The ultimate Christmas gift guide

Start ticking off your Chirstmas list with this luxury gift guide.

By Michael Stahl, Steve Colquhoun, Megan Dye, Georgina Safe, Christian Barker, Susan Skelly, Bennet Ring, Jeni Bone 19/11/2018

Inspired choices: For those hard-to-buy-for friends, family, colleagues, neighbours…

VEUVE CLICQUOT GOUACHE LIMITED EDITION
Yellow Label Gouache $80, Rosé Gouache $100, thechampagnecompany.com

French champagne house Veuve Clicquot takes the artistry of its trade to another level with the Gouache edition, presenting a bottle of its trademark Yellow Label, or the delicate Rosé, in a container shaped like a paint tube (gouache is a type of artist’s paint). A beautiful keepsake for any true artist – although with the distinctive container also able to keep the precious liquid chilled for up to two hours, there’ll be no judgement from us if this gift doesn’t make it past New Year’s Eve.

MONTBLANC MEISTERSTÜCK LE PETIT PRINCE SPECIAL EDITION
From $960 to $2400, montblanc.com

The storied German pen maker celebrates one of the most globally loved children’s books, Antoine de Saint-Exupéry’s Le Petit Prince, with a range of pens based on its famous Meisterstück range. Graphic elements etched into the case symbolise key characters and powerful messages from Le Petit Prince, the enchanting tale of a chance encounter between a pilot and a little prince from a distant planet, which has been translated into more than 250 languages.

AL NASSMA CAMEL MILK CHOCOLATE
From $13.50, gourmetlife.com.au

You could preach the health benefits of camel versus cow milk: the former, slightly saltier in taste, carries five times the vitamin C and 10 times the iron, and lacks the proteins that cause many dairy allergies. Or impress with the fact that camel milk is seven times more expensive. Then describe the logistical effort in creating fine chocolate, with zero additives or preservatives, in the 50°C summers of Dubai. Or you could just let Al Nassma chocolate, the first of its kind, speak for itself. It’s available in white, milk or dark varieties, with a choice of authentic fillings including dates, pistachio and coffee. The wooden casket gift box ($98) and 700-gram camel figure ($119) provide the perfect presentation.

JAGUAR E-TYPE – 50 YEARS OF A DESIGN ICON
$74, jaguar-merchandise.com.au

Enzo Ferrari once famously said: “The Jaguar E-Type is the most beautiful car ever made.” More often described simply as “sex on wheels” (and going at it again in the ’90s as Austin Powers’ ‘Shaguar’), the E-Type’s significance in both automotive and popular culture is celebrated in Jaguar E-Type – 50 Years of a Design Icon (FP Creative). It’s a fascinating and fitting tribute to a car that was as technically advanced as it was beautiful.

MUNGO AND MAUD PET ACCESSORIES
From $205, mungoandmaud.com

Inspired by primary colours and elementary school, British brand Mungo and Maud’s newest collection is the perfect way to spoil your dog this Christmas – in advance of next winter. Mungo and Maud strive to ensure that style is not sacrificed for practicality, as is effortlessly demonstrated by the beautiful Quilted Coat (small, around $205; large, around $240) in navy blue – a simple cotton-blend fabric coat, uplifted with a chic, chintz finish. It is water repellent, with a Velcro closure and underbelly protection. No less dignified is the Beetle Coat (around $260-$278), cheerful in cherry red, but also available in grey and olive. It has button detailing and a sporty puffer finish; your pug will be snug as a bug.

LARK DISTILLER’S SELECTION 500ML TASMANIAN WHISKY
$170, larkdistillery.com

Australia is gaining a well-earned reputation internationally for its beautifully crafted whiskies. But supply is running far behind demand and it’s tough to get your hands on anything truly special. This bottle hails from the very cradle of Australian whisky – the Lark Distillery in Tasmania, presided over by Bill Lark, the man who started it all. Lark Distiller’s Selection is sweet and fruity on the nose, with smooth chocolate and salted caramel across the palate and a big oak finish. Presented in a beautiful gift box, it’s Tasmania in a bottle.

Style statement:The most covetable fashion and accessories with which to stuff stockings.

FENDI LOGO PRINT PIECES
From $1750, fendi.com

If you like your fashion with a capital F, make a statement this summer in one of Fendi’s playful twists on its logo. The colourful Heart Print Shirt ($1750) is a flattering pyjama-top style in teal and gold, while the F Print logo trench ($7300) and Logo Off The Shoulder dress ($4800) come in classic Fendi brown and tan. The three pieces perfectly showcase the mix of wit and heritage that has come to define the Italian brand jointly helmed by Silvia Venturini Fendi as creative director of accessories and menswear and Karl Lagerfeld as artistic director.

SARAH & SEBASTIAN EARRINGS
From $1590, sarahandsebastian.com

Once best known for its barely-there delicate jewellery, Sydney brand Sarah & Sebastian has recently begun exploring larger statement pieces. The New Tidal earrings ($1590) feature an organic, warped silhouette with a sandblasted textured finish, and the colourful Double Prism earrings ($2800) in nine-karat yellow gold with semi-precious rainbow stones are perfect for Christmas Day and beyond. Wear them with everything from a breezy white summer dress to a glamorous cocktail gown for functions over the entertaining season.

CDLP SEA ISLAND BOXER SHORTS
From £70, matchesfashion.com

The Stockholm-based brand CDLP has the perfect Christmas gift – its limited-edition Sea Island Cotton Boxer Shorts (from £70). Sea Island Cotton is one of the rarest and most luxurious in the world, accounting for just .0004 per cent of the world’s cotton supply. With silky lustre and a fine uniform texture, these boxer shorts are luxurious and extremely comfortable, thanks to cotton grown in the West Indies and handcrafted by textile artisans in Portugal. The shorts are modern and elevated in design, with a slim silhouette. They are sure to be a Christmas favourite.

LOUIS VUITTON SHAWLS
$605, louisvuitton.com

While summer days are long and warm, the evenings can turn chilly, making a shawl
a smart as well as stylish accessory. Louis Vuitton’s Monogram Shine Shawl ($840)
with an ombre-effect monogram pattern has a subtle shimmer thanks to the use of a soft-shine yarn, while its Pop Monogram Square ($605) is a playful twist on the house’s iconic patterns. The central Monogram Flower comprises a joyful mix of straps, locks and chains in a riff on the historic leatherwork codes of the house, and the addition of dots and stripes give a fresh update to the much-loved Louis Vuitton monogram.

BOTTEGA VENETA INTRECCIATO BUTTER CALF BACKPACK
$4190, bottegaveneta.com.au

Speaking of house codes, Bottega Veneta’s Intrecciato leather weaving technique is as iconic as they come. This Intrecciato Butter Calf Backpack ($4190) features a panel showcasing the Intrecciato technique on the front and has a top handle and adjustable backpack straps. With a front zip pocket, interior zip pocket and three interior slip pockets, there are plenty of clever storage options, making it easy to keeptrack of documents and essential items. A perfect travel companion, the made-in-Italyaccessory is ideal for an active lifestyle, or simply for anyone who appreciates clever and refined design.

LOCK & CO. ROLLABLE PANAMA HAT
$450, lockhatters.co.uk

Costing anywhere between $400 for a very good example to $25,000 for the finest, at either level, a quality Panama hat represents something of an investment. It’s also quite tricky to travel with and prone to being crushed, which is why we recommend the natty, easily transported rollable style. Lock & Co. of St James’s, London, the oldest hat shop in existence (established 1676), stocks and ships internationally an excellent entry-level rollable Panama. Priced at £250 ($450), it’s of sufficient quality that you’ll be able to hold your head high, but not so eyewateringly expensive that you’d shed too many tears should it happen to be swept away by the Caribbean breeze. For the fearless aficionado who laughs in the face of tropical squalls, however, Lock also purveys a rollable Superfino Panama, handcrafted in Montecristi, Ecuador and priced at £1195 ($2160).

BERLUTI FAST TRACK TRAINERS
From $1700, matchesfashion.com/au

Be bold this Christmas with Berluti. The Parisian fashion company has expanded its men’s shoe collection this season with the Fast Track Trainer Shoe (from $1700); a beautiful hybrid of the Oxford shoe and a sports trainer. It is a uniquely contemporary dynamic that breaks the rules. Each shoe is Italian-crafted from Berluti’s Mogano leather with decorative perforations, a two-hole lace-up front and a tan-brown, white and black rubber sole. Available through MatchesFashion, this shoe would be the perfect gift this Christmas.

LOEWE FLAMENCO KNOT TOTE BAG
$2495, parlourx.com

Loewe demonstrates its meticulous craftsmanship this Christmas with the gorgeous caramel leather Flamenco Knot Tote Bag ($2495). It is both surprisingly spacious and wonderfully stylish. It is accented with the Loewe debossed anagram logo while the rolled leather top handles thread through the sides of the bag, with the trademark flamenco knots enriching the otherwise smooth silhouette. Crafted from soft natural calfskin, it features a suede lining and black lacquered edges. The colour, size and shape of the bag make for the perfect everyday companion to a classic, yet contemporary, wardrobe.

A pink Christmas: Pink diamonds are extremely rare and up to 20 times more valuable than white diamonds and the Argyle mine in Western Australia produces around 90 per cent of the world’s supply. They have been treasured throughout history by royalty (the 23-carat Williamson diamond is currently owned by Queen Elizabeth II) and are also favoured today on the red carpet by celebrities from Mariah Carey to Blake Lively. Dare we say it: an eternal gift.

VAN CLEEF & ARPELS
vancleefarpels.com

The fairytales of the Brothers Grimm provided the inspiration for the new Quatre contes de Grimm high jewellery collection by Van Cleef & Arpels. The French luxury brand reinterpreted four tales – The Twelve Dancing Princesses, The Golden Bird, The Three Feathers and The Town Musicians of Bremen – in a series of pieces featuring the birds, animals and princesses that inhabit the stories. The collection continues the house’s tradition of taking inspiration from art and culture, in particular the worlds of ballet and dance. Charming examples from this collection are the Princesse Eos, Princesse Danica and Princesse Hemera clips, each representing one of the 12 princesses from the brothers’ tales.

PINK KIMBERLEY DIAMONDS
pinkkimberley.com.au

An Australian family-owned company, Pink Kimberley Diamonds was founded in 1967 with a vision for prestige and exquisite jewels. From the company’s Pink Kimberley collection, the Chantilly ring ($157,731) was a finalist in the Red Carpet category of the recent Diamond Guild Australia Jewellery Awards. Other breathtaking pieces include the Corowa earrings ($19,780), the Cybele pendant ($30,461) and the Peyton ring ($66,696).

FAIRFAX & ROBERTS
fairfaxandroberts.com.au

Fairfax & Roberts first opened for business in 1858 on Sydney’s George Street, initially as a watchmaker and soon after, a creator of fine jewellery. Today the company is renowned for its customdesigned pieces, often featuring pink diamonds. Current pieces include a ring in 18-karat white and rose gold with a fancy orange pink pear-cut centre diamond and an Argyle Pink Diamond halo ($138,600); a platinum and diamond pendant featuring a pink diamond centre and 22 round brilliant-cut diamonds ($17,800); and a ring in 18-karat white gold with a 3.51-carat cushion centre diamond and two heart-shaped pink diamonds ($168,900).

J FARREN-PRICE
jfarrenprice.com.au

In Muzo Emerald Colombia and Argyle Pink Diamonds, two of the world’s most prized stones come together in this collection sold by J Farren-Price (a founding
member of the Diamond Guild Australia). The collection, which includes an 8-carat pear-shaped ring and a 15-carat emerald-cut design, is the second J Farren Price collection to marry the seductive qualities of both diamond brands. Other Argyle Pink Diamond pieces include a stunning jade and Argyle Pink Diamond dress ring and a matching necklace, and a number of rings, of which an emerald-cut Argyle Pink Diamond Ring ($725,000) and a round-cut Argyle Pink Diamond and white diamond ring ($538,000) are particularly spectacular.

PASPALEY
paspaley.com

Paspaley is renowned for its South Sea cultured pearls – which are among the most beautiful in the world – but the Australian jeweller also incorporates exquisite stones into many of its pieces. At the heart of each collection is the bounty from the Pinctada maxima pearl oyster, found only in the Kimberley but pink diamonds are regularly sprinkled through each collection. Examples include a pair of earrings with pink diamonds of 1.459 carats, two 15mm Paspaley pearls and 32 white diamonds of 2.186 carats ($93,800); and a necklace with pink diamonds of 0.8 carats, white diamonds of 1.09 carats and a spectacular 17mm baroque Paspaley pearl ($92,800).

MONDIAL
mondial.com.au

Australian jeweller Mondial began when Fred Neuman and his wife Maria opened a jewellery store named Carina Jewellers in 1962 in Sydney. In the ’70s the Neumans shifted their focus to jewellery wholesaling, during which time they developed a love of coloured gems – and today they lavish that love specifically on pink diamonds. Mondial in Sydney’s Queen Victoria Building is a treasure trove of pink beauties, including a ring featuring a radiant-cut Argyle Pink Diamond of 0.89 carats surrounded by eight ovals of 3.67 carats ($POA), and a classic feminine engagement set with an Argyle Pink Diamond ring and matching pink diamond wedding band ($26,000 for the set)

Marking Time: Both practical and aesthetically pleasing, timepieces make the ultimate lasting gift statement

ULYSSE NARDIN EXECUTIVE SKELETON TOURBILLON HYPERSPACE
$70,000, ulysse-nardin.com

First gaining renown in the 19th century as a trusted purveyor of marine chronometers to seafarers, Swiss watchmaker Ulysse Nardin’s latest timepiece takes inspiration from ships of another sort — spacecraft. Encased in ultra-light titanium, the Executive Skeleton Tourbillon Hyperspace, which debuted at the recent 2018 Cannes Film Festival, draws cues from the Millennium Falcon piloted by Han Solo in the Star Wars saga. Its open-worked design, and less-is-more UN-171 manufacture movement with a flying silicium ‘hyperspace’ tourbillon is redolent of the stripped-back aesthetic of the famed starship that “made the Kessel Run in less than twelve parsecs” (or
so rakish smuggler Solo claimed). Available in three colourways, the force is strong in this one.

TAG HEUER FORMULA 1 LADY
From $2700, tagheuer.com

In a recent interview with Robb Report Australia & NZ, watch industry legend Jean-Claude Biver (who retired from a highly successful run as TAG Heuer’s CEO in September) remarked: “There’s a new generation that is coming, and we have to work to address and to communicate with this generation. Because if we cannot get them attracted to the idea of a watch when they are 18, 25 or 30, how can we sell them a watch later?” With its easily interchangeable straps, fashionable ‘luxeathleisure’
aesthetic and accessible price point, TAG Heuer’s new quartz-powered Formula 1 Lady will undoubtedly appeal to this new customer. Once again, Monsieur Biver comes up with a winning formula.

VACHERON CONSTANTIN FIFTYSIX DAY-DATE
From $16,700, vacheron-constantin.com

A handful of other watch companies can lay claim to having been registered at
earlier dates. However, as each of them paused production for a time, it is Vacheron Constantin – established in 1755 – that holds the title of world’s oldest watchmaker in continuous operation. While best known for its traditional timepieces, the storied manufacture asserted its contemporary bona fides with the new FiftySix range launched at this year’s SIHH watch fair. Though elegant and classic, the line is nevertheless squarely aimed at a new, younger customer. While FiftySix prices start at an amazing $16,700, if you’re feeling particularly generous (to the tune of $48,000) towards a millennial this Christmas, may we suggest considering the beautiful FiftySix Day-Date in 18K pink gold?

JAEGER-LECOULTRE ATMOS 568 CLOCK BY MARC NEWSON
Available from J Farren-Price, from around $40,000, jfarrenprice.com.au

Perhaps the ultimate gift for the lover of late-20th century design, one of the
dozen or so examples of Marc Newson’s iconic Lockheed Lounge will set you back
more than $3.5 million, if recent auction results are any indication. Sound a little extravagant? Fortunately, Jaeger-LeCoultre has provided a more affordable route to installing a Newson rarity in the home of your nearest-and-dearest design aficionado. JLC’s latest collaboration with the famed Sydney-bred creative genius sees Newson again reinterpret the Atmos clock — a veritable perpetual motion machine, powered by changes in atmospheric pressure, and encased in curvaceous Baccarat crystal.

A home run: Add to list … Sculpture, storage and safe-keeping

GIOBAGNARA SCULPTURE
$3300, beckerminty.com

Noble materials, graphic lines … Interior architect and designer Stéphane Parmentier began his career working for Karl Lagerfeld. He’s now the artistic director of Giorgio Bagnara’s design outfit, Giobagnara, and this season’s creations include Tabou Sculpture 3, a 72cm tall study in leather, suede and bronze. Parmentier’s work borrows from Greco- Roman antiquity, Puglian landscapes and Japanese artistic restraint, but still manages to convey that Italian art of living.

DEDON FEDRO CHAIR
From $1395

Call it a rocker (it balances on two skids), a beach chair or a picnic
essential, the stackable ‘Fedro’ seat from homemakers Dedon has all the colour and charisma of a Costa Rican rainforest. Its weatherproof, colourfast woven fibre is stretched over an aluminium frame and has a comfortable quick-dry fabric headrest. Designer Lorenza Bozzoli took her cue from something right in front of her nose – a son playing a video game on TV while balancing on the seat of a chair without legs. Fedro borrows its colours from three birds of paradise – the flamingo, the hummingbird colibrí and the quetzal.

VERSACE HOME TREASURES
palazzocollezioni.com.au

Everyone needs a treasure chest. And no one is going to do one quite like Versace. ‘Medusa’ ($1700) announces itself with a signature Versace 24-karat gold-plated clasp, a case in aqua cow leather printed with a crocodile-skin pattern and a fabric lining with signature opulent black and gold Barocco print. Assuming you have change left over from shopping our pages, here’s the porcelain money box to hide it in. ‘Break the Bank’ ($272) is new from a gift collection by
Rosenthal meets Versace, which says it all. Both belong to the Versace Home range, on show in Sydney in Waterloo and at Sheraton on the Park.

COCO REPUBLIC FINISHING TOUCHES
cocorepublic.com.au

Coco Republic is a one-stop shop when all your friends are homemaker types. The candles, cushions and vases won’t be re-gifted. So let the hankering begin … with a sumptuous Timothy Oulton faux fox throw ($415), which looks inviting whether tossed over an armchair or the edge of a bed. It’s incredibly soft and snuggly, and no foxes were harmed in the process. Also to love is the 15-kilo Frye table lamp in clear crystal with a cap of vintage brass sheeting cut to look like a dripping candle; the shade is white microfibre ($1210).

Kitted out: For the technocrat in your life, only the latest and greatest will do

HASSELBLAD X1D FIELD KIT
$24,995, hasselblad.com

If you’re looking for the ultimate camera for your travels, you can’t go past this starter kit from the fabled Swedish brand Hasselblad, whose long-lived H-series captured some of the most iconic images on earth (and off it, as NASA’s official camera of the Apollo missions). At the heart of this field kit is the brand’s new-generation X1D-50c camera, which here comes with a Pelican carry bag and three different lenses: XCD 3.5/30, XCD 3.5/45 and XCD 3.2/90. There are also a couple of batteries so you never run out of juice, and a plethora of cleaning accessories to keep the dust and grit away while on safari.

CHILLI ISLAND
Approx US$15,000, chilliisland.fr/en

Chilli Island is a motorised floating deck chair that can comfortably accommodate two people for a leisurely float/ cruise, with no boat licence required. Measuring approximately 2.5 metres in diameter and weighing 300 kilograms, it comprises a fibreglass internal frame and polyethylene body. Overhead, adjustable palm fronds provide shade and there’s a built-in ice bucket, cup holders, 80-watt sound system, LED lighting and an underwater camera. Chilli Island is propelled by a Torqeedo electric motor, available in 0.5kW and 1kW options, with a pair of 300Ah batteries that keep it operational for up to six hours. The fun begins by creating your custom Chilli Island via a dedicated app.

DJI MAVIC 2 DRONE WITH DJI GOGGLES RACING EDITION
$3358, store.dji.com

Five years ago, a drone of this quality would easily have set you back at least $15,000 – so it’s quite incredible to see DJI push the envelope so quickly. The Mavic 2 is by far the best consumer drone on the market, and the crystal-clear Hasselblad 4K camera can take images up to seven kilometres away thanks to a 31-minute flight time. We’ve seen this drone hit altitudes above 1500 metres, and the new auto tracking technology means you can just throw it up in the air, set it to follow you, and then let it do its work. Add in a pair of DJI Goggles and it’s like being in the
drone; you can even control its flightpath with head motion. An amazing, must-have piece of technology.

BANG & OLUFSEN BEOSOUND EDGE
$5000, bang-olufsen.com/en

B&O is renowned for delivering stunning audio quality on a larger scale, but this wi-fi-enabled speaker dials things down a notch. It’s relatively small, with a minimalist circular aluminium design and a circumference of just 50cm. But crammed within is an active 10-inch woofer design with bass port, twin threequarter- inch tweeters, twin four-inch mid-range tweeters and six Class D amps. Expect this small disk of Danish design to punch out seriously loud and clear music. Best of all it has touch controls and motion sensors, and you can adjust the volume by rolling it up and down the wall, where it’s held in place by an invisible mount.

TECHNOGYM SKILLBIKE
$5995, technogym.com/skillbike

Indoor cycle trainers don’t really mimic the exact performance of cycling, but the Technogym SKILLBIKE changes all that. It’s the first indoor bike with real gears, known as ‘Real Gear Shift’ technology, which replicates the challenges of uphill riding. This is tied to the ‘Multidrive Technology’ that allows riders to flick between a power-based routine to authentic hill climbing situations. It may look like a light-cycle from Tron, but the ergonomic design perfectly represents real riding position, while the seven-inch LCD monitor provides a wealth of information, from heartrate to distance travelled (including vertically). And even better, there’s no worry about near-misses with inattentive drivers.

HUMMINGBIRD E-BIKE
£4495, hummingbirdbike.com

British company Hummingbird – which produces the world’s lightest folding bicycle, at 6.9 kilos – has outdone itself with an electric version weighing just 10.3 kilos. That’s still lighter than the average commuter bike, but the Hummingbird’s lithium battery can propel it at up to 25km/h for a range of 160 kilometres, recharging in just two hours. The accompanying Bitride app lets you access online diagnosis, navigation and mobility stats, and even remotely lock the rear wheel for security. Assembled by Prodrive, which designs, builds and races cars for Aston Martin and others, this serious piece of precision engineering is made from the world’s most advanced composite technologies.

DENON AVC-X8500H AMPLIFIER
$5999, au.denon.com/au

You name it, this amp does it – from packaging top-of-the-class components to deliver room-shaking audio so clear that you’ll hear the guitarist plucking and squeaking each string, to handling up to 13.2 channels of audio. That’s because it has to, thanks to its support for the latest Dolby Atmos surround technology, which allows
for the installation of speakers in your ceiling– perfect for capturing that true cinema soundscape. We could list the supported specs if we took another whole page, but trust us; if there’s a sound spec out there, the Denon AVC-X8500H amplifier supports it. It’s potentially a panacea for all your audiophile’s ills.

DYSON SUPERSONIC 23.75-KARAT GOLD HAIR DRYER
$699, dyson.com.au

We’re fairly confident in saying there’s never been a hairdryer quite like it.
Conceived by British billionaire inventor James Dyson, the Dyson Supersonic 23.75-karat gold hair dryer uses a traditional hand-gilding process to apply pure gold to its signature ‘ring’ component. Dyson’s team of 103 engineers went through some 600 prototypes in refining the gilding process. After exploring mainstream industrial processes and techniques, the engineers determined that the gold coating – comprised of five gold leaves, each just 333 atoms thick, sourced from Florence – was best performed by hand, by a skilled craftsman. Aside from its hand-applied elegance and rarity, the light weight Dyson Supersonic has many practical features, including an intelligent heat control system, fast and efficient drying and quiet operation.

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5 Lounge Chairs That Add Chic Seating to Your Space

Daybeds, the most relaxed of seating solutions, offer a surprising amount of utility. 

By Marni Elyse Katz 22/07/2024

Chaise longue, daybed, recamier, duchesse brisée—elongated furniture designed for relaxing has a roster of fancy names. While the French royal court of Louis XIV brought such pieces to prominence in fashionable European homes, the general idea has been around far longer: The Egyptian pharaohs were big fans, while daybeds from China’s Ming dynasty spurred all those Hollywood Regency fretwork pieces that still populate Palm Beach living rooms. Even Mies van der Rohe, one of design’s modernist icons, got into the lounge game with his Barcelona couch, a study of line and form that holds up today.

But don’t get caught up in who invented them, or what to call them. Instead, consider their versatility: Backless models are ideal in front of large expanses of glass (imagine lazing on one with an ocean view) or at the foot of a bed, while more structured pieces can transform any corner into a cozy reading nook. Daybeds may be inextricably linked to relaxation, but from a design perspective, they put in serious work.

Photo: Courtesy of Egg Collective

Emmy, Egg Collective 

In designing the Emmy chaise, the Egg Collective trio of Stephanie Beamer, Crystal Ellis and Hillary Petrie, who met as students at Washington University in St. Louis, aimed for versatility. Indeed, the tailored chaise looks equally at home in a glass skyscraper as it does in a turn-of-the-century town house. Combining the elegance of a smooth, solid oak or walnut frame with the comfort of bolsters and cushioned upholstery or leather, it works just as well against a wall or at the heart of a room. From around $7,015; Eggcollective.com

Plum, Michael Robbins 

Woodworker Michael Robbins is the quintessential artisan from New York State’s Hudson Valley in that both his materials and methods pay homage to the area. In fact, he describes his style as “honest, playful, elegant and reflective of the aesthetic of the Hudson Valley surroundings”. Robbins crafts his furniture by hand but allows the wood he uses to help guide the look of a piece. (The studio offers eight standard finishes.) The Plum daybed, brought to life at Robbins’s workshop, exhibits his signature modern rusticity injected with a hint of whimsy thanks to the simplicity of its geometric forms. Around $4,275; MichaelRobbins.com 

Photo: Courtesy of Reda Amalou Design

Kimani, Reda Amalou Design 

French architect and designer Reda Amalou acknowledges the challenge of creating standout seating given the number of iconic 20th-century examples already in existence. Still, he persists—and prevails. The Kimani, a bent slash of a daybed in a limited edition of eight pieces, makes a forceful statement. Its leather cushion features a rolled headrest and rhythmic channel stitching reminiscent of that found on the seats of ’70s cars; visually, these elements anchor the slender silhouette atop a patinated bronze base with a sure-handed single line. The result: a seamless contour for the body. Around $33,530; RedaAmalou

Dune, Workshop/APD 

From a firm known for crafting subtle but luxurious architecture and interiors, Workshop/APD’s debut furniture collection is on point. Among its offerings is the leather-wrapped Dune daybed. With classical and Art Deco influences, its cylindrical bolsters are a tactile celebration, and the peek of the curved satin-brass base makes for a sensual surprise. Associate principal Andrew Kline notes that the daybed adeptly bridges two seating areas in a roomy living space or can sit, bench-style, at the foot of a bed. From $13,040; Workshop/ APD

Sherazade, Edra 

Designed by Francesco Binfaré, this sculptural, minimalist daybed—inspired by the rugs used by Eastern civilizations—allows for complete relaxation. Strength combined with comfort is the name of the game here. The Sherazade’s structure is made from light but sturdy honeycomb wood, while next-gen Gellyfoam and synthetic wadding aid repose. True to Edra’s amorphous design codes, it can switch configurations depending on the user’s mood or needs; for example, the accompanying extra pillows—one rectangular and one cylinder shaped— interchange to become armrests or backrests. From $32,900; Edra

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Watches & Wonders 2024 Showcase: Hermès

We head to Geneva for the Watches & Wonders exhibition; a week-long horological blockbuster featuring the hottest new drops, and no shortage of hype.

By Josh Bozin 24/07/2024

With Watches & Wonders 2024 well and truly behind us, we review some of the novelties Hermès presented at this year’s event.

HERMÈS

Hermes Cut

Moving away from the block colours and sporty aesthetic that has defined Hermès watches in recent years, the biggest news from the French luxury goods company at Watches & Wonders came with the unveiling of its newest collection, the Hermès Cut.

It flaunts a round bezel, but the case middle is nearer to a tonneau shape—a relatively simple design that, despite attracting flak from some watch aficionados, works. While marketed as a “women’s watch”, the Cut has universal appeal thanks to its elegant package and proportions. It moves away from the Maison’s penchant for a style-first product; it’s a watch that tells the time, not a fashion accessory with the ability to tell the time.

Hermès gets the proportions just right thanks to a satin-brushed and polished 36 mm case, PVD-treated Arabic numerals, and clean-cut edges that further accentuate its character. One of the key design elements is the positioning of the crown, boldly sitting at half-past one and embellished with a lacquered or engraved “H”, clearly stamping its originality. The watch is powered by a Hermès Manufacture movement H1912, revealed through its sapphire crystal caseback. In addition to its seamlessly integrated and easy-wearing metal bracelet, the Cut also comes with the option for a range of coloured rubber straps. Together with its clever interchangeable system, it’s a cinch to swap out its look.

It will be interesting to see how the Hermès Cut fares in coming months, particularly as it tries to establish its own identity separate from the more aggressive, but widely popular, Ho8 collection. Either way, the company is now a serious part of the dialogue around the concept of time.

hermes.com

Read more about this year’s Watches & Wonders exhibition at robbreport.com.au

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Living La Vida Lagerfeld

The world remembers him for fashion. But as a new tome reveals, the iconoclastic designer is defined as much by extravagant, often fantastical, homes as he is clothes.

By Zarah Crawford 22/07/2024

“Lives, like novels, are made up of chapters”, the world-renowned bibliophile, Karl Lagerfeld, once observed. 

Were a psychological-style novel ever to be written about Karl Lagerfeld’s life, it would no doubt give less narrative weight to the story of his reinvigoration of staid fashion houses like Chloe, Fendi and Chanel than to the underpinning leitmotif of the designer’s constant reinvention of himself. 

In a lifetime spanning two centuries, Lagerfeld made and dropped an ever-changing parade of close friends, muses, collaborators and ambiguous lovers, as easily as he changed his clothes, his furniture… even his body. Each chapter of this book would be set against the backdrop of one of his series of apartments, houses and villas, whose often wildly divergent but always ultra-luxurious décor reflected the ever-evolving personas of this compulsively public but ultimately enigmatic man.

With the publication of Karl Lagerfeld: A Life in Houses these wildly disparate but always exquisite interiors are presented for the first time together as a chronological body of work. The book indeed serves as a kind of visual novel, documenting the domestic dreamscapes in which the iconic designer played out his many lives, while also making a strong case that Lagerfeld’s impact on contemporary interior design is just as important, if not more so, than his influence on fashion.

In the studio at the back of the Librarie 7L, Paris, in 2008 — a bookshop established by Lagerfeld himself.

In fact, when the first Lagerfeld interior was featured in a 1968 spread for L’OEil magazine, the editorial describes him merely as a “stylist”. The photographs of the apartment in an 18th-century mansion on rue de Université, show walls lined with plum-coloured rice paper, or lacquered deepest chocolate brown in sharp contrast to crisp, white low ceilings that accentuated the horizontality that was fashionable among the extremely fashionable at the time. Yet amid this setting of aggressively au courant modernism, the anachronistic pops of Art Nouveau and Art Deco objects foreshadow the young Karl’s innate gift for creating strikingly original environments whose harmony is achieved through the deft interplay of contrasting styles and contexts.

Lagerfeld learned early on that presenting himself in a succession of gem-like domestic settings was good for crafting his image. But Lagerfeld’s houses not only provided him with publicity, they also gave him an excuse to indulge in his greatest passion. Shopping!

By 1973, Lagerfeld was living in a new apartment at Place Saint–Sulpice where his acquisition of important Art Deco treasures continued unabated. Now a bearded and muscular disco dandy, he could most often be found in the louche company of the models, starlets and assorted hedonistic beauties that gathered around the flamboyant fashion illustrator Antonio Lopez. Lagerfeld was also in the throes of a hopeless love affair with Jacques de Bascher whose favours he reluctantly shared with his nemesis Yves Saint Laurent.

Hôtel Pozzo di Borgi, from 1977.

He painted the rooms milky white and lined them with specially commissioned carpets—the tawny patterned striations of which invoked musky wild animal pelts. These lent a stark relief to the sleek, machine-age chrome lines of his Deco furnishings. To contemporary eyes it remains a strikingly original arrangement that subtly conveys the tensions at play in Lagerfeld’s own life: the cocaine fuelled orgies of his lover and friends, hosted in the pristine home of a man who claimed that “a bed is for one person”.

In 1975, a painful falling out with his beloved Jacques, who was descending into the abyss of addiction, saw almost his entire collection of peerless Art Deco furniture, paintings and objects put under the auctioneer’s hammer. This was the first of many auction sales, as he habitually shed the contents of his houses along with whatever incarnation of himself had lived there. Lagerfeld was dispassionate about parting with these precious goods. “It’s collecting that’s fun, not owning,” he said. And the reality for a collector on such a Renaissance scale, is that to continue buying, Lagerfeld had to sell. 

Of all his residences, it was the 1977 purchase of Hôtel Pozzo di Borgo, a grand and beautifully preserved 18th-century house, that would finally allow him to fulfill his childhood fantasies of life in the court of Madame de Pompadour. And it was in this aura of Rococó splendour that the fashion designer began to affect, along with his tailored three-piece suits, a courtier’s ponytailed and powdered coif and a coquettish antique fan: marking the beginning of his transformation into a living, breathing global brand that even those with little interest in fashion would immediately recognise.

Place Saint-Sulpice apartment from 1972. At his work station with on the table, his favourite Lalique crystal glass, complete with Coca-Cola.

Lagerfeld’s increasing fame and financial success allowed him to indulge in an unprecedented spending frenzy, competing with deep-pocketed institutions like the Louvre to acquire the finest, most pedigreed pearls of the era—voluptuously carved and gilded bergères; ormolu chests; and fleshy, pastel-tinged Fragonard idylls—to adorn his urban palace. His one-time friend André Leon Talley described him in a contemporary article as suffering from “Versailles complex”. 

However, in mid-1981, and in response to the election of left-wing president, François Mitterrand,  Lagerfeld, with the assistance of his close friend Princess Caroline, became a resident of the tax haven of Monaco. He purchased two apartments on the 21st floor of Le Roccabella, a luxury residential block designed by Gio Ponti. One, in which he kept Jacques de Bascher, with whom he was now reconciled, was decorated in the strict, monochromatic Viennese Secessionist style that had long underpinned his aesthetic vocabulary; the other space, though, was something else entirely, cementing his notoriety as an iconoclastic tastemaker.

Monaco apartment, purchased in 1981: Lagerfeld sits at a tale by George Snowden, with Riviera chairs by Michele de Lucchi. On the table, a cup and sugar bowl by Matteo Thun, flanked by sculptural Treetops lamps by Ettore Sottsass.

Lagerfeld had recently discovered the radically quirky designs of the Memphis Group led by Ettore Sottsass, and bought the collective’s entire first collection and had it shipped to Monaco. In a space with no right angles, these chaotically colourful, geometrically askew pieces—centred on Masanori Umeda’s famous boxing ring—gave visitors the disorientating sensation of having entered a corporeal comic strip. By 1991, the novelty of this jarring postmodern playhouse had inevitably worn thin and once again he sent it all to auction, later telling a journalist that “after a few years it was like living in an old Courrèges. Ha!”

Reverse view of the Monaco living room, featuring Masanori Umeda’s boxing ring and George Snowden’s armchair. Against the back wall the Carlton bookcase by Ettore Sottsass.

In 1989, de Bascher died of an AIDS-related illness, and while Lagerfeld’s career continued to flourish, emotionally the famously stoic designer was struggling. In 2000, a somewhat corpulent Lagerfeld officially ended his “let them eat cake” years at the Hôtel Pozzo di Borgo, selling its sumptuous antique fittings in a massive headline auction that stretched over three days. As always there were other houses, but now with his longtime companion dead, and his celebrity metastasising making him a target for the paparazzi, he began to look less for exhibition spaces and more for private sanctuaries where he could pursue his endless, often lonely, work.

His next significant house was Villa Jako, named for his lost companion and built in the 1920s in a nouveau riche area of Hamburg close to where he grew up. Lagerfeld shot the advertising campaign for Lagerfeld Jako there—a fragrance created in memorial to de Bascher. The house featured a collection of mainly Scandinavian antiques, marking the aesthetic cusp between Art Nouveau and Art Deco. One of its rooms Lagerfeld decorated based on his remembrances of his childhood nursery. Here, he locked himself away to work—tellingly—on a series of illustrations for the fairy tale, The Emperor’s New Clothes. Villa Jako was a house of deep nostalgia and mourning.

But there were more acts—and more houses—to come in Lagerfeld’s life yet. In November 2000, upon seeing the attenuated tailoring of Hedi Slimane, then head of menswear at Christian Dior, the 135 kg Lagerfeld embarked on a strict dietary regime. Over the next 13 months, he melted into a shadow of his former self. It is this incarnation of Lagerfeld—high white starched collars; Slimane’s skintight suits, and fingerless leather gloves revealing hands bedecked with heavy silver rings—that is immediately recognisable some five years after his death.

The 200-year-old apartment in Quái Voltaire, Paris, was purchased in 2006, and after years of slumber Lagerfeld—a newly awakened Hip Van Winkle—was ready to remake it into his last modernist masterpiece. He designed a unique daylight simulation system that meant the monochromatic space was completely without shadows—and without memory. The walls were frosted and smoked glass, the floors concrete and silicone; and any hint of texture was banned with only shiny, sleek pieces by Marc Newson, Martin Szekely and the Bouroullec Brothers permitted. Few guests were allowed into this monastic environment where Lagerfeld worked, drank endless cans of Diet Coke and communed with Choupette, his beloved Birman cat, and parts of his collection of 300,000 books—one of the largest private collections in the world.

Metal-base on a platform covered with chocolate brown carpet. Stratified leather headboard attributed to Eugène Printz.

Lagerfeld died in 2019, and the process of dispersing his worldly goods is still ongoing. The Quái Voltaire apartment was sold this year for US$10.8 million (around $16.3 million). Now only the rue de Saint-Peres property remains within the Lagerfeld trust. Purchased after Quái Voltaire to further accommodate more of his books—35,000 were displayed in his studio alone, always stacked horizontally so he could read the titles without straining his neck—and as a place for food preparation as he loathed his primary living space having any trace of cooking smells. Today, the rue de Saint-Peres residence is open to the public as an arts performance space and most fittingly, a library.

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Watch This Space: Mike Nouveau

Meet the game-changing horological influencers blazing a trail across social media—and doing things their own way.

By Josh Bozin 22/07/2024

In the thriving world of luxury watches, few people own a space that offers unfiltered digital amplification. And that’s precisely what makes the likes of Brynn Wallner, Teddy Baldassarre, Mike Nouveau and Justin Hast so compelling.

These thought-provoking digital crusaders are now paving the way for the story of watches to be told, and shown, in a new light. Speaking to thousands of followers on the daily—mainly via TikTok, Instagram and YouTube—these progressive commentators represent the new guard of watch pundits. And they’re swaying the opinions, and dollars, of the up-and-coming generations who now represent the target consumer of this booming sector.

MIKE NOUVEAU

@mikenouveau

Mike Nouveau

Can we please see what’s on the wrist? That’s the question that catapulted Mike Nouveau into watch stardom, thanks to his penchant for highlighting incredibly rare timepieces across his TikTok account of more than 400,000 followers. When viewing Nouveau’s attention-grabbing video clips—usually shot in a New York City neighbourhood—it’s not uncommon to find him wrist-rolling some of the world’s rarest timepieces, like the million-dollar Cartier Cheich (a clip he posted in May).

But how did someone without any previous watch experience come to amass such a cult following, and in the process gain access to some of the world’s most coveted timepieces? Nouveau admits had been a collector for many years, but moved didn’t move into horology full-time until 2020, when he swapped his DJing career for one as a vintage watch specialist.

“I probably researched for a year before I even bought my first watch,” says Nouveau, alluding to his Rolex GMT Master “Pepsi” ref. 1675 from 1967, a lionised timepiece in the vintage cosmos. “I would see deals arise that I knew were very good, but they weren’t necessarily watches that I wanted to buy myself. I eventually started buying and selling, flipping just for fun because I knew how to spot a good deal.”

Nouveau claims that before launching his TikTok account in the wake of Covid-19, no one in the watch community knew he existed. “There really wasn’t much watch content, if any, on TikTok before I started posting, especially talking about vintage watches. There’s still not that many voices for vintage watches, period,” says Nouveau. “It just so happens that my audience probably skews younger, and I’d say there are just as many young people interested in vintage watches as there are in modern watches.”

 

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A post shared by Mike Nouveau (@mikenouveau)

Nouveau recently posted a video to his TikTok account revealing that the average price of a watch purchased by Gen Z is now almost US$11,000 (around $16,500), with 41 percent of them coming into possession of a luxury watch in the past 12 months.

“Do as much independent research as you can [when buying],” he advises. “The more you do, the more informed you are and the less likely you are to make a mistake. And don’t bring modern watch expectations to the vintage world because it’s very different. People say, ‘buy the dealer’, but I don’t do that. I trust myself and myself only.”

Read more about the influencers shaking up horology here with Justin Hast, Brynn Wallner and Teddy Baldassare.

 

 

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This Pristine 1960 Ferrari 250 Spider Could Fetch $24 Million at Auction

The car wears the same colours and has the same engine it left the factory with.

By Bryan Hod 22/07/2024

Some Ferraris are just a little bit more important than others.

Take, for example, the 1960 250 GT SWB California that RM Sotheby’s is auctioning off during this year’s Monterey Car Week. Any example of the open-top beauty would attract interest, but this one just so happens to be the first one that was built.

The 250 is one of the most legendary series of cars in Ferrari history. Between 1952 and 1964, the company released 21 different 250 models—seven for racetracks, 14 for public roads—of which the “Cali Spider” might be the most well regarded, thanks to its potent V-12 and a Pininfarina-penned design that is one of the most beautiful bodies to grace an automobile. The roadster, which was specifically built for the U.S., made its debut in 1957 as a long-wheel-base model (LWB), but it wasn’t until the SWB model debut in 1960 that it became clear how special it was. This example isn’t just the first to roll off the line. It’s the actual car that was used to introduce the world to the model at the 1960 Geneva Motor Show.

1960 Ferrari 250 GT SWB California Spider by Scaglietti Remi Dargegen/RM Sotheby’s

Just 56 examples of the 250 GT SWB California Spider would be built by Scaglietti during the three years it was in production. The first of those, chassis 1795 GT, is finished in a glossy coat of Grigio. The two-door had a red leather interior at Geneva but was returned to the factory and re-outfitted with black leather upholstery before being delivered to its original owner, British race car driver John Gordon Bennet. Six-and-a-half decades later the car looks identical to how it did when it left the factory the second time.

In addition to its original bodywork, the chassis 1795 GT features its original engine, gearbox, and rear axle. That mill is the competition-spec Tipo 168, a 3.0-litre V-12 that makes 196.1 kW. That may not sound like much by today’s standards, but, when you consider that the 250 GT SWB California Spider tips the scales around 952 kilograms, it’s more than enough.

Remi Dargegen/RM Sotheby’s

The first 250 GT SWB California Spider is scheduled to go up for bid during RM Sotheby’s annual Monterey Car Week auction, which runs from Thursday, August 15, to Saturday, August 17. Unsurprisingly, the house has quite high hopes for the car. The car carries an estimate of between $24 million and $26 million, which could make it one of the most expensive cars ever sold at auction.

Remi Dargegen/RM Sotheby’s

Monterey Car Week

 

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