Patek Philippe’s Tokyo Exclusives Exude Global Appeal

Tokyo calling. The lauded Swiss manufacture has dropped six limited-edition market-exclusive references.

By Paige Reddinger 12/06/2023

Patek Philippe is back with another Grand Exhibition taking place this weekend in Tokyo, Japan and it just dropped six new releases to celebrate the occasion. Beyond the technical prowess of the complications like the quadruple complication Ref. 5308P-010 featuring a minute repeater, split-seconds chronograph and an instantaneous perpetual calendar, Patek Philippe seemed intent on making a splash with vibrant hues from the aforementioned salmon dial reference to a royal purple-hued world timer and two pastel-coloured Calatravas.

The overall vibe, however, is one of refinement and elegance. In contrast to the Swiss watchmaker’s last exhibition in Singapore in 2019, which saw the release of much busier pieces, one suspects that the Japanese models released today will be far more coveted. They are, of course, only available to residents of Japan, so for the rest of you hoping to get your hands on one you may be waiting several years before these pop up on the secondary market at, naturally, much higher price points.

Reference 5308P-010

Patek Philippe Ref. 5308P-010
Patek Philippe Ref. 5308P-010.

The undeniable highlight and “granddaddy” of releases in Tokyo is this 42 mm platinum salmon dial timepiece that combines a minute repeater, split-seconds chronograph, and instantaneous calendar. It derives from the company’s 2011 triple complication Reference 5208, which featured a minute repeater, chronograph and instantaneous perpetual calendar. The addition of the split-seconds feature proved particularly challenging in the 799-part R CHR 27 PS QI caliber due to energy consumption. The new movement has an increased barrel torque, as a result, and platinum mini-rotor that increases the winding power. Of course, with a new release of this magnitude there are also some patents involved including a backlash-compensating wheel that eliminates chronograph friction at the clutch and an isolation system that eliminates the energy consumption of the split-seconds when it is stopped. The split-seconds function is controlled by its own pusher at 4 o’clock.

Patek Philippe Ref. 5308P-010 Tokyo Limited Edition Caseback
Patek Philippe Ref. 5308P-010 Tokyo Limited Edition Caseback.

The other complications drive home, however, the fact that this is a traditional dress watch. The minute repeater features two traditional gongs, while the mono pusher chronograph has a classic 60-minutes counter at 3 o’clock and a 12-hour counter at 9 o’clock. The instantaneous perpetual calendar, meanwhile is equipped with discs that pass in 30 milliseconds to read the day, date and month in apertures between 10 o’clock and 2 o’clock at the top of the dial. The moon phase, along with a seconds counter, is, of course, located at 6 o’clock.

A reminder, however, that this ultra-high-end timepiece still has some sporty appeal with its split-seconds chronograph function is further accentuated by charcoal grey white-gold-applied hour markers that offer a more relaxed and modern-looking juxtaposition atop a dressy rose-gilt opaline salmon dial. It is limited to just 15 pieces and comes with two interchangeable casebacks: one featuring a “Patek Philippe Tokyo” inscription on the sapphire crystal and another in solid platinum featuring the same text.

Reference 5531R-014

Patek Philippe Ref. 5131R
Patek Philippe Ref. 5131R Tokyo Limited Edition.

Patek Philippe’s World Timers are always wildly coveted, but this particular 40.2 by 11.49 mm 18-karat rose-gold version for the Tokyo market is an exceptional iteration with a rare handcrafts dial in grand feu cloisonée featuring a map of the centre of Tokyo of the historic Chou district. It also comes equipped with a minute repeater in the self-winding R 27 HU caliber, featuring a patented striking mechanism striking local time for the time zone indicated at 12 o’clock. Its gongs are attached directly to the caseband, which, on the exterior is decorated with a beautiful hand-guilloched hobnail pattern. Like the above reference, it also comes with interchangeable casebooks featuring the “Patek Philippe Tokyo” inscription.

Patek Philippe Ref. 5531R-014 Tokyo Limited Edition Caseback
Patek Philippe Ref. 5531R-014 Tokyo Limited Edition Caseback.

Reference 5330G

Patek Philippe Ref. 5330G-010
Patek Philippe Ref. 5330G-010.

In Japan, purple is a colour typically associated with the emperor and aristocracy so it’s fitting that Patek Philippe would want to introduce a high complication in the royal hue. The 40 mm by 11.7 mm 18-karat white-gold timepiece is also a world timer, sans the minute repeater function in this particular model. It does, however, come with a world first: a date indication that synchronises with the local time, which appears at 12 o’clock with the time indicated by the central white-gold hands. A new movement, the Caliber 240 HU C was developed to execute the premiere function and it uses a patented differential system for the local-time date. A transparent glass hand with a red-varnished tip—a double-patented first for Patek—indicates the date. It’s the kind of nuanced, unique feature that will delight collectors and, while it keeps the look of the dial cleaner, it may be harder to read for some. Other red indications include a red dot, representative of Tokyo’s rising sun at the 12 marker on the centre disc, a smaller red dot between Auckland and Midway to mark the date line and Tokyo, of course, also indicated in red on the cities disc.

Limited to 300 pieces, it comes with a sapphire crystal caseback featuring “Patek Philippe Tokyo” and sports a matching plum alligator-leather strap. Patek Philippe has obviously mastered the World Timer, but it is also increasingly playing to the heart of those that appreciate a little style flare and this rich hue will certainly standout in a room.

Reference 7121-200G

Patek Philippe Ref. 7121-200G
Patek Philippe Ref. 7121-200G.

Here’s one for the ladies who appreciate serious complications to come with their very serious Patek purchase. This classic Calatrava officer’s-style 33 by 8.35 mm white-gold timepiece with a moon phase and small seconds indications at 6 o’clock is powered by a manually-wound Caliber 215 PS LU movement. Its moon phase is so accurate it only deviates from the true lunar cycle by one day in 122 years.

Patek Philippe Ref. 7121-200G
Patek Philippe Ref. 7121-200G.

Its technical prowess is compliments by a pearly grey sunburst dial and a matching grey alligator leather strap. The hue is incredibly chic and we hope to see more timepieces featuring this colour. The case comes accented in 132 brilliant-cut diamonds, but would also be welcome in a version without. Wishful thinking perhaps, as this model is, like all the rest, unique to the Tokyo market and will only be released in a limited run of 200 pieces.

References 6127G and 7127G

Patek Philippe Ref. 7127G and 6127G
Patek Philippe Ref. 7127G and 6127G.

Patek Philippe is having some good clean fun. Two vibrantly hued Calatravas dropped in Tokyo in lilac and baby blue dials with alligator-leather straps to match. Japan is known for being both ultra-conservative and wildly creative and stylish and these pieces play to both moods. Offered in both 31 mm and 36 mm sizes, these are particularly appealing propositions for all sexes, although we must say the saccharine colours would have a more subversive pop on a masculine wrist, especially if worn with enough sartorial panache to match. They are both equipped with the manual Caliber 215 PS manual winding movement with small seconds subdials. Equipped with a brand new Calatrava case, both feature butterfly wing-shaped two-tier lugs inspired by the Ref. 5270 model. Each is limited to just 100 pieces.

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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Omega Reveals a New Speedmaster Ahead of the Paris 2024 Olympics

Your first look at the new Speedmaster Chronoscope, designed in the colour theme of the Paris Olympics.

By Josh Bozin 26/04/2024

The starters are on the blocks, and with less than 100 days to go until the Paris 2024 Olympics, luxury Swiss watchmaker Omega was bound to release something spectacular to mark its bragging rights as the official timekeeper for the Summer Games. Enter the new 43mm Speedmaster Chronoscope, available in new colourways—gold, black, and white—in line with the colour theme of the Olympic Games in Paris this July.

So, what do we get in this nicely-wrapped, Olympics-inspired package? Technically, there are four new podium-worthy iterations of the iconic Speedmaster.

Omega

The new versions present handsomely in stainless steel or 18K Moonshine Gold—the brand’s proprietary yellow gold known for its enduring shine. The steel version has an anodised aluminium bezel and a stainless steel bracelet or vintage-inspired perforated leather strap. The Moonshine Gold iteration boasts a ceramic bezel; it will most likely appease Speedy collectors, particularly those with an affinity for Omega’s long-standing role as stewards of the Olympic Games.

Notably, each watch bears an attractive white opaline dial; the background to three dark grey timing scales in a 1940s “snail” design. Of course, this Speedmaster Chronoscope is special in its own right. For the most part, the overall look of the Speedmaster has remained true to its 1957 origins. This Speedmaster, however, adopts Omega’s Chronoscope design from 2021, including the storied tachymeter scale, along with a telemeter, and pulsometer scale—essentially, three different measurements on the wrist.

While the technical nature of this timepiece won’t interest some, others will revel in its theatrics. Turn over each timepiece, and instead of a transparent crystal caseback, there is a stamped medallion featuring a mirror-polished Paris 2024 logo, along with “Paris 2024” and the Olympic Rings—a subtle nod to this year’s games.

Powering this Olympiad offering—and ensuring the greatest level of accuracy—is the Co-Axial Master Chronometer Calibre 9908 and 9909, certified by METAS.

Omega

A Speedmaster to commemorate the Olympic Games was as sure a bet as Mondo Deplantis winning gold in the men’s pole vault—especially after Omega revealed its Olympic-edition Seamaster Diver 300m “Paris 2024” last year—but they delivered a great addition to the legacy collection, without gimmickry.

However, the all-gold Speedmaster is 85K at the top end of the scale, which is a lot of money for a watch of this stature. By comparison, the immaculate Speedmaster Moonshine gold with a sun-brushed green PVD “step” dial is 15K cheaper, albeit without the Chronoscope complications.

The Omega Speedmaster Chronoscope in stainless steel with a leather strap is priced at $15,725; stainless steel with steel bracelet at $16,275; 18k Moonshine Gold on leather strap $54,325; and 18k Moonshine Gold with matching gold bracelet $85,350, available at Omega boutiques now.

Discover the collection here

 

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Here’s What Goes Into Making Jay-Z’s $1,800 Champagne

We put Armand de Brignac Blanc de Noirs Assemblage No. 4 under the microsope.

By Mike Desimone And Jeff Jenssen 23/04/2024

In our quest to locate the most exclusive and exciting wines for our readers, we usually ask the question, “How many bottles of this were made?” Often, we get a general response based on an annual average, although many Champagne houses simply respond, “We do not wish to communicate our quantities.” As far as we’re concerned, that’s pretty much like pleading the Fifth on the witness stand; yes, you’re not incriminating yourself, but anyone paying attention knows you’re probably guilty of something. In the case of some Champagne houses, that something is making a whole lot of bottles—millions of them—while creating an illusion of rarity.

We received the exact opposite reply regarding Armand de Brignac Blanc de Noirs Assemblage No. 4. Yasmin Allen, the company’s president and CEO, told us only 7,328 bottles would be released of this Pinot Noir offering. It’s good to know that with a sticker price of around $1,800, it’s highly limited, but it still makes one wonder what’s so exceptional about it.

Known by its nickname, Ace of Spades, for its distinctive and decorative metallic packaging, Armand de Brignac is owned by Louis Vuitton Moët Hennessy and Jay-Z and is produced by Champagne Cattier. Each bottle of Assemblage No. 4 is numbered; a small plate on the back reads “Assemblage Four, [X,XXX]/7,328, Disgorged: 20 April, 2023.” Prior to disgorgement, it spent seven years in the bottle on lees after primary fermentation mostly in stainless steel with a small amount in concrete. That’s the longest of the house’s Champagnes spent on the lees, but Allen says the winemaking team tasted along the way and would have disgorged earlier than planned if they’d felt the time was right.

Chef de cave, Alexandre Cattier, says the wine is sourced from some of the best Premier and Grand Cru Pinot Noir–producing villages in the Champagne region, including Chigny-les-Roses, Verzenay, Rilly-la-Montagne, Verzy, Ludes, Mailly-Champagne, and Ville-sur-Arce in the Aube département. This is considered a multi-vintage expression, using wine from a consecutive trio of vintages—2013, 2014, and 2015—to create an “intense and rich” blend. Seventy percent of the offering is from 2015 (hailed as one of the finest vintages in recent memory), with 15 percent each from the other two years.

This precisely crafted Champagne uses only the tête de cuvée juice, a highly selective extraction process. As Allen points out, “the winemakers solely take the first and freshest portion of the gentle cuvée grape press,” which assures that the finished wine will be the highest quality.  Armand de Brignac used grapes from various sites and three different vintages so the final product would reflect the house signature style. This is the fourth release in a series that began with Assemblage No. 1. “Testing different levels of intensity of aromas with the balance of red and dark fruits has been a guiding principle between the Blanc de Noirs that followed,” Allen explains.

The CEO recommends allowing the Assemblage No. 4 to linger in your glass for a while, telling us, “Your palette will go on a journey, evolving from one incredible aroma to the next as the wine warms in your glass where it will open up to an extraordinary length.” We found it to have a gorgeous bouquet of raspberry and Mission fig with hints of river rock; as it opened, notes of toasted almond and just-baked brioche became noticeable. With striking acidity and a vein of minerality, it has luscious nectarine, passion fruit, candied orange peel, and red plum flavors with touches of beeswax and a whiff of baking spices on the enduring finish. We enjoyed our bottle with a roast chicken rubbed with butter and herbes de Provence and savored the final, extremely rare sip with a bit of Stilton. Unfortunately, the pairing possibilities are not infinite with this release; there are only 7,327 more ways to enjoy yours.

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Bill Henson Show Opens at Roslyn Oxley9 Gallery

Dark, grainy and full of shadows Bill Henson’s latest show draws on 35 mm colour film shot in New York City in 1989.

By Belinda Aucott-christie 20/04/2024

Bill Henson is one of Australia’s best-known contemporary photographers. When a show by this calibre of artist opens here, the art world waits with bated breath to see what he will unveil.

This time, he presents a historically important landscape series that chronicles a time in New York City that no longer exists. It’s a nostalgic trip back in time, a nocturnal odyssey through the frenetic, neon-lit streets of a long-lost America.

Known for his chiaroscuro style, Henson’s cinematic photographs often transform his subject into ambiguous objects of beauty. This time round, the show presents a mysterious walk through the streets of Manhattan, evoking a seedy, yet beautiful vision of the city. 

Bill Henson Untitled, 1989. Archival inkjet pigment print 127 x 180 cm Edition of 5 + 2AP Courtesy of Roslyn Oxley Gallery
Installation shot of Bill Henson’s show,’The Liquid Night’ at Roslyn Oxley9 Gallery.

Relying on generative gaps, these landscapes result from Henson mining his archive of negatives and manipulating them to produce a finished print. Sometimes, they are composed by a principle of magnification, with Henson honing in on details, and sometimes, they are created through areas of black being expanded to make the scene more cinematic and foreboding. Like silence in a film or the pause in a pulse, the black suggests the things you can’t see. 

Bill Henson, Untitled, 1989 Archival inkjet pigment print 127 x 180 cm Edition of 5 + 2AP Courtesy of Roslyn Oxley9 Gallery
Bill Henson, Untitled, 1989 Archival inkjet pigment print 127 x 180 cm Edition of 5 + 2AP Courtesy of Roslyn Oxley9 Gallery
Bill Henson Untitled, 1989 Archival inkjet pigment print 127 x 180 cm Edition of 5 + 2AP Courtesy of Roslyn Oxley9 Gallery

Henson’s illustrious career has spanned four decades and was memorably marred by controversy over a series of nude adolescent photographs shown in 2008, which made him front-page news for weeks. This series of portraits made Henson the subject of a police investigation during which no offence was found. 

In recent years, Henson has been a sharp critic of cancel culture, encouraging artists to contribute something that will have lasting value and add to the conversation, rather than tearing down the past.

Untitled 2/1, 1990-91 from the series Paris Opera Project type C photograph 127 x 127 cm; series of 50 Edition of 10 + AP 2

His work deals with the liminal space between the mystical and the real, the seen and unseen, the boundary between youth and adulthood.

His famous Paris Opera Project, 1990-91, pictured above, is similarly intense as the current show, dwelling on the border between the painterly and the cinematic.

Bill Henson’s ‘The Liquid Night’ runs until 11 May 2024 at Roslyn Oxley9 Gallery.

Roslyn Oxley9 Gallery, 8 Soudan Ln, Paddington NSW; roslynoxley9.com.au 

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