Robb Read: Aussie Automotive Superpower

Can Australia really become the Saudi Arabia of hydrogen?

By Stephen Corby 31/12/2021

Spare a thought for those poor Saudis, particularly those with fleets of gold-plated Rolls-Royces and hundreds of hypercars. When your country holds 17 per cent of the entire world’s proven petroleum reserves, it’s easy to think your life of wanton wealth will go on forever, and surely no country can have been less excited about the invention, and increasingly rapid uptake, of electric vehicles.

With countries like the United Kingdom planning to ban the sale of all petrol or diesel-powered cars by 2030, the good times might not be over yet, but they’re definitely trending in an inky black direction for oil producers.

The big question now is which country will take the Gulf states’ place as the next super power of power—the renewable kind. And when it comes to cars—and, perhaps more importantly, SUVs—it’s wise to look beyond the current shift towards electric vehicles, to a world in which hydrogen, pumped from a bowser in a few minutes and creating nothing at the tailpipe but droplets of water, becomes the dominant fuel.

Hydrogen cars, for the uninitiated, are a lot like Marty McFly’s upgraded DeLorean from Back to the Future II, because they have their own power stations on board. A hydrogen fuel cell combines oxygen and hydrogen as you drive, which creates the electricity that runs a motor to power its front wheels. This is why they’re known as Fuel Cell Electric Vehicles (FCEVs), because they have an onboard fuel cell that gives them the power to operate like an EV—quietly, and with much instantaneous torque.

So where does the hydrogen for these cars come from? Well, hopefully from right here in Australia—the Saudi Arabia of hydrogen.

The local green hydrogen market is expected to be worth US$2.5 trillion (approx. $3.4 trillion) by 2050, according to analysis by Intercontinental Energy and CWP Global, which just happens to be behind the recently announced Western Green Energy Hub, which will cover 15,000 square kilometres of Western Australia and produce 3.5 million tonnes of hydrogen, and enough energy (50 gigawatts of it) to power not just our cars, but every home in Australia.

The fact is, we’re going to produce much of our hydrogen in the future for export, of course, with the CSIRO predicting the potential demand for imported hydrogen in China, Japan, South Korea and Singapore could reach $9.5 billion by 2030.

Goldman Sachs, meanwhile, believes everyone else is being too conservative. It says green hydrogen could be supplying one quarter of the world’s entire energy needs by 2050, estimating it will become a US$10 trillion market.

With our boundless solar and wind resources delivering us the chance to cash in on this global boom, Australia could be even richer from hydrogen than it’s been made by coal and steel.

So just how likely is it that hydrogen cars will one day dominate the market—and how close is Australia to snatching a large share of the opportunities that hydrogen production offers?

Scott Nargar, co-founder and director of the Australian Hydrogen Council, is utterly convinced the revolution is coming, and points to countries like Germany, where hydrogen bowsers are already popping up on service-station forecourts. There’s even an app (H2.Live) in Europe that will help you find places to fill your hydrogen car.

“There’s no doubt that we could become the Saudi Arabia of hydrogen, but the thing to remember is that Saudi Arabia could still be that, too. They’ve got plenty of desert and plenty of sunshine, so there’s nothing to stop them doing it,” Nargar explains.

“The advantage that Australia has—as well as our natural benefits of space, sun and wind—is that we are close neighbours of Asia, and we’re politically stable.

“There’s been a lot of talk about Australia’s hydrogen future in the past, but now there’s a lot of hard money being invested, not only in WA but places like Bell Bay in Tasmania and across Queensland.”

In terms of the infrastructure necessary for a switch to hydrogen vehicles, Nargar admits that—in much the same way that Australia hasn’t exactly covered itself in glory with EV charging stations—we’re lagging a fair way behind.

And as Nargar—who also works for Hyundai, which already has a hydrogen car, the Nexo SUV, several of which are currently taking part in a trial in the ACT—points out, it’s the car companies in Australia that are now pushing for change, rather than governments, which is the inverse of what has happened in places like Europe.

“We know what’s coming, car companies do, because we’ve seen the pace of regulation around the world, with bans on the sale of internal-combustion engines, and it’s seriously going to limit the options for cars that will be available here over the next five to 10 years,” he says.

“The big oil and gas companies know what’s coming too, and that’s why you’re seeing those companies starting to offer both electric and hydrogen options on their forecourts in places like Europe. But it won’t just be oil companies, there’ll be tech companies wanting to take them on in that ‘green’ space, so we’ll be seeing competition driving that change.”

Nargar says that in the near future, EVs will become the dominant form of vehicle for inner-city living, but when it comes to longer-distance travel, and larger vehicles—everything from the SUVs that Aussies now buy in such huge numbers to trucks for carrying freight—hydrogen will be the answer.

“Fuelling time and range are the big advantages for hydrogen—you can take a lot more weight, and take it a lot further, basically,” Nargar explains.

“With an electric truck or bus, it’s going to be 10 or 12 minutes to fill up with hydrogen and they’ll get up to 1000 kilometres off that, while an electric truck or bus is going to have to stop for 1.5 hours each time and only go 300 to 400 kilometres until it has to stop again. It’s a similar story with a big SUV, you’re just going to be better off with hydrogen.”

EV versus FCEV is not so much Betamax vs VHS, then, as Amazon Prime vs Netflix. Both will win, but only one will dominate.

Those on the EV side of course, like Elon Musk, can be predictably scathing about hydrogen vehicles, which the Tesla boss has already described as not only a crazy alternative to electric vehicles but a “big pain in the ass”.

While Hyundai (Nexo) and Toyota (Mirai) already have hydrogen cars, there are more, and bigger, ones on the way, with Land Rover announcing a trial of FCEV tech in its Defender from later this year.

And a US-based supercar startup, Hyperion, is working on a hydrogen car called the XP-1, which has a claimed top speed of 355 km/h and a range of 1600 kilometres between hydrogen refills, with production planned for 2022.

Locally, a Sydney-based company has also developed the world’s first home hydrogen generation, storage and power unit. LAVO has come up with a system that allows for “inter-seasonal storage” of hydrogen, making it possible to “stow summer sunlight (in hydrogen form) to use in winter”.

The LAVO system, which could be right up there with the invention of Wi-Fi in terms of great Australian moments of ingenuity, integrates with standard solar systems to create hydrogen from water, with an electrolyser using solar-power input, and then stores that hydrogen in a patented metal-hydride unit. The hydrogen can then be converted to electricity via a fuel cell, which could be used in a car or via a domestic or commercial application.

It’s a world-first, one which really could, in the future, kick the hell out of lithium-ion batteries.

Governments also, it seems, are starting to take the shift to renewables more seriously; Western Australia even has an official “Hydrogen Minister”, Alannah MacTiernan, who has been talking up that huge Green Energy Hub in her state as an opportunity to take advantage of growing demand for hydrogen as a fuel of the future.

“These major corporates absolutely understand the writing is on the wall,” Ms MacTiernan said.

“If they want to have a business in 20 years’ time, they’ve got to transition from fossil fuels into these renewable fuels and of course hydrogen is a magnificent medium for storing renewable power.”

The future for hydrogen, then, isn’t just bright—particularly in Australia— it’s a gas, gas, gas.

This piece is from our new Car Of The Year Issue – on sale now. Get your copy or subscribe here, or stay up to speed with the Robb Report weekly newsletter.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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