22 Facts You Didn’t Know About Bugatti

These details elevate the French supercar marque.

By Sean Evans, Bryan Hood 27/01/2022

We all know the elemental facts about hypercar maker Bugatti. It doesn’t sell anything for less than two commas. It’s built one of the only cars to ever officially break the 300 mph barrier—although it was a slightly modified, “near-production” Chiron that achieved that feat—along with one of the most expensive new vehicles of all time, the La Voiture Noire. Its Type 57 SC Atlantic Coupe is arguably the most beautiful car ever built and, with a mere three left in existence, demonstrably one of the most expensive at approx. $56 million a piece. With the brand on the verge of a new era after merging with Croatian EV maker Rimac this past summer, what better time to see just how much you really know about Bugatti.

Bugatti built trains during the 1930s, including one that was the world’s fastest.

The Bugatti name may be mainly associated with hypercars in 2022 but it has graced other products over the years, including aeroplane motors and, more recently, pool tables. The company also spent time during the 1930s working on trains, or, as it liked to call them, autorails. These vehicles may have never gone into wide use, but they were still impressive, setting multiple speed records between 1933 and 1936.

Bugatti's first Autorail prototype in 1931

Bugatti’s first Autorail prototype in 1931 Bugatti

The Bugatti factory has narrowly avoided burning down—twice.

Founded by Ettore Bugatti in Molsheim, France, Bugatti has been pushing the boundaries of physics and engine capabilities in pursuit of speed since 1909. In 1939, one of its early engines started a sizable fire due to a testing explosion. Reportedly, the surrounding area was in peril of being engulfed as well. In 2001, when testing the first Veyron engine, that 1,200hp mill allegedly generated enough heat that the factory building was in danger of being scorched.

Bugatti has won the 24 Hours of Le Mans twice.

We all know that Bugatti likes to show off on the test track, but it also used to do the same on the race track. Although the brand hasn’t competed in any major competitions for quite some time, it used to. In fact, Bugatti was a force in racing during the ’20s to ’30s. A privately entered Bugatti won the very first Monaco Grand Prix in 1929, but the marque’s greatest triumphs came at the 24 Hours of Le Mans, where cars driven by Jean-Pierre Wimille were victorious in 1937 (along with co-driver Robert Benoise) and 1939 (Pierre Veyron—more on him in a bit).

Bugatti briefly produced a saloon called the EB 112 in the mid-’90s.

Since being brought back from the dead by Italian businessman Romano Artioli in the late ’80s, almost all of Bugatti’s effort and resources have gone toward the development of boundary-pushing hypercars. We say almost, though, because the brand actually briefly produced a saloon called the EB 112 before it was purchased by Volkswagen Auto Group in 1998. Why is the sedan all but forgotten at this point, you may ask? Because the brand only ever built three examples of the vehicle. On the rare occasion one of those hits the market, you can expect it to sell for in excess of $1.6 million.

Bugatti EB 112 prototype

Bugatti EB 112 prototype Schaltkulisse

The Veyron was a giant pipe dream that nearly didn’t come to fruition.

When Volkswagen’s Ferdinand Piech (grandson of famed Ferdinand Porsche) bought Bugatti back in the late 1990s, he had already been dreaming of a 1,000 hp super machine. His engineers had previously told him this would not be possible. Along came the Bugatti platform and his vision was realized several years later when the Veyron officially launched in 2005.

The Veyron requires 10 radiators to keep its quad-turbocharged W-16 engine functioning.

Three radiators handle the engine, while another trio tackles the air-to-liquid intercoolers, a separate unit for the air conditioning, another specifically modulates the engine oil, and yet another cools the transmission oil. One final radiator is dedicated to the differential oil. Each radiator takes 15 hours to construct, meaning the whole shebang takes nearly four weeks to complete the requisite 150 hours of labour.

A 400km/h (full speed) run in the Veyron would only last 15 minutes and would cost more than $59,000.

Technically, you’d only make it 12 minutes, because the 120-litre fuel tank would be empty at that point. However, even if you had enough road—the Veyron can do 407km/h, meaning it covers 6.7 kilometres a minute. You would need 81.4km of road to keep your foot buried for 12 minutes. But the Veyron’s tyres wouldn’t last. They’re only good enough for running at 400km/h for about 15 minutes. After that, Bugatti would need to swap them for a new set, which reportedly will set you back a whopping $59,000.

 

 

Bugatti Veyron EB 16.4

Bugatti Veyron EB 16.4 Photo: Courtesy of Bugatti

Bugatti lost a heap of money making the Veyron, reportedly about $8.4 million per unit.

The total cost to produce the Veyron’s 450 examples amounted to about $2.28 billion, the bulk of which was research and development. Even selling some special versions of the Veyron for as much as $4.2 million per car couldn’t help recoup those ginormous losses.

“Veyron” was a real, pedigreed race driver.

It’s not just a cool-sounding name drummed up by marketers around a whiteboard. Pierre Veyron was a champion race driver between 1933 and 1953, notching plenty of victories, including several for Bugatti (most notably the 1939 24 Hours of Le Mans where he piloted the Type 57S with Jean-Pierre Wimille). Veyron became a test driver for Bugatti in 1932.

The 500-unit Chiron production run sold out in just five years.

The hypercar, by definition, is exclusive. This is especially true of Bugattis, though. In fact, the brand has only built two series production models, the Veyron and Chiron, since it was acquired by Volkswagen AG in 1998, both of which were produced in very limited numbers. Only 450 Veyrons were built during the 10 years it was in production. Amazingly, the Chiron sold through its entire production run, which will include 50 more examples than its predecessor, in half that time.

Bugatti's record-setting Chiron

Bugatti’s “near-production” Chiron that broke 480km/h Bugatti

Michelin had to make special tyres for the Chiron’s 489.2km/h speed run.

The most restricting—and dangerous—element of a top speed trial is the tire the car is running. For the Chiron’s 489km/h sprint, Michelin took its Sport Cup 2 shoes and wove stronger metallic threads into the rubber. Exhaustive testing at speeds of up to 510km/h was conducted long before the shoes were fitted to the Chiron, and each tyre was x-rayed after to find any imperfections.

The Chiron could’ve gone faster if it was tested at a higher elevation.

The modded Chiron’s 489km/h speed isn’t the car’s ceiling. It was actually still gaining speed when test pilot Andy Wallace had to back off the throttle to enter an upcoming turn safely. The run was purposefully completed at Volkswagen Group’s Ehra-Lessien test track in Germany because it’s relatively near sea level. Had the Chiron run in Nevada, where Koenigsegg chose to set a 447km/h record in its Agera RS, the lower air pressure and density due to the higher elevation mean the Chiron would’ve been 24km/h faster—at least according to reps for Bugatti.

There are 3,460,250 kilometres miles of carbon fibre inside one Chiron.

Bugatti claims that if all the carbon-fibre elements of a single Chiron were disassembled down to individual strands and connected end-to-end, it would total 3,460,250 km. For reference, that’s about nine times the distance from the Earth to the moon (384,472 km) or enough to wrap around the Earth 86 times.

The Bugatti Chiron Pur Sport.

Bugatti Chiron Pur Sport Photo: Courtesy of Bugatti.

The surface area of the Chiron’s catalytic converters totals about 25 New York City blocks.

Catalytic converters are required on all vehicles to snag dangerous particulates from the exhaust system. Your daily driver likely employs one, so naturally, the Chiron uses six. If you add up all the surface area of the honeycomb catalyst material in the half-dozen units, you’d have about 230,265 sqm.

The Chiron’s high-tech air conditioning system can cool an entire apartment.

Bugattis are designed to go fast. Really fast. Because of this, the engineers at Molsheim have had to rethink how you build a car. Just look at the cooling system in the Chiron. It doesn’t just have to stop the vehicle’s massive W16 engine from overheating, it also needs to ensure the driver is comfortable as they hurtle towards 480km/h. To do this, the company had to come up with a system that reaches the desired cabin temperature quickly, maintains it and operates as quietly as possible. It takes a powerful A/C to do this, specifically one powerful enough to cool a space measuring 80sqm, or about the size of a Sydney one-bedroom.

The Chiron uses 3-D-printed brakes.

How do you stop a 1100kW, 2000kg Chiron when it’s cooking along at 420km an hour? Phenomenal brakes. Those eight-piston titanium monobloc brake callipers are the first callipers to be produced on a 3-D printer. Not only are they lighter by 40 per cent than traditional aluminium brakes, but they’re also the largest and most powerful brake calliper fitted to a production car.

The Bugatti La Voiture Noire hypercar.

Bugatti La Voiture Noire Photo by Keno Zache, courtesy of Bugatti Automobiles S.A.S.

Jean Bugatti’s influence extends all the way to the one-of-a-kind La Voiture Noire.

Ettore Bugatti’s son Jean may have passed away more than 80 years ago, but his continued influence can be seen in the one-off La Voiture Noire. That’s because the $26.2 million hypercar is based on one of the most important Bugattis of all time, the fabled Type 57 SC Atlantic, which was designed and driven by Jean in the ‘30s. While the identity of La Voiture Noire’s owner remains one of the marque’s most intriguing mysteries, the oldest may be what happened to the car its based on: That Type 57 SC Atlantic, chassis No. 57453, vanished shortly after the start of World War II and hasn’t been seen since.

The new Centodieci is a modern interpretation of the iconic EB 110.

The EB 110 emerged in 1991 and set the automotive world ablaze. It’s the only series-production Bugatti built in Italy and set four world records, including the fastest acceleration, the fastest series-production sports car, the fastest sports car running on gas, and the fastest series-production car on ice. Bugatti decided to pay homage to that (brief) period when its factory was in Italy, and so the Centodieci (Italian for “110”) emerged in 2019. Unlike traditional modern Bugattis that feature a teardrop design, with an overall swooping line that starts higher in the front and tapers down in the rear, the 1193KW Centodieci—built on the Chiron platform—retains the original wedge shape of the EB 110: low in the front, higher in the rear.

The Bugatti Centodieci.

Bugatti Centodieci Photo: Courtesy of Bugatti.

The Centodieci’s taillight took six months to design and build.

Engineers claim that the beautifully detailed and intricate taillight on the Centodieci was the single longest portion of the design and development process, requiring about a half a year. The challenge was creating a three-dimensional effect that was functional and striking.

Bugatti will put diamonds in the speedometer.

If your multi-million dollar Bugatti isn’t expensive nor rare enough, the factory will gladly allow you to check a box to insert one-carat diamonds in the speedometer. If you’re wondering why you’ve never seen a blinged-out Bugatti speedo, we are, too. It’s impossible to find a photo of one online and Bugatti remains mum as to how many customers have actually selected this option. All Chirons come standard with diamonds, though they’re somewhat hidden. Each of the four tweeters in the car’s Accuton sound system features a one-carat diamond membrane in order to offer optimum aural fidelity.

It took two years to complete the paint job on the Divo “Lady Bug.”

You can’t accuse Bugatti of cutting corners. The brand fully commits itself to every single part of the design, development and manufacturing process. Just look at the paint job on the Divo “Lady Bug.” The marque’s designers spent two years coming up with an intricate diamond pattern for the car’s exterior to ensure it looks just like its insect namesake. The process was so time consuming that at one point the team almost gave up. Fortunately, they kept at it, and the resulting car is nothing if not standout, even among the other 39 Divos.

Bugatti Divo Lady Bug

Bugatti Divo “Lady Bug” Ted7/Bugatti

Design experts have deemed the Bolide the most beautiful hypercar in the world.

Bugatti doesn’t just make several of the fastest production vehicles of all time, it can also claim one of the best looking—officially. Last fall, a panel of leading automobile designers named the track-only Bolide the most beautiful hypercar in the world at the 36th Festival Automobile International in Paris. “The Bolide was an entirely different challenge for our design team, and a kind of mental experiment where we stripped the car back to its W16 quad-turbocharged heart and rebuild it with the bare minimum to create the most extreme Bugatti yet,” design director Achim Anscheidt said in statement following the event. “The key for us was to respect the technical requirements of Bolide, focusing first on the function and only then developing the form.

A production prototype of the Bugatti Bolide.

A production prototype of the Bugatti Bolide Photo by Drew Phillips, courtesy of Rolex.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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