Blancpain Is Making Time For The Reef

The Swiss manufacture’s history with the ocean runs deep — and includes concerted efforts to aid the plight of The Great Barrier Reef.

By Robb Report Staff 22/03/2023

A swirling, kaleidoscopic tableau of colour and coral. Underwater visions of angular, flamboyant, even famous fish (looking at you, Nemo), and the muffled sounds that cocoon the exploration of warm tropical waters. It’s other-worldly, this section of Far North Queensland. Wondrous and transportive.

At least that’s what one still envisions of the Great Barrier Reef. The reality is sadly opposed and devoid of such splendour—reefs are arguably decimated due to the increased frequency of coral bleaching, a loss of marine life due to warming waters and the volume of plastics infiltrating already fragile habitats.

Ever since the first documented mass-bleaching event in 1998, weve heard repeated warnings about the perils facing Australia’s most famous crop of coral—a 348,700-square-kilometre living structure (the largest on earth) that hugs the northeast coastline.

“My concern is that my kids growing up won’t know the reef like I know,” says Dr. Adam Barnett, director of the Biopixel Oceans Foundation. “I don’t want to take my kids snorkelling in 10 years and them be excited about just seeing one coral—that’s what I’m scared of.”

Despite such words, Barnett also breathes some hope into the conversation.

“When all that stuff came out about the reef being dead, it was a little bit of miscommunication by the media. There was a lot of coral bleaching and die-offs in the Far North Queensland waters, but the reef is too big to die completely. And bleaching doesn’t mean death—it can recover.”

The Biopixel Oceans Foundation is the first Australian organisation to receive support from esteemed Swiss watch manufacture Blancpain—the move informing the horologer’s Ocean Commitment initiative, a near 20-year-old program that has seen more than $70 million donated in support of research and conservation efforts.

“The traditional funding model for research organisations like us is long gone,” adds Barnett. “First off, you need a government in place that actually believes in the effects of climate change, but it’s fortunate there are companies out there, like Blancpain, who want to help us do the research and try to conserve the reef.”

Blancpain’s history with the ocean runs deep, developing the first ever dive watch, Fifty Fathoms, in 1953. The famous timepiece was the brainchild of then Blancpain CEO Jean-Jacques Fiechter, an avid diver who sought a timepiece with which to properly explore the waters below.

Current CEO Marc A. Hayek—also a keen diver—has continued Blancpains aquatic alignments and conservation efforts, while also reintroducing the Fifty Fathoms in 2007. Today, it represents around 35 percent of Blancpain’s sales.

“The Blancpain Ocean Commitment has grown in importance over the years,” Hayek tells Robb Report. “Whereas in the past we had to focus on raising awareness, today we can more often take part in field activities. Because after awareness, comes action.”

As for his company’s push into Australian waters: “The Great Barrier Reef is a gigantic lung which can positively or negatively influence other regions, depending on how it is protected. Part of the Great Barrier Reef has already disappeared. We have to limit the damage in order to save it.

“I mean, Australia is a jewel of the ocean and of nature in general. Ningaloo Reef, Western Australia, and so many other places are teeming with wildlife whose health is crucial to the rest of the world. So its not just Australia were trying to give something back to, but the entire world.”

The money committed to the Biopixel Oceans Foundation has seen the group—with links to the Emmy award-winning underwater film crew Biopixel, as headed by marine biologist and self-confessed “fish nerd” Richard Fitzpatrick—create a series of documentaries with Blancpain, highlighting the environmental work underway on the reef and the personalities behind driving such efforts.

Biopixel was formed in 2013 by Fitzpatrick and Australian IT entrepreneur Bevan Slattery, and holds what is the largest marine natural history archive of the South Pacific, creating high-definition visuals for the likes of the BBC, National Geographic and, now, the Blancpain-aligned series, based on their various aquatic expeditions.

The impressive “Megafauna” projects in 2019 and 2021 enabled the team to discover an aggregation of whale sharks off the coast of Far North Queensland— a previously undocumented gathering, which also led to the possible discovery of a new shark species.

While documenting whale sharks—two of which have been affectionately named Blancpain and Fifty Fathoms—is exciting and important work, tracking the animals is central to the research, as scientists look to analyse the movements of marine animals between protected areas and endangered zones. “What we’re trying to do is get people invested in the reef beyond the coral. We all know about what’s happening with the coral, but we need people interested in the wildlife that is so central to the reef and that without the reef wouldn’t exist,” offers Fitzpatrick. “The documentaries allow us to showcase what’s here in an interesting, engaging way, and this expedition that we filmed wouldn’t have been possible without the help of Blancpain.”

It was the Biopixel Oceans Foundations commitment to the reef that recently drew the Swiss manufacture from its Le Brassus headquarters to the balmy, tropical climes of Cairns. “We’ve been completely persuaded by the Biopixel Oceans Foundation,” says Hayek. “First, because it acts on multiple fronts: scientific research, awareness—through images of exceptional quality—and restoration. Also because it shows a great seriousness and commitment which mirrors its deep will to make a difference.”

Like the environment that surrounds them, the small community of scientists, researchers and videographers in Cairns are all connected, forming their own ecosystem of shared data, projects and researchers, something that Robb Report witnessed on a recent reef expedition.

As part of the journey, we headed to a newly built pontoon and research centre at Moore Reef, a two-hour boat ride across the Coral Sea from Cairns. Wedged into an unflatteringly tight wetsuit and among a group that included Andy Ridley, the founding CEO of Earth Hour and founder of Citizens of the Great Barrier Reef, Alicia McArdle, manager of the Mars Assisted Reef Restoration System (yes, the famed chocolate brand also wants a healthy reef) and Professor Matt Dunbabin, creator of an artificial intelligence robot to help regenerate the reef, we indulged in a magical underwater experience, far removed from those fatalistic media reports.

“It’s definitely helping, but we need the tools,” says Dunbabin when quizzed about the impact of these and other initiatives designed to assist the reef. “The reef’s too big to die completely, but until we do something about climate change, we need to give it the tools to adapt and evolve.”

Fitzpatrick views the reef as the canary in the coal mine, and also highlights the most important of words in relation to the Great Barrier Reef—recovery. “We need to get carbon neutral. It’s the only way we’re going to save the planet … Yes, the reef is bleached in parts, but bleached coral can recover. It doesn’t mean it’s dead.”

A refocus on the reefs resilience should be better vocalised, too. “There needs to be a greater focus on that,” says Eric Fisher, biology manager and master reef guide with GBR Biology. “After every major bleaching event and tropical cyclone, the reef has a great ability to recover and come back, and we need more stories like that.”

These are small wins when compared to the numerous challenges confronting the Great Barrier Reef. But they offer tangible hope—for the future of the reef and for future generations.

“The notion of ‘generations’ is dominant in the watchmaking universe—we create our pieces with the future in mind. And to ensure the future, that of the next generations, we must protect the environment,” says Hayek. “Any positive action makes a difference. Even the smallest actions count. We must all, as human beings—and not just as an industry— play our part and act for our planet.”

biopixeloceans.org; blancpain.com

ADVERTISE WITH US

Subscribe to the Newsletter

Stay Connected

You may also like.

Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

Buy the Magazine

Subscribe today

Stay Connected

Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

Buy the Magazine

Subscribe today

Stay Connected

Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

Buy the Magazine

Subscribe today

Stay Connected

This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

Buy the Magazine

Subscribe today

Stay Connected

Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

Buy the Magazine

Subscribe today

Stay Connected