Superyachts To The Rescue

An innovative Great Barrier Reef eco-project is challenging pre-conceptions of Australia’s natural wonder—and the people who monitor it.

By Stephen Corby 28/04/2023

If you picture marine biologists, in particular reef scientists, as those sporting beaded brows and salty sour mouths mumbling dire predictions of demise and death, then you’re doing it wrong. In fact you should be picturing ordinary folk looking extraordinarily happy, luxuriating over lychee martinis on the Sky Deck of a superyacht after a hugely rewarding day of Great Barrier Reef research, citizen scientist style.

But before we discuss how you, too, can help save one of the planet’s most important ecosystems while enjoying a dreamscape holiday, we need to talk about the Reef and reports of its imminent death.

Yes, there have been mass-bleaching incidents—including two large-scale events in 2016 and 2017—and, while it’s a little more complex than, say, a crop dying because climate change delivered a scorching summer, there’s no doubt these are events of acute concern. So too attacks by the “cockroaches of the sea”, Crown of Thorns Starfish (COTS).

But the Barrier Reef, our Reef, is the size of Germany, larger than Japan, and is made up of more than 3000 individual reefs stretching for 2300km off our northern coastline—a distance longer than the entire US west coast. Furthermore, and most strikingly, just 5 per cent of the Great Barrier Reef is regularly surveyed, 40 per cent of it never properly examined. Which means we actually don’t really know what’s going on beneath. Not yet.

Only five percent of the Reef is regularly surveyed; 40 percent is never properly examined. Photo: Damian Bennett

It’s within this context that amateur scientists come in. And it’s here, within this framework that Robb Report recently joined the Citizens Of The Great Barrier Reef team on board the superyacht Beluga—a 35m luxury vessel comprising staterooms, top-deck hot tub and seven full-time staff, including a mixologist and chef (gifted to a level that impressed the hard-marker of our team, Mark LaBrooy, chef and co-owner of the respected Three Blue Ducks group).

Citizens of the Great Barrier Reef (CGBR) was built by CEO Andy Ridley. If Ridley’s name ring with certain familiarity it’s because he’s the same the man who conceived, and made a global success of, Earth Hour, which now has supporters in 190 countries. He launched CGBR in Sydney in 2017 to tackle the problem of the Reef’s scale by using what any yachtie will tell you is the best kind of boat—someone else’s.

Beluga has won awards for its work in ocean conservation. Photo: Damian Bennett

“After the bleaching events in 2016 and 2017, there was a big crisis meeting in Cairns and what came out of that was a need to do broad-scale reconnaissance, to help us identity key source reefs—the healthy ones that can reboot those around them—and to get a vision of what’s happening down there on a yearly basis,” explains Ridley. “The hardest thing about that is getting boat time, it’s very expensive, so how do you build a billion-dollar research program when you don’t have a billion dollars? Well, you use everyone else’s boats, and everyone else’s time.

And so the idea of a motley flotilla or vessels was formed. “To survey as much of the Reef as possible, everything from tug boats to tourist dive boats, to superyachts.”

Ridley makes the idea seem simple, obvious even, but then how do you get people to avail their boats, brains and time for free, particularly a boat like Beluga, which charters from $27,000 a day?

This is Ridley’s gift. He’s not just good with ideas (he was originally going to call Earth Hour “The Big Flick”, and the idea was to turn off all the lights in Sydney except those at Prime Minister John Howard’s Kirribilli address; it eventually grew to more than 5000 cities globally). And while not a scientist, he is a kind of alchemist—capable of taking someone’s interest in conservation and turning it into gold.

Mark LaBrooy being taken out on a Swift boat. Photo: Damian Bennett

Beluga is owned by Sandrina Postorino—an angel investor, environmental warrior and deeply passionate diver—and her husband, Chris Ellis, who interestingly, given the mission here, is the co-founder of Excel Coal.

When Ridley approached Postorino in 2020 when conducting the first ever Great Reef Census—which involved anyone who wanted to help snapping photos of the Reef and uploading them—she was on board immediately.

“Initially, Chris was very sceptical… There’s a lot of other groups that basically portray the Great Barrier Reef as being dead, completely dead, and so he said, ‘I’m going to get even less charters by participating’,” recalls Postorino.

“But once he started talking to me, he realised Andy was not like that, that the idea was to get a snapshot of what is actually happening, establishing a baseline, so it wasn’t biased one way or the other. And so he sort of reluctantly agreed to it.”

Postorino says that if it was solely her decision, she’d avail their stunning superyacht for more than half of every year: “We need to raise awareness. You need to tell people that there’s a big problem, but we also need more data, and in that way I think Citizens is very good at keeping a balance and providing hard facts.”

That initial involvement led to Beluga winning BOAT International‘s Ocean Awards “Yacht of the Year”, which recognises vessels, and their owners, that demonstrate a commitment to ocean conservation.

That initial Great Reef Census surveyed 115 reefs using Beluga and 30 other boats and produced 14,000 images. Census 2, in 2021, used 65 boats to cover 315 reefs and produced more than 45,000 images.

Once again, Ridley was faced with the problem of scale—experts had worked hard to get through the initial batch of images, using them to make maps of where the Reef was struggling, flourishing or under attack from COTS, but the data had now exploded.

Technology and computing outfit Dell was talked into developing an AI program that could do image analysis—with 90 per cent accuracy. To check that data, the Citizens project then enlisted school children, running a program held across six schools in Queensland and one in NSW where students were given iPads and asked to analyse the imagery.

“We were expecting each kid to do maybe five images, and we had 350 students involved, and they just blew us away, as they analysed more than 24,000 images—one kid did 920 on his own,” says Ridley. “The headmaster at Cairns High went into the detention room and found kids doing reef analysis, and not as a punishment, but because they loved it.”

Moves are under way to take the school program global, even though the AI is constantly getting better at its job, having been fed more than 60,000 new images from Reef Census 3 (covering more than 630 reefs, using 95 boats).

Robb Report’s Stephen Corby talks to Citizens recruit Nicole Senn, with Ridley and LaBrooy. Photo: Damian Bennett

We joined the team on Beluga for the final three days of surveying of that Census and across some previously uncharted reefs a few hours out of Port Douglas.

After sitting through a PowerPoint presentation about Citizens (during which we all tried hard not to be distracted by either the aquatic views or the fact that we were sitting in a superyacht lounge the more often found within a Point Piper mansion), the Census process and our part in it—point GoPro camera at coral, shoot, repeat every five fin kicks until you have 30 photos—we are shown on a map how our teams will survey four sides of each reef to get as full a picture as possible.

It’s all starting to feel like work, or at least the kind of industrious science you might have done at school—until we hit the Swift boats. Here, the idea that it will be in any way arduous evaporates like the salt spray on your face as you zip low across water that’s as impossibly blue as a 7/11 Slurpee.

Lighting the horizon with a sub-surface glow are the reefs we’re here to investigate. The transition moment—as your mask splashes into the water—feels like seeing for the first time after being blindfolded for a week. Broiling blue surface turns to inky green, streaked with sunbeams lighting up a world that feels like Shinjuku Station for fish. The coral itself is a feast of shape, texture and wafting wonder, but it’s the living things that are the burning stars in this damp universe, proliferating in such numbers and variation as to dazzle a brain and camera.

Robb Report participated in 15 dives across three days. Photo: Damian Bennett

The “five fin flips” rule had to be introduced after the first Census when it became obvious that people were just taking photos of all the exciting things they saw, rather than shooting a whole area, be it good and bad.

Across our 15 dives we saw some spectacularly alive reefs, some disturbingly patchy ones and a few that looked like those empty enclosures at zoos sporting signs that read: “this environment is being reimagined”. Overall, however, the Reef looked and felt like a vast bounty of wonder—something we really should do everything we can to protect.

It’s something Mark LaBrooy—a keen spear fisherman who can do incredible things with a given catch—is passionate about. “You come out into these environments and it’s pure escapism from the pace of the world that we live in. And I’ve been coming up here for years, and now you’re starting to see that our world is having an influence on this world, it’s not separate, it’s interconnected,” says LaBrooy.

“In my time, I’ve seen areas of the reef die and coral bleaching, I’ve seen those big graveyards of coral.  So I love what Citizens is doing, it’s so community focused, and I think the more you can showcase and engage with your environment, the more you turn people into advocates for protecting it.”

Another Reef regular who’s passionate about the need for more research is Ross Miller, the skipper of Aroona, another superyacht that’s repeatedly donated its time and resources to Citizens and the Census. “We’ve definitely lost reef in some areas but there’s also a lot of regrowth in other areas,” offers Miller. “So it’s the kind of thing that’s very hard to explain in a newspaper article, which is why they often miss the mark.

Miller and Aroona— a 22-metre vessel operating out of Yorkley’s Knob, Far North Queensland—have been traversing and exploring these waters for two decades. “We’re always exploring new reefs but now we’re not just doing it to see what it’s like, through the Census we’re doing research for the scientists that help manage it.

“I’ve got some clients who’ve been coming up here for six years, they’re not scientists but they’re just passionate about understanding the Reef and they’ve come up to be part of the Census for the past two years, and probably 90 per cent of the new sites we went to were looking fantastic.”

Miller adds that many of his clients are now also involved. “They feel like they don’t want to be just on holiday, they want to be supporting something, it’s this kind of ‘meaningful tourism’ that really adds an extra layer to their experience.”

Photo: Damian Bennett

Andy Ridley, of course, will take whatever help he can get as he continues to chip away at a job that seems almost implausibly large and impossibly important.

“I think our greatest achievement so far has been that we’ve become hugely helpful in guiding the COTS boats on where to go, there are about a dozen of them, funded by various agencies, and they go out diving and inject the COTS with vinegar to kill them. It’s a tough job because they’re like the cockroaches of the sea, so hard to kill, and  just bump a bit off and it will fall to the bottom and regenerate into a whole new starfish,” he explains. “In the past, those boats were going out and surveying, trying to find the COTS, now we can tell them the areas they don’t need to look and save an enormous amount of time and money.”

As a life-long conservationist with a restless mind, Ridley is also looking beyond Citizens to what the model he’s established could achieve elsewhere. “The way we look at it is it’s almost a pilot project for how we could do massively scaled-up conservation, with a big reliance on technology and an even bigger reliance on people giving their time,” he says. “What conservation has historically done is said, ‘give us your money and we’ll go and do it’. This model is different, it still needs money but not as much, it’s more about ‘we want your time, and we want your brain and we’d like your boat’.

“So our list of demands is quite high, but people seem to want to be more legitimately part of the effort, rather than just handing over cash.”

citizensgbr.org

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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