How José Neves Became The Most Powerful Man In Fashion

Not who you were expecting? With a US$1.15 billion deal, the Farfetch CEO has
 gone from the industry’s David to its Goliath.

By Kareem Rashed 16/02/2021

Sun-tzu’s The Art of War is a favourite reference for many a hard-charging power broker, but José Neves cites a decidedly less aggressive classic of Chinese literature as an early influence: Lao-tzu’s Tao Te Ching. After stumbling upon Taoism’s foundational text as a 13-year-old in northern Portugal, Neves delved into Eastern philosophies and emerged as a Zen Buddhist. It’s a school of thought that the founder and CEO of the luxury online retailer with the largest audience in the world, still follows today.

“I’m a Buddhist by philosophy, not by religion,” says Neves, who spends much of his time in London with his wife and five children. As we Zoom, he certainly looks like a Zen acolyte by way of Jil Sander, wearing a minimalist black T-shirt against the backdrop of a pristine, all-white room. That morning, he’d meditated for 45 minutes—though he endeavours to employ mindfulness throughout the day. The practice has been especially helpful during the turbulence of the past year. “The essence of Zen is: Be here now,” he says. “In crisis, that’s really useful because you train your mind to be aware that the external situations around you, they’re all going to pass. Your role is to allow them to be there and find out what is the right action for you.”

Farfetch's store network offers everything from GH Bass loafers to vintage Rolex and leather goods from Bottega Veneta.

Farfetch’s store network offers everything from GH Bass loafers to vintage Rolex and leather goods from Bottega Veneta. Farfetch

His discipline has paid off. As the fashion industry grappled with shuttered stores, unsold inventories and how to survive it all, Farfetch experienced staggering growth: an 82 percent year-over-year increase in gross profit. But it wasn’t just a case of luck fueled by homebound shoppers on stimulus spending sprees. Even Farfetch’s digital competitors were forced to cancel orders and shut down fulfilment centres, inevitably leading to losses.

Farfetch’s point of differentiation is that it isn’t a retailer in the conventional sense. While it carries over 3500 brands, from heavy hitters Gucci and Prada to niche labels such as Lardini and Girard-Perregaux, Farfetch doesn’t actually buy any inventory. Rather, the stock is supplied directly by manufacturers and by the sales floors of 750 retailers—from specialty boutiques to department stores across 50 countries, creating a lifeline for luxury shops that were otherwise closed by pandemic restrictions. So, while other e-tailers struggled with getting their handful of warehouses up to speed, Farfetch’s extensive global network was able to adapt nimbly.

The pandemic created a perfect storm for proving the strength of Farfetch’s model, to the tune of a 475 percent surge in market capitalization in 2020, totalling more than US$21 billion. To put that in context of 2020’s other breakout stars: Vaccine developer BioNTech’s value grew by 125 percent and Zoom’s by 408 percent. Farfetch’s performance alone would have made for a remarkable year, but the ante was upped with November’s announcement that Neves had orchestrated a blockbuster deal with an unlikely alliance of titans.

The parties involved sound like a bad joke overheard at Davos: Alibaba, Richemont and Artémis walk into a bar. . . . One is a poster child for the increasing might of Chinese shoppers; another owns tony houses like Cartier and Dunhill as well as Neves’s biggest competitor, Yoox Net-a-Porter Group; the third controls Kering, the stable of white-hot brands such as Bottega Veneta and Saint Laurent.

“If it hadn’t been for Farfetch, many of our favorite local boutiques would have disappeared.”

All are rivals in the e-commerce wars, yet all three are placing their bets on Neves’s ability to reimagine how we shop. Alibaba and Richemont invested US$300 million each in Farfetch, while Artémis, run by François-Henri Pinault, doubled its 2018 investment in the company, to a total of US$100 million. Alibaba and Richemont also joined forces with Farfetch for a new venture called Farfetch China, chipping in a combined US$500 million for a 25 percent stake, with an option to make it 49 percent in three years. Amid all the bankruptcies and hand-wringing about the future of retail, Neves emerged from the annus horribilis as luxury’s lodestar for navigating this new world order.

Born in 1974, the year Portugal toppled its fascist regime, Neves likes to joke that his revolutionary streak comes from his mother “being heavily pregnant on top of a tank.” But rewriting the rules of luxury retail wasn’t the coup he intended to lead. A self-described geek, Neves reveals his first love was coding. On the precocious 8-year-old’s Christmas list was a ZX Spectrum, one of the first widely distributed home computers. He recalls seeking out every book he could find and teaching himself how to build increasingly dynamic user interfaces. In college, he didn’t even bother with computer science, opting to study economics instead.

All the while, fashion was part of the furniture of Neves’s early life. The region from which he hails is the mecca of Portugal’s centuries-old leather-goods heritage, and his grandfather ran a shoe factory. But like any angsty adolescent, he was repelled by his hometown industry.

“I hated fashion,” he says. “I thought it was frivolous, a waste of time and money, and vain, essentially. I really despised fashion, like a lot of techies still despise fashion to this day.”

But the entrepreneur in him eventually had to embrace the local economy. While still in college in the early ’90s, Neves was developing software for dental clinics when he met Cipriano Sousa, who now serves as Farfetch’s chief technology officer. Together, they began a business creating software for the many shoe factories throughout the region.

Proto-Balenciaga sneaker designs from Jose Neves's sneaker line, Swear.

Proto-Balenciaga sneaker designs from Neves’s sneaker line, Swear. Jose Neves

Unsexy as servicing sole suppliers was, Neves came to see fashion as a passport to a wider world. While attending a footwear trade show in Milan, mingling with a United Nations of vendors and retail buyers, he got the itch to create something of his own. Ever tenacious, Neves convinced a shoemaker to train him one hour each morning before work, learning pattern cutting and last moulding by hand. In 1996, at the age of 22, he moved to London to open a shoebox of a store for his sneaker brand, Swear.

Beginning his career almost simultaneously in technology and in fashion, Neves has always had a clear vision of how the two could cohabitate. In fashion’s C-suites, it’s a unique pedigree. “Entrepreneurs who love and are intimate with both worlds are rare,” says Sousa, who continued working with Neves on the software business throughout Neves’s expansion into retail. “Someone who programmed in a low-level language and understood technology, the potential and the limitations, and at the same time was a fashion creator and knew every aspect of that world.”

“We’re only a platform. We can only sell what they sell. By making them successful, we are able to succeed.”

Technology first is more than a business strategy to Neves— it’s an instinct. In 1997, when e-commerce was embryonic, Neves took the bold step of launching a website for Swear. Initially, he saw it as a pragmatic solution to the headaches of brick-and-mortar reality. His storefront was tiny, didn’t have prime visibility and—like most shops of its kind—was largely reliant on foot traffic. “But in the back,” Neves realised, “I can have a website that the rest of the world can see literally 24/7, with the same inventory and the same staff.” His audience could grow exponentially. That was when it all clicked: “It took me 11 years from that realization to launching Farfetch, but that was the moment when I knew that fashion was going to be transformed by the internet.”

Neves’s firsthand understanding of the struggles of an independent brand and store owner are at the core of Farfetch. He likes to think of the company as a cooperative, equating it to vineyards that band together to share a bottling facility while retaining independence. It provides stores with resources and reach that no individual boutique could access on its own.

Farfetch’s platform model is most often compared to Amazon, with Neves frequently deemed the Jeff Bezos of fashion. “I think it’s very flattering,” he says, adding he has nothing but admiration for the king of click-to-buy. Still, the comparison isn’t entirely analogous. “Amazon sees it as a zero-sum game. They come in to wipe out the off-line world,” says Neves, whereas his role is not to compete with off-line retailers but to be their “enabler.” “We’re only a platform. We can only sell what they sell. By making them successful, we are able to succeed.”

Playwright Jeremy O. Harris, right, in a Farfetch campaign.

Playwright Jeremy O. Harris, right, in a Farfetch campaign. Farfetch

It’s what sets Neves apart from other retail heavyweights: a sense of duty to the larger fashion ecosystem.

“If it hadn’t been for Farfetch, many of our favourite local boutiques would have disappeared,” says Carmen Busquets, a founding investor in Net-a-Porter and a businesswoman dubbed the fairy godmother of e-commerce. An investor in Farfetch since 2015, she describes Neves as a “refreshing presence” in the worlds of both fashion and finance.

“In my 30 years of experience, I have not come across another founder like him,” Busquets says, remarking on his ability to rally opposing parties around a shared goal. “It requires you to remove your ego from the picture.” Neves’s knack for building bridges rather than burning them facilitated something that has never existed in the history of retail. “He knows how to be friendly, which is something that very few of us in the fashion industry are capable of.”

“I think it can be bigger than LVMH and Kering. No one else at the moment understands the luxury industry better than José.”

With Farfetch, Neves says, he “created this community of people who, theoretically, are competitors,” noting that a shop in Milan and a store in London often sell the same items. On Farfetch, that just means a larger inventory and fewer worries about “Do they have it in my size?” Depending on the buyer’s location, the item will be dispatched from whichever retailer is closest; in some cities, certain items can even be delivered within 90 minutes. From a shopper’s perspective, having access to hundreds of stores’ products on a single website is a big draw. For a commission on each order, Farfetch takes care of photographing, marketing, selling and delivering the wares to 2.7 million shoppers in over 190 countries.

Swear’s cyberpunk sneakers were a product of the ’90s—chunky soles and clownish silhouettes that, today, look like proto-Balenciaga—and the style eventually reached its expiration date. The brand took a nosedive, but, undeterred, Neves pivoted to a new retail venture. His multi-brand boutique B Store opened in 2001 and became a launchpad for a new generation of London designers, eventually moving to Savile Row and, in 2006, earning the British Fashion Award for Retailer of the Year.

Images from Fartech's resort and pre-spring 2021 campaigns.

Images from Fartech’s resort and pre-spring 2021 campaigns. Farfetch

It was at B Store that Neves experienced the magic of brick-and-mortar at its best, but his inkling about online shopping’s potential was too great to ignore. During Paris Fashion Week in October 2007, he shot off an e-mail to Sousa saying he had an idea: Pause the software business and channel all their coding power into building an e-commerce platform.

Having worked with Neves on technology for numerous facets of the industry, from manufacturing to selling, Sousa recalls, “The first idea that occurred to me was that he wanted to share all that with the world, to consolidate all this know-how on a platform accessible to others.”

Farfetch launched one year later with 25 retailers from throughout Europe. It was a promising start—until Lehman Brothers went bankrupt two weeks later. For the first three years, the website was entirely self-funded by Neves and his other businesses. But that wasn’t the worst of his growing pains. Most marquee fashion houses were still vehemently opposed to e-commerce. To them, Neves was something of an insurrectionist, sidestepping traditional wholesale channels to sell their products online. Things got, in a word, tense.

“The first five years, I almost had nervous breakdowns every fashion week,” Neves remembers. The boutiques would go on their usual buying appointments with brands only to be confronted with an ultimatum: Stop selling on Farfetch, or forget carrying our collection. “It was me, jumping on a plane to Paris, going to Milan and trying to beg them, beg them, to let us have a chance at survival.”

As luxury’s elite gradually came around to digital, they knew whom to call. Now over 550 of those brands sell directly on Farfetch, including Farfetch-exclusive collections from Gucci and Burberry, among others. Moreover, the company also provides the technology that powers many brands’ own e-commerce sites.

The interior of Stadium Goods's brick-and-mortar store in New York City's SoHo neighborhood.

The interior of Stadium Goods’s brick-and-mortar store in New York City’s SoHo neighbourhood. Stadium Goods

Ten years after it debuted, the company went public in 2018 with a splashy Wall Street IPO. Valued at some $6 billion, it became one of the elusive “unicorns” of fashion. Despite the enthusiasm, some investors were left scratching their heads when Neves went on a buying spree of his own over the next year. The acquisitions of Stadium Goods, a sneaker reseller, and New Guards Group, a hub of buzzy brands such as Off-White and Palm Angels, for US$250 million and US$675 million, respectively, came seemingly out of left field. In a single day, the company’s shares plunged 42 percent.

Neves, of course, had a plan. Stadium Goods seized on the booming secondary market for collectible kicks, which no major retailer had yet to tap into. He was drawn to New Guards’ portfolio because its designers, including Off-White’s Virgil Abloh, possess what Neves calls a “knack for creating movements.” Paradoxically, brand building has been one area where Farfetch has struggled; it still doesn’t have the name recognition of Net-a-Porter, much less Neiman Marcus. These acquisitions afforded the website exclusive products from brands coveted by millennials and Gen Z, cornering the market on haute hype. They have been good for business, too: The launch of Off-White’s collaboration with Nike marked one of Farfetch’s busiest sales days, and products from New Guards’ collective labels have consistently grossed more than any other brand on the website.

“Netflix, like us, started aggregating content from others,” Neves explains. “There’s a pivotal moment where they say, ‘If we want to create a really unique brand, we need to have original content that no one else has.’ ” With a collection of brands under the Farfetch umbrella, Neves has his own original-content factory—and a thoroughly modern breed of fashion consortium, rooted in the digital era. It’s an approach to luxury that’s very different from the heritage houses of LVMH and Kering, one that reflects Neves’s distinctly 21st-century attitude. “The world has changed,” he says. “It’s not about a conglomerate buys you and opens 200 shops around the world. That’s the old days.”

Jose Neves

In other ways, too, he comfortably breaks from the fash-ion-CEO template, eschewing immaculately tailored suits in favour of edgier fare from Rick Owens and Undercover. Many days, his footwear of choice is a pair of sustainable fish-leather sneakers by the Brazilian brand Osklen. Regardless of his uniform, Neves’s strategy has earned him a place in the major leagues. When asked about Farfetch’s potential, Busquets doesn’t mince words: “I think it can be bigger than LVMH and Kering. No one else at the moment understands the luxury industry better than José.”

Another addition to Neves’s growing stable was the pioneering British boutique Browns, which serves as a laboratory for translating Farfetch’s technology off-line. For all the innovation that has happened digitally, Neves saw that brick-and-mortar had stagnated. “The shops still operate as if we were in the ’90s,” he says, also noting, “We don’t really know the customer’s journey. There’s no 360-degree view.” So he set out to make one.

In 2017, Farfetch invited 200 executives from fashion’s biggest brands to an event introducing a technology suite it coined the Store of the Future. From a clothing rack that detects which items a customer handles while browsing to a fitting-room mirror that allows one to summon pieces in alternative sizes or colours, Neves presented a vision of physical retail bolstered by the insights of e-commerce. “This division between physical retail and online, it’s imaginary,” he explains. “It’s only separated because companies have not had the technology and the strategy to really unify it. For me, that is the next frontier.”

Chanel’s top brass were so impressed that they negotiated a two-year exclusive on the technology and invested in Farfetch. While Chanel continues rolling it out in its stores, the exclusivity lapsed in September, and the system is proving to be a hot commodity.

A demo version of Farfetch's Store of the Future technology.

Farfetch’s Store of the Future technology makes trying on clothing an interactive pursuit. Farfetch

Increasingly, the brands that Neves once begged to sell on Farfetch are turning to him for the answers. His fluency in both the on-and off-line retail landscapes is one thing, but his new potential to conquer the highest levels of Chinese e-commerce makes him a singular fixture in the industry. Bain & Company reports that Chinese consumers accounted for 33 percent of luxury-goods sales in 2019, a figure expected to hit 45 percent within five years. And yet no fashion retailer has been able to crack that market online—mainly due to the peculiarities of Chinese regulations and the nuances of local shopping habits.

In 2019, Net-a-Porter launched a channel on Tmall, Alibaba’s existing website dedicated to high-end wares. While the company hasn’t released details on the Chinese site’s performance specifically, Yoox Net-a-Porter Group’s profit margins have been slipping, and Richemont’s overall business in Asia has dipped. Discussing the new Farfetch deal with shareholders, Richemont chairman Johann Rupert dodged questions about how it would affect Yoox Net-a-Porter’s operations. Instead, he reiterated a plea he made (to LVMH and Kering) to get on board with a neutral selling platform back in 2015, telling them that e-commerce “was a very big game that I was not sure that any single luxury-goods company, no matter how big, could do on their own. . . . That fell on deaf ears.”

Busquets, who was Rupert’s partner in Net-a-Porter before unloading the last of her shares in 2015, recalls things a bit differently: “The truth is that the people who surrounded Johann Rupert didn’t understand e-commerce, fashion or women, and I know this because we were equal partners with the same rights for eight years.” Rupert declined interview requests.

The year that Busquets completely divested was the year that Richemont merged Net-a-Porter with Italian e-tailer Yoox. She had been vocal about her disapproval of the merger. Why? She thought it should have been with Farfetch. “Johann himself admitted that Richemont were not internet experts, and time has proven that he should have listened,” Busquets says. She applauds the new deal and sees it as a sign of how far Rupert and Richemont have come in their thinking about the digital frontier.

The exterior of London's Harrods department store, which uses Farfetch's Store of the Future OS.

The exterior of London’s Harrods department store, which uses Farfetch’s Store of the Future OS. Katrin Lock

On his call with investors, Rupert suggested that the new Farfetch deal provided strength in what has proven to be Richemont’s blind spot: technology. Comparing his organization with Farfetch, Rupert evidently borrowed a line from his new colleague, saying, “Currently, the two companies, in [Neves’s] words, have got different blood types.” The partnership certainly gives Richemont a digital edge, but the big question is what that means for business in the fastest-growing market. Even Farfetch’s previous forays into Chinese e-commerce, Neves has admitted, did not perform as anticipated. Partnering with Alibaba, however, is a game changer.

“It’s absolutely transformational,” Neves says, noting Alibaba’s domination of Chinese e-commerce in general and Farfetch’s luxury prowess in particular. “The combination is a win-win for the brands and for consumers and boutiques globally.”

“I always wanted to be the innovation partner for this industry… It’s not the stock price that dictates, ultimately, if we’re doing the right thing or not.”

Their partnership was borne of a mutual desire to bridge the gap between online and offline shopping. What Farfetch has done with fashion boutiques around the world, Alibaba has done with convenience stores throughout China. Merging their brainpower could have global implications, laying the groundwork for luxury’s first retail supergroup. While the initial leg of their strategy is bringing blue-chip brands to the Chinese web, beginning the first half of 2021, the bigger aim is to provide the technology behind every luxury purchase, be it in-store or online.

Thanks to widespread pandemic restrictions, global online sales doubled last year, but they still account for only 23 per-cent of luxury purchases worldwide, according to Bain, leaving considerable room for Farfetch to expand its influence. In that sense, this alliance isn’t just about Chinese e-commerce. It’s about shopping—full stop.

“You are either a disrupter or you are a disrupted, and I hate being the latter,” Rupert, discussing his backing of Neves, told The New York Times. “We see this deal as an acceptance of a new way of retail.”

For his part, François-Henri Pinault said in a statement, “The investment by Artémis demonstrates our belief in the future of Farfetch, and I am personally looking forward to exploring the future of luxury retail with this group of visionaries and experts.”

Jose Neves, the founder and CEO of Farfetch, is fashion's most powerful man.

Neves at home. Anna Neves

Two of the industry’s top dogs effectively rolling over and conceding that the future of shopping lies with Neves—surely, that reversal of roles must bring him some satisfaction? “It is a big shift,” he modestly admits. But pressing Neves on this topic is futile; his Zen even keel applies in times of feast as much as famine. “When the stock price goes up and [the team] goes, ‘Whoa!’ I say, ‘Hold on a sec.’ It’s the same way when the shares fell,” Neves says, recalling the day Farfetch’s stock tumbled by almost half. Instead, he keeps his eye on the long-term goal. “I always wanted to be the innovation partner for this industry. We need to respect our shareholders, explain our strategy, and sometimes it won’t be understood. That’s fine. We have to live with it and accept it and accept the lessons that they’re trying to show us. But that’s not going to change the mission of this company. It’s not the stock price that dictates, ultimately, if we’re doing the right thing or not.”

Reflecting on their early days, Sousa observes that Neves “remains as revolutionary as he was then, but with much more wisdom, more serenity, more focus.” Cool, calm and eagle-eyed, Neves may be grounded in the present, but his sights are firmly set on changing the future.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

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Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

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Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

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Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

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Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

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Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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