The Rolex Sydney To Hobart’s Anticipated Return

Returning this Boxing Day with a thrilling new class, the Rolex Sydney to Hobart is the ultimate open-water sailing race.

By Stephen Corby 24/12/2021

The beasts of Bass Strait come in the night. Waves looming larger than the Sydney Opera House like grey giants in the moonlight. Waves so big that in 2005 they smashed the windows on the Spirit of Tasmania and caused it to turn tail. Waves that toss and torment sail boats with no steel superstructure to hide inside, and yet still, every year, they come. The crazy brave men and women who choose to tackle the Rolex Sydney to Hobart Yacht Race.

Mark Richards is the Peter Brock of the event, having won line honours a staggering nine times on various iterations of the Wild Oats super maxis. While Richards sounds like he’s got huge gusts of wind in his sails, when you enquire about what makes this internationally famed ocean race so tough, he suddenly becomes becalmed.

“It’s strange, you know, but a lot of issues in the race, and I’ve had some very difficult moments, they happen at night—that’s just a weird thing about it, and maybe it’s that time of year, it’s the thermal conditions that create the big weather in the night,” he recalls, gently, like someone describing a particularly painful past car crash.

“And then there’s the challenge of just crossing Bass Strait, it can be absolutely brutal. But while anyone can sail during the day, it’s not that easy at night, particularly when the winds get fresh and you’ve got a lot of gear up and you can’t get it down, because it’s just too dangerous in the dark.”

Not only are competitors being thrown almost blind into walls of water, they’re doing so at speed, and they can’t slow down because if they send someone up to drop the sails it might just cost them their lives.

“Those are some interesting times and that’s why you have to really try and get some rest during the day, while the race is going on, so you can get ready for the night time, because that’s when the shit hits the fan,” adds Richards.

The incredible thing about the popularity of the Rolex Sydney to Hobart is we seem to know about Bass Strait—we’ve culturally absorbed a strange sense of pride about having one of the world’s most dangerous stretches of water, yet we never get to see the truly terrifying parts of the race, what the competitors experience, on television.

We just know the stories, particularly those from the 1998 horror show when six people died, five yachts were lost and 55 sailors had to be plucked from the sea in the largest peacetime search-and-rescue effort ever seen in Australia.

That sense of peril—a contrast to the festive start in Sydney Harbour and the joyous celebrations in Hobart—have inspired average Australians to take an interest in sailing, even if only once a year.

Commodore Noel Cornish of the Cruising Yacht Club of Australia (CYCA), which runs the event, says Australians tend to think of the race’s popularity as having been built over time and repetition from its 1945 inception. He too thought this—until, that is, he looked back into its history.

“I wondered whether it just got more popular as time went on after starting quite low key,” offers Cornish. “One thing that intrigued me when I read about the history of the race was that even in 1945, it really captured the attention of Australians; that first race was very much
in the headlines, ‘where are the boats? How are they going?’ It was very much in the news, and then one boat wasn’t seen for four days, then it was found.”

It captured the collective imagination, arguably spurred by a post-war need, and has, as Cornish adds, “continued on through the 75-odd years—it’s quite incredible.”

The feeling of warmth that frames the race, emotions tightened and felt even more among the close-knit yachting community that takes part, made last year’s decision to cancel the Rolex Sydney to Hobart, for the first time ever just days before the off, particularly heartbreaking.

“We’d just had the 75th anniversary, a milestone year and a wonderful celebration, and then COVID hit and around the middle of the year it looked like mission impossible. But we decided we’d get our heads down and keep trying, and the closer we got to the race, the more likely it looked, but then we had the [Sydney] Northern Beaches outbreak and then Tasmania closed its borders, and the decision was made for us,” recalls Cornish. “We were all in shock for a very long time and Boxing Day was a very hollow day for those of us that do the race.”

One might assume that part of Cornish’s dismay would have been dealing with some very unhappy sponsors, but he says that while it “certainly wasn’t ideal”, the race is very closely tied to those who back it.

“We have wonderful sponsors. It’s called the ‘Rolex’ Sydney to Hobart for example, and these are people who are very loyal to us and we cherish those sponsorships and it’s something that extends well beyond the race itself, it’s the promotion of the event throughout the year. Rolex is a wonderful sponsor and it’s a brand that’s all about the sense of human endeavour and adventure, and we provide an exciting and challenging adventure for human beings in that race, because there certainly are a variety of different challenges you need to overcome, not to win the race, but just to complete the race.”

The Sydney to Hobart stands Mount Everest-like above other open-water events. For Cornish, who has skippered a crew in the event a dozen times and describes competing as one of the greatest thrills of his life, says the race has become a bucket-list event for yachties.

“Just to do a Sydney to Hobart, just to make it, even once, that’s something a lot of people come for—that’s how it starts, that big tick on the bucket list, but the next thing you know they’re coming back again, and again; the allure of the race is really strong for a lot of people. And there are many different levels to it—it’s not just about winning or line honours, there are many different levels of aspiration, races within races, different classes you can enter.”

Cornish says that while the media spotlight illuminates the winner of line honours, for the yachties in the fleet it’s all about the Tattersall Cup—which goes to the overall winner on handicap.

In 2005, Richards and wonder-boat Wild Oats XI combined to become the first, since Rani won the inaugural event in 1945, to take the trifecta of line honours—setting a record time for the trip and grabbing the coveted Cup. It’s no wonder that most of his memories about the Rolex Sydney to Hobart are hugely positive, particularly those related to the start that stops the nation (albeit a nation moving at fairly sluggish speed given that it’s Boxing Day).

“I’ve done all the big races many times but the Sydney to Hobart is special, it’s just such an amazing race,” says Richards. “And obviously being part of the Australian culture is special and that in itself creates passion and desire of a totally different level.”

The famed skipper points to the dramatic Harbour start. “It’s just such a massive thing—one of the biggest sporting events in the country; the people watching, the boats in the Harbour, the TV, it’s just a massive day, and it’s pretty cool.

“It can be stressful for us in the bigger boats, because the spotlight is on us, and I’ve had fantastic moments and bad moments at the start, and people remember. I met someone this week and they said, ‘oh, do you remember that tack you made that time at the start, what were you thinking?’ And then you’ve got all the challenges it throws you on the way down, and then the finish, and there aren’t many in the world like that, where literally tens of thousands of people come out to the Derwent in Hobart to cheer you on. It’s special.”

Another famous competitor with a deep enthusiasm for the event is Neville Crichton, who raced Touring Cars at Bathurst in the ’80s before switching to ocean racing where he was so successful—winning events all around the globe—that he was named the ISAF Rolex World Sailor of the Year in 2003.

Crichton, 76, has raced in five Sydney to Hobarts—claiming line honours twice in 2002 and 2009 in his boats Alfa Romeo and Alfa Romeo II. In 2017, he became the oldest man ever to compete at the age of 72.

Ask Crichton which one is harder—the high-speed endurance of The Great Race at Bathurst or skippering a boat for a few days of equally dangerous dicing with the elements on the high seas—and he can’t split them. “I’ve been lucky to have a bit of success in both and they’re both tough,” he says. “Yachting is more of a team sport. You’ve got a team of 22 people on a super maxi and everyone’s got to know what every other person on that boat is doing. The helmsman gets all the publicity, but everyone on that team is just as important … But it’s not that different at Bathurst, because the preparation of the car is just as important and it’s still a team sport, with pit stops and so on, and if one person makes a mistake, you’re stuffed, but it’s the driver’s mistakes that get the most focus.

“And in motor racing, it only takes a second here or there and it can cost you the race. But the Sydney to Hobart can be very competitive as well. I remember one year dicing with Wild Oats the whole way—we were in sight of each other at every step. And with racing like that, it’s not just about finding the fastest way down, you’ve got to cover your tail, you’ve got to cover the whole field, think about racing tactics and what your competitors are up to.”

There’s obvious passion in Crichton’s voice—and as his record in two different endeavours shows, he loves winning (which also translates to business, having amassed a personal fortune of $500 million). When he talks about the newcomers who’ll be taking part in this year’s race for the first time, the two-handed racing crews, Crichton is excited about the challenges they’ll face, and almost as if he wouldn’t mind having a crack at it himself.

“The boats the two-handers use are very, very fast and they’re very talented sailors—so it’s not as if it’s a Sunday sailor out there, it’s going to be difficult for two people to do a race like that—if one of you gets hurt, you’re going to have big problems.”

Despite the extra level of difficulty, Commodore Cornish says there’s been heavy demand from two-handed crews keen to be part of the famous race.

“The CYCA is always trying to respect our history and at the same time look for developments and improvements in how we go about doing things. So we decided to introduce two-handed racing to the fleet and it’s proven very popular—we’ve got 104 boats racing this year and 20 of those are two-handed,” says Cornish.

“It is a very tough form of racing, while one of you is resting the other one is on deck making it all happen alone, so they are people who know how to function continuously with very little sleep. They’re amazing boats and amazing people and we’re very much looking forward to seeing them in the race this year.”

Indeed, after the longest break in its history, everyone is looking forward to the Rolex Sydney to Hobart this year.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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