Ian Callum On The Road To Freedom

In the annals of contemporary motoring design, there’s only one Ian Callum. And right now, he’s doing his own thing.

By Stephen Corby 12/10/2020

In an ideal world, you’d only hire the very best people. Damien Hirst would don overalls to paint the house, Tiger Woods would carry the golf clubs, Warren Buffet manage all personal funds and Elon Musk, well, he’d be perfect in pushing some positive personal PR.

Still, if you wanted someone to ameliorate the look of your favoured car, you’d skip straight past Rocket Man Musk and choose the world’s greatest living car designer. And the great news is, for the first time ever, you can now do just that.

After two decades of creating such ferocious beauties as the F-Type (which carries the most beautiful rear end ever attached to a car), the revolutionary I-Pace electric vehicle and the staggering C-X75 concept car powered by gas turbines, Ian Callum has decided to go it alone.

For someone as synonymous with Jaguar as Callum has long been (imagine Michael Jordan exiting Nike, for example) the move to establish an eponymous design house shocked many—even more so because when he announced he was leaving the British(ish) marque at the age 64, most believed he might just be retiring.

Those who know Callum, however, understand that it’s unlikely he will ever stop working, because for him, designing is not a chore, it’s a passion, a firm joy. And if he’s not going to stop doing it, he may as well get paid top dollar for it, as is the case with his new company’s first creation—a wondrous reimagining of the Aston Martin Vanquish (which Callum originally designed), which can be yours for just a touch under $1 million.

“I’m not doing it for the glory or the money. I’m doing it for the love of being creative,” says Callum, speaking with as much passion and pace as he drives.

“I love designing and I guess I could go and paint landscapes, but I’m very much a three-dimensional person, and there’s just nothing better than creating something and then seeing it all the way through to reality.”

While the word ‘retirement’ seems to burn Callum’s mouth, he admits to an attempt to slow down, and to take advantage of the fact that this time it’s his name above the door—so he’s in control of the new workload. In theory.

“I want to do it at a pace that’s not getting me up at six in the morning, and it has been great not having to deal with the politics of corporate life, but I am working with a younger team and they want success, so I just have to use my energy efficiently,” he laughs.

Speaking of energy and efficiency, Callum has long been on the record suggesting not only that electric vehicles are the way of the future, but that they provide a once-in-a-century chance for designers to create cars that are actually something new and different. It is an opportunity that was given to him when he was tasked to create the world’s first mainstream electric SUV, the Jaguar I-Pace, a car he now lists as one of the three cars he’s most proud of.

“I had the time, with that car, to create something with a virgin platform with very few restrictions about what should happen above the wheels. And the great thing about EVs is that most of the mechanical elements are within the axles, which is very different to internal-combustion-engined cars, and that means you’re not mechanically bound to having a big space for an engine in the nose, and thus the same old designs.

“I was determined that with the I-Pace we’d have something more futuristic in terms of profile, a cab-forward look, and we’d put the seats forward as well, to use the space. And if you look at the cabin size of a similar, traditional car, like the Porsche Macan, we’ve got a lot more space.

“I see I-Paces on the road now and they still stand out. I drove one for a while and people really do stop and stare, so I’m very pleased with it. The other brands, sadly, haven’t gone so forthright—although I think VW probably will. Others have been quite conventional.”

As for the global take-up of EVs, Callum believes much of the world will reach “a tipping point in the next five years”, and that the only thing holding them back, at least in some countries, is a lack of infrastructure. Despite that, he says that things are improving in the UK so rapidly, he’s about to get himself another I-Pace as his daily driver.

“Most places now you can get a good charge within 40 minutes, which is absolutely fine—enough time for a couple of cream buns. Yes, I could put on a lot of weight with an electric car.”

The first project under the Callum design umbrella—the astonishing Vanquish 25—is pretty much the antithesis of an EV future, but then it’s based on a car built in the more innocent, more petrol-thirsty days of 2001.

Callum designed the original V12 Vanquish for Aston Martin and is now giving it the update he always wanted to, which involves not just some gorgeous and modernising styling changes, but stripping each of the 25 original cars down to bare metal and rebuilding them with new materials and technologies, all under his watchful eye at the new Callum workshop in Warwick.

“Basically, I can’t leave anything alone, every car I own has been modified in some way. I’d always wanted to update that Vanquish and never had the chance, so it started out as a personal project, just for me, but I thought it was going to cost me a few bob, so why not turn it into a business case?” Callum grins.

He found further appeal in the project given that it’s meant working without judgement and the input of others, “and it gave me a chance to fix the things I was never happy with in the first place, and to use the greater understanding of design that I’ve accumulated over 25 years.”

Ultimately, Callum admits to pride in the project and what he labels as its newfound look. “It looks like a 21st-century vehicle now,” he says.

So just how much has Callum, who was pretty bloody good to start with, learned about design over the years? He admits that with hindsight, he’s been through several differing phases.

“First, you’re just trying to emulate, you’re trying to be yourself but really you just want to impress your peers and hopefully be as good as them,” he explains.

“Eventually you get to the point when you think, ‘I’m doing this from my point of view, I’m not looking at other people, I’m not too bothered what other people think anymore’. It’s not that you’ve become arrogant, it’s just that your own judgement has become the biggest part of the process.

“You still listen to other people, but you become ruthless with your own judgement, and that’s what I’m trying to instil in my new team—to be ruthless, to look at things objectively rather than subjectively, be determined to do your best rather than to please others. I’ve learned a lot about aesthetics as well, of course, but the most crucial thing is self-judgement, because eventually you get to an age where you really want to impress yourself.”

As for the future, Callum is excited to have the chance to branch out beyond the garage and into the wider world of design.

“I’m actually looking at a couple of watches, but I can’t say who for just yet, and I’m doing some furniture as well, and we’ve been offered to do an aircraft interior, which is new for me,” he says. “Watches are a point of interest for a lot of people, of course; it’s a boy thing. As long as it’s got a sense of function, we’re into it.”

He’s also interested in boats, noting that the industry’s luxury arm needs “a bit of help visually”, and he’s confident he’d come up with something “a bit more elegant than what I see out there”.

Fear not, car aficionados; none of this expansion will mean drawing Callum away from his beloved cars—although pending automotive work will be bespoke, as opposed to ground-up builds.

“I’m going to be very careful about this—if a car company came to me and asked me to design a whole car, I’d say no, I’m not interested. I don’t want to go through that again. I’ve done over 20 now, I feel satisfied that I’ve made a point, and it’s a ruthless process,” Callum explains. “It’s also a long process. It takes four years out of your life, and at 65, four years is a long time.

“So, I’ll be working very much for customers on a limited-volume, bespoke basis, so I can have some control over the building of the vehicle, because I like the idea that every single car we do will be a work of art in itself.”

If Callum ever does retire, and it seems unlikely, he’ll no doubt choose to spend a lot more time in his second home, Australia.

“I love the place, I’ve been there more than 30 times. I lived in Melbourne and my son was born there, and I do hunger for that kind of peace and quiet, of just being able to get on a plane and go to Australia without ever having to ask anyone’s permission. Luckily, I can just take my sketch pad on the plane.”

Callum’s Personal Picks

For so long, working at Ford, Aston Martin and Jaguar meant Callum kept schtum about other marques. And while hard on his own designs, we managed to squeeze him on
a few that prompt a smile.

JAGUAR F-TYPE

“I’m very satisfied with the F-Type, and I’ll take some credit for that one. I was inspired by the E-Type for that back end, and I pushed very hard for that; it was all about the form of the vehicle.”

JAGUAR I-PACE

“The I-Pace has to be up at the top as well, just because it was a chance to do something so different. And the XF is a favourite, too, because it really turned Jaguar around.”

ASTON MARTIN VANQUISH

“Clearly the strongest Aston I did. I did the DB9, but it was a more genteel version of it. I think the Vanquish is more satisfying.”

PORSCHE 992/993

“I’m a big fan of the Porsche 911, in particularly the 993, I have one of those; it was done by a friend of mine, Tony Hatter. And I’m also a great fan of the 992 version, the quality of the detailing and the overall profile. To make a 911 is not an easy thing, and this new 993 one really works.”

AUDI TT

“I admire the original—true.”

FERRARI 250 SWB

“The 1960 Ferrari 250 short wheelbase, by Berlinetta Scaglietti, is just such a beautiful car.”

This piece is from our new Design Issue – on sale now. Get your copy or subscribe here, or stay up to speed with the Robb Report weekly newsletter.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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