How a Grandmother’s Fascinating Life Story Inspired a Luxe New Resort in Morocco

On Morocco’s wild Atlantic coast, two siblings have built a stylish hotel in tribute to their grandmother, the model and muse Antonia Fiermonte. And the backstory is as beguiling as the property.

By Mark Elwood 06/01/2025

In the early 20th century, a poor, beautiful brother and sister hatched a plan to escape the confines of their hometown Bari, the capital of Italy’s Puglia region. The brother had an athletic streak, and his headstrong, creative sister knew she was destined for more than a life as just another mamma in a run-down shack. The brother, Enzo Fiermonte, became a champion boxer. When he moved to America, he adopted the occasional sobriquet William Bird—the better to sidestep the prejudice against his Italian origins. This led him to Hollywood, where he starred in countless movies and married one of the richest women of the day—the Titanic widow and survivor Madeleine Astor—making him even more famous. The sister, Antonia, ended up in Paris, where she bewitched the surrealist-dominated cultural scene. Though a talented painter herself, she became better known as a model and muse, especially for two best friends, artists René Letourneur and Jacques Zwobada.

Antonia Fiermonte holding the Filalis’ mother, Anne.

Both men fell in love with her; she married each of them in turn, and they lived in a ménage à trois in adjoining homes just south of Paris. But Antonia died young, at 42, too early to have left the impression she yearned to make.

Nearly a century later, another pair of siblings—Antonia’s wealthy and well-connected grandchildren—are working tirelessly to give her that lasting legacy. The brother, Fouad Filali, is the former CEO of Morocco’s largest conglomerate, ONA, which he ran for 13 years until 1999. King Mohammed VI is his former brother-in-law. (Fouad was married to the monarch’s older sister, Princess Lalla Meryem, for 15 years.) Fouad’s sister—Yasmina Antonia Filali, who’s named for their grandmother—is a passionate philanthropist who has spent most of her adult life running her own nonprofit, the Fondation Orient-Occident, which assists low-income women and refugees on both sides of the Mediterranean. They idolise their grandmother, and even though she died before they were born, they believe she deserves to be celebrated. “Everybody looked at me when I was young, and said, ‘You look like her, and you have the same character,’ Yasmina says. “I feel totally connected to her.”

The siblings now in their 60s treat the hotel as a community development project.

The link is so strong that the pair started a hotel collection, named La Fiermontina in their grandmother’s honour, as a living tribute to her. They granted Robb Report exclusive access to the newest location in their portfolio, in Larache, Morocco. The hotel, La Fiermontina Ocean, joined outposts in Paris and Lecce, Italy—a chic apartment available to rent on the Place Vendôme and three separate properties not far from the Adriatic Sea, respectively—when it opened in 2023. The idea behind the grouping: “Let’s recreate her story with a little collection of hotels, following her journey around the world,” says Yasmina.

But they want the company to act as more than just an expensive memorial. The siblings aim to help poor women—women like their grandmother—to improve their lives. “We think about hospitality and philanthropy together,” Yasmina continues. “It’s how we breathe.”

The unspoilt landscape of Larache, Morocco convinced Yasmina and Fouad Filali to start vacationing here 30 years ago.

La Fiermontina Ocean is the most extensive expression of that objective. It includes a complex of 14 luxury villas on Morocco’s wild Atlantic coast, 11 of which have ocean views and private pools. All of them are cannily angled to minimise the overlook from the other lodgings and are filled with minimalist, midcentury-inspired furniture. Some of the embroidered linens on the beds and in the bathrooms were produced by a nonprofit cooperative that’s part of Yasmina’s foundation. The landscape is punctuated by acres of mature olive groves—mostly trees brought in from Marrakech. There’s even a stand-alone beach club tucked under the dunes and accessible by a thrilling, hold-the-handrails journey down from the hotel.

But this isn’t some bubble of luxury, detached from its surroundings. The rest of the resort is located in the village of Dchier, next door to those villas; the siblings built the resort’s treatment rooms and hammam here intentionally, to encourage their predominantly foreign guests to engage with local people.

The breakfast-at-home program offers a genuine taste of the local culture.

“I want to revive life here,” Fouad says from the driver’s seat of his Jeep, looking around at the town’s dusty road. It’s one of Morocco’s poorest areas. The previous king, Hassan II, focused attention (and investment) farther south, allowing both the commercial hub of Casablanca and the tourist magnet of Marrakech to boom. In contrast, when Fouad started buying land here 21 years ago, several villages in the area lacked plumbing. “How could I have a house here with a swimming pool when they don’t have running water?” he recalls thinking as he watched women carrying pails into their homes.

Fouad has erected other structures in Dchier and elsewhere nearby, doubling the number of classrooms here and in the three surrounding villages. For the hotel, there are simple rental cottages, aimed at a more mass-market clientele than the oceanfront villas, and a café. Rows of herbs in stepped gardens—used for tea service at the hammam, among other things—are tended by a team of workers. He has just reconstructed a small building in the centre of town and will lease it to a local to run a bodega-like épicerie soon, an alternative to the long walks to the market most have to make now.

A modernist villa called Airy is decorated with local craftworks.

The pair spent two years training residents to work at the hotel, to ensure that they benefitted directly from increasing tourism. That’s also the idea behind the breakfast-at-home program, which costs 450 dirham (around $70) per person: all of the money goes straight to the neighbourhood woman who invites you into her house for your first meal of the day, with a member of hotel staff joining as a translator—the better to prompt conversation.

The squat breakfast table of my host, Rahma, is piled high with food: crumbly, homemade pastries dusted with sugar; a fragrant dish of locally grown olives; slabs of swirled chocolate cake; and platters of various flatbreads, all still warm from the oven. There’s a bowl of amlou, made from almonds and argan oil, runny and not dissimilar to peanut butter and especially delicious slathered over the bread.

The centrepiece is a tureen of the thick bean soup bissara, a regional breakfast staple that’s drizzled with local olive oil. The entire meal is served in Rahma’s courtyard as chickens peck nearby and a few cats sidle past, casually eyeing the spread. A quartet of children sit to one side, giggling and glancing furtively at the food while their mother continues to cook, bobbing over to the table to pour more thimbles of mint tea. “When they open their house as your hostess, it gives them dignity, it makes people more equal,” Yasmina says.

The hotels menu mines the siblings’ heritage for inspiration as with this traditional Italian dish of seared prawns

Like their grandmother, the village girl from Italy’s dirt-poor south who morphed into a sophisticated Parisian muse, the siblings’ identities are hard to pin down. Their mother, Anne, now in her 90s and living in Paris, is their grandmother’s only surviving child. Anne married Abdellatif Filali, a Moroccan student who went to France to escape the unrest in his home country in the early 1950s. At first, they didn’t even speak the same language, “but they understood each other without talking to each other”, Fouad says with a shy smile. Filali eventually became a diplomat and, in 1994, he was appointed prime minister of an independent Morocco.

As a result of their Italian-French-Moroccan heritage, Fouad and his sister slip between cultures, sliding among names and languages. Yasmina toggles between her first and middle names depending on where she is in the world. Fouad is officially Fouad-Giacomo Filali, or Jacques in France—he has even been referred to in the press (incorrectly) as Giacomo Fiermonte. It’s telling how much he stresses that he prefers to be known as Fouad, a traditional Middle Eastern name, while in Morocco. Wherever they are, they want to belong.

It makes sense, then, that Fouad will slip into Arabic to talk with the hotel’s staff, or speak Italian to the jolly, bearded twentysomething chef, Antonio Gianfreda, who has just arrived from Italy. In fact, the menu at La Fiermontina Ocean nods to that cultural commingling: for one meal, a fish tagine spiked with fat, locally grown green olives; for another, a crispy pizza fresh from a wood-fired oven, covered in melting anchovies.

The property was originally intended as a private escape. The siblings fell in love with the area after staying with a friend, Patrick Guerrand-Hermès, the polo-playing scion of the French luxury maison, who has an estate just up the coast. They were so taken that they began buying land nearby. At first they would come, perhaps for a day, to sit and picnic in the dunes with friends. “It was our refuge—we were hiding from everyone,” says Yasmina. It’s easy to do here. Even on a warm spring day the beaches are empty: In some spots, the only evidence of human life is the occasional dilapidated shack along the water. (“Those are for smugglers,” one local says, only half-joking.)

Visit the beach and you ay be the only one there other than your horse.

As with the apartment in Paris and the resort in Larache, the siblings’ Italian hotel also began life as a personal project. They were smitten with Lecce, where the Hermès family also keeps a villa, which is about two hours south of their grandmother’s hometown of Bari. Inspired, the Filalis began snapping up property. Fouad recalls securing a swathe of farmland near Lecce first. “I bought it because of the olive trees, but I never built a house there,” he says. “I just had a small chair I’d leave there, and once in a while I’d go down and sit and look at the olive trees.” He ended up buying a building near the city walls next. “In the beginning it was for my house. But life, you know, happens,” he says with a shrug.

After working on the property for two years, Fouad’s contractors discovered subterranean rooms that, in his view, made it too large to be a private home. So he and Yasmina asked their friend Thierry Teyssier, the actor-turned-hotelier best known for founding the regenerative-hospitality company 700,000 Heures, for advice. Yasmina could see the potential in using tourism to help bring investment to the region, which has grown since their grandmother’s childhood yet still remains a poorer corner of the Italian peninsula.

As she would later do in Morocco, Yasmina launched a program offering work to women and refugees in need while training locals in the art of high-touch service. The family now operates La Fiermontina Palazzo Bozzi Corso, an old Baroque mansion with a rooftop pool and 10 suites, plus the 19-bedroom La Fiermontina Luxury Home.

A villa perched high on a hill enjoys panoramic views.

They also recently reopened the Fiermonte Museum, whose exhibitions focus on their grandmother and her two artistic husbands, Letourneur and Zwobada. You can stay here, too. The renovation added four rooms to the property, with a lantern in each. (Guests are encouraged to explore the galleries, alone, at night.) Yasmina and Fouad’s mother, Anne, travelled to Puglia especially for the opening. “She was quite silent and surprised, in a way, that two children, at our age, dedicated our lives to our grandmother,” Yasmina recalls.

She plans to stay in Italy for a while, to stabilise the new museum while Fouad focuses on their Morocco project. But they’re not finished. The missing piece is a tribute to their grandmother’s globe-trotting brother, Enzo, who stayed in America after his divorce from Madeleine Astor and starred in films from the late 1930s through the ’70s. “Maybe we can make a project in New York and Los Angeles,” Yasmina says. “And that will be all for my great-uncle.”

 

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Omega Just Unveiled 9 Watches in Its New Constellation Observatory Collection

The line-up shows up a bevy of metals and colours, too, as well as two new calibres.

By Nicole Hoey 31/03/2026

Omega’s latest watch is in a universe of its own.

The Swiss watchmaker just unveiled its new Constellation Observatory Collection today, the next step in its Constellation lineage and the first two-hand hour and minute timepieces to ever earn Master Chronometer certification. And if you were paying attention to any of the dazzling watches spotted at the Oscars this year, you would’ve caught a glimpse of the new line already: Sinners star Delroy Lindo rocked one of the models on the Academy Awards red carpet, giving us a pre-release preview of the collection.

Developed at Omega’s new Laboratoire de Précision (its chronometer testing lab open to all brands), the collection houses a set of nine 39.4 mm watches. The watches underwent 25 days of scrutiny there, analysed via a new acoustic testing method that recorded every sound emitted from the timepiece to track irregularities, temperature sensitivities, and more in the name of all things precision. (Details such as water resistance and power reserve are also thoroughly examined.) This meticulous process is all in the name of snagging that Master Chronometer label, meaning that the timepiece is highly accurate and surpasses the threshold for ultra-high performance. The Constellation Observatory Collection has now changed the game, though, thanks to its lack of a seconds hand.

A watch from the Constellation Observatory Collection, with the Observatory dome on display. Omega

“Until now, precision certification has required a seconds hand,” Raynald Aeschlimann, president and CEO of OMEGA, said in a press statement. “The development of a new acoustic testing methodology has made that requirement obsolete. It is this breakthrough that has enabled us to present the Constellation Observatory, the first two-hand watch to achieve Master Chronometer certification.”

In addition to notching its place in history, the collection also debuted a new pair of movements: the Calibre 8915 and the Calibre 8914, each perched on a skeletonised rotor base. The former’s Grand Luxe iteration will appear on the 950 Platinum-Gold model in the collection, which offers up that base in 18-karat Sedna Gold alongside a Constellation medallion in 18-karat white gold with an Observatory dome done in white opal enamel surrounded by stars. The second Calibre 8915, the Luxe, will find its home on the other precious-metal models in the line, either made with the brand’s 18-karat Sedna, Moonshine, or Canopus gold seen across the case, the hand-guilloché dial, and, of course, the movement itself. (Lindo chose to rock the Moonshine Gold on Moonshine Gold iteration, priced at approximately $86,000, for Sinners‘s big night at the Oscars.) As for the Calibre 8914, it can be found in the collection’s four steel models.

 

Omega Constellation Observatory Collection
A look at a gold case-back from the collection. Omega

Each model is a callback to myriad design features on past Omega models. That two-hand dial, for one, comes from the 1948 Centenary (the brand’s first chronometer-certified automatic wristwatch), while the pie-pan dial (seen in various blue, green, and golden hues throughout the line) and that Constellation medallion caseback both appear on watches from 1952. The star adorning the space above 6 o’clock also harks back to 1950s timepieces from Omega. And to finish off the look, you can opt for alligator straps in a variety of colours, or perhaps a gold iteration to match the precious-metal models; the brick-like pattern on the 18-karat Moonshine bracelet was also inspired by Omega watches from the ’50s.

We’ll have to keep our eyes peeled for any other Constellation Observatory timepieces (or any other unreleased models from the brand) at the rest of the star-studded events headed our way this year—perhaps the Met Gala?

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Best Combustion Supercar: Ferrari 12Cilindri Spider

A modern classic in the making, combining naturally aspirated power with elegant restraint to deliver performance that feels as refined as it is visceral.

By Vince Jackson 20/04/2026

In a year when carmakers of all persuasions sheepishly extended hyperbolic electric targets, it’s fitting that the monastic puritans of Maranello—who, lest we forget, won’t finally yield to the sin of battery power until October with the Elettrica—opted to make combustion their major power play.

As an uncertain future of AI omnipresence barrels towards us, the 12Cilindri—an analogue, open-topped tribute to Ferrari’s late-’60s/early-’70s grand tourer, the Daytona—represents a defiant fade into the past, a pause for breath, a fleeting return to The Good Times when nascent technology provoked excitement rather than existential dread.

Guiding this automotive nostalgia trip is, as the nomenclature suggests, a naturally aspirated 6.5-litre V12 engine, generating an unceasing wave of power as it sears towards the 9,500 rpm redline with relative nonchalance. That’s because the 12Cilindri is not a mouth-foaming attack-dog. It scales performance heights with the refinement of the finest Italian works of art; its “Bumpy Road” mode facilitates comfy al fresco GT cruising, and even the imperious powerplant is mannerly at most speeds.

For all the yesteryear romance, progressive technologies and engineering, such as a world-class 8-speed transmission, advanced electronic aids and independent four-wheel steering, are baked into the deal. The 12Cilindri’s clean, stark design somehow toggles between retro and modern; and while vaguely polarising, one can’t ignore its magnetic road presence.

In terms of aesthetics, Ferrari describes the 12Cilindri as being “ready for space”; in many ways, a fantasy vehicle that transports users to another dimension is probably what the world needs right now.

The Numbers

Engine: 6.5-litre V12

Power: 610kW

Torque: 678 Nm

Transmission: 8-speed dual-clutch auto

0-100 km/h: 2.95 seconds

Top speed: 340 km/h

Price: From $886,800

Photography by SONDR.
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Inside Loro Piana’s First Sydney Boutique

A first Australian address brings the Italian house’s textile-led approach to retail full circle.

By Horacio Silva 26/03/2026

On the fourth floor of Westfield Sydney, near the Castlereagh and Market Street entrance—in the space formerly occupied by Chanel—Loro Piana has opened its first Australian boutique. It is a significant address change for that corner of the mall, and a meaningful one for the Italian house, which has sourced Australian merino wool for decades but until now had no retail presence here.

The facade is understated—creamy, tactile, more about texture than theatre. Inside, the store unfolds across a single, expansive level divided into distinct men’s and women’s wings. The separation is clear without being heavy-handed: womenswear leads from soft accessories and leather goods into ready-to-wear, while menswear occupies its own assured territory, with tailoring and outerwear given proper breathing room. Footwear (supple loafers, luxurious slides, pared-back sneakers) is particularly strong, and the sunglasses are a quiet standout: mineral-toned frames with a disciplined elegance that feels entirely of the house.

That same restraint carries into the interiors, where the surfaces do much of the talking. Walls are wrapped in the company’s own linen and cashmere; carpets are custom, dense underfoot, softening the acoustics and the pace. Oak and carabottino wood add warmth without fuss; marble accents introduce a cool counterpoint. The effect is a composed space calibrated around material, proportion and restraint.

The Spring 2026 collection now in store underscores that sensibility. Silhouettes are elongated and fluid; cashmere, silk and featherweight merino move in sandy neutrals, creams and muddied earth tones, with flashes of marigold and pale turquoise breaking the calm. Tailoring is softly structured and projects confidence without aggression. Leather goods arrive in buttery skins that feel almost pre-lived, as though time has already worked its magic.

What distinguishes Loro Piana, particularly in a market that has grown noisier by the season, is its refusal to perform luxury in an obvious register. There are no oversized insignias telegraphing allegiance. Instead, the status is encoded in fibre count, in hand-feel, in how a coat hangs from the shoulder. It assumes the wearer knows and, crucially, does not need to announce it.

Sydney’s luxury landscape has matured in recent years; global houses no longer test the waters but commit to them. Yet Loro Piana’s arrival feels different. It is not trend-driven expansion but material logic. For a country whose sheep stations have long contributed to the house’s fabric story, this boutique reads almost as a thank-you note written in cashmere.

 

Photography: Courtesy of Loro Piana.

 

 

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This Stylish, Water-Resistant Dopp Kit Might Be the Last One You Ever Buy

Patricks’s limited-edition wash bag is designed to keep liquids in and out, so it can come along wherever your travels take you.

By Justin Fenner 11/03/2026

If all you’re going to do is look at it, a leather Dopp kit from a fashion house is a fine choice. But if you take travelling seriously—and do it often, for business, pleasure, or both—such a bag will inevitably end up blemished with droplets of water or stained by errant flecks of toothpaste. Get stuck with a cavalier team of baggage handlers, and it can even get soaked in your favourite fragrance or anti-ageing serum.

But Patricks, the high-performance Australian grooming brand stocked in Harrods and Bergdorf Goodman, has a solution. Its limited-edition bathroom bag, called BB1, is purpose-built to protect everything inside and out. Conceived by industrial designer George Cunningham with brand founder Patrick Kidd, the cuboid design is executed in a water-resistant recycled nylon you can rinse clean. It’s lined with a thin layer of shock-absorbing foam to safeguard your products, but if a bottle somehow gets cracked in transit, the two-way water-resistant zippers and sealed seams (which keep liquids from seeping in or out) ensure that whatever leaks won’t ruin your cashmere. Inside, two dual-sided zippered compartments are ideally sized to fit toothbrushes, razors, and other small essentials.

And though its clean lines and rugged construction make it undeniably masculine, its greatest feature is borrowed from women’s makeup bags. Like the best of these, BB1 unzips to lie flat, giving you unobstructed access to everything inside. Well, you and the 999 other gentlemen who move fast enough to snag one. $289

Courtesy of Patricks

1. Hanging Loop 

The G-hook system isn’t just a stylish handle: You can also use it to hang the bag from a hook or secure it to your carry-on.

2. Two-Way Zipper

The closures are water-resistant in both directions, meaning liquids won’t get in or out.

3. Fold-flat Construction

BB1 opens to 180 degrees, letting you scan its 4.2-litre capacity at a quick glance.

4. Technical-Fabric Shell

The durable recycled-nylon is easy to maintain and woven to survive splashes and leaks from your go-to products.

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You Can Now Place Bets on the Future Prices of Rolex Models

And which models will get discontinued next, thanks to a new collaboration between Kalshi and Bezel.

By Nicole Hoey 11/03/2026

You can bet on pretty much anything these days, from when Taylor Swift and Travis Kelce will get married to who will be the next James Bond—and now that includes the Rollies on your wrist, or on your wishlist.

Prediction market platform Kalshi, regulated in the U.S., and luxe watch marketplace Bezel have teamed up on a new platform called Watch Futures that allows users to splash down cash on where they think the prices of a particular luxe timepiece are going, whether that’s a Rolex Submariner or a coveted Patek Philippe, Time & Tide reported.

You can also place a wager on which models might be discontinued, as well as any future launches from the top watchmakers on the new platform; with Watches and Wonders coming up, it’s certainly a well-timed launch that could see a lot of activity as a slew of new releases are announced at the event.

Watch Futures is all based on Beztimate, Bezel’s system (once used only internally) to help it accurately calculate the market price of a timepiece. It draws data from real-time transactions, live bids, verified sales, and other market offers to spawn its own series of independent valuation models to establish a watch’s value. From there, it’s up to bettors to place their wagers, and then the platform will showcase any price fluctuations or other updates as time goes on.

This new platform could have some pretty large implications for the watch industry.  As any horological savant would know, the internet and collectors alike are constantly chattering about which models are on the way out or when a certain timepiece of the moment’s time in the limelight will fade, of course, having a large impact on the prices of said model. And now, a Watch Futures user can have a direct stake in where a model is headed—and if they own said timepiece, it can be a protection from dwindling values on the marketplace, say, if a user places a bet on their model losing value and that actually comes to fruition.

To see Watch Futures in real time (and scope out how some pieces in your collection are faring), you can use the Kalshi app or its website.

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