The Must-See Timepieces From LVMH Watch Week

Expect plenty of gold, serious movements and intricate dials.

By Paige Reddinger 25/01/2022

LVMH is back with a bang… well, sort of.

The company had originally planned to hold the kick-off for its Q1 watches in 2022 with a big in-person unveiling in Geneva this month, which got derailed due to the ongoing challenges of the pandemic. The company had hosted its first annual Watch Week in January of 2020 with a splashy event in Dubai, just before Covid-19 went global, which gave the company a bit of an unexpected leg up over its competitors who were forced to unveil watches later in the year over a series of Zoom press conferences. But, to accommodate the change of plans this year, the company showed watches in respective markets in lieu of a global gathering. The big trends are yellow-gold cases, slim-down profiles and movements and serious dial work. Here is a look at some of the highlights.


Big Bang Integral Time Only

Hublot Big Bang Integral Time Only

Hublot Big Bang Integral Time Only Hublot

The Big Bang trims its waistline. For the first time, the Big Bang Integral is being offered in a new 40mm size. Hublot watches have, traditionally, catered to pumped-up wrists in sizes up to 45mm. “In the ‘80s, our first watch, I believe, was 35mm and at that time that was a men’s watch,” Hublot CEO, Riccardo Guadalupe told Robb Report. “We went to 48 mm five or six years ago and I think we are going down heavily [in size].”  Previous editions of the Big Bang Integral, however, came in 42mm but demand for more unisex-friendly watches has seen many brands begin offering models in reduced diameters. “We believe that we can sell this watch either to men or women,” Guadalupe, confirmed. “We believe that the ergonomics, the lightness and the size are quite important.”  The new slim-fit look doesn’t just apply to its circumference; it is also the thinnest iteration at just 9.25-mm thick. The dial has also been scaled-back to a time-only layout versus its predecessor’s flyback chronograph movement. However, it features the same integrated bracelet as the original.

“Integral was really a big challenge, because as you know we are known for rubber straps and not bracelets,” said Guadalupe. “A year ago we launched the Big Bang Integral in 42mm in titanium, ceramic and rose gold. Since then, we have also developed new colours of ceramic. But we wanted the Integral to be a big pillar in our collection in the future.”

Three versions of the new 40mm Big Bang Integral are offered in an all-black ceramic, yellow-gold and titanium timepieces.

Price: All-black ceramic, $27,800, limited to 250; yellow gold, $68,800; titanium, $24,800.

Yellow Gold Collection

Hublot Yellow Gold Collection

Hublot Yellow Gold Collection Hublot

Reminder: Gold is back, baby! Hublot is introducing the precious metal across all of its pillar collections including the above Big Bang Integral, the Big Bang Unico, the Classic Fusion Chronograph and the Spirit of Big Bang. “I was thinking about yellow gold for a few years, because it was really in fashion in the ‘80s and ‘90s,” Riccardo Guadalupe told Robb Report. “In 1980, when we came with our first Fusion [the Classic Original] watch it was in 18-carat gold with a rubber strap. So, I said to myself, ‘We should go back to those roots and come with a few models in yellow gold.’” It demonstrates a serious push for the alloy following several years of a steel rush and it’s refreshing. Guadalupe also nodded to the cyclical nature of fashion as an influence, rightly predicting the comeback of ’80s style which has already been reinvigorated on the runways.

“We will see what the market reaction will be, but sometimes it’s just a feeling and we want to be leaders of the trend that is going to happen,” he said. “Fashion always recycles and in fashion, the cycles are shorter, but in the watch industry it can be a 10- or 20-year cycle to come back to a material or another thing that has become fashionable again.” Guadalupe, however, opted for the titanium Big Bang Integral to wear on his wrist during our meeting. Nevertheless, we suspect his big bet on gold will be just in time for the next sartorial wave.

Price: Classic Fusion Chronograph ($37,400), Big Bang Integral ($73,200), Big Bang Unico ($51,200), Spirit of Big Bang ($56,500)


Octo Roma Blue Carillon Tourbillon

Bulgari Octo Roma Blue Carillon Tourbillon

Bulgari Octo Roma Blue Carillon Tourbillon Bulgari

Bulgari focused primarily on its women’s collections for its Q1 introductions (see below), but its Octo Roma Carillon got a snazzy update with the introduction of a blue high-tech carbon-based coating on the movement and the circumference of the platinum case when viewed from the side. The company also added hour indexes and an Arabic numeral at 12 o’clock. While the new hue is certainly electrifying, the numerals distract from the modern architecture of the BVL428 calibre with cut-out bridges in an ALD treatment, as well as a perforated surface made of alternating polished steel. Nevertheless, it’s a serious complication piece featuring three gongs, visible on the dial side and attached directly to the body of the case, along with three openings on the side of the case for better sound amplification. The gongs are bent and formed by hand in several stages before being hardened at temperatures up to 1,652 degrees Fahrenheit before being cleaned and reheated in a 932-degree kiln, which gives the metal its superior sound. They are drawn out with a file in order to hone the chords of the chime. It plays note C for the hours; E, D and C for the quarters; and E for the minutes.

It features 75 hours of power reserve and houses 432 components in a movement measuring 25mm by 8.25mm. It’s a big watch, as is to be expected from this kind of timepiece, at 44 mm by 12.83 mm thick and comes with a matching blue alligator strap to highlight its new hue.

Price: Upon request, limited to 30.

Serpenti Piccolissimo

Bulgari Serpenti Piccolissimo

Bulgari Serpenti Misteriosi Bulgari

Talk about striking! Bulgari’s latest high-jewellery Serpenti Misteriosi timepieces, not surprisingly, are the most seductive women’s watches in the LVMH lineup. The Serpenti is so iconic it hardly needs an update, but this year the Italian house decided to equip the model with its other area of expertise—ultra-slim watchmaking. The new Piccolissimo (Italian for “very small”) BVL100 calibre is one of the smallest calibres in the world. The only other calibre to rival that claim is Jaeger-LeCoultre’s calibre 101, which is rectangular, unlike Bulgari’s spherical creation. Bulgari’s however takes the cake for the thinnest at 2.5mm versus JLC’s at 3.4mm.

It’s the company’s latest twist on extreme thinness, following a series of multiple world record’s in its Octo Finissimo line for men. And while the company already laid claim to the world’s thinnest tourbillon movement in the Serpenti Seduttori, Fabrizio Buonamassa Stigliani, Bulgari’s creative director and head of watch design, says it actually takes its cues from the ultra-thin movements of the Finissimo line and zero components were used from the Seduttori tourbillon. “The idea behind this movement was to elevate the Serpenti as the best of our know-how,” he said in a small group of journalists during a press conference Monday morning. He added that the company felt obliged to create the in-house movement for its high-jewellery Serpentis because, “These kind of pieces that cost a fortune, the idea to have a quartz movement starts to become something that is not interesting for this kind of market. Even the ladies would love to have a mechanical movement for these kinds of watches.”

While the movement is certainly the biggest news for the Serpenti, there have been other refinements including more details on the interior of the mouths from gem-setting to fine-finishing, as well as a slimmer body, neck and a flatter head. In fact, Buonamassa Stigliani says that it took 6 to 8 months just to perfect the shape of the case and head between the size, weight and movement. The entire design, including the movement, was three years in the works. Meanwhile, for the first time, the tongue of the snake operates as a lever to open the head and the interior watch can fully detach from the head for easier after-sales servicing, preventing damage to the jewellery structure. The patented crown, which can be found underneath the serpent’s lower jaw, features a bidirectional system (which does not require the crown to be pulled out) that sets the time in one direction and winds the watch in the other direction.

The new series is based on heritage examples of early Serpentis, including one that belonged to Elizabeth Taylor in the early ’60s (pictured below, left). That piece was mimicked in a white gold case and head set with 626 round brilliant-cut diamonds, 2 pear-cut emeralds, a diamond-paved dial, a yellow-gold double-tour bracelet with round brilliant-cut diamonds and a white-gold tail set with round brilliant-cut diamonds, which is the most expensive of the lot at approx. $383,000. Unlike the original, it features an immaculate invisible snow-setting of diamonds that carry through to the interior of the snake’s mouth and along the bezel of the timepiece inside.

Elizabeth Taylor's 1961 Serpenti; A Heritage Serpenti from the Bulgari Archives

Elizabeth Taylor’s 1961 Serpenti; A Heritage Serpenti from the Bulgari Archives Buglari

And while you really can’t go wrong with any Serpenti, least of all one that takes after a provenance piece owned by one of the most famous jewellery collectors in Hollywood history, the rose gold case set with brilliant-cut diamonds, turquoise inserts, a 2 pear-cut rubellites for the eyes is another clear standout—so beautiful, it’s downright sinful (approx. $351,000). Both this version and the one mentioned above also come with a faceted sapphire crystal dial cover for extra sparkle. The black (approx. $232,000) and emerald enamel (approx. $319,000) Serpentis are hand-engraved and feature flat, instead of faceted sapphire crystal covering the dials.

Bulgari Serpenti Misteriosi


Bulgari Serpenti Misteriosi

Needless to say, these are historic pieces, thanks to the introduction of a mechanical movement and a thoughtful redesign, and will be the must-have Serpentis to own for serious collectors (with six-figure price tags to match). While they will be small in production numbers they are, however, not technically limited.

Serpenti Tubogas

Bulgari Serpenti Tubogas

Bulgari Serpenti Tubogas Bulgari

The Serpenti Tubogas line went for gold this year in two single wrap Serpenti models in 18-carat yellow-gold model and two-tone steel and 18-carat yellow gold. The line had predominately focused on yellow-gold previously, although a double curved yellow-gold Tubogas did exist in the lineup and it is sold out. “Today, the yellow-gold trend is very, very strong,” said Buonamassa Stiglioni. “It’s massive. A few years ago it was just in some regions, but today we receive requests for yellow-gold from many countries.” Indeed, women have been flocking more towards yellow gold in recent years and the version above left likely won’t be available for long if the approx. $58,000 double strap version is already out of stock.

Price: Yellow gold, approx. $46,100; Two-tone, approx. $18,100



Defy Skyline

Zenith Defy Skyline

Zenith Defy Skyline Zenith

Following the limited-edition release of its Revival Defy A3642 heritage piece last week, Zenith homed in on dial design for its more accessible Defy Skyline range. Drawing inspiration from the night sky above the manufacture, just like its founder, Georges-Favre Jacot, did 157 years ago, the dial features an engraved star-studded texture in a sunburst finish set within an octagonal case, inspired by the earliest Defy from 1969 on which the Revival A3642 is based, and topped off with a 12-sided bezel.

Powered by the automatic El Primero 3620 movement, which takes cues from the El Primero 3600 1/10th of a second chronograph, the Defy Skyline collection features a 1/10th of a second hand, which beats at 5 HZ and comes with a stop-second mechanism for a precise setting of the time. The bi-directional rotor, visible through the caseback, has also been fashioned in a star motif and delivers 60 hours of power reserve.

The steel 41 mm watches will, no doubt, draw comparisons to Audemars Piguet’s icon—the Royal Oak, which is celebrating its 50th anniversary this year after its debut in 1972. But at $12,200 a pop, they are far more affordable, offering a similar look at a, relatively speaking, palatable price. And as an added bonus, you can also switch out the bracelet for a rubber strap, also adorned with star pattern, which is offered in blue and black to their corresponding dial colors or olive-green for the silver-dial version. All can be easily swapped without the use of tools thanks to a quick strap-change mechanism.

Price: $12,200

Defy Extreme Carbon

Zenith Defy Extreme Carbon

Zenith Defy Extreme Carbon Zenith

At 45 by 15.4mm this is the heftiest watch of Zenith’s 2022 debuts thus far. But it’s also incredibly light thanks to its layered carbon fibre case and marks the first time a Defy Extreme model has been made in the material. And, inside, it houses the fastest chronograph movement on the market with time measurements at 1/100th of a second and two escapements operating at 36,000 VpH (5Hz)  for the hours and minutes and minutes at the chronograph function operating at 360,000 VpH (50 Hz). It’s a full package sports watch and the perfect mascot for the next season of Extreme E racing, of which Zenith is the official timekeeper, which will kick off this February with the Desert X Prix in Saudi Arabia. The partnership means you can expect more limited-edition Defy Extreme watches tied to the Extreme E races in the future.

The watch comes on a black leather strap with a titanium triple folding clasp but can be swapped out for a black velcro version or a red rubber strap. The latter will highlight the colourful dial markers including the 1/100th of a second chronograph scale in bright yellow, the chronograph counters in bright blue, green and white and hits of red in the power reserve indicator—all of which, naturally, mimic the colour schemes of the Extreme E’s “X Prix.”

Fortunately, you won’t have to race to your local AD to claim your stake on one as the Defy Extreme Carbon will not be a limited edition, giving you more time to deliberate on its five-figure price tag.

Price: $36,100


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Escape from the Ordinary

Ponant, the luxury cruise line known for its meticulously planned itineraries and high-end service, ups the ante on their upcoming European Journeys that promise an unrivalled exploration of the Mediterranean.

By Robb Report Team 19/02/2024

Not all cruises are created equally. Ponant, the luxury cruise line known for its meticulously planned itineraries and high-end service, ups the ante on their upcoming European Journeys that promise an unrivalled exploration of the Mediterranean. From the stunning Amalfi Coast to the pristine Greek Islands, the narrow Corinth Canal to the picturesque Dalmatian coast, historic Istanbul and beguiling Malaga, each destination is a unique adventure waiting to be unravelled. With Ponant, these aren’t just locations on a map; they’re experiences that come alive with the intimate knowledge and insight that their expert guides provide.

Ponant’s luxury cruises are renowned for their individuality, with no two journeys the same. This is not by chance. Itineraries are scrupulously designed to ensure that each passenger is left with a feeling of having embarked on a journey unlike any other.

Athens-Venise. Photograph by N.Matheus. ©PONANT

In 2025, their fleet will set sail for a combined 56 departures from March to October, exploring the dreamy locales of Greece and the Greek Islands, Malta, Italy (including Venice and Sicily), Croatia, France, Turkey, Spain and Portugal. These European Journeys offer an intimate encounter with the Mediterranean, its people and culture. As you cruise in luxury, you’ll dive deep into the heart of each destination, exploring historic sites, engaging with locals, sampling scrumptious cuisine and soaking in the vibrant atmospheres.

The company’s small, sustainable ships, which can accommodate from as few as 32 to 264 guests, have the exclusive ability to sail into ports inaccessible to larger cruise liners, affording privileged entry into some of the world’s most treasured alcoves. Picture sailing under London’s iconic Tower Bridge, crossing the Corinth Canal, or disembarking directly onto the sidewalk during ports of call in culturally rich cities like Lisbon, Barcelona, Nice and Venice, among others.

Photo by Tamar Sarkissian. ©PONANT

This singular closeness is further enriched by destination experts who unravel the tapestry of each locale’s history and traditions.

Onboard their luxurious ships, every guest is a VIP and treated to refined service and amenities akin to sailing on a private yacht. Whether at sea or ashore, their destination experts guarantee a fascinating experience, immersing you in the rich cultural and historical diversity of each region.

Indulge in the finest gastronomy at sea, inspired by none other than gastronomic virtuoso and Ponant partner, Alain Ducasse. Each voyage offers an expertly crafted dining experience, from a-la-carte meals with perfectly matched wines by the onboard Sommelier at dinner and lunch, to a French-inspired buffet breakfast, featuring all the favourite pastries, fresh bread and quality produce.

Chef Mickael Legrand. Photograph by NickRains. ©PONANT

For a more intimate discovery, consider Le Ponant, with its 16 high-class staterooms and suites—perfect for private charter—sailing eight exclusive routes between Greece and Croatia, offering guests unparalleled experiences both onboard and ashore. Ponant’s commitment to crafting unforgettable experiences extends beyond itineraries. Aboard their ships, the luxury is in every detail. Unwind in opulent cabins and suites, each offering private balconies and breathtaking views of the azure water and destinations beyond.

Ponant’s upcoming European Journeys are more than just cruises—they’re your passport to a world of cultural immersion, historical exploration, and unrivalled luxury. Don’t miss this opportunity to embark on the voyage of a lifetime: the Mediterranean is calling.

To book European 2025 sailings visit; call 1300 737 178 (AU) or 0800 767 018 (NZ) or contact your preferred travel agent.


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Saint Laurent Just Opened a New Bookstore in Paris. Here’s a Look Inside.

The chic new outpost is located on the city’s arty Left Bank.

By Rachel Cormack 14/02/2024

Saint Laurent is taking over even more of Paris.

The French fashion house, which only just opened an epic new flagship on Champs-Élysées, has launched a chic new bookstore on the Left Bank. Located in the 7th arrondissement, Saint Laurent Babylone is a mecca of art, music, literature, and, of course, fashion.

The new outpost is a tribute to the connection that Yves Saint Laurent and partner Pierre Bergé had to the Rue Babylone, according to Women’s Wear Daily. (In 1970, the pair moved to a 6,500-square-foot duplex on the street.) It is also inspired by the house’s original ready-to-wear boutique, Saint Laurent Rive Guache, which opened in the 6th arrondissement in 1966.

The exposed concrete in contrasted by sleek marble accents. SAINT LAURENT

With a minimalist, art gallery-like aesthetic, the space is anchored by a hefty marble bench and large black shelves. The raw, textured concrete on the walls is juxtaposed by a soft blue and white rug, a wooden Pierre Jeanneret desk, and sleek Donald Judd stools.

The wares within Saint Laurent Babylone are the most important part, of course. Curated by Saint Laurent’s creative director Anthony Vaccarello, the collection includes everything from photos by British artist Rose Finn-Kelcey to books published by Saint Laurent itself. Some tomes on offer are so rare that white gloves are required for handling.

The store also offers an enviable selection of records that are no longer being pressed. Highlights include Sade’s Promise, Kate Bush’s Hounds of Love, and the debut studio album of electronic band Kraftwerk.

Other notable items on the shelves include Leica cameras, chocolates made in collaboration with pastry chef François Daubinet, prints by Juergen Teller, and brass skull sculptures. You’ll also find an assortment of YSL merch, including pens, lighters, and cups.

To top it off, Saint Laurent Babylone will double as an event space, hosting live music sessions, DJ sets, book readings, and author signings over the coming months.

Saint Laurent’s latest endeavor isn’t exactly surprising. With Vaccarello at the helm, the Kering-owned fashion house has entered new cultural realms. Only last year, the label established a film production company and debuted its first movie at Cannes.

The space is fitted with a Pierre Jeanneret desk and Donald Judd stools.

Perhaps Saint Laurent film reels and movie posters will soon be available at Babylone, too.

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The Best Watches at the Grammys, From Maluma’s Jacob & Co. to Jon Batiste’s Vacheron Constantin

Music’s biggest names sported some outstanding watches on Sunday evening.

By Rachel Mccormack 08/02/2024

Weird yet wonderful watches punctuated this year’s Grammys.

The woman of the moment, Taylor Swift, who made history by winning Album of the Year for an unprecedented fourth time, wore an unconventional Lorraine Schwartz choker watch to the annual awards ceremony on Sunday night. That was just the tip of the horological iceberg, though.

Colombian singer-songwriter Maluma elevated a classic Dolce & Gabbana suit with a dazzling Jacob & Co. Astronomia Tourbillon and a pair of custom, diamond-encrusted Bose earbuds, while American musician Jon Batiste topped off a stylish Versace ensemble with a sleek Vacheron Constantin Overseas Tourbillon. Not to be outdone, rapper Busta Rhymes busted out a rare Audemars Piguet Royal Oak for the occasion.

There was more understated wrist candy on display, too, such as Jack Antonoff’s Cartier Tank LC and Noah Kahan’s Panerai Luminor Quaranta BiTempo.

For the rest of the best watches we saw on the Grammys 2024 red carpet, read on.

Maluma: Jacob & Co. Astronomia Tourbillon

Maluma busted out some truly spectacular bling for this year’s Grammys. The Colombian singer-songwriter paired a classic Dolce & Gabbana suit with a dazzling Jacob & Co. Astronomia Tourbillon and a pair of custom, diamond-encrusted Bose earbuds. The sculptural wrist candy sees a four-arm movement floating in front of a breathtaking dial adorned with no less than 257 rubies. For added pizzaz, the lugs of the 18-karat rose-gold case are invisibly set with 80 baguette-cut white diamonds. Limited to just nine examples, the rarity is priced at $1.5 million.

Asake: Hublot Big Bang Essential Grey

Nigerian singer-songwriter Asake may not have won the Grammy for Best African Music Performance for “Amapiano,” but did wear a winning Hublot Big Bang at Sunday’s proceedings. Released in 2023, the Essential Grey model is made purely of titanium for a sleek, uniform feel. The 42 mm timepiece was limited to just 100 pieces and cost $37,000 a pop.

John Legend: Audemars Piguet Royal Oak Selfwinding

Multihyphenate John Legend wore a legendary Audemars Piguet with silky Saint Laurent on Sunday evening. The self-winding Royal Oak in question features a 34 mm black ceramic case, a black grande tapisserie dial, and striking pink gold accents. The watchmaker’s signature is also displayed in gold under the sapphire crystal. The piece will set you back $81,000.

Jon Batiste: Vacheron Constantin Overseas Tourbillon

American musician Jon Batiste received four nominations but no wins at this year’s Grammys. The “Butterfly” singer can take solace in the fact that he looked ultra-sharp in Versace and Vacheron Constantin. A tribute to the spirit of travel, the Overseas Tourbillon features a 42.5 mm white-gold case, a bezel set with 60 baguette-cut diamonds, and a blue dial featuring a dazzling tourbillon cage inspired by the Maltese cross. Price upon request, naturally.

Fireboy DML: Cartier Santos

Fireboy DML’s outfit was straight fire on Sunday night. The Nigerian singer paired an MCM wool jacket with a Van Cleef & Arpels bracelet, several iced-out rings, and a sleek Cartier Santos. The timepiece features a steel case, a graduated blue dial with steel sword-shaped hands, and a seven-sided crown with synthetic faceted blue spinel.

Noah Kahan: Panerai Luminor Quaranta BiTempo

Best New Artist nominee Noah Kahan wore one of Panerai’s best new watches to Sunday’s festivities. The Luminor Quaranta BiTempo features a 40 mm polished steel case and a black dial with luminous numerals and hour markers, a date display at 3 o’clock, and a small seconds subdial at 9 o’clock. The timepiece can be yours for $14,000.

Busta Rhymes: Audemars Piguet Royal Oak Offshore

Legendary rapper Busta Rhymes busted out a chic Audemars Piguet for this year’s Grammys. The Royal Oak Offshore Chronograph in question is distinguished by a 42 mm rose-gold case and a matching pink méga tapisserie dial with an outer flange for the tachymeter scale. The face is fitted with three black subdials, large black numerals, and a black date display at 3 o’clock. You can expect to pay around $61,200 for the chronograph on the secondary market.

Jack Antonoff: Cartier Tank Louis Cartier

Producer of the year Jack Antonoff took to the red carpet with a stylish Cartier on his wrist. The Tank Louis Cartier in question appears to be a large 33.7 mm example that features an 18-carat rose-gold case, a silvered dial with black Roman numerals and blued steel hands, a beaded crown set with a sapphire cabochon, and a brown alligator strap. It’ll set you back $19,900.

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This 44-Foot Carbon-Fiber Speedboat Can Rocket to 177 KMPH

The new Mayla GT is available with a range of different powertrains, too.

By Rachel Cormack 03/02/2024

We knew the Mayla GT would be one of the most exciting boats at Boot Düsseldorf, but a deep dive into the specs shows it could be downright revolutionary.

The brainchild of German start-up Mayla, the 44-footer brings you the blistering performance of a speedboat and the luxe amenities of a motor yacht in one neat carbon-fiber package.

Inspired by the go-fast boats of the 1970s and ‘80s, the GT sports an angular, retro-futuristic body and the sleek lines of a rocket ship. Tipping the scales at just 4500 kilograms, the lightweight design features a deep-V hull with twin transversal steps and patented Petestep deflectors that help it slice through the waves with ease. In fact, Mayla says the deflectors decrease energy usage by up to 35 percent while ensuring a more efficient planing.

The range-topping GT can reach 185 kph. MAYLA

The GT is also capable of soaring at breakneck speeds, with the option of a gas, diesel, electric, or hybrid powertrain. The range-topping GTR-R model packs dual gas-powered engines that can churn out 3,100 hp for a top speed of more than 100 knots (185 kph). At the other, more sustainable end of the spectrum, the E-GT is fitted with an electric powertrain that can produce 2,200 horses for a max speed of 50 knots. The hybrid E-GTR pairs that same electric powertrain with a 294 kilowatt diesel engine for a top speed of 60 knots (111 km/h/69 mph). (The GT in the water at Boot sported two entry-level V8s good for 650 hp and a top speed of over 70 knots.)

The GT is suitable for more than just high-speed jaunts, of course. The multipurpose cockpit, which can accommodate up to eight passengers, features a sundeck with sliding loungers, a wet bar and BBQ, and a foldaway dining table for alfresco entertaining. Further toward the stern, a beach club sits atop a garage with an electric transom door.

The garage has an electric transom door. MAYLA

The GT is even fit for overnight stays. Below deck lies a cabin with a double bed, sofa, wardrobe, vanity, and en suite. You can also expect a high-tech entertainment system with TVs and premium audio.

As for price, the GT with the entry-level powertrain will cost between $2.7 million and $2.9, depending on the final configuration. (You can fine-tune the layout, hull color, and interiors, naturally.) Interested buyers can set up a sea trial with Mayla, with test-drives set to begin this spring in Europe.

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Red Centre

First Nations artist Shaun Daniel Allen joins forces with Chopard to create a timepiece inspired by the Australian landscape.

By Horacio Silva 29/01/2024

Shaun Daniel Allen does not look like your typical collaborator on a prestige watch. For one, Shal, as he prefers to be known (“There are many Shauns but only one Shal,” he explains), is more heavily tattooed than your average roadie. His youthful appearance, bad-boy ink and all, belies his 38 years and leads to a disconnect. 

He recounts being recognised on the street recently by a journalist, who, unable to remember his name, shouted out, “Chopard!” “I was with a friend,” Shal says, holding court in his apartment in Sydney’s inner city, “and he’s, like, ‘What the hell? Does that happen to you often?’”

Perhaps because of his body art, he reasons, “People don’t put me and Chopard together.” It’s not hard to understand the confusion, Shal adds; even he was taken aback when Chopard reached out to him about a potential collaboration a little more than a year ago. “When I first went in to see them, I was, like, I don’t know if I’m your guy. I’m not used to being in those rooms and having those conversations.”

He’ll have to adapt quickly to his new reality. Last month Chopard released Shal’s interpretation of the Swiss brand’s storied Alpine Eagle model, which in itself was a redo of the St. Moritz, the first watch creation by Karl-Friedrich Scheufele (now Co-President of Chopard) in the late 1970s. 

Previewed at Sydney’s About Time watch fair in September, to not insignificant interest, and officially known as the Alpine Eagle Sunburnt, the exclusive timepiece—issued in a limited edition of 20—arrives as a stainless steel 41 mm with a 60-hour power reserve and a burnt red dial that brings to mind the searing Outback sun. Its see-through caseback features one of Shal’s artworks painted on sapphire glass.

When the reputable Swiss luxury brand approached Shal, they already had the red dial—a nod to the rich ochre hues of the Australian soil at different times of the day and gradated so that the shades become darker around the edges—locked in as a lure for Australian customers.

Shal was charged with designing an artful caseback and collectible hand-painted sustainable wooden case. After presenting a handful of paintings, each with his signature abstract motifs that pertain to indigenous emblems, tattoos and music, both parties landed on a serpentine image that evoked the coursing of rivers. “I have been painting a lot of water in this last body of work and the image we chose refers to the rivers at home,” he says, alluding to formative years spent at his grandfather’s, just outside of Casino.

It says a lot about Chopard, Shal points out, that they wanted to donate to a charity of his choosing. “Like everything else on this project,” he explains, “they were open to listening and taking new ideas on board and it actually felt like a collaboration, like they weren’t steering me into any corner.”

In another nice touch, a portion of the proceeds from sales of the watch will go to funding programs of the Ngunya Jarjum Aboriginal Corporation—an organisation, established in 1995 by Bundjalung elders, whose work Shal saw firsthand after the 2022 eastern Australia flood disasters ravaged their area. “Seeing Ngunya Jarjum suffer from the floods,” he says, “and knowing how much they do for the community on Bundjalung Country was heartbreaking. I want to see Bundjalung families thriving and supported.”

So what’s it been like for this booster of Australian waterways to be swimming in the luxury end of the pool? “I’ve done a few things with brands,” he offers, referring to the Louis Vuitton project earlier this year at an art gallery in Brisbane, “but nothing on this scale. It’s definitely fancier than I’m used to but I’m not complaining.” Neither are watch aficionados.

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