James Bond And The Science Of Fiction

In many Bond movies, 007’s mind-blowing timepieces save the day. But are they really so far-fetched?

By Rob Ryan 09/11/2021

There have been many characters over the years touted as the “real-life” James Bond, a list usually drawn from the various spies and adventurers that his creator, Ian Fleming, met during his time in Naval Intelligence during WWII. Equally, there are several contenders for being the inspiration behind Q, the boffin who heads up Q (for Quartermaster) Branch – Fleming’s fictitious version of what is now known as Her Majesty’s Government Communications Centre – the department that provides 007 with his famous gadgets.

My favourite of these candidates for the prototype Q is Christopher Clayton Hutton, of the little-known branch of military intelligence called MI9. Its role in WWII was to help downed aircrew and escaped prisoners of war get back to the UK, using a series of escape lines across Europe, and Hutton’s job was to provide the equipment to assist in what was known as Escape and Evasion, a phrase which accurately describes much of Bond’s activity during a mission. So Clutty, as he was known, created maps concealed in playing cards; compasses hidden in buttons or collar studs; powerful flashlights disguised as bicycle pumps; multi-function ‘escape knives’, tiny radios and a cigarette lighter with a concealed camera inside.

The Aston Martin DB10 revealed to James Bond (Daniel Craig) in Q’s Workshop with Q (Ben Whishaw) in Metro-Goldwyn-Mayer Pictures/Columbia Pictures/EON Productions’ action adventure SPECTRE.

Miniaturisation was his speciality and he would have relished the world of Bond, where various aids to Escape and Evasion have to be incorporated into equipment such as 007’s trusty Omega watches. But could even a maverick genius like Clutty make the spy’s various Seamasters function as shown on screen, or are they just a fantasy product of the scriptwriters’ imagination? With an Omega about to play a pivotal role in No Time To Die, it’s as good a moment as any to look at the practicality of the world’s most versatile, and sometimes lethal, timepiece, and to give them a ‘Clutty Rating’ (CR) for the likelihood of the great gadget man being able to duplicate them.

 

RADIO SIGNAL DETONATOR

Over the past 25 years, Bond has frequently turned to his Omega to get him out of a tight spot by making something explode. In GoldenEye (1995), 007 uses the Seamaster’s HRV (Helium Release Valve) to initiate the timing sequence on several limpet mines. This is the watch acting as an on-off switch for the mines – which means Q has installed an actuating transmitter in the Seamaster. The limpets never actually blow – spoilsport Alex Trevelyan (Sean Bean) uses another click on the HRV to stop the countdown.

All this is eminently feasible, even with the limited space within an Omega. Researchers at Columbia University in the U.S., for instance, have built what they describe as the smallest frequency-modulated (FM) radio transmitter ever. Based on a graphene nanoelectromechanical system (NEMS), the microscopic device oscillates at a frequency of 100 MHz and, with a tiny antenna, could broadcast an activation signal. Even without using nanotechnology, traditional UHF transmitters can now be produced that are not much longer than a grain of rice.

No matter what type of signal generator Q opts for, a battery needs to be included to provide the power for the transmission. But this is also achievable – the University of California is working on gold nanowire batteries, which use rechargeable filaments thinner than a human hair as an energy sink. More practically, the Jenax company has created a thin, foldable and bendable lithium-ion battery called J.Flex. It isn’t difficult to envisage one of the latter fitting snugly against the inside of the caseback of a Q Branch Seamaster.

CR: 9/10

THE LASER BEAM

Lasers have a long association with James Bond, ever since Goldfinger (1964), when 007 was “expected to die” while being threatened with being split in two by a giant industrial CO2 laser.

By the time of GoldenEye (1995), the laser had shrunk enough to be concealed in 007’s Omega Seamaster. Bond uses the light beam to cut a very neat panel out of the steel floor of rogue 00 agent Alex Trevelyan’s armoured train and escape before the whole lot blows. The laser-watch reappears in Die Another Day (2002), with the light lance emerging from the crown, operated by pressing the face of the Omega, and is deployed by 007 to cut a hole in the ice outside of Gustave Graves’ frozen palace (admittedly an easier task than burning through metal floors).

Ridiculous? Well, German prop-maker and ‘laser hobbyist’ Patrick Priebe has succeeded in fitting a 1,500 milliwatt laser into a wrist-worn case. The beam is capable of puncturing balloons, scorching walls and cutting through duct tape. Burning steel?

Not so much. You need at least 300 watts to cut metal. However, it will ignite matches, and it doesn’t take much to imagine a Bond scenario where that would come in handy. Like 007’s version, Priebe’s laser-watch also tells the time – using a very crude LED digital display. A handsome Seamaster it is not. Despite companies such as Boeing and Lockheed Martin

working hard on miniaturising laser guidance and weapons systems, and the development of tiny (but weak) nano-lasers, it is likely that this is one 007 gadget that will remain in the realm of fiction for the time being.

CR: 2/10

PRIMARY EXPLOSIVE DETONATOR

In the pre-credits sequence of Die Another Day (2002), 007 lifts a tray of diamonds from an attaché case and underneath are blocks of C-4 explosive. He removes the Seamaster’s HRV, which has a small shaft or pin attached to it, and sticks this into the C-4. So what is it? I turned to Warrant Officer Kim Hughes, an ATO (Ammunition Technical Officer, bomb disposal expert in non-army parlance), who won the George Cross for his service in Afghanistan, to explain.

“Military grade explosives such as Semtex or C-4 are relatively insensitive compounds. They need a ‘kick’ to enable the chemical reaction to take place, which results in a rapid release of energy or explosion.”

So the detonator pin that Bond buries in the C-4 would contain a small amount of ‘primary’ explosive, triggered by heat from an electrical circuit. In the film, Bond initiates the blast by twisting the Omega’s bezel, which would send a signal to the HRV pin, causing a current to flow to a small wire. This instantly turns white-hot (think incandescent light bulbs) setting off the detonator charge, which in turn gives the energetic shock needed to make the main lump of C-4 go up. Is it realistic? Hughes agrees the principle is sound enough.

CR: 8/10

James Bond (Daniel Craig) in NO TIME TO DIE, an EON Productions and Metro Goldwyn Mayer Studios film Credit: Nicola Dove © 2020 DANJAQ, LLC AND MGM. ALL RIGHTS RESERVED.

PRIMARY AND SECONDARY CHARGE

An example of 007’s watch containing both primary detonator and secondary explosive is found in Tomorrow Never Dies (1997), which also features an X-ray of the Seamaster in the credits, showing its elegant inner workings in all its mechanical glory.

On board the megalomaniac media tycoon Elliot Carver’s stealth ship, Bond slides a small, flat unit from the side of his watch. This has a coin-sized explosive charge at its centre, with a detonator contained in the outer casing.

Bond assembles an IED – Improvised Explosive Device – by placing a hand grenade, with the pin removed, in a glass jar. The fit is tight enough to stop the safety handle of the grenade flying off. Bond tapes the portable micro-bomb to the jar. Later on, Bond transmits a signal, using the Omega’s bezel, to the unit.

The small amount of plastic explosive in the gizmo is just enough to shatter glass, so the jar breaks open. This allows the grenade handle to release, causing a conflagration that ignites the drums of flammable liquid that all super-villains carelessly leave lying around. Simple.

CR: 9/10

THE GRAPPLING HOOK

A grappling hook and cable fired from a pistol appeared in the opening sequence of GoldenEye during the dam dive, but by The World Is Not Enough (1999), the device was incorporated into Bond’s Omega (along with ultra-bright micro-LEDs which provide illumination when Bond is stuck inside an inflatable anti-avalanche sphere). This piton system really would have been a challenge to Q Branch. But as ATO Kim Hughes pointed out to me, there is already a weapon that fires hooks trailing a cable: the taser.

Tasers use compressed gas to deploy the lines down which the electric shock travels, but shrinking the cylinders enough to fit into a Seamaster is quite an undertaking. However, ultracompact micro-and pico-cylinders do exist and are used in medicine in self-injection devices and inhalers. Whether they would generate enough pressure to drive a piton in concrete, however, is doubtful.

The BolaWrap100 uses a blank .380 cartridge as a propellant and the tether exits the weapon at 200m a second, faster than the human eye can see clearly. The drawback for Bond and his

Omega? The BolaWrap is the size of a mobile phone. Something tinier is needed. Enter the ANT, or actuating nano-transducer, which releases remarkable amounts of energy from gold particles which fly apart when hit by a beam from a miniscule nano-laser.

“It’s like an explosion,” said Dr Tao Ding from Cambridge’s Cavendish Laboratory. “We have hundreds of gold balls flying apart in a millionth of a second when water molecules inflate the polymers around them.” Such an explosion could be used to propel out the barb, while the same technology could be harnessed to produce an ANT “engine” to power the rotating bezel that rewinds the line attached to the hook.

And the cable needed to support the weight of 007? A 2020 update on the Omega would not use high-tensile steel (too bulky to incorporate in the watch) but rather a new material, such as Dyneema (15 times stronger than steel) – or perhaps one of the materials that laboratories are currently experimenting with, such as a filament that mimic the properties of spider silk in terms of tensile strength. The US Army, for example, is testing fibres called ‘Dragon Silk’, produced from modified silkworms, which are strong enough to be woven into bulletproof vests.

CR: 3/10

Daniel Craig stars as James Bond in Metro-Goldwyn-Mayer Pictures/Columbia Pictures/EON Productions action adventure SKYFALL.

PRIMARY EXPLOSIVE

The Q Branch Omega watches were retired from active duty (other than for telling the time) for the first run of the Daniel Craig movies, but in Spectre (2015) one watch was up to its old tricks. When he is tortured by Blofeld, Bond manages to remove his NATO-strapped Seamaster and spins the crown, so that the hour markers flash red. This initiates a countdown that culminates in a blast that blows Blofeld off his chair and causes significant facial damage to the villain.

Kim Hughes pointed out that it would be difficult to pack enough explosive into the Spectre watch to cause such a big bang.

However, he did concede that modern hard PBX (Plastic Bonded Explosive) could be machined or cast – complete with engraving – to replace entirely the caseback of the Seamaster (it would, he adds, also need a detonator and a battery to be fully operational).

He reckoned this might be enough to, say, blow off a hand. Whether one would want to walk around all day wearing such a timepiece is debatable. Of course, he is assuming that Q wouldn’t have access to types of PBX more powerful than those commercially available.

CR: 6/10

AND FOR ITS NEXT TRICK?

A lightweight titanium Omega Seamaster Diver 300M chronometer will certainly play a part in the next 007 outing, No Time To Die. Rumour has it that Q Branch has been hard at work creating new surprises to incorporate into Bond’s trusty timepiece. For the moment, exactly what those surprises are is under wraps. Time will tell.

The latest James Bond adventure, No Time To Die, is out in cinemas Thursday, November 11. 007.com

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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