How To Pair Wine With Vegetable-Forward Dishes

What on earth do you pair with grilled zucchini? As cuisine becomes more vegetable-forward, top chefs and sommeliers are asking that very question.

By Ted Loos 08/05/2023

Within our dining culture, we have evolved our habits to drink big red wines with meat. Hearty, juicy, red meat. Satisfying bottlings made from grapes such as cabernet sauvignon and syrah are flattered by a steak or a lamb chop—and, of course, they make the food look good, too. It’s a mutual admiration society.’

Just pick up any bottle of, say, a Rhône-style blend from Paso Robles. Somewhere on the back it will recommend pairing with lamb or beef. We also welcome “big wines”—meaning ones with copious amounts of tannin and alcohol—onto our tables partly because we think, “Oh, eating meat while we drink will neutralise those drawbacks.”

But as high-end cuisine veers away from meat, how do we shift the way we match food with those big reds we’ve come to love? After all, it’s not just an issue for vegetarians: many of us are putting vegetables at the centre of our plates more and more, for reasons from our health to the environment. And as Laura Fiorvanti, the owner of New York’s wine-centric Corkbuzz restaurants, puts it, “vegetables are, on their own, the hardest thing to pair with wine.”

It was a lesson on display some time back, when I had two multicourse dinners at the famed Michelin three-star restaurant Eleven Madison Park in New York City. Two weeks apart, the meals came just after The New York Times panned the newly vegan cuisine at the restaurant, in a review that the food world was talking about for months; even the cringey headline said that renowned chef Daniel Humm “does strange things to vegetables”, making it sound more like a police report than a culinary critique.

I liked the food more than Times critic Pete Wells did—even the dehydrated, then rehydrated beet that set Twitter ablaze. But something else was giving me pause: the interplay of the new-fangled food and the terrific red wines I drank.

At the first dinner, each course was paired with bottles from Vérité, the joint project of California wine baron Jess Jackson and Bordeaux’s Pierre Seillan, now in its 25th year, that ranks as a maker of some of Sonoma’s most expensive, and tastiest, reds. A few months earlier I had praised them for their plush texture, but it was not helpful to sip them with dishes such as celtuce (aka asparagus lettuce) on a bed of rice porridge. The combination was a classic clash, and one that didn’t reflect badly on either the food or the wine, only on the moment when they collided.

The second dinner was two weeks later, with an entirely different menu that turned out to be much more wine-friendly, in particular because it was suddenly mushroom season, with plates offering plenty of fungi that used their earthiness to bring out the fruity complexity in the wines. I tasted a couple of bottles from the famed second-growth Bordeaux estate Château Ducru-Beaucaillou, from the 1988 and 2010 vintages. The age of these wines helped, too, as they were somewhat mellower.

Like other top-flight restaurants, Eleven Madison Park built a vast wine list with pages and pages of such big reds, which, in its non-vegan days, beautifully complemented Humm’s signature duck dish with daikon and plum as well as other culinary highlights. There are still hundreds of Napa Valley cabernets on offer, to name one appellation, but the cuisine has changed radically.

Given that restaurants generally make a significant portion of their profits from beverages, Humm acknowledges that the massive menu revision entailed some risk to wine sales. “We were definitely wondering if this cuisine would attract those who drink these wines,” he says about the serious bottles of Bordeaux and Burgundy, among others on the list, that are catnip for traditionalists not known for their interest in, say, seitan. “We didn’t know how it would affect the business side. The good news is that it hasn’t affected it at all.”

When it comes to the nitty-gritty of flavour and texture matches, Humm is philosophical. “The way we’re thinking about it is, wine grapes are plants, and this brings us closer to what we’re doing: working with plants,” he says. (Wine itself, though usually vegetarian, is not necessarily vegan, given various common practices, including the clarification process, called fining, can use animal-derived ingredients, such as albumin from egg whites.)

“We’re not creating food for the wine,” Humm notes, “but it’s part of the thought process.” And he makes a good point about the larger dilemma: “Often you’re pairing with the preparation, not the meat itself.”

Eleven Madison is hardly the only place where the issue has recently come to the fore, and to tackle the topic of big red wines and vegetable-forward food, you have to get into the details of astutely selecting accompaniments. (Or you can go on with your life happily drinking white wines, but the day when that gets old may come.)

At the equally lauded Blackberry Farm and Blackberry Mountain in Tennessee, vice president of food and beverage Andy Chabot notes that even though the restaurants are anything but meat-free, demand for such fare is strong enough that vegetarian and vegan menus are always on offer. “So it’s a challenge we face daily,” he says of getting the pairings right. Like many experts in the field, Chabot focuses on fat, an aspect of matching that many diners seldom contemplate.

Corkbuzz’s Fiorvanti, holder of the coveted title master sommelier, puts it this way: “Fat in food can act as an eraser—it has the ability to mellow tannin in wine.” (Tannin, the remnants of grape skins, stems and such, is the chalky residue that coats your teeth.) Frequently the issue with off-kilter combinations is not the dish’s main ingredients, she adds, “but the preparation or the sauce.”

Chabot’s advice: don’t baby your vegetables, even if they are baby vegetables. “The tendency is to treat vegetables with a light hand,” he says, “but you can employ more intense techniques and sauces that lend themselves to heavier red wines.”

Without meat, “you have to get some other fat in there. It does more than just attach itself to tannin; it coats your palate and protects it from strong flavours.” He cites several Blackberry dishes, including the smoked root broth, black truffle and citrus, as a richer style of cuisine to emulate.

“It’s essentially a vegetarian take on barbecue but maybe even better than the real deal,” Chabot says. “You have smoky flavours, sweet flavours, earthy flavours and that smoky broth, made from rutabagas. All call for those heavier reds you’d often have with barbecued ribs. Zinfandel or cabernet for the US or Spanish reds such as Ribera del Duero or Priorat are nice with this dish.” Those are exactly the kinds of substantial reds that can be tricky.

Independent wine critic Jeb Dunnuck, who reviews wines for a worldwide audience of aficionados on his eponymous website, is another meat-eater with strong opinions on vegetable matching. “The grill is your friend,” says the Colorado-based Dunnuck. “Char lettuce on there if you want.” It’s a point with wide agreement. “Wood-fire grilling and charring will help,” says Chabot.

Perhaps not surprisingly, Dunnuck is a partisan on the side of wine’s primacy at the table—to him, food is important but secondary. “When these chefs try to be too creative, it’s a nightmare,” he laments, referring to cooking both vegan and not. “I don’t envy those sommeliers. I say keep it simple.”

Winemakers have their own take on how their precious products get employed at the vegetable-laden table. Beth Novak Milliken, the president of the Napa Valley–based, family-owned cabernet specialist Spottswoode, says that for her, “veganism is a limiter when it comes to what we consider workable pairings for our wines.”

Then again, limitations force creativity. Novak Milliken, like many others, cites mushrooms as the easiest non-meat ingredient to reach for—her go-to is a mushroom risotto. But when it comes to multicourse vegan menus like those at Eleven Madison Park, how many portobellos and shiitakes can you really eat? Her secret protein weapon is lentils, if they are prepared with enough fat.

Spottswoode is known for creating restrained and elegant cabs, and Novak Milliken makes another point about the truly over-the-top, massive red wines that are still produced, though less frequently these days. “What did those pair well with, anyway?” she says bluntly. “The bigger, riper, more monolithic wines were always meant to be a meal in themselves.”

Dunnuck sees the tide turning, which bodes well for lovers of legumes and leafy greens. “Undeniably today, red wines are coming into balance, and that makes them easier to pair with lighter foods.”

If you are Daniel Humm, cooking for diners who expect fireworks, the concepts of light and heavy may be too reductive. Even the “butter” currently offered at the table, made from sunflowers, is a complex savoury creation. Humm spends a good portion of his time inventing fats—he also makes a faux butter from onions—as well as what he calls pantry items to deliver big vegan flavour, including bonito flakes made with celery root and fermented almond crème frâiche.

Fermentation, a surefire intensifier, is a focus for many chefs these days, especially those working without meat. And the very word itself, still more associated with wine than with food, highlights the pleasures and perils of teaming like-with-like. “We’re using so many fermented products now, to deepen the flavours of the vegetables,” says Humm. “The fermentation of the food matches with the fermentation in the wine.”

But to Chabot, that idea gets filed as too much of a good thing. “You can create dissonance when things are too similar,” he says. “You want things to leave space for each other.”

Humm is open to simpler solutions, too. “When I think of what makes matching work, we always have a deep-fried course now,” he says. “It gives such deep satisfaction, like a fried pepper we’ve done. It was amazing with red wine.”

For her part, Fiorvanti saw a lightbulb go off for participants who signed up for one of Corkbuzz’s series of food-and-wine pairing classes. One of the events focused on the nexus of fat and tannin. “They were all like, ‘Aha!’” says Fiorvanti. Even though that seminar included meat, to her it was an example of how easy it is to engage thoughtfully on the topic. “Once you understand how tannins in red wine interact with fat, it can be simpler to break down a dish. Many foods have fat, and for this reason, it is not just meat that goes with red wine.”

And ultimately, Fiorvanti says, relying on good old common sense comes in handy. Not everything goes together, and that’s okay: “That’s why we don’t put white-peach puree on brussels sprouts.”

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Watch of the Week: TAG Heuer Formula 1 | Kith

The legendary sports watch returns, but with an unexpected twist.

By Josh Bozin 02/05/2024

Over the last few years, watch pundits have predicted the return of the eccentric TAG Heuer Formula 1, in some shape or form. It was all but confirmed when TAG Heuer’s heritage director, Nicholas Biebuyck, teased a slew of vintage models on his Instagram account in the aftermath of last year’s Watches & Wonders 2023 in Geneva. And when speaking with Frédéric Arnault at last year’s trade fair, the former CEO asked me directly if the brand were to relaunch its legacy Formula 1 collection, loved by collectors globally, how should they go about it?

My answer to the baited entreaty definitely didn’t mention a collaboration with Ronnie Fieg of Kith, one of the world’s biggest streetwear fashion labels. Still, here we are: the TAG Heuer Formula 1 is officially back and as colourful as ever.

As the watch industry enters its hype era—in recent years, we’ve seen MoonSwatches, Scuba Fifty Fathoms, and John Mayer G-Shocks—the new Formula 1 x Kith collaboration might be the coolest yet. 

TAG Heuer
TAG Heuer

Here’s the lowdown: overnight, TAG Heuer, together with Kith, took to socials to unveil a special, limited-edition collection of Formula 1 timepieces, inspired by the original collection from the 1980s. There are 10 new watches, all limited, with some designed on a stainless steel bracelet and some on an upgraded rubber strap; both options nod to the originals.

Seven are exclusive to Kith and its global stores (New York, Los Angeles, Miami, Hawaii, Tokyo, Toronto, and Paris, to be specific), and are made in an abundance of colours. Two are exclusive to TAG Heuer; and one is “shared” between TAG Heuer and Kith—this is a highlight of the collection, in our opinion. A faithful play on the original composite quartz watch from 1986, this model, limited to just 1,350 pieces globally, features the classic black bezel with red accents, a stainless steel bracelet, and that creamy eggshell dial, in all of its vintage-inspired glory. There’s no doubt that this particular model will present as pure nostalgia for those old enough to remember when the original TAG Heuer Formula 1 made its debut. 

TAG Heuer
TAG Heuer

Of course, throughout the collection, Fieg’s design cues are punctuated: the “TAG” is replaced with “Kith,” forming a contentious new brand name for this specific release, as well as Kith’s slogan, “Just Us.”

Collectors and purists alike will appreciate the dedication to the original Formula 1 collection: features like the 35mm Arnite cases—sourced from the original 80s-era supplier—the form hour hand, a triangle with a dot inside at 12 o’clock, indices that alternate every quarter between shields and dots, and a contrasting minuterie, are all welcomed design specs that make this collaboration so great. 

Every TAG Heuer Formula 1 | Kith timepiece will be presented in an eye-catching box that complements the fun and colour theme of Formula 1 but drives home the premium status of this collaboration. On that note, at $2,200 a piece, this isn’t exactly an approachable quartz watch but reflects the exclusive nature of Fieg’s Kith brand and the pieces he designs (largely limited-edition). 

TAG Heuer
TAG Heuer

So, what do we think? It’s important not to understate the significance of the arrival of the TAG Heuer Formula 1 in 1986, in what would prove integral in setting up the brand for success throughout the 90’s—it was the very first watch collection to have “TAG Heuer” branding, after all—but also in helping to establish a new generation of watch consumer. Like Fieg, many millennial enthusiasts will recall their sentimental ties with the Formula 1, often their first timepiece in their horological journey.  

This is as faithful of a reissue as we’ll get from TAG Heuer right now, and budding watch fans should be pleased with the result. To TAG Heuer’s credit, a great deal of research has gone into perfecting and replicating this iconic collection’s proportions, materials, and aesthetic for the modern-day consumer. Sure, it would have been nice to see a full lume dial, a distinguishing feature on some of the original pieces—why this wasn’t done is lost on me—and perhaps a more approachable price point, but there’s no doubt these will become an instant hit in the days to come. 

The TAG Heuer Formula 1 | Kith collection will be available on Friday, May 3rd, exclusively in-store at select TAG Heuer and Kith locations in Miami, and available starting Monday, May 6th, at select TAG Heuer boutiques, all Kith shops, and online at Kith.com. To see the full collection, visit tagheuer.com

 

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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Omega Reveals a New Speedmaster Ahead of the Paris 2024 Olympics

Your first look at the new Speedmaster Chronoscope, designed in the colour theme of the Paris Olympics.

By Josh Bozin 26/04/2024

The starters are on the blocks, and with less than 100 days to go until the Paris 2024 Olympics, luxury Swiss watchmaker Omega was bound to release something spectacular to mark its bragging rights as the official timekeeper for the Summer Games. Enter the new 43mm Speedmaster Chronoscope, available in new colourways—gold, black, and white—in line with the colour theme of the Olympic Games in Paris this July.

So, what do we get in this nicely-wrapped, Olympics-inspired package? Technically, there are four new podium-worthy iterations of the iconic Speedmaster.

Omega

The new versions present handsomely in stainless steel or 18K Moonshine Gold—the brand’s proprietary yellow gold known for its enduring shine. The steel version has an anodised aluminium bezel and a stainless steel bracelet or vintage-inspired perforated leather strap. The Moonshine Gold iteration boasts a ceramic bezel; it will most likely appease Speedy collectors, particularly those with an affinity for Omega’s long-standing role as stewards of the Olympic Games.

Notably, each watch bears an attractive white opaline dial; the background to three dark grey timing scales in a 1940s “snail” design. Of course, this Speedmaster Chronoscope is special in its own right. For the most part, the overall look of the Speedmaster has remained true to its 1957 origins. This Speedmaster, however, adopts Omega’s Chronoscope design from 2021, including the storied tachymeter scale, along with a telemeter, and pulsometer scale—essentially, three different measurements on the wrist.

While the technical nature of this timepiece won’t interest some, others will revel in its theatrics. Turn over each timepiece, and instead of a transparent crystal caseback, there is a stamped medallion featuring a mirror-polished Paris 2024 logo, along with “Paris 2024” and the Olympic Rings—a subtle nod to this year’s games.

Powering this Olympiad offering—and ensuring the greatest level of accuracy—is the Co-Axial Master Chronometer Calibre 9908 and 9909, certified by METAS.

Omega

A Speedmaster to commemorate the Olympic Games was as sure a bet as Mondo Deplantis winning gold in the men’s pole vault—especially after Omega revealed its Olympic-edition Seamaster Diver 300m “Paris 2024” last year—but they delivered a great addition to the legacy collection, without gimmickry.

However, the all-gold Speedmaster is 85K at the top end of the scale, which is a lot of money for a watch of this stature. By comparison, the immaculate Speedmaster Moonshine gold with a sun-brushed green PVD “step” dial is 15K cheaper, albeit without the Chronoscope complications.

The Omega Speedmaster Chronoscope in stainless steel with a leather strap is priced at $15,725; stainless steel with steel bracelet at $16,275; 18k Moonshine Gold on leather strap $54,325; and 18k Moonshine Gold with matching gold bracelet $85,350, available at Omega boutiques now.

Discover the collection here

 

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Here’s What Goes Into Making Jay-Z’s $1,800 Champagne

We put Armand de Brignac Blanc de Noirs Assemblage No. 4 under the microsope.

By Mike Desimone And Jeff Jenssen 23/04/2024

In our quest to locate the most exclusive and exciting wines for our readers, we usually ask the question, “How many bottles of this were made?” Often, we get a general response based on an annual average, although many Champagne houses simply respond, “We do not wish to communicate our quantities.” As far as we’re concerned, that’s pretty much like pleading the Fifth on the witness stand; yes, you’re not incriminating yourself, but anyone paying attention knows you’re probably guilty of something. In the case of some Champagne houses, that something is making a whole lot of bottles—millions of them—while creating an illusion of rarity.

We received the exact opposite reply regarding Armand de Brignac Blanc de Noirs Assemblage No. 4. Yasmin Allen, the company’s president and CEO, told us only 7,328 bottles would be released of this Pinot Noir offering. It’s good to know that with a sticker price of around $1,800, it’s highly limited, but it still makes one wonder what’s so exceptional about it.

Known by its nickname, Ace of Spades, for its distinctive and decorative metallic packaging, Armand de Brignac is owned by Louis Vuitton Moët Hennessy and Jay-Z and is produced by Champagne Cattier. Each bottle of Assemblage No. 4 is numbered; a small plate on the back reads “Assemblage Four, [X,XXX]/7,328, Disgorged: 20 April, 2023.” Prior to disgorgement, it spent seven years in the bottle on lees after primary fermentation mostly in stainless steel with a small amount in concrete. That’s the longest of the house’s Champagnes spent on the lees, but Allen says the winemaking team tasted along the way and would have disgorged earlier than planned if they’d felt the time was right.

Chef de cave, Alexandre Cattier, says the wine is sourced from some of the best Premier and Grand Cru Pinot Noir–producing villages in the Champagne region, including Chigny-les-Roses, Verzenay, Rilly-la-Montagne, Verzy, Ludes, Mailly-Champagne, and Ville-sur-Arce in the Aube département. This is considered a multi-vintage expression, using wine from a consecutive trio of vintages—2013, 2014, and 2015—to create an “intense and rich” blend. Seventy percent of the offering is from 2015 (hailed as one of the finest vintages in recent memory), with 15 percent each from the other two years.

This precisely crafted Champagne uses only the tête de cuvée juice, a highly selective extraction process. As Allen points out, “the winemakers solely take the first and freshest portion of the gentle cuvée grape press,” which assures that the finished wine will be the highest quality.  Armand de Brignac used grapes from various sites and three different vintages so the final product would reflect the house signature style. This is the fourth release in a series that began with Assemblage No. 1. “Testing different levels of intensity of aromas with the balance of red and dark fruits has been a guiding principle between the Blanc de Noirs that followed,” Allen explains.

The CEO recommends allowing the Assemblage No. 4 to linger in your glass for a while, telling us, “Your palette will go on a journey, evolving from one incredible aroma to the next as the wine warms in your glass where it will open up to an extraordinary length.” We found it to have a gorgeous bouquet of raspberry and Mission fig with hints of river rock; as it opened, notes of toasted almond and just-baked brioche became noticeable. With striking acidity and a vein of minerality, it has luscious nectarine, passion fruit, candied orange peel, and red plum flavors with touches of beeswax and a whiff of baking spices on the enduring finish. We enjoyed our bottle with a roast chicken rubbed with butter and herbes de Provence and savored the final, extremely rare sip with a bit of Stilton. Unfortunately, the pairing possibilities are not infinite with this release; there are only 7,327 more ways to enjoy yours.

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