Legendary Auto Designer Marcello Gandini Passed Away Last Week. We Remember 10 of His Most Iconic Cars

The 85-year-old automotive visionary passed away on March 13, but he leaves behind a body of work like no other.

By Robert Ross 21/03/2024

Marcello Gandini passed away at the age of 85 on March 13, 2024. To some of us, he was the most influential automotive designer in our car-crazy lives. Gandini created during a time when audacity and rule-breaking were uncommon traits, but desperately needed. Disruption—especially in Italy—was in the air, and Gandini was its agent.

Gandini—working for Bertone from 1965 until launching out on his own in 1980—was responsible for designs that etched themselves into the imagination of every car lover who had a pulse. We all know the most popular among them. His Lamborghini Miura was unsurpassable. But then came the Countach, which outdistanced its Raging Bull predecessor at every turn. His concept cars were greater still.

Gandini was as humble a person as I’ve ever met, yet his legacy, and his greatest automobiles, are titanic. I joined Lamborghini for the celebration of the 50th anniversary of the Miura, whose guests of honor were the men most responsible for the seminal model, Giampaolo Dallara, Paolo Stanzani, and Marcello Gandini. Only Bob Wallace, its development driver who died in 2013, was absent.

I sat at Gandini’s right side during dinner, and through an interpreter, he shared thoughts about his designs. What struck me was his modesty as we talked about the cars he penned. About the Miura, he remarked, “the wheels are set too far in.” I imagined Michelangelo apologizing for his David.

A shortlist of Marcello Gandini’s masterworks follows. There are innumerable others, but these 10 examples—favourites of this enthusiast—amply illustrate his genius, one impossible to express in today’s automotive world.

Photo: Martyn Lucy/Getty Images

Things were never the same after the first Lamborghini Miura was parked in the Monte Carlo Casino Square in 1966. It began as an after-hours project by Dallara, Stanzani, and Wallace, who presented it to Lamborghini in 1965. Bertone was commissioned to design the body, and the rest is history. With 762 produced from 1966 until 1973—in three successive series of P400, P400S, and P400SV—the Miura is the quintessential low-slung, two-seat Italian sports car of the 1960s. Undeniably beautiful, it was the first road car to feature a transversely mid-mounted V-12 engine. The Miura is the most collectible model in the marque’s history, and Gandini’s design has inspired every Lamborghini since.

Photo: Jean-Marc Zaorski/Gamma-Rapho via Getty Images

I remember seeing the Marzal at the Los Angeles Auto Expo, circa 1968, on a twirling stage surrounded by young women wearing checkered-flag miniskirts, halter tops, and silver go-go boots. To say that the entire scene made an impression on a then-13-year-old car enthusiast is an understatement. And certainly, few cars have stood the test of time so well as has Lamborghini’s one-off. It’s a testament to the enduring power of daring invention and uncompromising design that the Marzal remains as powerful today as when it shattered conventions 50 years ago. The unique concept car’s less radical doppelgänger was the Bertone Pirana, also by Gandini. Both it and the Marzal hinted at the Lamborghini Espada, yet another Gandini masterpiece.

Photo: National Motor Museum/Heritage Images/Getty Images)

Gandini’s Espada was a remarkable exercise in packaging four adults in a long, low, and slippery GT that looked like a spaceship but drove like a normal car. Its resemblance to the Marzal and Pirana show cars was hardly coincidental, and if those had not existed, the Espada itself might have been mistaken for a one-off dream car. That 1,226 examples were made in three series, starting in 1968, through the course of a decade—the longest-running Lamborghini until the Diablo—speaks volumes about its enduring design and the practicality of a car that can transport a string quartet and their instruments at 240 km/ph.

Photo: Stefano Guidi/LightRocket via Getty Images

Bertone’s Alfa Romeo Carabo and Pininfarina’s 1970 Ferrari 512S Modulo (the latter designed by Paolo Martin) were the two most groundbreaking concept cars of the postwar era. While the Modulo’s potential went unrealized, the Carabo became everything a flying wedge could be. Named for a family of metallic-green ground beetles (Carabidae), it shook the stage at the 1968 Paris Motor Show and prefigured Lamborghini’s Countach and nearly every other supercar of the following decade. Unlike most concepts, it was a fully functioning vehicle, built on an Alfa Romeo 33 Stradale chassis and powered by that car’s 2.0-litre V-8 racing engine. It remains on display at the Alfa Romeo Historical Museum in Arese, Italy.

Photo: John Lamm/The Enthusiast Network via Getty Images/Getty Images

The most radical Gandini concept car of them all has got to be the Lancia Stratos Zero, unveiled at the 1970 Turin Auto Show. Walk up the rubber deck mat and into the cockpit, pull the hatch, and settle into a car whose roof is only 33 inches tall. Using the chassis of a crashed Lancia Fulvia HF1600 rally car, the Stratos Zero features a rear-mounted V-4 engine—which was nothing to write home about. The shape, however, was so essential, beautiful, and radical as to never have been equalled before or since. It was sold at auction in 2011 when Bertone liquidated its assets, a pity given the significance of this design milestone. The Zero’s influence can be seen in the series-production Lancia Stratos HF. That successful rally car was also designed by Gandini, and incorporates design cues from the Miura that are immediately recognisable.

Photo: Martyn Lucy/Getty Images

More rewarding to look at than to drive, Lamborghini’s Countach is still the poster car to beat. More kids went to sleep dreaming about a Countach than any other car in history. The successor to the Miura had a V-12 engine positioned longitudinally behind the two-seat cabin. The 1971 prototype LP500 was informed by Gandini’s Carabo and Stratos Zero. Fewer than 2,000 Countach examples (in several variants) were made through 1990, and of those, the first series LP400, with 158 built from 1974 to 1977, is the purest in form and by far the most collectible. The bloated 25th Anniversary Edition models, from 1988 through 1990, recall Elvis in a white leisure suit.

Photo: Evening Standard/Hulton Archive/Getty Images

Styling house Bertone is almost a total stranger to Ferrari, whose cars from the 1960s onward were predominantly designed by Pininfarina. The first production Ferrari powered by a mid-engine V-8, the GT4, was also a 2+2 design made from 1973 through 1980. Its wedge shape was pure Gandini, and a resemblance to his Lamborghini Urraco was not coincidental, which might explain why he was never hired to design another car for Maranello. Launched as a Dino, it finally got its Prancing Horse badge in 1976, and today is considered a full-fledged Ferrari. Its design, initially shunned by Ferraristi, has not only worn the years well, but looks better than ever in comparison to most of its contemporaries.

Photo: Stefano Guidi/LightRocket via Getty Images

The first Maserati designed by Bertone was unveiled at the 1972 Turin Auto Show. Its elegant shape reflected the wedge-focused design sensibility of Gandini, who added a brilliant asymmetric flourish to the hood louvers and brought up the rear with a transparent glass Kamm tail. A 2+2 GT, it was the final car developed under Giulio Alfieri, Maserati’s head of engineering during the period, who used the drivetrain and V-8 engine from the Ghibli. Maserati’s owner Citroën brought its unfortunate hydraulic systems to the party, which probably seemed like a good idea at the time. Thankfully, none of that detracted from the beauty of the Trident’s most elegant GT. Only 435 examples were made through 1982.

Photo: Jacques Demarthon/AFP via Getty Images

It wasn’t just Italian cars that flowed from Gandini’s pen. His work for Citroën and Renault was especially notable, and the pugnacious Renault 5 Turbo—launched in 1980—broke new ground as the hottest hatch of its era. Appearing almost as wide as it was long, the squat hatchback was designed at Bertone by Marc Deschamps under the guidance of chief designer Marcello Gandini. Although based on the quotidian Renault 5 (called Le Car for the U.S. market), it was designed for rallying, and it was an entirely different machine beneath its flared bodywork, featuring an inline-four, turbocharged engine behind the driver.

Photo: Martyn Lucy/Getty Images

Gandini’s last series-production Lamborghini was a clear departure from its predecessor the Countach, although the Diablo was initially a wedge-shaped aggressor that would become yet another poster car. The production version was softened (emasculated) by Chrysler’s styling team when the American manufacturer took control of the foundering Italian marque in 1987. Gandini, disappointed by the compromises made to his original design, saw his initial ideal realized by the short-lived Cizeta-Moroder V16T. Still, the Diablo was Lamborghini’s most successful model until the advent of the Murciélago, with more than 2,900 units made in a multitude of variants from 1990 to 2001. Ripples from the impact of its design lasted well into the 21st century, and it’s impossible to imagine contemporary supercars without there having been a Diablo that came before them.

 

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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