilean Patagonia. “What do we leave behind when we cross each frontier?” he asks as he embarks on a nine-month quest to check the pulse of South America. “Each moment seems split in two; melancholy for what was left behind and the excitement of entering a new land.”

This scene, set in the remote Andes in 1952, gets limited page time in Guevara’s scrappy coming-of-age memoir, which his family released posthumously in 1992. Yet in the Walter Salles film of the same name, which came out in 2004, it’s the moment that really propels the narrative into action. Guevara (played by Gael García Bernal), who was a medical student at the time, and his companion, biochemist Alberto Granado (Rodrigo de la Serna), sail across a fjord-like lake, then travel onward into Chile, their motorcycle dwarfed by granite peaks as they navigate snowy roads.

I remember watching The Motorcycle Diaries 20 years ago on an art-house screen in Washington, D.C., and being struck by those images; the frosty Patagonian forests were so different from what I’d imagined South America to look like. The colour of that lake—teal and radiant, like liquid peacock feathers—lingered in my mind. I moved to Chile 10 years later but let another decade slip away before I decided to cross those same Andes myself.

Until recently, it wasn’t practical for American tourists to follow Guevara’s path by starting in Argentina; they were better off going in reverse, beginning in Chile and crossing into Argentina, then back again. Now it’s possible to streamline the journey by flying into Bariloche, Argentina, traversing the Andes by land and water—the way Guevara did—then flying to the Chilean capital of Santiago via El Tepual Airport. Not only is the transport smoother, allowing more time in the northern Patagonian wilderness, but there are also now several alluring hotels in the newly tony towns on either end.

I fly to Argentina on the first day of the austral fall. The jet is packed with Brazilians in parkas, eager for the snow their own country largely lacks. Yet, when we land at Bariloche’s small airfield on the northwestern edge of the Patagonian steppe, we find butterscotch plains, scrubby hillocks, and aggressive sunbeams. It’s not until about an hour later, when I arrive at my hotel, Villa Beluno, that I enter the leafier, loftier Patagonia of popular imagination.

Ranging from 936 square feet to more than 1,700, the 13 suites of Villa Beluno, the first true luxury hotel to open here since 1940, overlook Nahuel Huapi National Park and its namesake lake west of downtown Bariloche. Not far away is South America’s largest ski resort, Catedral Alta; squint a bit and this could be Switzerland. Bariloche’s earliest European settlers—many of whom were Swiss—even imported their fondness for chocolate, fondue, and chalet-style architecture.

The spa’s indoor-outdoor swimming pool at Villa Beluno in Bariloche, Argentina.
Rocio Sosa

Cristina Lopez, the chef-owner of Villa Beluno, says that Bariloche, like many global mountain towns, boomed during the pandemic, swelling by about 35,000 people to 160,000. The new arrivals, mostly from Buenos Aires, brought with them traffic and housing problems but also art galleries and ambitious culinary projects, including the new tasting-menu restaurant Quetro, which seats 12 guests around an open kitchen. Add in more than two dozen craft breweries—many, including Cerveza Patagonia, with sweeping lakefront terraces—and it can be tempting to plant roots. But I didn’t come to Patagonia to stay still.

Guevara made his journey on a Norton 500 motorcycle; opting for a more active adventure, I will do several stages by e-bike. But first, before I hop in the saddle, I need to cross to the far side of Lake Nahuel Huapi.

Was it destiny that led Nahuel the boy to make Nahuel the park his life’s work? He thinks so. Nahuel Alonso’s mother, Patricia Barnadas, named him for the park sight unseen, brought him here on vacation when he was 5, and two months later traded their home on Ibiza, for the sinewy island of Victoria, at the heart of Lake Nahuel Huapi. Today, Alonso is the founder of Esencia Travel, a B-Corp–certified tour operator. Esencia has charted my path across the border, which will deviate slightly from Guevara’s in order to avoid the more populated tourist route that has sprouted since the revolutionary’s era.

“I love bringing people back to the place where I grew up because it’s like I’m returning to my kingdom to play,” Alonso says, noting that the name he shares with this park means “puma” in the Indigenous Mapudungun language (and was a rather unconventional choice for a kid born in Spain).

Alonso spent his formative years on Victoria Island, in the mint-green home of the park ranger who became his stepdad, roaming the vast Nahuel Huapi like an aspirant Robinson Crusoe. He crafted his first sailboat at age 7 and started hunting for dinners soon after. There was no school, so Barnadas started one for him. Six other kids attended when they weren’t fishing, hiking, or biking.

The rock-face walls of Victoria Island in Lake Nahuel Huapi.
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Alonso still enjoys the latter, so together we cycle over to his old school. Dirt paths cut through a dense forest of coigue trees, where the world’s largest woodpeckers tap their scarlet heads. High-touch clients including Richard Gere, Gisele Bündchen, and the Obama family have joined Alonso for trips here; when Al Gore passed through Victoria 

One of Esencia’s roaming chefs, Pedro Martinet, prepares a lunch of cured deer, pickled trout, and Patagonian Pinot when we arrive at a nearby beach, Bahía Totora. We dine barefoot at a table placed in ankle-deep water. It’s the third day of autumn, but summer still clings to the land. The glaciers of Monte Tronador shimmer under sunbeams in the western sky as teenagers splash in the frigid meltwaters of the neighbouring bay. Guevara, after swimming in the same locale, wrote that it felt as if “fingers of ice were gripping me all over my body,” but the modern-day teens seem to enjoy it just fine. Island in 2013, Alonso helped him plant a coigue next to the school. “I grew up in a park-ranger family,” he explains. “So, for me, it’s been a life process to be a host.”

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Biking on Victoria Island. Rocio Sosa

Leaving Victoria Island, I skip the sardine-packed crowds of the bus-and-boat tour across Puerto Blest and instead roll my e-bike onto Alonso’s 48-foot power catamaran for the first leg across Nahuel Huapi. The lake is shaped a bit like an octopus, and our destination, Villa La Angostura, is about an hour’s ride down one of its northern tentacles.

We dock at sunset at Hotel Las Balsas, a Relais & Châteaux property with a distinctive twilight-blue facade. The hotel’s main building is wood-clad, cozy, and a bit creaky, warmed by a central hearth and blanketed in the darkly expressionist art of Argentine painter Alfredo Prior. I opt instead for one of Las Balsas’s new villas, opened earlier this year, so I can sleep suspended amid the forest in a modernist glass cube.

Warm pickled trout and wild asparagus prepared on the beach by Esencia chef Pedro Martinet.
Rocio Sosa

Cerro Bayo, another peak with a ski resort, carves an angular silhouette along the horizon when I awake the following morning. Below it, the diminutive town of La Angostura has an everyman air that belies the wealth of its residents, like an Argentine Jackson Hole. On the same bay as Las Balsas sits the home of former president of Argentina Mauricio Macri. Queen Máxima of the Netherlands frequently vacations at the Cumelén Country Club, a gated community one bay to the east whose multimillionaire residents pull the levers of the Argentine economy. Guevara would surely spin in his grave.

The next day, to save—and a whole lot of uphill pedalling—I swap two wheels for four to cross into Chile. Barnadas, Alonso’s mom, takes the driver’s seat for the three-hour car journey, which begins with a trip up to the border post at 4,300 feet, skirting the disaster zone of one of the largest volcanic eruptions of the 21st century. Barnadas says that when Chile’s Cordón Caulle fissure blew in 2011, she first thought that the ash blanketing her lawn in Bariloche was snow. “It took us months to clean up the mess,” she says. As we depart Argentina, reminders of that eruption are all around us, including forests burnt to sticks and dunes of steel-grey ash.

Aboard Esencia’s catamaran on Lake Nahuel Huapi.
Rocio Sosa

Barnadas passes me a gourd of the herbal drink yerba maté, and we wind onward, down the far side of the Andes. It’s clear almost immediately that the air in Chile is wetter, thicker, cloudier. The forests, too, take on Lord of the Rings qualities, draped in fungi and mosses. “It’s wild to me how, in just a few kilometers, crossing what is really just a theoretical line, you actually feel like you’re in another country,” says Barnadas, her long silver hair flapping out the window.

We reach flat terrain near Llanquihue, a lake so vast it resembles an inland sea. Perfectly conical volcanic peaks, dusted in snow, rise like sentries across the horizon. I part ways with Barnadas at the cow town of Las Cascadas, linking up with Chile’s longest bike path—56 miles in total—for a ride around the lake’s edge, to Hotel Awa.

This all-inclusive adventure lodge, my final stop, appears from the outside like a cold concrete brutalist building, but the 25 rooms all welcome in light and nature with floor-to-ceiling windows that frame the Osorno Volcano. “Reinforced concrete allows for large openings that can bring the outside in,” explains architect and owner Mauricio Fuentes, who built Awa on the site of his family’s vacation home. “It’s a very rationalist architecture because the building had to be a link between shelter and landscape, so that the lake and volcano are the protagonists.”

Hotel Las Balsas, near the small town of Villa La Angostura on Argentina’s Lake Nahuel Huapi.
Rocio Sosa

Fuentes covered the interiors in cypress and native alerce wood, adding warmth to balance the concrete. Rooms also have fireplaces, handsome furnishings, and fluffy Mapuche blankets, on top of which poems by Pablo Neruda arrive each night along with chocolates.

One of Las Balsas’s modernist villas.
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The hotel lies east of the resort town Puerto Varas, which was settled in the 19th century by Germans. These early immigrants shingled their homes with alerce wood, giving the downtown its storybook aesthetic. Like Bariloche, Puerto Varas boomed during the pandemic with remote white-collar workers fleeing the capital. They’ve since opened cultural centres including the Centro de Arte Molino Machmar, which features art exhibitions, theatre performances, and a cinema, plus Chilean wine bars such as La Vinoteca, all while driving real-estate prices to some of the highest in the Southern Cone.

“When I was little, Puerto Varas was so small that people from Santiago had no idea where I was from,” recalls Awa’s commercial manager, Susan Espinosa, who grew up speaking German at home. “During the pandemic, everyone from the capital bought land here and settled along the lake. In that first year alone, 1,000 lots were sold. So now everyone knows of Puerto Varas.”

Designed by its architect owner, Chile’s Hotel Awa combines a brutalist concrete architecture with comfortable furnishings and floor-to-ceiling windows for stunning views.
Rocio Sosa

It’s a rare bluebird day when I awake the next morning, so I meet with guide Jorge Gomez to plot a trip up the Calbuco Volcano. It last erupted in 2015 and speaks to the more volatile nature of these Chilean Andes. An hour later, we’re off on foot, following an old lava flow for 10 miles as it carves a black scar through the temperate rainforests.

Awa’s spa.
Rocio Sosa

Gomez is a bespectacled human textbook who literally wears a feather in his cap. As we walk, he lets loose a barrage of facts—mostly about his favorite tree, the alerce, which is indigenous to this region alone (hence its other moniker, Patagonian cypress). Recent studies have found that alerces have such astounding longevity that one just north of here may be 5,486 years old, which would make it the oldest living tree on Earth.

We dip in and out of dense forests before reaching a lookout at the base of Calbuco. Gazing at its non-conical summit—it bows in the middle, cradling a patch of fresh snow—only fuels my desire to get closer to that other volcano, Osorno, which has loomed large outside my window since I arrived. So, the next morning, Gomez and I pedal e-bikes to Vicente Pérez Rosales National Park, where the weather is characteristically ominous. Within the hour there are showers and strong gales. When we arrive at the volcano’s base, Gomez says that, for safety reasons, we shouldn’t venture higher than its relatively low-altitude “red crater,” one of about a dozen cavities that pockmark its slopes.

Hotel Awa appears to hover over Lake Llanquihue; Chilean hazelnut-crusted trout with tomato risotto, glazed organic carrots, and coral sauce at the hotel.
Rocio Sosa

The path rises skyward through a lunar landscape of slate-gray scree, with no vegetation in sight. When we reach the crater, all we can make out are the iron-laced rocks beneath our boots, which look like petrified pomegranates. “We should be viewing the summit of Osorno,” Gomez says, pointing through the mist to the northern sky. “And over there,” he adds, pointing east, “would be Tronador.” It’s the same mountain I saw back at Victoria Island, its glaciers gleaming in the Argentine sun.

Climbing the Calbuco Volcano in Chile.
Rocio Sosa

Down below, along the shores of Lake Todos los Santos, we let the howling winds dry our clothes. This very spot, it turns out, is where Guevara first rolled his motorcycle into Chile. The narrow channel is still teal-coloured and radiant, and it’s as cloudy and ominous as it was on that movie screen 20 years ago.

Todos los Santos can’t look much different today than it did when Guevara passed through back in 1952. In the end, I suppose that’s the beauty of northern Patagonia. Yes, the small villages on either side of the border have grown into posh resort towns, but the Andean in-between remains as it has always been: raw, feral, and unpredictable.

“Perhaps one day, tired of circling the world, I’ll return to Argentina and settle in the Andean lakes,” wrote Guevara of his “profound longing” to come back to this region. “Only the Amazon jungle,” he said, “called out to that sedentary part [of me] as strongly as did this place.” Of course, his yearning for a simpler life in these mountains was not to be, as any history book will explain. Yet to travel here is to understand how easy it is to become enchanted by such a dream.

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Omega Just Unveiled 9 Watches in Its New Constellation Observatory Collection

The line-up shows up a bevy of metals and colours, too, as well as two new calibres.

By Nicole Hoey 31/03/2026

Omega’s latest watch is in a universe of its own.

The Swiss watchmaker just unveiled its new Constellation Observatory Collection today, the next step in its Constellation lineage and the first two-hand hour and minute timepieces to ever earn Master Chronometer certification. And if you were paying attention to any of the dazzling watches spotted at the Oscars this year, you would’ve caught a glimpse of the new line already: Sinners star Delroy Lindo rocked one of the models on the Academy Awards red carpet, giving us a pre-release preview of the collection.

Developed at Omega’s new Laboratoire de Précision (its chronometer testing lab open to all brands), the collection houses a set of nine 39.4 mm watches. The watches underwent 25 days of scrutiny there, analysed via a new acoustic testing method that recorded every sound emitted from the timepiece to track irregularities, temperature sensitivities, and more in the name of all things precision. (Details such as water resistance and power reserve are also thoroughly examined.) This meticulous process is all in the name of snagging that Master Chronometer label, meaning that the timepiece is highly accurate and surpasses the threshold for ultra-high performance. The Constellation Observatory Collection has now changed the game, though, thanks to its lack of a seconds hand.

A watch from the Constellation Observatory Collection, with the Observatory dome on display. Omega

“Until now, precision certification has required a seconds hand,” Raynald Aeschlimann, president and CEO of OMEGA, said in a press statement. “The development of a new acoustic testing methodology has made that requirement obsolete. It is this breakthrough that has enabled us to present the Constellation Observatory, the first two-hand watch to achieve Master Chronometer certification.”

In addition to notching its place in history, the collection also debuted a new pair of movements: the Calibre 8915 and the Calibre 8914, each perched on a skeletonised rotor base. The former’s Grand Luxe iteration will appear on the 950 Platinum-Gold model in the collection, which offers up that base in 18-karat Sedna Gold alongside a Constellation medallion in 18-karat white gold with an Observatory dome done in white opal enamel surrounded by stars. The second Calibre 8915, the Luxe, will find its home on the other precious-metal models in the line, either made with the brand’s 18-karat Sedna, Moonshine, or Canopus gold seen across the case, the hand-guilloché dial, and, of course, the movement itself. (Lindo chose to rock the Moonshine Gold on Moonshine Gold iteration, priced at approximately $86,000, for Sinners‘s big night at the Oscars.) As for the Calibre 8914, it can be found in the collection’s four steel models.

 

Omega Constellation Observatory Collection
A look at a gold case-back from the collection. Omega

Each model is a callback to myriad design features on past Omega models. That two-hand dial, for one, comes from the 1948 Centenary (the brand’s first chronometer-certified automatic wristwatch), while the pie-pan dial (seen in various blue, green, and golden hues throughout the line) and that Constellation medallion caseback both appear on watches from 1952. The star adorning the space above 6 o’clock also harks back to 1950s timepieces from Omega. And to finish off the look, you can opt for alligator straps in a variety of colours, or perhaps a gold iteration to match the precious-metal models; the brick-like pattern on the 18-karat Moonshine bracelet was also inspired by Omega watches from the ’50s.

We’ll have to keep our eyes peeled for any other Constellation Observatory timepieces (or any other unreleased models from the brand) at the rest of the star-studded events headed our way this year—perhaps the Met Gala?

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Best Combustion Supercar: Ferrari 12Cilindri Spider

A modern classic in the making, combining naturally aspirated power with elegant restraint to deliver performance that feels as refined as it is visceral.

By Vince Jackson 20/04/2026

In a year when carmakers of all persuasions sheepishly extended hyperbolic electric targets, it’s fitting that the monastic puritans of Maranello—who, lest we forget, won’t finally yield to the sin of battery power until October with the Elettrica—opted to make combustion their major power play.

As an uncertain future of AI omnipresence barrels towards us, the 12Cilindri—an analogue, open-topped tribute to Ferrari’s late-’60s/early-’70s grand tourer, the Daytona—represents a defiant fade into the past, a pause for breath, a fleeting return to The Good Times when nascent technology provoked excitement rather than existential dread.

Guiding this automotive nostalgia trip is, as the nomenclature suggests, a naturally aspirated 6.5-litre V12 engine, generating an unceasing wave of power as it sears towards the 9,500 rpm redline with relative nonchalance. That’s because the 12Cilindri is not a mouth-foaming attack-dog. It scales performance heights with the refinement of the finest Italian works of art; its “Bumpy Road” mode facilitates comfy al fresco GT cruising, and even the imperious powerplant is mannerly at most speeds.

For all the yesteryear romance, progressive technologies and engineering, such as a world-class 8-speed transmission, advanced electronic aids and independent four-wheel steering, are baked into the deal. The 12Cilindri’s clean, stark design somehow toggles between retro and modern; and while vaguely polarising, one can’t ignore its magnetic road presence.

In terms of aesthetics, Ferrari describes the 12Cilindri as being “ready for space”; in many ways, a fantasy vehicle that transports users to another dimension is probably what the world needs right now.

The Numbers

Engine: 6.5-litre V12

Power: 610kW

Torque: 678 Nm

Transmission: 8-speed dual-clutch auto

0-100 km/h: 2.95 seconds

Top speed: 340 km/h

Price: From $886,800

Photography by SONDR.
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Inside Loro Piana’s First Sydney Boutique

A first Australian address brings the Italian house’s textile-led approach to retail full circle.

By Horacio Silva 26/03/2026

On the fourth floor of Westfield Sydney, near the Castlereagh and Market Street entrance—in the space formerly occupied by Chanel—Loro Piana has opened its first Australian boutique. It is a significant address change for that corner of the mall, and a meaningful one for the Italian house, which has sourced Australian merino wool for decades but until now had no retail presence here.

The facade is understated—creamy, tactile, more about texture than theatre. Inside, the store unfolds across a single, expansive level divided into distinct men’s and women’s wings. The separation is clear without being heavy-handed: womenswear leads from soft accessories and leather goods into ready-to-wear, while menswear occupies its own assured territory, with tailoring and outerwear given proper breathing room. Footwear (supple loafers, luxurious slides, pared-back sneakers) is particularly strong, and the sunglasses are a quiet standout: mineral-toned frames with a disciplined elegance that feels entirely of the house.

That same restraint carries into the interiors, where the surfaces do much of the talking. Walls are wrapped in the company’s own linen and cashmere; carpets are custom, dense underfoot, softening the acoustics and the pace. Oak and carabottino wood add warmth without fuss; marble accents introduce a cool counterpoint. The effect is a composed space calibrated around material, proportion and restraint.

The Spring 2026 collection now in store underscores that sensibility. Silhouettes are elongated and fluid; cashmere, silk and featherweight merino move in sandy neutrals, creams and muddied earth tones, with flashes of marigold and pale turquoise breaking the calm. Tailoring is softly structured and projects confidence without aggression. Leather goods arrive in buttery skins that feel almost pre-lived, as though time has already worked its magic.

What distinguishes Loro Piana, particularly in a market that has grown noisier by the season, is its refusal to perform luxury in an obvious register. There are no oversized insignias telegraphing allegiance. Instead, the status is encoded in fibre count, in hand-feel, in how a coat hangs from the shoulder. It assumes the wearer knows and, crucially, does not need to announce it.

Sydney’s luxury landscape has matured in recent years; global houses no longer test the waters but commit to them. Yet Loro Piana’s arrival feels different. It is not trend-driven expansion but material logic. For a country whose sheep stations have long contributed to the house’s fabric story, this boutique reads almost as a thank-you note written in cashmere.

 

Photography: Courtesy of Loro Piana.

 

 

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This Stylish, Water-Resistant Dopp Kit Might Be the Last One You Ever Buy

Patricks’s limited-edition wash bag is designed to keep liquids in and out, so it can come along wherever your travels take you.

By Justin Fenner 11/03/2026

If all you’re going to do is look at it, a leather Dopp kit from a fashion house is a fine choice. But if you take travelling seriously—and do it often, for business, pleasure, or both—such a bag will inevitably end up blemished with droplets of water or stained by errant flecks of toothpaste. Get stuck with a cavalier team of baggage handlers, and it can even get soaked in your favourite fragrance or anti-ageing serum.

But Patricks, the high-performance Australian grooming brand stocked in Harrods and Bergdorf Goodman, has a solution. Its limited-edition bathroom bag, called BB1, is purpose-built to protect everything inside and out. Conceived by industrial designer George Cunningham with brand founder Patrick Kidd, the cuboid design is executed in a water-resistant recycled nylon you can rinse clean. It’s lined with a thin layer of shock-absorbing foam to safeguard your products, but if a bottle somehow gets cracked in transit, the two-way water-resistant zippers and sealed seams (which keep liquids from seeping in or out) ensure that whatever leaks won’t ruin your cashmere. Inside, two dual-sided zippered compartments are ideally sized to fit toothbrushes, razors, and other small essentials.

And though its clean lines and rugged construction make it undeniably masculine, its greatest feature is borrowed from women’s makeup bags. Like the best of these, BB1 unzips to lie flat, giving you unobstructed access to everything inside. Well, you and the 999 other gentlemen who move fast enough to snag one. $289

Courtesy of Patricks

1. Hanging Loop 

The G-hook system isn’t just a stylish handle: You can also use it to hang the bag from a hook or secure it to your carry-on.

2. Two-Way Zipper

The closures are water-resistant in both directions, meaning liquids won’t get in or out.

3. Fold-flat Construction

BB1 opens to 180 degrees, letting you scan its 4.2-litre capacity at a quick glance.

4. Technical-Fabric Shell

The durable recycled-nylon is easy to maintain and woven to survive splashes and leaks from your go-to products.

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You Can Now Place Bets on the Future Prices of Rolex Models

And which models will get discontinued next, thanks to a new collaboration between Kalshi and Bezel.

By Nicole Hoey 11/03/2026

You can bet on pretty much anything these days, from when Taylor Swift and Travis Kelce will get married to who will be the next James Bond—and now that includes the Rollies on your wrist, or on your wishlist.

Prediction market platform Kalshi, regulated in the U.S., and luxe watch marketplace Bezel have teamed up on a new platform called Watch Futures that allows users to splash down cash on where they think the prices of a particular luxe timepiece are going, whether that’s a Rolex Submariner or a coveted Patek Philippe, Time & Tide reported.

You can also place a wager on which models might be discontinued, as well as any future launches from the top watchmakers on the new platform; with Watches and Wonders coming up, it’s certainly a well-timed launch that could see a lot of activity as a slew of new releases are announced at the event.

Watch Futures is all based on Beztimate, Bezel’s system (once used only internally) to help it accurately calculate the market price of a timepiece. It draws data from real-time transactions, live bids, verified sales, and other market offers to spawn its own series of independent valuation models to establish a watch’s value. From there, it’s up to bettors to place their wagers, and then the platform will showcase any price fluctuations or other updates as time goes on.

This new platform could have some pretty large implications for the watch industry.  As any horological savant would know, the internet and collectors alike are constantly chattering about which models are on the way out or when a certain timepiece of the moment’s time in the limelight will fade, of course, having a large impact on the prices of said model. And now, a Watch Futures user can have a direct stake in where a model is headed—and if they own said timepiece, it can be a protection from dwindling values on the marketplace, say, if a user places a bet on their model losing value and that actually comes to fruition.

To see Watch Futures in real time (and scope out how some pieces in your collection are faring), you can use the Kalshi app or its website.

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