This unlikely destination is Africa’s new safari star

Almost nothing comes easy for travellers in this formerly war-torn country — but it’s always worth the effort in the end.

By Jackie Caradonio 20/01/2018

The valley looks like it’s spun from gold. Lush from the season’s rains, the vibrant expanse shimmers in the afternoon sunlight, a secret garden guarded by the majestic Mount Bisoke to the west and tumbling hills to the north. Climbing the emerald peak to the east, though, is the set of unbearably steep stone steps on which I currently find myself standing — and panting. Perhaps it’s the altitude, or all of that unfiltered golden light, that has me gulping for air.

“Every single stone on these steps was carried up by human hands,” says Ingrid Baas, the manager of Rwanda’s new Bisate Lodge (available through Alluring Africa) as she guides me up, up, and up farther still. I nod and give a tight-lipped smile in response — a fatigued gesture that I hope communicates a combination of “wow” and “tell me more.” “Men were carrying hundreds of pounds on their backs up this hill. The physical effort was unbelievable.” I answer with a silent, humble nod and wonder how much farther we have to go.

At last we arrive at the main lodge — and what an arrival it is. The fruits of 9 months of human labour are clear: Bisate is unlike any safari camp I’ve ever seen. The dome-like space bears little resemblance to the traditional tented lodges common throughout sub-Saharan Africa. Gone are the canvas chairs and vintage trunks. In their place are modern low-slung chairs covered in fur throws, sparkling chartreuse chandeliers composed of thousands of tiny bits of glass, and sweeping billowy curves everywhere. One look at the views from the terrace — a panorama over the valley and the mountains and those terraced hills — and I’m breathless all over again.

Indeed, Bisate is worth the effort, both to get there and to build. The six-room lodge is the result of nearly a decade of research and planning by the Botswana-based safari outfitter Wilderness. Set on the edge of Volcanoes National Park — where Dian Fossey famously carried out her research of the region’s primates — the camp is an aesthetic masterpiece as well as a magnum opus of sorts for Wilderness. “I’ve never walked away from a project feeling so rewarded,” says the company’s CEO, Keith Vincent. “Every part of it has blown me away, from the efforts the local population put into making it happen to the sense of pride it has brought to the surrounding villages.” That the hillside camp was constructed almost entirely by human power is nothing short of a miracle.

Spend a bit of time in Rwanda and you’ll find that almost nothing comes easy for travelers here — but it’s always worth the effort in the end. I arrived in the capital of Kigali two days earlier to discover a modern metropolis booming with progress. Hardly the mere pre-safari pit stop I had envisioned, the city is a testament to the strides this country has made in the quarter-century since a tragic genocide tore it apart. The atrocity — a 100-day slaughter that ended with nearly 1 million dead at the hands of their own neighbors, friends, and families — is still clear in the memory of every Rwandan above a certain age. And yet a collective optimism about the country’s future clearly prevails.

“The president has given us a new hope,” says my driver, Emmanuel Gasana, as we zip past the cutting-edge Kigali Convention Centre, an all-glass orb-like structure that was completed in 2016. “He’s making sure everyone gets an education, and creating jobs for people who have never worked before. And he’s bringing investors into the country to create new opportunities and wealth.”

Rwanda is still a work in progress — for instance, last August’s reelection of President Paul Kagame with 99 percent of the vote raised questions of political oppression — but recent improvements are readily apparent. We pass a pristine shopping centre and an ultramodern hotel wrapped in colorful ribbons of metal before turning a corner flanked by billboards showing a pair of shimmering residential towers. A new airport, the dramatic cantilevering Kigali Art & Culture Centre, and Norman Foster’s first-of-its-kind “droneport” (a hub for cargo delivered via drone) are also in the works.

Kagame is leading his country into an unprecedented tourism boom, too. The Virunga Mountains have long held allure for travellers, offering the rare opportunity to see the same endangered mountain gorillas and other primates that Fossey studied during the 1960s and ’70s. But the Rwandan government has a broader ambition, one that will lure travellers beyond the Virungas. “There’s so much more to Rwanda than simply cherry-picking the gorilla-tracking experience,” Vincent says. “The long-term goal is to open up new destinations, too.”

To that end, Wilderness is planning to open its second Rwandan camp in the northeastern Akagera National Park, which offers the country’s only Big Five safari experience. In the southwestern Nyungwe Forest National Park — home to chimpanzees and monkeys — the luxury-resort brand One&Only opened a lodge last year.

Luxury travellers are clearly a focus for Rwanda, particularly in the Virungas, where the government recently doubled the price of gorilla-tracking permits to ensure a more exclusive experience than that of neighboring Uganda. In addition to Wilderness’s Bisate, visitors to the region will soon be able to choose from lodges by both One&Only — which is scheduled to unveil its reinvention of the historic Gorilla’s Nest later this year — and Singita. For now, however, the talk of Rwanda is Wilderness’s rarefied new retreat in the heart of the Virungas.

With Gasana at the wheel, we set out on the 3-hour drive from Kigali. It’s only a matter of minutes before the city streets give way to winding mountain roads, and as we weave past sloping fields lined row after row with Irish potatoes and wide expanses of wispy golden wheat, rural Rwanda comes alive. Gasana, who lost his mother in the genocide, tells me that the mud farmhouses to our right remind him of his youth, when he’d visit his grandmother in the countryside.

Two hours later, Bisate comes into view, its woven structures sprouting from the hillside like giant birds’ nests wedged into a mound of ferns. Baas is waiting to show me up the steep stone steps to my room, which turns out to be a fantastical cross between an enormous woven basket and a geodesic dome. Designed by Garreth Kriel of the South African firm Nicholas Plewman Architects, the thatched villa is a reinterpretation of the old king’s palace of Nyanza, once the seat of the Rwandan monarchy. But this modern version brims with chic details: In the bathroom, the deep-soaking tub looks as if it were carved from slick onyx. Above it, an elegant chandelier is composed of tiny strips of leather. In the bedroom, colourful patterns covering the wingback chairs and pillows are contemporised versions of traditional kitenge fabrics. And the bed is the most comfortable I’ve slept in since arriving in Rwanda.

At over 2,590 metres, I’m naturally a little bit lightheaded, but the views from my private terrace are downright dizzying. I step out into the sun to find a pair of black-and-white rattan chairs that have been positioned in such a way that when I sit down, I find myself quite nearly face to saw-toothed face with Mount Bisoke. The floating effect is utterly magical. You don’t go on safari to spend all of your time in your room, but my, is it tempting.

“Mmmmmm,” Patrick Magirirane growls. “Muhhh-mmmmm.” Our group of eight trekkers is clinging to the side of Mount Karisimbi, catching our breath, and getting a crash course in gorilla-speak from our guide. Of the 20-plus vocalisations used by gorillas, the one Magirirane has just taught us roughly translates to “Hello. We come in peace.”

It is 10:30 am and we’ve been ascending this trail-less incline for more than an hour. The air is getting thinner and thinner — or maybe it’s the careful work of treading through an indecipherable grid of bamboo that has me feeling dazed. Everywhere, mossy reeds shoot this way and that; it’s like wading through a giant game of pick-up sticks. At the front of our group a trio of gorilla trackers slashes at the maze with their machetes, and we inch forward, with nettles latching onto our pant legs and tangles of lianas grabbing at our ankles as if trying to hold us back.

When we reach a muddy depression bridged by a fallen tree trunk, my porter — a sturdy woman named Pauline whom I hired only to carry my backpack filled with cameras and lenses — reaches for my hand. I timidly take it and allow her to hoist me over the impasse. Minutes later she reaches for me again, this time to help me navigate a slippery crevasse. A few minutes after that, I hit my head on a low tree branch. I swallow my pride, reach for Pauline’s hand, and decide not to let go until we reach less hazardous terrain.

Then, suddenly, we’ve arrived. Just beyond the thicket of bamboo ahead, Magirirane tells us, is Pablo’s group, one of the gorilla families Fossey habituated during her 18 years among these mountains. One by one we cross the threshold, emerging from the dark forest into a brilliant sloping meadow. And there, lounging in the midmorning sun like a Bacchus feasting on grapes, is Gicurasi, the group’s massive silverback of 180-plus kilograms, munching on wild celery.

Anyone who has encountered gorillas in the wild will emphatically remind you that we share 98 percent of our DNA with the black-furred beasts. This fact carries significantly more weight when you’re actually standing in front of a silverback. Gicurasi’s nimble fingers — and his fingernails — look so human, I can’t help but glance down at my own for the sake of comparison. When he finishes his snack, he rolls over onto his stomach and rests his chin in his hands, as if posing for a pin-up calendar. And when a rowdy adolescent tumbles past, plucking a shoot of celery for himself, Gicurasi slowly lumbers away, every bit the grumpy dad in search of just one moment of peace.

For their part, the gorillas meet our awe with impassive disinterest. As we navigate the meadow around them, gracelessly tripping over the knotted vines that cover the ground, they go about their business utterly unmoved. We coo over a 3-week-old baby, laughing at the wild mess of hair atop his head. We chuckle when a blackback — the group’s second eldest male — groggily stumbles out of the brush like a hungover frat boy. And we gasp when a rowdy juvenile cartwheels into the middle of the clearing, nearly knocking over one of his human intruders. Meanwhile, they doze in and out of sleep, pick gnats off each other, and occasionally glance in our direction and let out a halfhearted mmmmm.

All too soon, our time with Pablo’s group comes to an end, and Magirirane leads us back into the forest where Pauline waits with my backpack. The long trek back down Karisimbi is still ahead. The stabbing nettles and the trenches of mud and the mess of bamboo are all waiting to be navigated once again. But however arduous the journey home, the effort will be worth it.

ADVERTISE WITH US

Subscribe to the Newsletter

Stay Connected

You may also like.

Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

Buy the Magazine

Subscribe today

Stay Connected

Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

Buy the Magazine

Subscribe today

Stay Connected

Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

Buy the Magazine

Subscribe today

Stay Connected

This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

Buy the Magazine

Subscribe today

Stay Connected

Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

Buy the Magazine

Subscribe today

Stay Connected