Property Of The Week: 4305 Frankston-Flinders Road, Shoreham, VIC
When a property commands such a landmark waterfront location and private beach access, the bar is set pretty high for the house itself.
Crafted by Borland Architecture, ‘Windmill House’ on the exclusive Mornington Peninsula was specifically created to make the most of its enviable position and stunning ocean views.
A contemporary four-bedroom farmhouse, the residence (sat on just over 6ha) was designed so the building would perfectly blend into its natural landscape while complementing the topography and history of the site.
There is a winding pathway meandering from the road, past the reconditioned windmill, right up to the front door. Although the brutalist concrete facade is a striking juxtaposition to the rolling green landscape, the residence’s unique materials were expertly curated to withstand the exposed environment it calls home.
Beyond the grand driftwood door the first impression is the sweeping blue of the water outside capturing Phillip Island, The Nobbies and Seal Rocks. Although the panorama is grand, there is also plenty to be impressed about inside.
Immediately past the entry foyer the floorplan opens to reveal a combined casual family zone with dining and living spaces spilling out via large glass sliding walls to the full-width north-facing deck.
This everyday area has dual fireplaces, a built-in television cabinet and a luxury kitchen complete with a long island bench and full butler’s pantry. For a choice of where to enjoy the great outdoors in all seasons, the kitchen and dining space alternatively opens to a pergola-covered deck and the glamorously Instagram-worthy pool area.
The accommodation has been masterfully considered with a main bedroom wing secluded from the rest of the house and features a private study, personal veranda with expansive water views, plus a walk-in wardrobe, large ensuite with rain shower, steam room and dual vanities.
Two more bedrooms sit at the alternative end of the footprint – boasting ensuites, integrated desks and sliding doors to a shared veranda. One more self-contained bedroom is located just off the secondary entrance.
When entertaining outdoors is off the cards, ‘Windmill House’ features two additional living areas for a family’s peace of mind including a sunken lounge room and a rumpus room.
A modern take on the tradition of a beach house, this property has a long list of mod cons including ducted heating and cooling, triple glazing, double insulation, ducted vacuuming, automated window furnishings and a CCTV security system.
The land consists of two large paddocks with electric fences and a big multipurpose barn, offering fabulous flexibility to customise to your requirements.
‘Windmill House’ in Shoreham is close to all popular Peninsula spots such as Flinders, Red Hill and Balnarring villages and 68 kilometers from Melbourne’s CBD.
$16.5 - $18 million. Listed with Gerald Delany and Andrew Hines of Kay & Burton Flinders; kayburton.com.au
When a property commands such a landmark waterfront location and private beach access, the bar is set pretty high for the house itself.
Crafted by Borland Architecture, ‘Windmill House’ on the exclusive Mornington Peninsula was specifically created to make the most of its enviable position and stunning ocean views.
A contemporary four-bedroom farmhouse, the residence (sat on just over 6ha) was designed so the building would perfectly blend into its natural landscape while complementing the topography and history of the site.
There is a winding pathway meandering from the road, past the reconditioned windmill, right up to the front door. Although the brutalist concrete facade is a striking juxtaposition to the rolling green landscape, the residence’s unique materials were expertly curated to withstand the exposed environment it calls home.
Beyond the grand driftwood door the first impression is the sweeping blue of the water outside capturing Phillip Island, The Nobbies and Seal Rocks. Although the panorama is grand, there is also plenty to be impressed about inside.
Immediately past the entry foyer the floorplan opens to reveal a combined casual family zone with dining and living spaces spilling out via large glass sliding walls to the full-width north-facing deck.
This everyday area has dual fireplaces, a built-in television cabinet and a luxury kitchen complete with a long island bench and full butler’s pantry. For a choice of where to enjoy the great outdoors in all seasons, the kitchen and dining space alternatively opens to a pergola-covered deck and the glamorously Instagram-worthy pool area.
The accommodation has been masterfully considered with a main bedroom wing secluded from the rest of the house and features a private study, personal veranda with expansive water views, plus a walk-in wardrobe, large ensuite with rain shower, steam room and dual vanities.
Two more bedrooms sit at the alternative end of the footprint – boasting ensuites, integrated desks and sliding doors to a shared veranda. One more self-contained bedroom is located just off the secondary entrance.
When entertaining outdoors is off the cards, ‘Windmill House’ features two additional living areas for a family’s peace of mind including a sunken lounge room and a rumpus room.
A modern take on the tradition of a beach house, this property has a long list of mod cons including ducted heating and cooling, triple glazing, double insulation, ducted vacuuming, automated window furnishings and a CCTV security system.
The land consists of two large paddocks with electric fences and a big multipurpose barn, offering fabulous flexibility to customise to your requirements.
‘Windmill House’ in Shoreham is close to all popular Peninsula spots such as Flinders, Red Hill and Balnarring villages and 68 kilometers from Melbourne’s CBD.
$16.5 – $18 million. Listed with Gerald Delany and Andrew Hines of Kay & Burton Flinders; kayburton.com.au
Tucked away on the tranquil peninsula of Cottage Point, this waterfront residence, surrounded by the lush Ku-ring-gai National Park, is a tree changer’s dream home with plenty of mod cons and privacy.
The architecturally designed and master-built five-bedroom house sits in one of Pittwater’s most coveted enclaves — away from the fast-paced lifestyle of the city, but close enough to the CBD when the need arises.
Right on the water’s edge, the immaculately presented Cowan Drive property features two main living levels and a self-contained studio boatshed beside a private jetty.
Featuring a functional split-level design, the home has an intelligent use of space and makes the most of the magical Pittwater views from almost every room.
On the ground floor there is a modern family-friendly kitchen with breakfast bar and walk-in pantry, plus an elevated dining space which steps down into a grand living room. This lounge area opens almost completely up via stacker doors to reveal a wide wraparound entertainer’s terrace capturing the postcard Pittwater backdrop.
One level lower and there are four bedrooms including the main with those sweeping views, access to the top terrace with outdoor spa, a large walk-in wardrobe and an ensuite with two vanities, plus a separate toilet with bidet. The remaining bedrooms share two full bathrooms and a spacious family room complete with wet bar.
For guests or older children there is the additional choice of a top floor loft bedroom or study with skylights, as well as an independent studio with loft, bathroom and kitchenette.
Meander down the garden path, or take the inclinator, to access to the waterfront facilities including a deep-water pontoon and swing mooring.
A rarity for the secluded suburb, the property also has a two-car lock up garage with additional storage. Cottage Point is the epitome of a peaceful getaway as it is home to just 55 residences and a friendly inclusive community. This property is an easy walk to Cottage Point Inn and the Kiosk, is a a short drive to amenities at Terrey Hills and is less than an hour from the Sydney CBD.
When you’re attending the Academy Awards, the biggest prize you can walk away with is, naturally, an Oscar. But if you’re up for a top acting or directing prize, you’re guaranteed a pretty good consolation prize: the goodie bag that the nominees are sent every year, regardless of whether they win or lose.
This year’s offerings are not, Forbes notes, the most expensive they’ve ever been; that distinction goes to the 2020 gift bag, which had a total value of $340,000. The 2023 gift bag (a catch-all term for the suitcases full of goods that are sent to these nominees’ homes) contains $190,000 worth of free trips, products and services that Distinctive Assets, the company behind these gift bags, thought this year’s A-listers would enjoy the most.
26 celebrities will receive gift bags this year, including Brendan Gleeson, Colin Farrell, Ke Huy Quan, Cate Blanchett, Michelle Yeoh, Angela Bassett and Steven Spielberg. The biggest-ticket items? A $60,000 trip to the Lifestyle, a private Canadian estate, and a $21,000 trip to a restored lighthouse off the coast of Italy.
“[The nominees] can afford to go wherever they want,” Lash Fary, the founder of Distinctive Assets, told to Forbes. “It’s not about the fact that this is free. It’s about the fact that we’ve found a unique place that has built-in privacy for a celebrity.”
Other gifts with high price tags include free treatments of Dr. Thomas Su’s Art Lipo arm sculpting, Dr. Alan Bauman’s hair restoration services or a facelift from Dr. Konstantin Vasyukevich—as well as a small plot of land in Australia. Smaller items consist of Ginza Nishikawa milk bread, organic dates, edible massage oil and a pack of Clif Thins.
Per The Guardian, brands pay $6,000 for their goods to be included in these gift bags, hoping to earn loyal celebrity clients and visibility for their companies in exchange. With all five of this year’s Best Actor nominees being first-time Oscar-nominated actors (Colin Farrell, Austin Butler, Paul Mescal, Brendan Fraser and Bill Nighy), the male acting category will be uniquely filled with stars who are grateful for even a chance at the win—and for the $126,000 worth of free stuff they’ll get no matter what.
Tarform has just shared images of its first personal watercraft, the incredibly chic Raye. As stylish as it may look, what really sets the vehicle apart is its completely electric powertrain.
The Brooklyn-based start-up’s upcoming second release—the follow-up to the equally striking Luna motorcycle—may be a high-tech marvel, but inspiration for its design comes from nature, specifically the ocean. That’s because the watercraft’s unique look, as its name may have given away, is based on the manta ray.
The Raye’s biomorphic design combines a hood, handlebars (with an integrated infotainment system) and seat into a single flowing shape constructed from either carbon fiber or biodegradable flax seed weave-reinforced composite, according to HiConsumption. The watercraft is still just a concept at this point so there’s a decent chance some modifications will be made before it goes into production, but it looks unlike anything else currently on the market.
The Raye’s sleek design may be what draws most people in, but its most impressive feature might be its powertrain. Luckily, having already built a battery-powered motorcycle, Tarform knows what it’s doing. The company says the watercraft will be equipped with an electric water jet propulsion system that will be able to push it to a top speed of 80 km/h. It won’t be the fastest jet ski on the water, but it will offer a thrilling ride. Two versions of the Raye will reportedly be available at launch: a 70-hp model that can run for one hour at a time and a 120-hp model that offers up to two hours of ride time. We don’t know how long it’ll take to charge the watercraft, but it will be compatible with Level 1 and Level 2 chargers.
The Raye may still be in development, but Tarform expects to put the watercraft into production like the Luna before it. Whenever it does finally go on sale, the gorgeous watercraft is expected to start at around $102,000. You can sign up on the brand’s website now for updates.
Hijacked by marketing departments, the word “bespoke” has become so overused and misapplied by the luxury industry that its true meaning is dangerously close to being irrevocably diluted. Rolls-Royce Motor Cars, however, has been advancing the actual definition for 116 years, best evidenced by the new Phantom Syntopia, a collaboration with acclaimed fashion designer Iris van Herpen. Revealed today, the exquisite one-off is being touted as the “most technically complex bespoke model” made to date by the storied British marque.
“We have a good relationship with the designer Iris van Herpen and know what she is envisioning in the world of fashion,” says Anders Warming, Rolls-Royce’s design director, in a recent conversation with Robb Report. “We started a dialogue with her saying, ‘wouldn’t it be great to bring this client together with your vision, in our car.”
Warming described the creative experience as “three minds coming together” in what vacillated between “planned process” and “spontaneous event.” It was a balancing act to be sure. “We’re very conscious of what is a Rolls-Royce statement,” says Warming, “but, at the same time, [we] had to make sure that the dreams and aspirations of the client met with the dreams and aspirations of this incredible designer, Iris van Herpen.”
The singularity of this extended Phantom Series II is first apparent with its one-of-a-kind Liquid Noir colour scheme for the body, an opalescent-black paint treatment—with hints of purple, orange, magenta and blue—featuring a reflective-pigment application. That customisation element alone took a reported 3,000 hours to perfect.
Fashion designer Iris van Herpen stands next to the Phantom Syntopia, her collaboration with Rolls-Royce.
Yet the spectacle of the exterior tailoring is only the warmup act for the headliner inside—the actual headliner. “You have this impression of weaving water when you look up,” says Warming. “You’re basically watching a progression of shape; it’s the first time we’re bringing a true three-dimensional sculpture, in this case out of leather, to the Starlight Headliner.” To complement this, the hood of the car carries its own representation of the same stylistic element.
The exterior’s Liquid Noir colour scheme alone took a reported 3,000 hours to perfect.
Within the cabin, the overhead installation is made from one piece of leather that is claimed to have been chosen out of more than 1,000 hides. The dimensionality is enhanced by numerous and carefully located slices revealing the nylon fabric that’s hand-stitched behind the hide. The headliner is also accented with 162 glass-organza petals. Each petal is paired with a fiber-optic light from among the total of 995 luminaries that comprise the heavenly effect. The elaborate ornamentation took approximately 300 hours to complete by hand, and was done by van Herpen’s own artisans after they had temporarily relocated to the automaker’s headquarters in Goodwood.
The same labour-intensive embellishments are found in the Gallery installation on the dash, which includes an 85-petal arrangement, while the rear-passenger tables and select surfaces of the cabin impress with glass-particle-laced lacquer.
The most elaborate and labour-intensive Starlight Headliner from Rolls-Royce, it comprises one piece of leather backed by hand-stitched nylon fabric and accented with 162 glass-organza petals.
“For this special collaboration, I was inspired by the concept of ‘Weaving Water’ and transformed the sense of being in movement into an immersive experience of fluidity inside the Phantom,” stated van Herpen in the official announcement. “The powerful movement of the Phantom is woven into the shifting three-dimensional waves inside the car to embody the ingenuity of nature.” The automotive artistry was born from van Herpen’s Syntopia fashion line from 2018, one that was heavily influenced by design elements of the outdoor environment.
The interior tells a carefully curated tactile story as well. “We see the use of textile as a fashion statement,” Warming says regarding Rolls-Royce’s increased use of fabric. “You don’t need to omit leather, but you can use leather as a contrast to textile.” Exemplifying this, the Syntopia’s front seats are dressed in hides coloured Magic Grey, while those in the back are draped in a custom silk blend intended to visually dance like the reflection of the moon on a sea or lake.
The textured rear seats wear a custom silk blend that adds to the cabin’s incandescence.
Adding to the Syntopia’s inner allure is a feature never before incorporated in a vehicle bearing the Spirit of Ecstasy, and that’s a designated scent developed for the car. The fragrance—ever-so-subtly diffused through the headrests—is evocative of cedarwood with hints of leather, rose, lemon and, fittingly, the Iris flower.
The Syntopia’s front-passenger-side Gallery boasts a similar “Weaving Water” presentation as the car’s Starlight Headliner.
To complement the avant-garde vehicle, Iris van Herpen is designing a dress for the stateside owner that will be imbued with the same “Weaving Water” stylistic approach taken with the sartorial sedan. While the garment is projected to take six months to complete, delivery of the Phantom Syntopia will occur in May.
A preliminary drawing of Iris van Herpen’s bespoke dress for the Syntopia’s commissioning client.
According to Martin Fritsches, president and CEO of Rolls-Royce Motor Cars Americas, the Phantom Syntopia is not just a benchmark but a bellwether of the marque’s expanding client demographic. Fritsches tells Robb Report; “More than ever, we’re attracting a new customer base, a younger customer base, and they are also more creative and have a clear understanding of ultra-luxury. Because of that, they’re extremely demanding, which, in a healthy way, is putting pressure on us to come up with more creativity, which will ultimately create more value.” As for the Phantom Syntopia’s value, a seven-figure price is rumored to be what the car wears quite well.
OK, so it’s not a Moonshine Gold-encased MoonSwatch…but that wouldn’t have made much sense would it?
Omega and Swatch’s much-anticipated follow-up to its wildly popular $390 MoonSwatch (which was going for up to $1,800 in the secondary market at the height of its hype last year) has landed. And while it still has a bioceramic case—a.k.a. plastic—it received a drop of Moonshine Gold as a coating on the seconds hand. The tiny touch elevated the cost to approximately $445 at current exchange. But, of course, its price tag in the pre-owned space will be what everyone is watching.
While no exact production number was disclosed, according to the official press release, availability will be “not enough.” You know what that means…they will be exceedingly hard to come by. The stock is made even more elusive because the new Moonshine Gold MoonSwatch can only be purchased in four locations on Tuesday, March 7.
Omega x Swatch Moonshine Gold MoonSwatch
The Moonshine Gold coating on the seconds hand may seem lame to some, but it’s the kind of thing some collectors go crazy for, especially when the brand is already controlling the rarity of the piece. Besides, it wouldn’t have made sense for the case to be made of Moonshine Gold. The whole point of the MoonSwatch is to offer a taste of Omega at Swatch price points.
However, if you end up grabbing the Moonshine Gold Swatch second-hand then you could be paying up to four times retail if last year’s drop was any indication. Or, perhaps the addition of a hand coated in Moonshine Gold won’t move the needle. Commenters on an Instagram post from @Swatch mostly skewed toward disappointment. “Can I buy just the seconds hand? I have the watch already,” read one comment from @swisswatchgang. Another from @horological_dicktionary stated, “Y’all need to start selling whatever Moonshine™ your marketing guys drink.” Nevertheless, we expect these will sell, at least somewhat over retail, the second time around. Time will tell.
In the meantime, stay tuned for our report on what’s happening at the drop in London.
We don’t know what the Lamborghini Aventador successor will be called or look like, but we now know what will power it.
The Raging Bull released the first official details about the hybridized V-12 powertrain that will be in the vehicle, which is currently being referred to as the LB744, on Tuesday. There’s a lot to be excited about, especially the news that the plug-in setup will include three electric motors that push power above 1,000 hp.
Lamborghini may have embraced electrification, but it hasn’t left the old ways behind completely. At the heart of the new powertrain is a naturally aspirated V-12, as has been the case with nearly all of the marque’s flagships. The 6.5-litre L545 engine tips the scales at 481 pounds, which is 37 pounds lighter than the one in the Aventador, but produces more power and revs. The automaker says the mill will be able to produce 814 horses at 9,250 rpm and 725 Nm of twist at 6,750 rpm (output from the Aventador’s V-12 topped out at 769 hp and 715 Nm of torque). The engine has also been rotated 180 degrees, which allows it to send power to a newly developed eight-speed dual-clutch transmission that is mounted behind it, as opposed to in front like on past models.
The layout of the Lamborghini LB744’s hybridized powertrain
The LB744’s ferocious V-12 is joined by not one, not two, but three electric motors. Two are located on the front axle at each wheel, while the third is incorporated into the new gearbox. This last can act as either a starter motor or add power to the rear axle. Lamborghini says that each motor will be able to generate up to 148 hp on its own, but that they cannot operate at peak output at the same time. Still, the maximum combined output for the engine and motors is an impressive 1,001 hp. As Car and Driver points out, that makes the new supercar more potent than the Ferrari SF90 Stradale, which has a hybrid powertrain that produces up to 986 hp.
The trio of electrical motors will get juice from a 3.8-kWh battery pack located in what would normally be its transmission tunnel. The battery has a lower capacity than those found in the SF90 Stradale or McLaren Artura, suggesting it will be lighter but also produce less all-electric range. You’ll be able to recharge the pack using one of three methods: plugging it into an outlet, regenerative braking or using its V-12 as a generator. Lamborghini claims the supercar’s engine will be able to fully replenish the battery in just six minutes.
The LB744’s all-new eight-speed, dual-clutch gearbox
Fortunately, we won’t have to wait much longer to find out more about the LB744. Lamborghini’s latest supercar, and its first series-production hybrid, is expected to make its full public debut later this month. A production timetable is still unknown, though CEO Stephan Winkelmann has already said the vehicle will go on sale in late 2024.
Belmond is adding a wee bit more opulence to the Royal Scotsman sleeper train.
The hospitality titan, which helms 50 properties across 24 countries and the Venice Simplon-Orient-Express train, has just announced the luxurious locomotive will be upgraded with two new Grand Suites in May 2024.
Originally launched in May 1985, the Royal Scotsman offers scenic trips through the heart of the Scottish Highlands that range between two and seven nights. The journeys, which are all roundtrip from Edinburgh Waverley station, typically have themes that run the gamut from whisky to clans and castles. The overnight jaunts are never short on luxury, either.
The en suite.
The sleeping carriages house Double Cabins, Single Cabins, Twin Cabins and, of course, the swanky new Grand Suites. Conceived by interior designer Tristan Auer, each suite includes a private living area, a bedroom with a stately double bed and an en suite. The decor echoes an upscale country manor with rich wood panelling juxtaposing sophisticated tweeds and tartans.
The modern Orkney chair.
Of course, there are also a few nationalistic touches, too. The dressing table and dining table are both made of Scottish Larch, while the en suite is decked out in local stone and wood. There’s also a modern riff on the Orkney chair in the lounge area. The statement piece pays tribute to the storied, century-old design but is finished in a bespoke tartan by Araminta Campbell that references the train’s history and the Scottish landscape. In fact, the furniture throughout is finished in a colour palette of green, grey, beige and blue in honour of the Highlands.
The living area.
While staying in the Grand Suite, you’ll enjoy private transfers to and from the train, a personal butler service, in-room dining on request and top-notch cabin amenities. In addition, you’ll receive one complimentary spa treatment per guest. The train’s dedicated spa carriage is the only one of its kind in Europe, according to Belmond. You can also head to the train’s two dining cars to chinwag with fellow passengers or watch the live entertainment each evening. To top it off, you’ll be treated to an array of exciting off-board excursions.
A two-night Highland Journey in a Grand Suite will start from $9,480 per person on an all-inclusive basis.
Are you still annoyed that you missed out on Rod Stewart’s Lamborghini Miura a few years back? Well, here’s your chance to buy another Raging Bull that spent some time in the rocker’s collection.
A 1989 Countach 25th Anniversary edition that once belonged to the “Maggie May” singer just popped up for bid on the ever-popular Bring a Trailer. Stewart didn’t just drive the car a couple of times, either; he actually held on to it well into the next decade.
How do you say goodbye to a vehicle like the Countach that changed the way people think about sports cars? The 25th Anniversary edition was Lamborghini’s answer. Before retiring the iconic supercar, the brand tapped Horacio Pagani to rework Marcello Gandani’s original design and make it even bolder. That wasn’t all, though. The chassis and engine were both upgraded, making it the fastest and most refined version of the car. Only 658 examples were built between 1988 to 1990, and it is considered, justifiably, the ultimate version of the original Countach.
Rod Stewart’s 1989 Lamborghini Countach 25th Anniversary
The sharp lines and enlarged aerodynamic elements of Stewart’s 25th Anniversary edition are finished in a glossy coat of black. The car is a US-spec example, but it has been fitted with the less chunky European market bumper and multi-part OZ racing wheels since leaving the factory. Most people may not notice the subtle modifications, but they give the car an even more athletic look. The Countach’s infamously cramped interior, meanwhile, is covered in black leather and comes equipped with an Alpine CD stereo.
In the engine bay, you’ll find a 5.2-litre DOHC V12 with Bosch K-Jetronic fuel injection paired with a five-speed manual transmission. When the car was brand new, the massive mill was capable of pumping out 455 hp and 501 Nm of torque. Thanks to all that oomph, the car could launch from zero-to-100 km/h in 4.5 seconds and hit a top speed of 297 km/h. This example has actually been driven since leaving the factory, but has just 11,700 km on the odometer. It comes with basically all its original hardware, though its brake master cylinder and battery have been replaced and its brake calipers rebuilt. Stewart took delivery of the car in the US in 1989 and sold its six years later. The car’s second owner’s family held on to the car until selling it to its current owner last year.
Bring a Trailer
Interested in buying the Rock & Roll Hall of Fame member’s old Countach? You’ll have until next Tuesday, March 14, to bid on the car. As of press time, bidding had reached $518,000, but you can expect that figure to climb in the days to come. Hagerty puts the value of the 25th Anniversary edition at $600,000, while RM Sotheby’s sold another example for $1,147,000 earlier this year.
A 205-year-old mega-mansion in London’s Regent’s Park has taken the title of the most expensive home in the UK—and the world.
The lakefront trophy residence dubbed the Holme can be yours for an eye-watering $445 million, the Financial Times first reported. Previously, the highest-priced pad to hit the market in Britain was a Knightsbridge property known as 2-8a Rutland Gate, which was listed for $326 million in October 2022. (It also sold for a whopping $343 million in 2020.) And until now, the $250 million penthouse atop Central Power Tower claimed the top spot for the most expensive abode on the planet.
The two-story estate dates all the way back to the 19th century when it was built by English architect James Burton and designed by his son, Decimus Burton, in 1818. The massive spread sits on four acres and comprises 40 bedrooms and an impressive 2,700 square metres of living space. It also includes eight garages, a tennis court, a library, a sauna and a grand dining room.
The Holme in Regent’s Park seen in the Old and New London: A Narrative of Its History, Its People, and Its Places.
“It’s the White House in Regent’s Park,” a source told The Evening Standard. “It’s very special, because you’ve got the ornamental lake, sweeping lawns and this magnificent rear façade which looks like the rear façade of the White House. It’s the most incredible property.”
According to records, the Saudi royal family have owned The Holme for over three decades since they bought it in 1998. However, the manse is now in the hands of receivers along with a plane and an additional New York residence after it was repossessed due to an expired loan. Since The Holme is considered the highest-valued asset in the family’s real estate portfolio, putting it up for sale is the fastest and easiest way to pay off the $394 million loan. Agents at Beauchamp Estates and Knight Frank are reportedly handling the listing.
Oceanco’s latest concept is a breath of fresh air.
The revolutionary new gigayacht, which the Dutch yard unveiled at the Dubai International Boat Show on Wednesday, pushes the envelope in terms of both design and technology.
Named after the Greek god of the wind, Aeolus is replete with sinuous lines that come together to create a sleek profile. In fact, Oceanco says the “floating sanctuary” is meant to look as if it was effortlessly sculpted by the wind. Penned by Giles Taylor, the yatch also channels the J Class sailing yachts of the past century.
The owner’s suite.
“Her curves do not make her overly feminine because there is a masculine quality to her bold, forthright architecture,” Taylor said in a statement. “Apart from the deck surfaces themselves, not one surface is flat or brutally geometric, which provides a unique aesthetic that sets Aeolus apart.”
Onboard, Njord by Bergman Design House spearheaded the elegant interior. With a beam of 18 metres, Aeolus offers some 6,200 GT of space with the decks are arranged in “pod-like formations” for greater privacy. Although Oceanco hasn’t yet detailed the layout, the yard did say there would be just enough cabins for family and friends. The owner’s private oasis reportedly delivers the best views in the house, naturally.
In keeping with the green ethos, the living quarters feature a number of “bio-materials,” such as vegan leather made from cactus plants as well as organic fabrics by Oliveri Homes. Njord’s cofounder Sarah Colbon said she was hoping to create a soft and cocooning feeling. The breezy outdoor decks, meanwhile, appear to sport a swimming pool aft, a dip pool forward and a large beach club at the stern. The bow is also equipped with a helipad to facilitate comings and goings.
The main salon.
Most excitingly, Aeolus will someday have no carbon footprint. Oceanco and Lateral have developed the Energy Transition Platform (ETP) to future-proof Aeolus. Essentially, the vessel’s propulsion will change as fuel types and associated technologies advance till she’s eventually net zero. To start, the yacht will be fitted with a hybrid diesel-electric system. Then, fuel cells will be added as they become more widely available. Finally, Aeolus would eschew diesel completely and run via fuel cells and electricity.
The British marque’s powerful DBX707 SUV will be used as an Official FIA Medical Car for the upcoming Grand Prix 2023 season, the brand announced on Thursday. Meanwhile, another of the automaker’s models, the Vantage, returns as one of the Official FIA Safety Cars.
Aston Martin signed a multi-year deal with FIA to supply medical and safety cars for Formula 1 in 2021, so news of the DBX707’s new role is not a complete shock. Both vehicles will wear the same Racing Green livery as the automaker’s F1 race cars, which will be driven this season by two-time champion Fernando Alonso and Lance Stroll, the son of the team’s part-owner and Aston Martin executive chairman, Lawrence Stroll.
It’s easy to see why the DBX707 is being used as the competition’s new medical car. The most powerful version of the brand’s debut SUV is a true high-performance beast (and our Car of the Year runner-up). It packs all the same perks as its peers—a spacious cabin, cargo space and plenty of luxury amenities—but still drives like a sports car, thanks to a specially tuned twin-turbocharged 4.0-liter V-8 that pumps out 697 hp and 898 Nm of torque. The brand has said the SUV can accelerate from zero-to-100 km/h in 3.1 seconds, which should allow the medical team to get where it needs to do quickly.
The DBX707, like the Vantage safety car before it, has been equipped with special gear for its new role, including fire extinguishers, medical equipment and FIA-approved bucket seats with six-point harnesses. It’s also equipped with a communication system so it can converse with Race Control when needed. The medical car will be driven by Alan van der Merwe, while Bernd Mayländer will be behind the wheel of the safety car.
The DBX707 and Vantage won’t be the only medical and safety cars you’ll see during the 23-race F1 season. Mercedes-AMG vehicles will also be used for the same purpose this year. The German performance marque had yet to unveil what its new emergency vehicles will look like, but you can expect to see them during the season-opening Bahrain Grand Prix this Sunday.
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