Robb Interview: Josh Niland, Saint Peter

Robb Report Culinary Master opens up about mental health, going ‘beyond the fillet’ and new book, Take One Fish.

By Terry Christodoulou 28/07/2021

Chef Josh Niland obviously likes to be busy.

Beyond battling all that COVID has brought, the acclaimed Sydney chef is also expanding, adding to Paddington’s Saint Peter and the adjacent Fish Butchery with soon-to-open takeaway effort Charcoal Fish.

Then there’s the new book, Take One Fish.

A follow up to 2019’s multi award-winning The Whole Fish Cookbook, it sees the Robb Report Culinary Master continue his mission to educate and inform on waste minimisation and the dynamic multiplicity of fish.

The cookbook homes in on just 15 global varieties —  Niland curating this selection based on availability and suitability while also exploring a broad spectrum of cooking methods.

We spoke to the accessible and passionate chef about the pending release, the year that’s been and where to from here in regards to sustainability and the future more generally.

 

Robb Report: Let’s start with your new book, how does it continue the narrative of The Whole Fish and where does it differ?

Josh Niland:  The Whole Fish Cookbook was not only my first cookbook but I think at the stage it came out, I’d been cooking for around 15 years, so there was a whole lot … I won’t say ego, but a whole lot of me, personally, that I wanted to make sure that people could see. I suppose that was the success of the book, because it had a very unique voice to it. So then Take One Fish needed to be written to crystalise and articulate the words that I wrote in the first book making it more tangible and practical and offering more insight into what actually makes me really happy about fish, and how people can start interacting with fish a little bit more simply, and hopefully getting them to just forget as much as they can about the way that they work with fish at the moment.

 

RR: You’ve outlined 15 fish in the book, why these in particular?

JN: I chose those fish in particular, because they’re relative to Pacific and Atlantic waters, coral trout being the one exemption to that, being only really available in Pacific water. But, you know, snapper, sardines, herrings, mackerel, all of these fish are sort of visible to a lot of people that walk into a fish shop or a fish market.

 

RR: And the name of the book?

JN: The book really set out to try to express the potential of one single fish —- so that there was the ability to showcase a number of different methods of cookery and also applications towards the particular cut that went beyond just putting a fillet on the plate. I’m trying to use meat and meat cookery as my medium for introducing a very different approach to fish. And I’ve tried to use a fairly global approach to the book as well in the form of Peking coral trout, laksa, lasagna.

 

RR: The tuna lasagna recipe caught me off-guard — I thought people may have too many tainted tuna casserole memories.

JN: Haha, absolutely, yeah – and with canned tuna.

 

RR: You mentioned the book’s mission is to get people beyond the fillet – why are we so focused on this specific cut?

JN: We’re probably speaking specifically here to the audience in the West — the UK, the US and Australia in particular — where we’re all in a privileged position where we can choose exactly what we want. And it’s an easier dinner — we’re all time poor, we all need to get dinner on the table. What I’m saying is that is we need to start thinking of it literally more like meat, like where we would go and purchase a whole chicken to get a couple of meals out of it, where we could firstly roast the legs for dinner, poach the breast for a sandwich, and then use the frame for a soup, the same can be said about a fish.

 

RR: Which brings us back to the lasagna recipe.

JN: Well, the new book suggests that if you bought the sinew and you bought the less than perfect cut [of tuna] then you could mince it and then start using it like you would beef mince — and that opens up a whole spectrum of opportunity.

RR: Was there a favourite to develop — if you had to pick one?

JN: Utilising fish mince, I think, is a really kind of special idea and recipe in the book in particular, the lasagna and the kofta, that offer a pretty amazing solution for a lot of households.

 

RR: Have you seen a shift in people’s attitudes — fishmonger, restaurateur, consumer — since the release of the first book?

JN: If you can suggest to a fellow chef in the industry, or somebody who wants to buy good fish, that you can maximise the output of one single fish further so that you get a better return for it, then all of a sudden the intrigue sparks up. In terms of fishmongers and processors that work in marketplace around the world, there has been interest, in particular in the UK, with regards to the way that they’re handling and processing fish, especially with regards to wet handling, which really shouldn’t exist.

 

RR: What needs to change?

JN: The high turnover of fish getting wasted is crazy because of the wet handling, because of the poor capture techniques. It’s a really complex system, that if you put the handbrake on it and you said, “We need to do it this way,” then I feel like the world wouldn’t get their fish in a practical amount of time, and I think it’s at the very beginning of a very difficult conversation that kind of needs to happen. But right now we exist in a climate where quantity is celebrated over quality, and we’re continuing to take more and more fish out of the water and sell it for the lowest price and if they don’t get sold, then usually the shelf life on that is three to four days, and so then we’ve got such an extreme amount of wastage happening.

 

RR: Talk to us about Charcoal Fish — set to open in Sydney’s Rose Bay. 

JN: The best way to explain Charcoal Fish is a chicken shop that you would traditionally see rotisserie chickens, beautiful displays of salads and vegetables, but substituting the chicken, obviously, I’m putting fish in its place. So championing Murray cod, one of our native Australian fish here from Aquna in Griffith [NSW] we’re using that as our chicken.
So the menu has been derived on that for Charcoal Fish out of the complete utilisation of that fish, so we’ve got 95% of the Murray Cod on that menu.

 

RR: And that will be purely takeaway?

JN: Once COVID restrictions lift we will have the opportunity to put in 26 seats, internal and external.

 

RR: How have you found dealing with the pandemic over the last year and a bit?

JN: The first [COVID wave] was challenging because we didn’t know what we were dealing with. Luckily, I had already started ‘Mr Niland at Home’ prior and we started running with that – meals that were 90% ready and needed 10% finishing at home.

 

RR: You also remodelled Saint Peter shortly after, what sparked that?
JN: 
Well, the lockdown gave me a good chance to evaluate how happy I was personally, because in the restaurant that we had, Saint Peter, at that time we were 34 seats and we were doing a lot of customers — doing about 80 or 90 people every service. The expectations around the restaurant had exceeded the size of room that we had and we were carrying a huge amount of staff. We kind of asked ourselves what we wanted Saint Peter to be, and so we stripped the restaurant out during lockdown as well, and then we reorientated the space so that it only sat 18 people. Spending the last almost year doing food in that style has been a really happy time for us all as a group.

 

RR: You touch on your own happiness there, how did COVID affect mental health throughout the industry?

JN: I think the hardest and biggest challenge to overcome in that situation for my friends in the industry that weren’t working at the time is the fact that you don’t have deadlines anymore. You don’t have a 6pm service to get ready for. Without that level of adrenaline going through your body at those certain times of day, then you really plateau. You get really flat and that’s when you probably start overthinking everything and then everything gets really heavy.

 

RR: Is mental health something you’ve further focused on since reopening. 

JN: I think as a chef — if we don’t have a sense of purpose, then that’s when we don’t function very well. With regards to our team, for quite a few years now we’ve done a ‘four day on / three day off’ roster where the team only do 40 hours a week and they get three days off in a row. We close Sunday, Monday, Tuesday, so there’s that real consistency in terms of knowing your routine and you can plan, and that’s not something that I feel has been commonplace over the decades as a chef.

 

RR: So I take it no plans to make Saint Peter bigger or open an outpost in Melbourne?

JN: Saint Peter has turned into the business that requires my personal presence and creative application day in, day out – I still write the menu every service that we’re open. It’s a bit of a living organism that you have to keep kind of feeding. It potentially could become bigger as a restaurant in time, but for now, I wouldn’t open a Saint Peter overseas necessarily, because it’s a very challenging business to run at the standard that we run it right now.

 

Take One Fish is on sale from today via Mrniland.com & Hardiegrant.com/au Charcoal Fish is set to open for takeaway August 1. saintpeter.com.au ; charcoalfish.com

 

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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