Robb Read: Porsche’s Best-Kept Secret

Have you heard about Zuffenhausen’s program to build the 911 or Cayenne of your dreams?

By Jason H. Harper 23/11/2020

Jorge Carnicero is a blue man. Many of the numerous cars he owns are blue. His daily uniform is a blue button-up Ralph Lauren shirt, blue jeans and a blue baseball cap. And in June of 2018, as he was sitting in the Porsche Experience Centre in Atlanta, surrounded by colour samples, he was about to order yet another blue car.

“Jorge, your friend just ordered a car in that shade,” Yana Perros told him gently. “Let me play devil’s advocate.” The Porsche manager laid a new sample next to the brown interior leather that Carnicero liked. The painted tile, shaped like a 911 Carrera, was a vibrant green.

Carnicero, 68, is a horse breeder who divides his time between Kentucky and Florida, and he cheerily admits that his love of Porsche—the marque and the cars—borders on obsession. He has owned more than he remembers and will happily go on about the subject for hours.

This visit to Atlanta was special: In conjunction with a little-known individualisation and customising entity at Porsche called Exclusive Manufaktur—which the company doesn’t even advertise—Carnicero was bent on creating the Porsche of his dreams.

Perros is one of three Exclusive Manufaktur managers charged with travelling around North America to help in-the-know clients navigate the process, guiding them both literally and spiritually. It’s her job to figure out what delights a customer, and decide how and when to push them to create a car that gives them a singular experience.

Porsche Exclusive Manufaktur custom

Carnicero’s 911 GT2 RS, the second car made for his thematic trifecta. Courtesy of Porsche

“Many customers say, ‘I want to build the most perfect Porsche for me,’ but don’t know how to get there,” says Perros. “I ask questions like, ‘What do you do in your daily life? What are your passions?’ ”

Carnicero says he is conservative when it comes to design. He had worked with Exclusive Man​-u-faktur on previous vehicles but describes those builds as opportunities to “stick my toe in creatively”. Perros suspected that nudging him beyond his tried-and-true blue might be the key to unlocking his ultimate 911.

And Porsche had recently released its millionth 911 in sparkling Irish Green, a fact that had not escaped Carnicero. Now his eyes swept from the blue paint sample on one side to the brown leather in the centre and then to the British Racing Green. “Huh,” he murmured. “Interesting.”

Two years later, in late-June of 2020, Carnicero is back yet again in Atlanta, this time to take delivery of a 911 Speedster in British Racing Green and tarpan-brown leather with silver stitching. Super-sport-oriented “GT” cars like the Speedster are traditionally offered only with black interiors, so Carnicero’s version will instantly stand apart.

But it won’t be lonely in his garage. Because on that June day two years earlier, he had an idea that would eventually evolve into a much bigger project. He didn’t want just one perfect Porsche. He was actually planning to assemble a triad of ideal 911s. All would share certain elements—like the exterior paint colour—but each would also have its own raison d’être. After he ordered a GT3 Touring and began the process of customisation, he soon signed for the second, a GT2 RS. As those builds progressed, he pulled the trigger on the Speedster. “I wanted three different and unique GT cars,” Carnicero says with glee.

Porsche Exclusive Customisation
Carnicero takes delivery of it at the Porsche Experience Centre in Atlanta. Photo by Ryan Hayslip

Relatively few customers are aware of Porsche Exclusive Manufaktur. Porsche has done some level of customisation since the advent of the 356 model in the mid-20th century, but the process became more formalised in the late-1980s. EM innovations, which include everything from engine upgrades to painted wheels, became part of the actual configuration process in the mid-2000s. Today, as many as 50 per cent of the vehicles that Porsche builds have some special component from the entity.

If you order a sports-exhaust system on your Cayenne, say, or red stitching on your 911’s seat belts, those components have been developed and installed by EM’s technicians, either on or off the production line, at the brand’s storied factory in Zuffenhausen, Germany. Go into the online car configurator and scroll through options, and you’ll find some 700 choices with EM badging, from special leathers to aero body kits.

But there are two other levels of EM customisation that Porsche doesn’t overtly publicise. Each requires that a design manager such as Perros consults with the customer, who usually hears about the process through word of mouth.

What we’ll call a moderate custom build typically takes an extra two and a half hours on the production line. About three cars a day fall into that range—or 660 annually.

But then there are the serious builds, for customers like Carnicero. Only 30 to 50 vehicles a year get such treatment, and the extra time on the line may add up to 20 hours or more on top of the standard 30 hours. Carnicero’s GT3 Touring, with some 48 bespoke touches, took an extra 38 hours.

“You can go far beyond what you find in the car configurator,” says Boris Apenbrink, the Zuffenhausen-based director of Exclusive Manufaktur Vehicles. He says that some customers (often those

with long relationships with Porsche) “come to us and ask if something unique is possible. For instance, ‘Can I have my family crest embossed in the head restraints?’ Our philosophy is that on first contact we never say no—we evaluate.”

The average additional cost for a special build is between approx. $21,200  and approx. $28,300 he says, but the most elaborate builds can add as much as approx. $210,000 to the car’s price. The entire process may take six months or longer from the time a customer reaches out to the dealership. The first step is sitting down with Perros in Atlanta or at your local dealership. (Consultants will travel to customers.) Then EM engineers evaluate if and how they can execute the plan.

For instance, Carnicero wanted a novel detail included on all three of his special GT cars. When he was 19, he owned a 1971 911 that had a sticker on the window that read “Porsche Markenweltmeister 69, 70, 71,” denoting the company’s three-year string of wins at the World Sportscar Championship. He wanted to reproduce that sticker—but with 15, 16, 17 in celebration of the recent threepeat at 24 Hours of Le Mans—as an embossed detail in the leather of the central console. “This sounds pretty easy,” says Apenbrink, “but first we need to make the graphics, create the embossing, figure out how thin the logo and lines need to be, create the font and make sure we don’t cut too deep into the leather but deep enough to read it.”

Porsche Exclusive Manufaktur custom

The interior is upholstered in special tarpan-brown leather. Photo by Ryan Hayslip

Every customised element must follow the same stringent tests as the regularly manufactured parts, and if it doesn’t pass muster with the designers or engineers, Perros and the other facilitators are there to manage the client’s expectations. But when an idea works, the result can thrill even Apenbrink and his team. “We are all car nuts here, and if a customer shakes us with a brilliant idea, we get as excited as if we were building our own car,” he says.

As the car develops, the EM team and the customer often forge a deep connection. “The Speedster is not a car that we built for Jorge. We created the car together,” Apenbrink says. “Going into the process, these customers must be highly dedicated. They become part-time designers and engineers. It is very important to underline that they have very precise and specific ideas. It is not, ‘Hey, I’m willing to pay a lot of money, so send me ideas.’ We are simply caretakers to try and birth a dream car.”

Porsche Exclusive Manufaktur custom

The gear-shifter is made from carbon fibre. Photo by Ryan Hayslip

Jorge Carnicero’s Porsche obsession began when he was 15. On a trip to the South of France with his parents in the late ’60s, he saw a 911 appear over the brow of a hill. “That I fell in love at that moment would be an understatement,” he says. “It came by very fast, and the noise of the air-cooled 911 was like nothing I ever heard before, shifting in the high-rev range. Oh, the emotions…”

Asked about the colour of that car, he pauses, then says, “Green, actually!”

Each of the three GT cars he special-ordered serves a different purpose. The first, delivered in February of last year, is a 911 GT3 Touring. “It is a gentleman tourer, what we used to call a sleeper,” says Carnicero. “It doesn’t have a giant wing or fender flares. You can enjoy it every day.”

Three months later, the 911 GT2 RS arrived. He describes it as a track car that can be driven on the street. “It shows Porsche in terms of high-performance capability,” he says. “It’s on the edge.” And the latest car? “My wife is in love with the Speedster. You still have the performance capability, but something about open-air motoring harks back to my youth.”

As for the Exclusive Manufaktur process, Carnicero speaks of it rapturously. “It was such a pleasurable experience,” he says. “It becomes like an addiction.” He estimates he has talked to Perros for more than 1000 hours over the whole process.

Porsche Exclusive Manufaktur custom

Carnicero’s new 911 Speedster. Photo by Ryan Hayslip

Says Carnicero, “It’s about people, being able to share these feelings. Without Boris and Yana, I couldn’t have done this. They are passionate about what they do. They get emotionally involved.”

Perros says that as soon as they had decided on a gentleman tourer for the first of Carnicero’s GT cars, everything flowed from there. “My goal isn’t to do a ‘stuffed’ car or the most expensive car,” she explains. “Sometimes it’s just one little thing that makes it special. Something that puts a smile on the customer’s face every time they unlock the door. That something special is something different for everyone.”

She notes the influence goes both ways. One day Perros arrived for a consultation with Carnicero wearing a blue-and-white Ralph Lauren button-up and blue suit. When they saw they’d twinned, both chuckled.

As for her relationship with Carnicero, the delivery of the Speedster did not mark their final conversation. “We’re already speccing his next car,” she says with a laugh.

 

This piece is from our new Summer Issue – on sale now. Get your copy or subscribe here, or stay up to speed with the Robb Report weekly newsletter.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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