What It’s Like To Compete In The Inferno, The World’s Most Treacherous Ski Race

The strenuous race is just as strange as it is fun. It also requires more than staying upright as one journalist discovers for Robb Report.

By Gabriella Le Breton 28/11/2022

High overhead, snow-capped mountains gleamed in the moonlight while a thousand people, their breath steaming in the frigid night, bayed for the blood of a giant effigy of the devil, about to go up in flames on a burning pyre. The soundtrack was base-thudding AC/DC, blaring through loudspeakers—and accompanied by a cacophony of large cow bells rung by Swiss men in lederhosen. It was the most peculiar opening ceremony for a sporting event I’d ever encountered. But then, this was the Inferno, the world’s most bonkers ski race.

Over the years, I had heard tales of gruesome injuries sustained on the infamous course above the chocolate-box-perfect Alpine village of Mürren, in the heart of Switzerland’s Bernese Oberland mountains. I had signed a waiver to confirm that the risk of serious injury or death “cannot be excluded” while taking part in the descent down Mount Schilthorn. Joining some 1,500 amateur competitors, including the occasional Olympian, I knew that my first Inferno would prove to be a more than averagely challenging day on the slopes, to put it mildly. By the time everyone would make it to the finish—or be carried off the mountain—the casualty tally would be considered a pretty good one, with only four shoulder fractures, two broken knees, some cracked ribs and a head injury that required an air ambulance to the nearest hospital.

The winner of the first Inferno clocked a time of one hour and 12 minutes. Today’s top entrants make it down in about 13 minutes.
Gaetan Bally/Keystone

It’s justified to question what, precisely, is the draw? Above all, the Inferno is a race of superlatives: It’s the world’s oldest, longest, largest and probably toughest downhill ski event. Organisers trace its origins to January 29, 1928, when Sir Arnold Lunn, the granddaddy of competitive downhill skiing, joined 16 other British skiers, including four women, in the very first Inferno Cup. Donning their tweeds, the intrepid crew strapped skins onto the undersides of their enormous hickory-wood skis, enabling them to slide forward on snow but not backward, then laboured over 1,219 vertical metres from the picturesque village of Mürren to the peak of the Schilthorn before setting off in unison to hurtle 13 kms back down the mountain through thick, untracked snow, trees and shrubs. (In that era, the pristinely manicured runs to which modern-day recreational skiers have grown accustomed were virtually nonexistent; all skiing was on natural terrain.) The race’s winner made it to the bottom in one hour and 12 minutes.

The writer and cartoonist Alan d’Egville painted a vivid picture of that inaugural race for the Ski Club of Great Britain’s 1928 British Ski Year Book: “The name Inferno comes from the torments endured by competitors on the most gruelling course ever set for a downhill race.”

The Inferno Cup was organised by (and mostly for) members of Britain’s Kandahar Ski Club—also founded by Lunn—until 1936, when the Mürren Ski School and Tourist Office took on the mantle. Run ever since with less British gung ho–ism and more Swiss organisation, the Inferno has been held in the resort most winters since its inception, with the odd cancellation due to events such as World War II, when competitors were busy fighting each other on the battlefields rather than on the pistes.

Skiers at the 1930 edition of the Inferno.
Gaetan Bally/Keystone

While today’s contestants race in catsuits instead of baggy plus fours and have the luxury of reaching the start line by way of cable car, the torments they face remain challenging in the extreme. Snow cover permitting, the race starts from just below the 2,969-metre Schilthorn summit and finishes in the valley in Lauterbrunnen, at 800 metres, a vertical drop—“vert,” in ski parlance—of over 1981 metres that covers more than 14 kms of piste. For comparison, that’s the same length as the longest ski trail in North America, the Last Spike at Revelstoke Mountain Resort, in British Columbia, which also delivers the continent’s most vert: a relatively paltry 1713 metres.

Competitors are seeded by previous race times and released at 12-second intervals. The rookies typically trail at the back of the pack, left to enjoy a maiden outing on what is by then a harrowingly rutted and chopped-up course. Whereas the top skiers finish in just over 13 minutes, reaching speeds of up to 130 km/h, mere mortals require somewhere in the 16-minute range.

They are thigh-busting, lung-burning minutes. A short, sharp start from the Schilthorn leads into a long tuck; then a drawn-out S curve is followed by the hair-raisingly steep and icy Kanonenrohr (“gun barrel”); a series of hairpins fly straight into a sharp right curve; and a steep climb through woodland precedes a bumpy, twisting forest trail to the finish line.

My inaugural Inferno race day dawned bright and crisp—perfect conditions—and, as a journalist, I was fortunate enough to have bagged an early starting bib. Other than losing my goggles on the cable-car ride up to the start line, I had zero excuses for racing poorly—particularly after a charming Swiss chap loaned me his goggles for the race.

As I shivered in the freezing-morning cold, surrounded by powerful Germanic types encased in Lycra and lunging aggressively at the snow, I listened to the conflicting advice of Inferno veterans. “You have to take chances to finish well!” “Go fast or go home!” “Reach the first path without falling over.” When I spotted the bottle of schnapps being proffered to racers as they stepped into the starting tent, that last tip, bestowed upon a friend of mine by Mürren local and four-time Inferno winner Kurt Huggler, won out. (It’s always important to consider the source: In addition to being a onetime World Cup skier, Huggler is largely responsible for building the Inferno’s following from a few dozen intrepid annual entrants to more than a thousand in the 1970s. He’s also credited with hatching the idea to torch that effigy of Satan.) Thanks to Huggler (and the schnapps?), I completed my Inferno without crashing—and without going terribly fast.

An effigy of the devil burns at the Inferno’s opening ceremony.
Bruno Petroni

That might be the universal truth of the Inferno: Your sole regret is not pushing yourself harder, and you compulsively relive each moment when you could have—should have—gone faster. It becomes an itch that can’t be scratched… except by competing in another Inferno. Take Franz Sonderegger, a Mürren man in his 80s who is said to have skied the annual race 54 times. When he entered his first Inferno in 1956, there still wasn’t a cable car to the Schilthorn—like those early Inferno pioneers, he had to strap skins onto his skis and trek up the mountain. He credits piste-side spectators, on hand to administer a bracing schnapps, with helping him scrape through his more spectacular falls. Or consider the countless skiers who boast Diamond Devils, coveted badges depicting the fallen angel with real diamonds for eyes, awarded in recognition of having completed 12 Infernos. Or Peter Lunn, Sir Arnold’s son, who led the British ski team in the 1936 Winter Olympics before becoming an important spy- master during the Cold War—he raced his last Inferno at the age of 90 and apparently believed that remaining upright on the slopes on any given day meant he hadn’t tried hard enough.

Despite—or, more likely, because of—the Inferno’s risks, perhaps the only thing harder than the race may be gaining access to it. Entrance is available via public ballot to “strong skiers” over 18 years of age, but race bibs are capped at 1,850, with applications most years exceeding 2,000. Priority goes to those who have raced before, making it particularly tricky for rookies to break in.

Which brings us back to the Kandahar Ski Club, founded by Sir Arnold in Mürren in 1924 to bolster the new sport of Alpine skiing. Given its history with the Inferno, the club snags around 200 bibs each year, making membership a solid bet for reaching the start line. But becoming a member (a “K,” to those in the know, of which there are currently around 1,400) means being thick as thieves with at least two existing Ks: one to propose your name and another to second your nomination.

Those who succeed in being welcomed into its tweedy embrace find themselves swept up by the other members’ infectious love of skiing, mountains and fun. Receiving the nod was how I gained entry to the Mürren event, and I learned that for members, the Inferno is more than a quarter-hour race: I joined many in decamping to the village’s cozy Hotel Eiger for a full week of Inferno shenanigans. We warmed up for the big event with informal ski-race training and sled races, as well as boozy lunches at the Suppenalp mountain hut and Jägerbomb-infused evenings in the hotel’s wood-paneled Tächi Bar.

Revelers party after the race
Tomas Wüthrich/13 Photo

 

Spurred on by my fellow members’ enthusiasm, I had joined the 500 skiers permitted to tackle the Inferno Super-Combination—a triple whammy that adds a nighttime cross-country contest around the village and a giant-slalom race on top of the Inferno. While I can’t recommend making your cross-country debut a highly competitive, technically challenging course that cinches around gingerbread-cute chalets in the pitch dark and subzero temperatures—and I still wince remembering my gawky attempts to tame those impossibly long and skinny skis—there’s a certain camaraderie that emerges from the mutual ordeal. It’s this solidarity, combined with the visceral excitement of taking part in an extraordinary and historic race, that makes the Inferno so special.

“I love the race, as it is about the only chance to have a really fast ski down a fantastic piste with no one in front, meaning I can go as fast as I like,” says James Palmer-Tomkinson, a self-described relative newcomer to the Kandahar Ski Club (he joined in 2009) but a member of British skiing aristocracy, with four ski champions in his family: his grandfather, father and two uncles. “The camaraderie with the other Ks is very special also.”

An exhausted skier at the finish line
Tomas Wüthrich/13 Photo

There’s no denying that everybody in Mürren takes the Inferno extremely seriously, but there’s more to it than winning or achieving a new personal best. The shared thrill, a connection that transcends languages and cultures, has brought skiers together here for nearly a century. The 78th Inferno, held on January 22, 2022, proved to be particularly celebratory for members of the Kandahar Club. On that same date, one century and a day after Sir Arnold Lunn spearheaded the world’s first slalom race, member Dave Ryding slalomed his way to World Cup victory in Kitzbühel, Austria, becoming the first Briton ever to take gold in an Alpine ski event.

The only celebration likely to beat that particular Inferno after-party will take place in Mürren in January 2024, when the 80th Inferno will coincide with the centenary of the Kandahar Club, setting the scene for a serious shindig. I have little doubt that the Ks will do Sir Arnold proud in his spiritual Alpine home.

The World’s Craziest Ski Races

If the Inferno has inspired you to put your carving, schussing and slaloming to the test, here are some of the wildest amateur events out there.

Der Weisse Ring

January 21 | Lech Zürs, Austria

Christoph Schoech Photography Gm

Der Weisse Ring (the White Ring), aka Das Speed Race, is a 22-km-long circuit around the resorts of Lech and Zürs in Austria’s Arlberg ski area. Open to 1,000 mostly amateur racers, the route covers some 5,486 metres of vertical descent, with five lifts, a short, sharp ascent and five downhill sections, including the ungroomed Madloch itinerary. It takes competitors anywhere between 44 minutes and two hours to complete the course, with clutches of 20 skiers released at the starting line every 100 seconds to achieve a degree of race decorum—although brace yourself for seriously competitive chairlift queuing.

Der Weisses Rausch

April 22 | St. Anton am Arlberg, Austria

St. Anton’s Weisses Rausch (White Thrill) opens to 555 hardcore competitors each April. Wearing an array of catsuits and “fancy dress” (as the British call flamboyantly festive attire) from ’80s retro get-ups to ballgowns, participants line up on the precipitous ridge of the off-piste Valluga route at 5 pm. Inspired by a scene in the seminal 1930s ski film Der Weisse Rausch, in which two people are chased down a mountain by a huge crowd of skiers, the race typically transforms the Valluga into a tangled mess of skiers, snowboarders, monoskiers and telemarkers. If you survive Valluga, you’re rewarded with a hike up “Pain Mountain,” followed by a crazed descent into St. Anton. Covering 9 kms of mostly ungroomed trails and a total of 1,350 vertical metres of descent, the event typically takes contestants around 15 minutes to complete—if they complete it at all.

Le Derby de la Meije

March 31 | La Grave, France

Courtesy of Le Derby de la Meije

The rugged French town of La Grave is the stuff of freeriding legend: a unique resort that boasts just one gondola and one groomed slope—and some of the most notorious off-piste skiing in the Alps. True to the area’s reputation, a top-to-bottom race on La Meije, the imposing glacial peak that looms above La Grave, is for neither the novice nor the faint-hearted. Celebrating its 33rd birthday this year, Le Derby de la Meije has developed into a three-day celebration of freeriding and music, where “fancy dress” on the slopes is optional but popular. The race itself is open to 800 competitors, who can compete as individuals or as part of three-person teams, riding on skis (Alpine, telemark, snowblades or monoski), snowboards or “all other types of sliding device.” Every team must include at least one female, with each member riding a different mode of snow transport.

The Power of Four Ski-Mountaineering Challenge

Aspen, Colo. | February 25

Jared Harrell

Prefer going uphill to down? Here’s an opportunity to spend over 10 hours climbing more than 3,048 vertical metres as fast as you can—on skis. The arduous event attracts some 200 lunatics, sorry, competitors each year to Aspen’s Rocky Mountains, thanks to the growing popularity of ski mountaineering—aka skimo—in which participants attach synthetic climbing skins to their skis to negotiate the ascent. Starting at dawn at the base of Snowmass Mountain, racers shimmy up and down Buttermilk Mountain before tackling the nearly 1219-metre climb to summit the Highland Bowl. Competitors next set their sights on the peak of Aspen Mountain, eventually descending into Aspen to a rapturous welcome.

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Watch of the Week: TAG Heuer Formula 1 | Kith

The legendary sports watch returns, but with an unexpected twist.

By Josh Bozin 02/05/2024

Over the last few years, watch pundits have predicted the return of the eccentric TAG Heuer Formula 1, in some shape or form. It was all but confirmed when TAG Heuer’s heritage director, Nicholas Biebuyck, teased a slew of vintage models on his Instagram account in the aftermath of last year’s Watches & Wonders 2023 in Geneva. And when speaking with Frédéric Arnault at last year’s trade fair, the former CEO asked me directly if the brand were to relaunch its legacy Formula 1 collection, loved by collectors globally, how should they go about it?

My answer to the baited entreaty definitely didn’t mention a collaboration with Ronnie Fieg of Kith, one of the world’s biggest streetwear fashion labels. Still, here we are: the TAG Heuer Formula 1 is officially back and as colourful as ever.

As the watch industry enters its hype era—in recent years, we’ve seen MoonSwatches, Scuba Fifty Fathoms, and John Mayer G-Shocks—the new Formula 1 x Kith collaboration might be the coolest yet. 

TAG Heuer
TAG Heuer

Here’s the lowdown: overnight, TAG Heuer, together with Kith, took to socials to unveil a special, limited-edition collection of Formula 1 timepieces, inspired by the original collection from the 1980s. There are 10 new watches, all limited, with some designed on a stainless steel bracelet and some on an upgraded rubber strap; both options nod to the originals.

Seven are exclusive to Kith and its global stores (New York, Los Angeles, Miami, Hawaii, Tokyo, Toronto, and Paris, to be specific), and are made in an abundance of colours. Two are exclusive to TAG Heuer; and one is “shared” between TAG Heuer and Kith—this is a highlight of the collection, in our opinion. A faithful play on the original composite quartz watch from 1986, this model, limited to just 1,350 pieces globally, features the classic black bezel with red accents, a stainless steel bracelet, and that creamy eggshell dial, in all of its vintage-inspired glory. There’s no doubt that this particular model will present as pure nostalgia for those old enough to remember when the original TAG Heuer Formula 1 made its debut. 

TAG Heuer
TAG Heuer

Of course, throughout the collection, Fieg’s design cues are punctuated: the “TAG” is replaced with “Kith,” forming a contentious new brand name for this specific release, as well as Kith’s slogan, “Just Us.”

Collectors and purists alike will appreciate the dedication to the original Formula 1 collection: features like the 35mm Arnite cases—sourced from the original 80s-era supplier—the form hour hand, a triangle with a dot inside at 12 o’clock, indices that alternate every quarter between shields and dots, and a contrasting minuterie, are all welcomed design specs that make this collaboration so great. 

Every TAG Heuer Formula 1 | Kith timepiece will be presented in an eye-catching box that complements the fun and colour theme of Formula 1 but drives home the premium status of this collaboration. On that note, at $2,200 a piece, this isn’t exactly an approachable quartz watch but reflects the exclusive nature of Fieg’s Kith brand and the pieces he designs (largely limited-edition). 

TAG Heuer
TAG Heuer

So, what do we think? It’s important not to understate the significance of the arrival of the TAG Heuer Formula 1 in 1986, in what would prove integral in setting up the brand for success throughout the 90’s—it was the very first watch collection to have “TAG Heuer” branding, after all—but also in helping to establish a new generation of watch consumer. Like Fieg, many millennial enthusiasts will recall their sentimental ties with the Formula 1, often their first timepiece in their horological journey.  

This is as faithful of a reissue as we’ll get from TAG Heuer right now, and budding watch fans should be pleased with the result. To TAG Heuer’s credit, a great deal of research has gone into perfecting and replicating this iconic collection’s proportions, materials, and aesthetic for the modern-day consumer. Sure, it would have been nice to see a full lume dial, a distinguishing feature on some of the original pieces—why this wasn’t done is lost on me—and perhaps a more approachable price point, but there’s no doubt these will become an instant hit in the days to come. 

The TAG Heuer Formula 1 | Kith collection will be available on Friday, May 3rd, exclusively in-store at select TAG Heuer and Kith locations in Miami, and available starting Monday, May 6th, at select TAG Heuer boutiques, all Kith shops, and online at Kith.com. To see the full collection, visit tagheuer.com

 

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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Omega Reveals a New Speedmaster Ahead of the Paris 2024 Olympics

Your first look at the new Speedmaster Chronoscope, designed in the colour theme of the Paris Olympics.

By Josh Bozin 26/04/2024

The starters are on the blocks, and with less than 100 days to go until the Paris 2024 Olympics, luxury Swiss watchmaker Omega was bound to release something spectacular to mark its bragging rights as the official timekeeper for the Summer Games. Enter the new 43mm Speedmaster Chronoscope, available in new colourways—gold, black, and white—in line with the colour theme of the Olympic Games in Paris this July.

So, what do we get in this nicely-wrapped, Olympics-inspired package? Technically, there are four new podium-worthy iterations of the iconic Speedmaster.

Omega

The new versions present handsomely in stainless steel or 18K Moonshine Gold—the brand’s proprietary yellow gold known for its enduring shine. The steel version has an anodised aluminium bezel and a stainless steel bracelet or vintage-inspired perforated leather strap. The Moonshine Gold iteration boasts a ceramic bezel; it will most likely appease Speedy collectors, particularly those with an affinity for Omega’s long-standing role as stewards of the Olympic Games.

Notably, each watch bears an attractive white opaline dial; the background to three dark grey timing scales in a 1940s “snail” design. Of course, this Speedmaster Chronoscope is special in its own right. For the most part, the overall look of the Speedmaster has remained true to its 1957 origins. This Speedmaster, however, adopts Omega’s Chronoscope design from 2021, including the storied tachymeter scale, along with a telemeter, and pulsometer scale—essentially, three different measurements on the wrist.

While the technical nature of this timepiece won’t interest some, others will revel in its theatrics. Turn over each timepiece, and instead of a transparent crystal caseback, there is a stamped medallion featuring a mirror-polished Paris 2024 logo, along with “Paris 2024” and the Olympic Rings—a subtle nod to this year’s games.

Powering this Olympiad offering—and ensuring the greatest level of accuracy—is the Co-Axial Master Chronometer Calibre 9908 and 9909, certified by METAS.

Omega

A Speedmaster to commemorate the Olympic Games was as sure a bet as Mondo Deplantis winning gold in the men’s pole vault—especially after Omega revealed its Olympic-edition Seamaster Diver 300m “Paris 2024” last year—but they delivered a great addition to the legacy collection, without gimmickry.

However, the all-gold Speedmaster is 85K at the top end of the scale, which is a lot of money for a watch of this stature. By comparison, the immaculate Speedmaster Moonshine gold with a sun-brushed green PVD “step” dial is 15K cheaper, albeit without the Chronoscope complications.

The Omega Speedmaster Chronoscope in stainless steel with a leather strap is priced at $15,725; stainless steel with steel bracelet at $16,275; 18k Moonshine Gold on leather strap $54,325; and 18k Moonshine Gold with matching gold bracelet $85,350, available at Omega boutiques now.

Discover the collection here

 

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Here’s What Goes Into Making Jay-Z’s $1,800 Champagne

We put Armand de Brignac Blanc de Noirs Assemblage No. 4 under the microsope.

By Mike Desimone And Jeff Jenssen 23/04/2024

In our quest to locate the most exclusive and exciting wines for our readers, we usually ask the question, “How many bottles of this were made?” Often, we get a general response based on an annual average, although many Champagne houses simply respond, “We do not wish to communicate our quantities.” As far as we’re concerned, that’s pretty much like pleading the Fifth on the witness stand; yes, you’re not incriminating yourself, but anyone paying attention knows you’re probably guilty of something. In the case of some Champagne houses, that something is making a whole lot of bottles—millions of them—while creating an illusion of rarity.

We received the exact opposite reply regarding Armand de Brignac Blanc de Noirs Assemblage No. 4. Yasmin Allen, the company’s president and CEO, told us only 7,328 bottles would be released of this Pinot Noir offering. It’s good to know that with a sticker price of around $1,800, it’s highly limited, but it still makes one wonder what’s so exceptional about it.

Known by its nickname, Ace of Spades, for its distinctive and decorative metallic packaging, Armand de Brignac is owned by Louis Vuitton Moët Hennessy and Jay-Z and is produced by Champagne Cattier. Each bottle of Assemblage No. 4 is numbered; a small plate on the back reads “Assemblage Four, [X,XXX]/7,328, Disgorged: 20 April, 2023.” Prior to disgorgement, it spent seven years in the bottle on lees after primary fermentation mostly in stainless steel with a small amount in concrete. That’s the longest of the house’s Champagnes spent on the lees, but Allen says the winemaking team tasted along the way and would have disgorged earlier than planned if they’d felt the time was right.

Chef de cave, Alexandre Cattier, says the wine is sourced from some of the best Premier and Grand Cru Pinot Noir–producing villages in the Champagne region, including Chigny-les-Roses, Verzenay, Rilly-la-Montagne, Verzy, Ludes, Mailly-Champagne, and Ville-sur-Arce in the Aube département. This is considered a multi-vintage expression, using wine from a consecutive trio of vintages—2013, 2014, and 2015—to create an “intense and rich” blend. Seventy percent of the offering is from 2015 (hailed as one of the finest vintages in recent memory), with 15 percent each from the other two years.

This precisely crafted Champagne uses only the tête de cuvée juice, a highly selective extraction process. As Allen points out, “the winemakers solely take the first and freshest portion of the gentle cuvée grape press,” which assures that the finished wine will be the highest quality.  Armand de Brignac used grapes from various sites and three different vintages so the final product would reflect the house signature style. This is the fourth release in a series that began with Assemblage No. 1. “Testing different levels of intensity of aromas with the balance of red and dark fruits has been a guiding principle between the Blanc de Noirs that followed,” Allen explains.

The CEO recommends allowing the Assemblage No. 4 to linger in your glass for a while, telling us, “Your palette will go on a journey, evolving from one incredible aroma to the next as the wine warms in your glass where it will open up to an extraordinary length.” We found it to have a gorgeous bouquet of raspberry and Mission fig with hints of river rock; as it opened, notes of toasted almond and just-baked brioche became noticeable. With striking acidity and a vein of minerality, it has luscious nectarine, passion fruit, candied orange peel, and red plum flavors with touches of beeswax and a whiff of baking spices on the enduring finish. We enjoyed our bottle with a roast chicken rubbed with butter and herbes de Provence and savored the final, extremely rare sip with a bit of Stilton. Unfortunately, the pairing possibilities are not infinite with this release; there are only 7,327 more ways to enjoy yours.

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