Here Are The 20 Largest Yachts In The World

From merely enormous to humongous, we list them out by length.

By Geri Ward, Julia Zaltzman 03/02/2020

From the exceedingly large to the downright gargantuan, the top 20 largest yachts in the world continue to impress. Built by shipyards all over the world—from the Netherlands to the United Arab Emirates, Italy, the United States, Greece, and the United Kingdom, to name just a few—new launches and refits are delivered each year, at the request of owners around the globe. Some yards, such as the Germany-based Lürssen, complete more than their share of the largest yachts. Of the top 20 featured here, the company has built nine, and that’s not even including the two built by Blohm+Voss. The below list changes a little every year, but some of these vessels have remained in the top 20 for years. Here are the top 20 largest yachts in the world to date.

20. ‘Al Mirqab’ (133-metres), Kusch Yachts

PIRAEUS - GREECE, JANUARY 27 2016: Al Mirqab Superyacht is one of the largest motor yachts ever built. Anchored at Marina Zeas in Piraeus - Greece.; Shutterstock ID 368381120; Notes: top 20 largest yachts in the world

Kusch Yachts’ “Al Mirqab.” Photo: Shutterstock / PitK

Launched in 2008, Al Mirqab was built for Qatar’s former prime minister under the supervision of Kusch Yachts in the Peters Werft shipyard in Wewelsfleth, Germany. The Tim Heywood exterior includes a long, navy-blue hull with a white superstructure. The yacht’s diesel-electric propulsion involves an azimuth pod drive and gives the 133-metre vessel a top end of 21 knots. Its interior by Andrew Winch won several awards, with images showing Arabic-influenced motifs on the marble floors of large social areas. The yacht’s centrepiece is a stunning, complicated floating staircase encircled by custom-made glass panels. Al Mirqab has staterooms for 36, and crew quarters for 45.

19. ‘Serene’ (133.9-metres), Fincantieri

Fincantieri Serene superyacht

Fincantieri’s “Serene.” Photo: Nick Wells

Serene was Fincantieri’s launch into the superyacht segment, and what a debut it was. The largest yacht ever launched in Italy when it was delivered in 2011 (surpassed three years later by Ocean Victory), the Espen Øino seven-deck design features a long, sleek blue hull, crowned by a white superstructure. The somewhat racy curves serve as a nice counterpart to the more serious-looking sections of the yacht, which include cutouts along the main and upper decks to allow strong visibility from the saloon and staterooms. The curved balconies on three levels are a nice touch that work aesthetically—and practically for better views. The open stern area has a winter garden (enclosed glasshouse) that allows dining in all seasons. Serene also has two helipads and a hangar, a big swimming pool, and a tender garage large enough for a submarine. Pascale Reymond of Reymond Langton Design created the 4000-square-metre interior for the Russian owner, though its details have remained closely guarded.

18. ‘Crescent’ (135-metres), Lürssen

Lürssen Crescent superyacht Larry Ellison

Lürssen’s “Crescent.” Photo: Klaus Jordan

Espen Øino’s dark hull and tiered superstructure was one of the most exciting launches of 2018. Custom-built Project Thunder, as it was called internally at Lürssen, features cut-outs along the hull sides that allow full ocean views from the saloon on the primary deck, as part of Crescent’s distinctive curved superstructure. Its most noteworthy feature is the jaw-dropping bank of three-deck-high windows in the centre of the yacht. This architectural feature serves as the centrepiece of a very compelling design. The yacht has accommodation for 18 guests in nine staterooms. Little is known about the François Zuretti-designed interior, other than that Lürssen describes it as being “traditionally styled”. If it lives up to Crescent’s brash exterior, the complete yacht promises to be an entirely groundbreaking design.

17. ‘Savarona’ (136-metres), Blohm+Voss

ISTANBUL, TURKEY - SEPTEMBER 25, 2015: Savarona yacht at Kurucesme port. Savarona was the largest yacht when launched in 1931. The Turkish government bought the yacht for Mustafa Kemal Ataturk; Shutterstock ID 348707636; Notes: top 20 largest yachts in the world

Blohm+Voss’s “Savarona.” Photo: Shutterstock / EvrenKalinbacak

Launched in 1931, Savarona was built for American heiress Emily Roebling Cadwallader. The yacht was eventually acquired by Turkey to be the presidential yacht of Kemal Atatürk, founder of modern Turkey. Jane’s Fighting Ships described the yacht in 1949 as “probably the most sumptuously fitted yacht afloat”. Savarona was later converted to a training ship for the Turkish Navy and, in 1978, destroyed by fire. The yacht laid in tatters for 10 years. A Turkish businessman spent around $67 million refurbishing Savarona, commissioning Donald Starkey for the interior and replacing the original steam-turbine engines with modern Caterpillar diesels. The yacht’s interior was refitted again in 2013, once again becoming the official presidential yacht in 2014. Savarona features a swimming pool, Turkish bath, 85-metre grand staircase, a movie theatre, and a library dedicated to Atatürk.

16. ‘Flying Fox’ (136-metres), Lürssen

Lürssen's Flying Fox superyacht.

Lürssen’s “Flying Fox.” Photo: Courtesy of SuperYachtTimes/Youtube

Delivered jointly by Imperial and Lürssen in 2019, 136 metre Flying Fox is recognised by a curvaceous dove grey hull. Exterior design is by Monaco-based Espen Øino, a key feature of which is a 1-metre swimming pool which runs athwartship on the main aft deck. A feat of engineering by the new construction team at Imperial, it is the first time a yacht has been fitted with a pool of this type. Imperial has disclosed little about the interior design by Mark Berryman, apart from the inclusion of a two-floor 400-square-metre spa. Flying Fox is PYC compliant and can accommodate 25 guests.

15. ‘Rising Sun’ (138.4-metres), Lürssen

Lürssen Rising Sun superyacht

Lürssen’s “Rising Sun.” Photo: Courtesy of Lürssen

Designed by the original guru of yacht designers, Jon Bannenberg, Rising Sun was built by Lürssen for Oracle CEO Larry Ellison. The yacht was delivered in 2004 and last refitted in 2011. Defined by banks of windows across the superstructure, Rising Sun has 800 square metres of living space in 82 rooms. It can accommodate 18 guests in nine cabins, with the capacity to carry up to 46 crew. The interior by Seccombe Design includes a gym, cinema, and wine cellar. The rear cockpit deck was designed as a basketball court.

14. ‘Al Salamah’ (139-metres), Lürssen

Lürssen Al Salamah gigayacht

Lürssen’s “Al Salamah.” Photo: Courtesy of Lürssen

When Lürssen launched Al Salamah in 1999, it was the third-largest yacht in the world. Its ranking at number 14 shows how much has changed in the last 20 years. Code-named MIPOS, or Mission Possible, the yacht was designed by Terence Disdale. The large imposing exterior is primarily protected space, with an upper deck exposed to the elements. Al Salamah has staterooms for 40 guests, including two owner suites, 11 VIP staterooms, and eight twin cabins. The yacht can carry up to 96 crew and has a top speed of 22 knots. Al Salamah was last refitted in 2009.

13. ‘Project Lightning’ (140-metres), Lürssen

Lürssen's "Project Lightning" Yacht

Lürssen’s “Project Lightning.” Photo: Courtesy of SuperYachtTimes/Youtube

At 140-metres, Lürssen-built Project Lightning (as it is currently dubbed) was the largest launch of 2019, and the highest new entry in the world’s top 20 largest yachts. Project Lightning underwent sea trials in the Spring, and is preparing for its imminent 2020 delivery, but to date few details have been released by the German shipyard. What can so far be deciphered from photography includes two helipads, forward and aft, and a large beach club aft, as well as a reported seven-foot beam.

12. ‘Ocean Victory’ (140-metres), Fincantieri

Fincantieri Yachts’ 459-foot Ocean Victory Photo by Trevor Coppock / TheYachtPhoto.com

Fincantieri’s “Ocean Victory.” Photo: Trevor Coppock / TheYachtPhoto.com

The largest motor yacht ever built in Italy, Fincantieri’s Ocean Victory was delivered to its owner in 2014. The seven-deck exterior by Espen Øino includes two helideck platforms and a hangar belowdecks, as well as exceptional outdoor social areas, and a floodable tender dock. Ocean Victory has accommodations for 28 guests as well as quarters for 56 crew. Ocean Victory also has six pools, a 306-square-metre spa, and an underwater observation room. The interior by Alberto Pinto remains a secret.

11. ‘Yas’ (141-metres), Abu Dhabi Mar

Superyacht Yas in Barcelona

Abu Dhabi Mar’s “Yas.” Photo: Harvey Barrison

As a converted yacht, Yas is one of the most interesting vessels on this list. The dolphin-like exterior was originally a former Dutch Navy frigate that launched in 1978 and eventually sold to the navy of the United Arab Emirates, where it was renamed Al Emirat. The yacht underwent its dramatic conversion in a facility in Abu Dhabi’s main port, emerging as a gleaming superyacht in 2011, with one of the most interesting profiles on the water. It was eventually delivered four years later. The design by the Paris-based Pierrejean Vision, defined by massive glass surfaces, can accommodate 60 guests and 58 crew members. Mated to a steel hull, the superstructure is the largest composite edifice ever built. Yas is capable of a 26-knot top speed.

10. ‘A’ (142.8-metres), Nobiskrug

Nobiskrug sailing yacht A.

Nobiskrug’s sailing yacht “A.” Photo: Courtesy of Nobiskrug

Delivered in 2017, the futuristic look of sailing yacht A includes smooth, silver-metallic surfaces and windows that look nearly invisible, three composite masts that bend slightly, and a deck hidden by high bulwarks. The Philippe Starck-design is a wild fantasy yacht of the future. The 142.8-metre sailing yacht is a technical victory for German yard Nobiskrug, which developed composite fashion plates to create the unusual shapes, without any compromises in strength or fluidity. It has the tallest freestanding composite masts on any sailing vessel, a hybrid diesel-electric propulsion system and state-of-the-art navigation systems. The boat also reportedly has an underwater viewing platform in the keel. “Sailing yacht A is undoubtedly one of the most visionary projects Nobiskrug has ever been involved in,” said Holger Kahl, the firm’s then managing director. Starck’s interior remains a secret. The yard reports the yacht has a top speed of 21 knots.

9. ‘El Mahrousa’ (145.7-metres), Samuda Brothers

"El Mahrousa" Yacht, Samuda Brothers

Egypt’s royal yacht, “El_Mahrousa.” Screengrab

El Mahrousa, which means “the protected” in Arabic, is currently Egypt’s presidential yacht, though the 145-metre vessel has a separate history as that country’s royal yacht. The London-based Samuda Brothers began the build in 1863, and it was launched in 1865. It was originally built for the Ottoman governor of Egypt, Khedive Ismail, and later carried three Egyptian kings into exile. The yacht was also at the opening of the Suez Canal in 1869. The world’s oldest superyacht features external design by the British naval architect Sir Oliver Lang, and has had multiple modifications over the years, including a lengthening by 12-metres in 1872 and another 5-metres in 1905. During the second refit, the owners replaced its paddle-wheel engines with turbine-driven propellers. The yacht, in care of the Egyptian Navy, occasionally goes to sea for a day or two. In 2015, it was used to inaugurate the new Suez Canal.

8. ‘Prince Abdulaziz’ (147-metres), Helsingør Værft

IBIZA, BALEARIC ISLANDS, SPAIN - OCTOBER 26, 2016: Prince Abdulaziz, one of the largest motor yachts in the world, moored in harbor on October 26, 2016 in Ibiza, Balearic islands, Spain.; Shutterstock ID 516017752; Notes: top 20 largest yachts in the world

Helsingør Værft’s “Prince Abdulaziz.” Photo: Shutterstock / Artesia Wells

This custom yacht, launched by Helsingør Værft in Denmark in 1984, was most recently refitted in 2005. The 5,200-tonne Prince Abdulaziz is one of the Saudi Royal family’s yachts, its first owner being King Fahd. Designed by Maierform, the yacht was the longest and tallest in the world at the time of its launch. At 147-metres, Prince Abdulaziz held the title for 22 years until Dubai launched in 2006. The late David Nightingale Hicks, known for his use of bright colors, was the interior designer. The lobby is said to be a replica of the Titanic. Last refitted in 2005, it is rumoured to be carrying surface-to-air missiles, though that may be an urban legend.

7. ‘A+’ (147.2-metres), Lürssen

Lürssen Topaz largest yachts in the world

Lürssen’s ‘A+.’ Photo: Klaus Jordan

Very little is known about A+ (formerly Topaz), which was launched by Lürssen in 2012, other than it is the fourth-largest yacht ever built by the German shipyard. Tim Heywood Designs did the exterior, which features helipads on the foredeck and amidships on an upper deck. A lower aft deck includes a swimming pool. The German yard has not released any images of the Terence Disdale interior. Reported to be owned by Manchester City Football Club owner Sheikh Mansour bin Zayed al Nahnan – Emirati royalty and deputy prime minister of the UAE – A+ has a top speed of 22 knots, and can carry 62 guests and up to 79 crew.

6. ‘Al Saïd’ (155-metres), Lürssen

Al Saïd Lürssen

Lürssen’s “Al Saïd.” Courtesy of Shutterstock

Another yacht from Lürssen, the original Project Sunflower gained its official name of Al Saïd following its launch in 2016. Espen Øino’s exterior is akin to a classic cruise liner, complete with the twin exhaust stacks in the center of the superstructure. Owned by the Sultan of Oman, six-decked Al Saïd can carry 154 crew and, according to some sources, 70 guests. Lürssen says Al Saïd has a top speed of 22 knots. The London-based Redman Whiteley Dixon studio designed the interior, which includes a concert hall that can hold a 50-piece orchestra.

5. ‘Dilbar’ (156-metres), Lürssen

Espen Øino Dilbar yacht

Lürssen’s “Dilbar.” Photo: Josep Baresic

The 2016 launch of Dilbar gave Lürssen the distinction of not only building the longest yacht ever (Azzam), but also the largest in terms of volume. Espen Øino designed the exterior, creating a full-bodied superstructure of long, flowing decks, along with two helicopter pads. Dilbar also has a 25-metre swimming pool that according to Lürssen, is the world’s longest on a yacht. The interior by Winch Design is defined by its “rare and exclusive luxury materials,” says the builder, declining to go into detail. Lürssen added that the world’s largest motor yacht was one of the most complex and challenging yachts ever built, because of its dimensions and technology. Despite Dilbar’s volume, the designers did a masterful job making the yacht look relatively svelte, with no obvious bulges along the length of the light ivory and bronze-accented hull.

4. ‘Dubai’ (162-metres), Platinum Yachts

DUBAI UAE - DEC 16: Dubai - yacht of the Sheikh Mohammed bin Rashid Al Maktoum the ruler of the Emirate of Dubai. December 16 2014 in Dubai UAE

Sheikh Al Maktoum’s yacht, “Dubai.” Photo: Bigstock

This Andrew Winch design was originally commissioned for Prince Jefri Bolkiah of Brunei as a joint project between Blohm+Voss and Lürssen, before it was halted in 1998 with just a bare hull and skeletal superstructure. The hull was sold to the government of Dubai, and, under the direction of the country’s ruler, Sheikh Mohammed bin Rashid Al Maktoum, work on the 162-metre boat began again, though this time by Platinum Yachts. Dubai delivered in 2006 and is now the sheikh’s royal yacht, with accommodations for 24 guests and quarters for 88 crew. The seven-decked yacht has an impressive 21-metre-wide atrium, landing pad for a Black Hawk helicopter, submarine garage, disco, and cinema. Full certification was obtained from Lloyd’s Register in October 2006, and it can reach a top speed of 26 knots.

3. ‘Eclipse’ (162.5-metres), Blohm+Voss

Private white luxury Superyacht Eclipse anchored off the beach. Ibiza, Balearic Islands, Spain. Summer, 05.07.2011; Shutterstock ID 1059530906; Notes: top 20 largest yachts in the world

Blohm+Voss’s “Eclipse” anchored off the beach of Ibiza. Photo: Shutterstock / R_Pilguj

Stately Eclipse, the 162-metre yacht delivered to billionaire Roman Abramovich, took five years to design and build. When it left the Blohm+Voss shipyard in Hamburg in 2010, it was the world’s largest yacht. The interior has 17 staterooms and a palatial master suite, with the capacity to carry 85 crew. Both the interior and exterior are designed by Terence Disdale. A proportional profile is defined by tiered decks that sweep upward and bend ever so slightly at the aft ends. Eclipse has a 56-metre-long owner’s deck and, at the time of its launch, the largest swimming pool on any superyacht (the bottom raises and converts to a dance floor). Other features reflecting its stature: the capacity to hold three helicopters, including one in its belowdecks hangar, a sophisticated stabilisation system, six tenders, and an enormous spa, gym, and beach club. Hybrid diesel-electric engines are connected to Azipod drives that give Eclipse a top-end speed of 21 knots, with a range of 6000 nautical miles.

2. ‘Fulk Al Salamah’ (164-metres), Mariotti Yachts

"Fulk Al Salamah," Mariotti Yachts

Mariotti Yachts’ “Fulk Al Salamah.” Screengrab

Little information has ever been released about the world’s second-longest superyacht, custom-built Fulk Al Salamah, and it has been shrouded in mystery since first announced in 2014. Even the overall length of 164-metres has been estimated from AIS data. However, built and delivered by Italian builder Mariotti Yachts in their Genoa shipyard in 2016, the imposing vessel is believed to be owned by the Omani royal family. Exterior design is by Studio de Jorio, and it is considered by some to resemble more of a support vessel than a superyacht. Nonetheless, aerial photography shows an impressively large helideck, raked masts and a bathing platform.

1: ‘Azzam’ (180.6-metres), Lürssen

Lürssen Azzam

Lürssen’s “Azzam.” Screengrab

It’s not surprising that the world’s longest yacht hails from a shipyard dominating the upper echelon of boat-building. Unfortunately, Lürssen could never really boast about Azzam after its launch in 2013 because of the owner’s penchant for privacy. Mubarak Saad al Ahbabi directed a team of designers and engineers who started with the bare concept, worked through the technical challenges of what might be the most complex superyacht ever, and finished with an unusually large vessel that can top the 30-knot mark. Nauta Yacht’s exterior features a long, sleek forward area, with well-proportioned tiers moving up to the skydeck. Lürssen describes the interior by Christophe Leoni as “sophisticated, with luxurious decor inspired by the Empire style of the early 19th century”. Its gas turbines connected to water jets push Azzam to more than 30 knots, giving it the ability to operate at high speed in shallow waters. She also boasts an impressive build time for a yacht of her size, with construction taking only three years after one year of engineering.

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This Italian Company Made Ernest Hemingway’s Favourite Pens. Here’s How It’s Done.

At Montegrappa, a focus on age-old techniques makes for unique, heirloom-quality fountain pens.

By Jeff Buchanen 04/11/2024

In this age of digital supremacy, it’s reassuring to know the pen is alive and well. And nowhere is it thriving quite like it is in Bassano del Grappa, a picturesque medieval village in Veneto, Italy, that has been home to Montegrappa, the country’s oldest pen company, since 1912. The firm specialises in rollerball and fountain pens for the discerning, and its products are still made in its original factory on the banks of the Brenta River. 

Notable actors, athletes, musicians and even popes have used its wares, but the seed for one of Montegrappa’s most significant endorsements came when a then-unpublished author encountered the brand in 1918. Ernest Hemingway, just 19 years old at the time, was serving as a volunteer ambulance driver for the American Red Cross when he was assigned to a station 100 m from the factory. The robust Elmo model, still produced by Montegrappa today, became his writing instrument of choice. 

More than a century later, Montegrappa pens remain renowned for their design and are still largely crafted by hand according to the company’s old-world manufacturing process. And while you can order a model off the shelf, varying levels of customisation are also available. Through the Extra Custom program, you can commission a uniquely hand-painted or burin-engraved style made from sterling silver or yellow, rose, or white gold and have the barrel decorated with an image or motif you select. Such pieces can require several weeks to complete, and prices range from around $2,400 to as high as $67,000—all to create a pen that’s a story in itself. 

Each pen requires at least 36 individually handcrafted components—some considerable, others tiny and delicate. 

As perhaps the most visible component, the pen clip is hand-polished to a mirror-like shine. You can opt to have it set with a small cubic zirconia, as with this sterling-silver example.

Mammoth ivory, ethically recovered from Siberian permafrost, is carefully machine-turned to create the cap. The company also offers celluloid for its caps and barrels, as well as exotic woods, marble, carbon fibre, various metal alloys and a house-made resin called Montegrappite.

The cap band is machine-engraved with the company logo. The process also allows for the back of the band to be similarly etched with your initials in a selection of three fonts.

A burin is used to inscribe a “leaves and scrolls” pattern on the pen’s barrel. The intricate technique can also be used to reproduce photographs or works of art.

Montegrappa uses ebonite, a vulcanised rubber, to make its feeds, which connect a pen’s nib to its reservoir. The material is more porous than hard plastic, allowing for better ink flow. A craftsman precisely cuts the feed’s fins to ensure the best performance.

Montegrappa

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From Striped Hawaiian Shirts to Colorful Ceramics: 4 Luxe Items You Can Buy at Italian Hotels

A handful of Italy’s most beloved family-owned hotels are morphing into luxury brands of their own. Here, four in-house items worth traveling for. 

By Naomi Rougeau 04/11/2024

Hotel Passalacqua, Lake Como 

These days, it takes more than the finest linens and a Michelin-starred restaurant to take the No. 1 spot on a list of the world’s 50 best hotels, which Hotel Passalacqua did in 2023. The spa is stellar, to be sure, as is the pool house, which was decorated in collaboration with J. J. Martin of La Double J. But to fully embrace the villeggiatura and sense of place, even the tiniest details matter. Case in point: the hotel’s signature brass-fish bottle opener (there are also key chains), which will mentally transport you back to Lake Como every time you reach for a cold one. 

Le Sirenuse, Positano 

The red cliff-top hotel with sweeping views needs little introduction. Its owners, the Sersale family, were early to embrace the branding potential of the beloved property by launching an on-site boutique, Emporio Sirenuse, in 1993. These days, you can find Le Sirenuse’s clothing and swimwear everywhere from Net-a-Porter to Harrod’s, but nothing matches shopping the collection in person. If there’s only room in the suitcase for one thing, snag the brand’s riff on
the Hawaiian shirt in vacation-ready stripes. 

Borgo Santo Pietro, Palazzetto 

At Borgo Santo Pietro in Tuscany, the focus is on the serene landscape. (The spot was once a healing rest stop for medieval pilgrims.) Naturally, there’s an emphasis on farm-to-table cuisine, but more interesting might be the farm-to-spa treatments. Made in-house, the renowned Seed to Skin range draws on local remedies dating back to at least 1129; expect natural ingredients such as butterfat, thermal water, and raw honey. Grab the award-winning Eye Rescue Duo, a secret weapon for maintaining your post-vacation glow. 

Palazzo Avino, Ravello 

A once-private villa built in the 12th century, Palazzo Avino is one of the Amalfi Coast’s most celebrated hotels. When a former art gallery adjacent to Ravello’s beloved “pink palace” came up for sale, hotelier Mariella Avino and her sister Attilia made an offer. Mariella envisioned the new space, now dubbed the Pink Closet, as a spot to promote homegrown talent, partnering with the Camera Nazionale della Moda in order to provide a platform for emerging designers. We like the colorful, locally made ceramics—perfect for alfresco entertaining.

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Time Flies

Bugatti’s hybrid Tourbillon is the most powerful model in the marque’s history. And the coolest bit? An instrument cluster inspired by the finest Swiss horology.

By 30/10/2024

First there was Veyron. Then came Chiron. Now Tourbillon. Bugatti’s new 1,800 hp (1,342 kW) hypercar delivers even more shock-and-awe than its predecessors. Gone is the famed 8.0-litre quad-turbo W16 engine. In its place is a new 1,000 hp (746 kW), 8.3-litre naturally aspirated V16 paired with a trio of electric motors delivering 800 hp (597 kW). That combination makes this the most powerful Bugatti ever.

While the design of the all-carbon-composite body is clearly derived from the signature lines of both the Veyron and Chiron, its roofline is lower, the body lighter and more aerodynamic, and that iconic horseshoe grille more imposing. Yet the likely headline feature will be the car’s all-new interior featuring a skeletonised, titanium-and-sapphire-glass instrument cluster inspired by Swiss watchmaking (for the uninitiated—“tourbillon” refers to the mechanical complication that increases accuracy in high-end timepieces).

The 1,800 hp Bugatti Tourbillon hybrid.
Bugatti Automobiles S.A.S

“Beauty, performance, and luxury formed the blueprint for the Tourbillon. What we have created is a car that is more elegant, more emotive and more luxurious than anything before it,” stated Mate Rimac, Bugatti Rimac’s CEO, to Robb Report during an exclusive preview at the company’s newly opened design studio in Berlin.

He explained that, four years ago, when the Tourbillon concept was on the drawing board, there were multiple suggestions for what an all-new Bugatti might look like. Options included an SUV, a coupe-like crossover and a luxury four-door sedan. Then there was the choice of either a hybrid or all-electric power train. “The proposal to make it electric was the obvious choice. We had our [Rimac] Nevera, that we could easily transfer our technology and re-skin the body. But I felt it was wrong for Bugatti,” said Rimac. “I wanted a successor to the Veyron and Chiron, a true hypercar with a combustion engine. Our customers agreed.”

Comprising more than 600 components, the skeletonized instrument cluster is constructed from titanium and features sapphire-glass faces and detailing that incorporates rubies.
Bugatti Automobiles S.A.S

To create it, Rimac teamed with Cosworth, a renowned British engine builder, to help develop the naturally aspirated V16 mill. Designed to rev to 9,000 rpm, the engine offers a similar output as the original Veyron’s quad-turbocharged W16. To heighten the performance, Rimac and his team used their proven expertise in electric propulsion to pair the V16 with twin electric motors driving the front wheels, with a third at the rear. For battery power, a 25 kWh, oil-cooled 800-volt pack is integrated into the chassis and located behind the passengers. It’s powerful enough to give the Tourbillon a usable electric-only range of around 60 km.

As you would expect, the Tourbillon has been developed to be blisteringly fast. According to Emilio Scervo, Bugatti’s chief technical officer, early prototype tests suggest a rate of acceleration from zero to 100 km/h in 2.0 seconds, zero to 200 km/h in 5.0 seconds, and zero to 300 km/h in 10.0 seconds. Flat out, the max-speed target is 445 km/h, though with a speedometer that reads up to 550 km/h, we expect there’s more to come. “For us, it was important that the car retained the pure and raw analogue feel of a naturally aspirated combustion engine, while pairing it with the agility and ability provided by electric motors,” said Scervo.

The engine itself sits low in the Tourbillon’s new, super-stiff body structure, which is formed using next-generation T800 carbon composites. It features a forged-aluminium, multi-link suspension—front and rear—that replaces the previous double-wishbone steel setup used in the Chiron. The 3-D-printed aluminium suspension arms and uprights, and AI-developed, 3-D-printed hollow airfoil arm at the rear, are nothing less than pieces of art.

The center console features crystal glass that’s formed over 13 separate stages to ensure strength and clarity.
Bugatti Automobiles S.A.S

For the exterior lines, Frank Heyl, Bugatti’s director of design, explained that styling influences came from three landmark Bugattis of old: the Type 35 racer of the 1920s, the long Type 41 Royale built from 1927 through 1933, and the storied Type 57SC Atlantic from the 1930s. “The design focus was on Bugatti’s iconic horseshoe grille. It’s significantly wider and lower than in the Chiron, and it’s from which all lines of the car originate. It defines the car,” said Heyl, who added that another signature element is “the new central windshield wiper, which continues the line that starts on the hood and flows back along the roof. Just like on the Atlantic.” Set back from the grille are twin rows of wafer-thin LED lights. Between them is a narrow panel on the hood that raises up to reveal a “frunk” big enough for a set of custom-designed luggage.

In profile, the sweeping “Bugatti line” around the doors—a defining feature of both the Veyron and Chiron—looks even more striking with the car’s lowered roofline. At the rear, huge exhausts, a Le Mans–style carbon-fibre diffuser (twice the size of that on the Chiron), and a rolling wave of LED lights featuring illuminated “Bugatti” lettering, add to the visual drama. And to allow onlookers to gaze at that V16 power plant—and for cooling purposes—the engine sits open to the elements.

This prototype example of the Tourbillon, previewed by Robb Report, shows the styling influences that came from Bugatti’s Type 35, Type 41 Royale, and storied Type 57SC Atlantic from early last century.
Robb Rice

Upon opening the dihedral “scissor” doors and entering the cockpit, you’re presented with arguably the new Tourbillon’s most dramatic feature; a skeletonised instrument cluster inspired by the art of Swiss watchmaking. Made up of more than 600 components, it’s constructed from titanium with sapphire-glass faces and detailing that incorporates rubies.

The three-dial cluster is fixed in place, with the twin spokes of the flat-bottom steering wheel rotating around it. The unit is constructed, in-house, to remarkable horological tolerances of 50 microns—the average cross-section of a human hair. The entire cluster weighs just 709 g. Cascading down from the middle of the fascia is the centre console featuring crystal glass that’s formed over 13 separate stages to ensure strength and clarity. The aluminium elements are anodised and milled from a single block.


A close-up of the Bugatti Tourbillon’s 1,000 hp, 8.3-liter naturally aspirated V-16 engine.
The Tourbillon’s 1,000 hp, 8.3-liter naturally aspirated V-16 engine is paired with three electric motors.
Robb Rice

To add a little theatre to firing-up that big V16, there’s a prominent center-console aluminium knob that you pull to start, and push to turn off. It’s another nod to Bugatti models of yesteryear. What you won’t see, however, are any touchscreens. Heyl believes that the primary element that dates a car is an oversized screen. “What was state-of-the-art 10 years ago, is now ugly,” said Heyl. “The Tourbillon is designed to be timeless.”

In Bugatti tradition, the Tourbillon will also be highly exclusive. Only 250 examples are planned, each starting at around $6.3 million. The first customer cars are scheduled to be built at Bugatti’s atelier in Molsheim, France, starting in 2026.

Production is scheduled to begin in 2026.
Bugatti Automobiles S.A.S

“Yes, it is crazy to build a new V16 engine, to integrate it with a new battery pack and electric motors, and to have 3-D-printed suspension parts and a real Swiss watchmaker instrument cluster,” noted Rimac. “But it is what Ettore Bugatti would have done.”

Bugatti

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For Dubai, the Time Is Now 

The bustling Middle Eastern city is emerging as an important hub for serious watch collectors

By Paige Reddinger 30/10/2024

Tucked away in a corner of the Dubai International Financial Centre, near the Ritz-Carlton, is Perpétuel Gallery, an unassuming 1,200 m² boutique displaying some of the world’s most important independent watchmaking. During Dubai Watch Week—a biannual event run by the Seddiqi family, the most prominent watch retailers in the UAE—the shop, just a few minutes’ walk from the fair in the DIFC, held its own exhibition that was filled to the brim with the watchmakers themselves, from Roger W. Smith to Simon Brette to Rémi Maillat of Krayon. There, holding court, was Hamdan Bin Humaid Al Hudaidi, a distinguished collector who founded Perpétuel in 2021, in the middle of the Covid pandemic. 

“I never thought I would take my passion professionally, ever,” he tells Robb Report. “Everyone was against the idea because they were very certain this would fail.” How wrong they were. Instead, Perpétuel has become one of the most significant global players in connecting and brokering deals between collectors and their indie idols. As a serious client himself, Al Hudaidi has unique relationships that allow him to create limited editions exclusive to the gallery—quite a feat when you consider the waiting lists for some of the watchmakers in question are a decade or more long. A recent collaboration of 15 limited-edition Krayon Anywhere watches with desert-orange accents sold out to clients—not just in the Middle East, but also in Australia, the US and South Africa. 

The Perpétuel Gallery in Dubai
Courtesy of Perpétuel Gallery

It’s proof positive of the area’s booming and influential watch scene. Many credit Dubai Watch Week—and by extension the Seddiqi family—for the fervent local interest in watch collecting. When the event launched in 2015, it was small, hosting just 15 brands, mostly independents. “It was really a project to give back to the industry,” says Hind Abdul Hamied Seddiqi, director general of the event and CMO and communications officer for Ahmed Seddiqi & Sons, “but also to educate the general public that the watch industry is not as intimidating as you think.” It’s a strategy that has paid off. Last year’s edition ballooned to 60 brands, including big-name players such as Rolex, Audemars Piguet and Van Cleef & Arpels, along with nearly 24,000 attendees, the largest crowd to date. 

Despite the draw, the five-day-long public event has an easygoing appeal that other watch fairs often lack. One can spot Philippe Dufour perched outside a pavilion smoking a pipe, Kari Voutilainen enjoying an alfresco lunch, or Rexhep Rexhepi in line for an espresso. It’s an exceedingly rare chance for collectors to mingle with the masters in a relaxed space where everyone is in a jovial mood thanks to the casual atmosphere and balmy weather—and Seddiqi plans to keep it that way. “I worry if we go bigger, we’ll lose this feeling of intimacy,” she says. “I have a lot of people asking me to commercialise the show, but it’s just going to ruin the whole vibe.” 

A Roger W. Smith Series 5 Open Dial watch at Perpétuel Gallery
Courtesy of Perpétuel Gallery

The explosion of interest isn’t just for new timepieces: vintage is also having its moment. Historically, the Middle East hasn’t been receptive to “used” goods, but recent years have reflected a shift in perspective. Tariq Malik, cofounder and managing partner of Momentum, also located in the DIFC, just a three-minute walk from Perpétuel, was an early pioneer in the area when he opened shop in 2011. In the beginning, he says, it would be common for someone to look at his wares and ask if he was selling “used” watches. “I said, ‘It’s vintage,’ and they said, ‘Oh, wow.’ When I would say ‘vintage’ they would start pulling out their camera and taking photos. We brought vintage to Dubai, so it was a new thing.” He’s now sought-after by clients both in the UAE and internationally for his allotment of rare Rolexes, with a specialisation in Day-Dates and hard-to-find Stella and stone dials. 

Al Hudaidi also dabbles in vintage, predominantly ultra-rare Pateks—one might walk into Perpétuel and find him casually pulling a full-set Ref. 2499 third series from a coffee-table drawer. Naturally, that watch has sold along with two other full-set 2499s, but a unique Patek Philippe Ref. 1491J chronograph from the ’40s is still up for grabs (at press time, anyway). It was made by the Stern family for Jimmy Powers, an American boxing commentator during the era. 

Philippe Narbel Skel-1 in steel.

“I got goosebumps when I heard his voice on YouTube,” says Al Hudaidi. “I was like, ‘Oh, my God—that timepiece was his. And his name is engraved on the back!”

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6 Ways Technology Will Transform Your Private-Jet Experience in the Next Decade

Extreme leisure or full-throttle engagement? The private-jet cabin of the future will offer both.

By Daniel Cote 30/10/2024

Within a decade, private-jet cabins could make even today’s cutting-edge interiors seem ancient by comparison. From digital skylights and smart seats to eye-tracking functionality and immersive soundscapes, the array of innovative amenities could transform even the longest flights into time well spent. Here, six areas in which technology will take the onboard experience to new heights.

Screen Time

Within three to five years, some private jets may have select windows replaced with curved, high-definition 4K OLED displays connected to live video feeds from the aircraft’s exterior. Imagine a cabin ceiling that morphs into a conservatory with a spectacular view of the moon, or full-height windows that present the landscape below with incredible fidelity. Information overlays are easy additions, but consider that these built-in visual portals could also double as insane gaming screens.

Seat Change

E-textiles will transform the next generation of jet seats into intuitive in-flight spa recliners. Sensors within the fabric will note your size, weight, pressure distribution, and body temperature, then rely on their A.I.-driven processors to, say, heat the seat before you realise you’re chilly or massage that kink in your back without being asked. Powering themselves by converting body heat into electricity, the chairs might also know to widen and recline when you nod off.

Seeing the Light

Chronobiological lighting to mitigate jet lag will comprise organic light-emitting diode (OLED) panels, capable of creating 16.3 million different light combinations, to reset a passenger’s internal clock as they traverse time zones. Eventually, such panels will migrate from light fixtures to smart fabric on the ceiling, resulting in more diffuse illumination that allows for near-infinite options across the colour spectrum.

And there are many other applications. For example, OLED displays, as wide as a piece of paper, can be used to digitally transform the entire wall of the cabin’s colour, texture or scene. It is called projection mapping, and it will make changing the wall color from hot pink to a textured crocodile leather as easy as changing your computer screen saver. As Ingo Wuggetzer, vice president of cabin marketing for Airbus, explains, light literally creates spaces, giving cabin designers a highly versatile and easily customisable digital canvas.

Higher Management

The ability to access basic audio or video from your smartphone is here, but imagine faster, streamlined connectivity that lets you manage video conferencing, heating, mood lighting, window shades, service requests, even a steriliser—from a single app. According to Airbus’s Wuggetzer, next-gen digital architecture will turn personal spaces into individual “ecosystems” controlled by each passenger. Tim O’Hara, director of completions research and development at Gulfstream, notes that eye-tracking technology could allow you to interact with the app via virtual screen, meaning you don’t even have to lift a finger.

Breaking the Sound Barrier

Rosen Aviation has developed a new onboard audio system with Laurence Dickie, designer of the famed Bowers & Wilkins Nautilus loudspeaker. According to Rosen’s Lee Clark, the goal is to go from today’s audio equivalent of “a 1970s eight-track” to what he refers to as “Elvis, six feet away, singing to you”—a soundscape that only you will hear, delivered by headrest speakers and haptic drivers in the seat. Meanwhile, Bongiovi Aviation intends to employ transducers embedded in the jet’s interior side panels, eliminating the need for traditional speakers altogether. The advantages are numerous, and it allows airframers to reduce cabin weight and fully utilise space while eliminating traditional speakers from the design.

Bringing movie-theater audio quality to aviation is already available. Dolby Atmos puts you inside the movie or song as it is playing. In collaboration with Dolby, SkyCinema Aviation was the first to create an Atmos-enabled processor built for business jets to compensate for cabin altitude and jet noise. The result? You will clearly hear the car approaching from a half mile away in that famous scene of the 1959 Hitchcock classic North by Northwest, just as the director intended.

Hands Free

With full showers, skylights, and large vanities gracing the lavatories of the most luxe business jets today, what could be next? The smart lavatory is evolving into a nearly completely hands-free space by incorporating sensors to activate everything from faucets to showers. Using an AI algorithm, Diehl Aviation has taken it a step farther to add more functionality with voice-controlled commands for opening and closing the door, turning on lights, and activating water. Hologram light switches will eventually keep the lavatory completely hands free, while smart mirrors can multitask by providing an interactive display of digital content.

 

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