David Beckham Adds ‘Supercar Designer’ To His Resume

We sat down with the new Maserati ambassador for an exclusive face-to-face interview.

By Vince Jackson 28/10/2021

Laid over three tables is an ensemble of seemingly random objects—an elegant bottle of white powder, a strip of geometric fabric, a hardback book on space exploration. Behind them, mounted on panels, are chaotic collages of photos and magazine cuttings. At first glance the display looks like a series of unrelated odds and ends, an artistically arranged spread of upmarket flotsam. And then gradually your eyes adjust and a hardening pattern emerges from the blur, one of colour, tone, texture, emotion. Each stand is unique, each with its own personality.

There’s one exhibit, however, that stands alone on its own separate pedestal, alluding to some kind of special status. A shiny, black scale-model car, and a slab of premium leather bearing an eccentric pink logo that uses heron—yes, heron—legs to form the letter “M”.

We’re in the customisation department of Maserati cars, a capacious industrial-style warehouse that forms part of the company’s sprawling production plant in Modena, Italy. It’s here, in front of these mood boards, that the marque’s recently appointed brand ambassador David Beckham made the first ever contribution to Maserati’s new Fuoriserie bespoke-car program by designing his own personalised MC20 supercar. As owner of relatively new Major League Soccer franchise Inter Miami, it’s unsurprising that Beckham plumped= for his team’s colours (black, white and pink)as the tonal basis for his new ride. And the herons? The spindly-legged coastal birds are native to the Florida city that Beckham and his family made their second home last year. And, well, if David Beckham wants herons on his Maserati MC20, herons David Beckham shall get.

“When I first saw the car, I thought, ‘This belongs in Miami,’” says Beckham. “I only usually buy black, silver or gunmetal grey, so they [the design team] said, ‘Okay, we’ll come up with some ideas’. They came back with gloss black, matt black, all-pink, or pink and black. And I was like, ‘Let’s park the all-pink to the side’. I’m 46 years old, I’m not sure I can get away with that anymore.”

Beckham. Becks. David. Manchester United god. England soccer superhero. Tabloid-stalked celebrity. Style icon. Metrosexual pin-up. Branding powerhouse. Dabbles in the occasional lairy haircut. Everyone knows Beckham. Or at least everyone thinks they know Beckham. Because outside of his family and inner circle of friends, few people get to truly talk to the man. Even journalists, for whom posing questions informs the very basic job description, rarely get to ask Beckham about Life’s Big Questions. See, you don’t get to ask him, say, about living in Trump’s America, or what he thinks about British soccer players taking the knee in anti-racism solidarity, or poke too much into home life with Victoria and his four children Brooklyn, Romeo, Cruz and Harper. Such topics wouldn’t be sanctioned by the PR team that ring fences him. Team Beckham isn’t alone in wanting to steer their client’s narrative. That’s just part and parcel of the modern media merry-go-round—today, one-hit wonder grime artists from London council estates now demand copy approval.

It’s a shame in some ways. The mid-40s version of Beckham is a finely tuned, media-savvy machine, infinitely sharper than the awkward young guy thrust into the limelight in his early-20s thanks to a supernatural right foot and a Spice Girl girlfriend. And then you remember how caustic that glare was, how Beckham and his family were hounded by the gutter press, and you understand why he’s carefully protected, why he prefers to stick to the script (today’s subject: cars, preferably Maserati) and why the handful of assembled journalists each have an allotted and tightly held 15 minutes with him. More minutes equals more chances to swerve dangerously off-piste.

Even as he approaches the big five-zero, Beckham still generates his own electricity upon entering a room, evidenced when—flanked by his entourage—he fizzes through Maserati’s customisation unit, between its fleet of ready-to-be-personalised MC20s, wearing high-waisted beige trousers, tucked-in mint green jumper and two-tone brogues sans socks. Dad fashion this ain’t.

Aesthetics aside, he carries an impressive aura of entrepreneurial and altruistic achievement beyond the numerous sporting titles he won at Manchester United and Real Madrid; he remains an ambassador for UNICEF UK; he operates two eponymous football academies, in London and Los Angeles; he’s president and co-owner of Inter Miami; Football Productions, which describes its company mission as “the exploitation of David Beckham’s name and image rights” has a turnover of $365 million; he has numerous endorsement deals, including Pepsi, Samsung, H&M, Haig and Adidas (a lifetime contract worth $215 million); Beckham Brand Holdings boasts a turnover of $455 million. It adds up to what British newspaper The Mirror claims is a net worth of around a billion US dollars, once Victoria’s earnings are factored in.

With the pick of the world’s most prolific brands, then, why Maserati?

“Every time I talk about Maserati, I talk about it as being a family,” says Beckham, his east London, “t”-dropping lilt occasionally breaking through. “There’s the history, the heritage, they’re iconic. I’ve been lucky to work with some great brands over the years but I only had to sit with the guys from Maserati for five minutes to know I wanted to be part of that family. I’ve been walking around the factory for the last few hours, seeing the MC20s being made, and it’s great to see the process.”

Beckham’s one-off MC20 was born over a handful of pow-wows with Maserati’s head of design, Klaus Busse, under the company’s new Fuoriserie banner—a program created for clients wanting more than a standard premium-car options book can provide.

Maserati call it a “car tailoring” shop. Special paint colours can be mixed; cutting-edge technologies are used to bond interior fabrics. The bodywork of a completed Quattroporte Trofeo show-car uses a monogram that projects beams of light through its windows, creating shadows that lengthen or shorten depending on the time of day. “We will allow you to do almost everything,” offers Busse. “But our job is to ensure you do not regret your choice. Maserati is not about three-year lease contracts. These cars, the way we designed them with purity, are supposed to look good in 10, 20, 30 years, because they will go into your personal collection, they will go into a Concours d’Elegance. Your car has to look as good in 30 years as it does today.”

Every client’s journey begins in front of the aforementioned mood boards, with three basic collections used as launchpads into further creative exploration: “Corse” for those who want to tap into Maserati’s racing heritage; “Unica” for modern, trend-conscious owners; and “Futura” for progressives who embrace the future and its nascent technologies. While some customers have entered the Fuoriserie scheme wanting one thing and leaving with the exact opposite, Busse insists that Beckham was, “pretty steady, he didn’t change very much”.

The result is a glossy “piano black” MC20 with “Miami Pink” accents, fitted with Corse 20-inch matt-black wheels and pink brake calipers. A graphic inspired by the Inter Miami logo is stitched into the seats (say hello to those herons again), while the headrest is embroidered with an “M”. “I’d like to think it’s more grown-up,” says Beckham, referencing earlier flirts with ostentatious car choices. “Well, it’s as grown-up as it’s gonna get with an MC20.”

Beckham’s car is slated for delivery in a couple of months after our interview, but he’s already had the chance to pilot a standard MC20 around the twisty, supercar-ready countryside roads surrounding Modena. As part of his Maserati ambassadorship, he’s also been gifted a Levante Trofeo SUV.

“To be honest, I don’t do that many driving experiences unless I’m on vacation,” he laments. “We try to go on road trips with the kids, but having a 22-year-old, an 18-year-old, a 16-year-old and a nine-year-old, sometimes the older ones go their separate ways, so getting them all in one car is challenging. But I don’t like to be driven. Wherever I go in the world, I like to drive.”

And just like that, our fleeting time is up. We’d been informed that Beckham wasn’t a fan of unsolicited photo requests, but without being prompted he offers a snapshot. That’s the thing about Becks—he comes across as an amiable, down-to-earth bloke who’s not too famous to just shoot the breeze about the unseasonably humid Italian weather, or who’s going to win the Euro 2020 soccer tournament that’s being played at the time we speak.

We leave the customisation division and head into the stewing afternoon air. Hundreds of Maserati staff—from paint sprayers in messy overalls to marketing execs in tailored shirts—are jostling alongside two MC20s, waiting for a company photo op with the main man himself. The crowd are masked-up but you can see the expectant smiles behind the material. Today, at least, everyone will get a few minutes with Beckham. maserati.com

 

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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