Meet the spirits detective who hunts vintage bottles like ancient artefacts

Edgar Harden has a penchant for finding the ultrarare—from mid-century Drambuie to atomic-era Jim Beam.

By Mark Ellwood 14/03/2019

Just over a decade ago, standing in the dimly lit cellar of a posh London townhouse, Edgar Harden made a snap decision that would change his life.

A seasoned wine dealer, Harden had been summoned to partially liquidate the contents of a client’s cellar, including some ultrarare 1982 Château Mouton Rothschild. Off-handedly, the client mentioned that there might be some 1960s gin—think Mad Men–era—lying around. “Get rid of it,” the collector sniffed. “Take it to the skip.” But Harden didn’t toss the crate of Gordon’s he uncovered; his curiosity piqued, he took it home and made a martini. Harden was floored by the flavour: softer than a bottle from the shelf, with a strong forward note of citrus.

Since mixing that first vintage martini in his kitchen, Harden’s home has been overrun with dusty vintage bottles, mostly stored in cardboard crates in his basement; he guesstimates he currently keeps 3000 or so on hand. That’s because his one retro cocktail transformed Harden into a martini-swilling answer to Indiana Jones, tracking down alcohol rather than artifacts. He now supplies elite bartenders and collectors with everything from mid-century Drambuie to obscure artichoke-flavored amaro Carciofi or atomic-era Jim Beam.


A 30-year-old Grand Marnier from the coronation of Elizabeth II.
Photo: Lauren Joy Fleishman

Now 48, Harden was born in Vancouver and studied art history before stints on staff at the Getty museum in Los Angeles and the Louvre. He then moved into the commercial sector, using his expertise in French decorative arts as a specialist at Christie’s. Because his office there was close to the wine department, he often found himself dragooned into joining tasting sessions and slowly developed additional know-how that broadened his professional connoisseurship. When Harden moved to London in 2008 after marrying a British academic, he had no idea he was walking straight into a gold mine of vintage booze—and a new career that would draw on both his refined taste and his enviable ability to distinguish between a rare discovery and flea-market standard fare.

Wealthy Brits have a long tradition of cellaring wine, and with the Downton Abbey-esque influx of nouveaux riche Americans in the early 20th century, cocktailing became de rigueur and spirits were added to the stock downstairs. But by the late 1960s, diminishing fortunes had led to the demise of private cellar masters and dining out had supplanted lavish dinner parties, leaving ample stocks of gin, rum, rye and cordials to languish. It’s those treasure troves that Harden now hunts down, with a focus on bottles more than 30 years of age. And the hunting is good: A single estate can yield thousands of musty but untouched lots. He stores his most important finds at home but rents a barn outside the city for his overflow. At any one time, he keeps around 6000 bottles in his inventory.

The lure of Harden’s hoard transcends novelty. As classic cocktails came roaring back at the turn of the millennium via the craft-cocktail movement, kickstarted by the likes of the late Sasha Petraske at New York’s Milk & Honey bar, they created a thirst for original ingredients—and a market for forgotten, old bottles. Harden was one of the first to leverage this new craving, but he isn’t alone. Other firms offering similar services for sourcing old bottles include the Netherlands-based Old Liquor Company and Soutirage in Yountville, California, which has broadened its initial wine services to spirits. Harden, though, is inarguably the most respected and connected vintage spirit broker in the world.


Absolut Vodka with a label printed using a hand-engraved plate from long before the distiller’s 1980s rebranding.
Photo: Lauren Joy Fleishman

He is also an insightful guide to this unexpected market. Don’t assume, he warns, that a martini mixed with vintage spirits will taste the way it did when Kennedy was in the White House. Spirits, like wine, evolves in the bottle. The botanicals in gin, for instance, mature at different rates, with the flavour of juniper falling away and the citrus becoming more prominent, as Harden discovered with his epiphany martini. Rum, often bottled at 120 proof, becomes lighter and subtler with age. “Drink the old ones,” he explains, “and you can taste the sunshine.”

Reformulated recipes are another reason cocktail purists flock to Harden’s aptly named Old Spirits Company. A 40-year-old bottle of Southern Comfort, Harden says, is a far cry from the cloying treacle now stocked by college bars. “The older stuff has Irish whiskey in it,” Harden says, passing me a bottle from the 1970s. “And it isn’t artificially coloured.” Harden says manufacturer Brown-Forman tweaked its formulation in the ensuing years to appeal to female drinkers, resulting in what he dismisses as “that sickly red, hen-night shooter.” (New Orleans–based Sazerac Company bought the brand in 2016 and reformulated it yet again; a spokesperson says it has readjusted the recipe to include whiskey once more, “to ensure it was kept as close to the original recipe as possible.”)


Forbidden Fruit Liqueur in the bottle style that would later be used for Chambord.
Photo: Lauren Joy Fleishman

Other brands deny they’ve tampered with the formulas or insist that any small adjustments have not altered the taste. Take Drambuie. Harden says that a bottle of the Scottish liqueur from the 1950s will have a more pronounced peaty or smoky whisky flavour due to the higher-quality malts used in it. In newer Drambuie, Harden suspects that cheaper whiskies might have been used in lieu of the original malts. To an amateur palate, the older version certainly tastes smoother, but is that a result of in-bottle aging or ingredient-tampering? Current Drambuie master blender Brian Kinsman insists that the recipe used now is the same one first documented in 1914, with a base of blended Scotch whisky. He does acknowledge that the sugar supplier changed at one point, because the liqueur was prone to developing sugar crystals once opened. The new sugar supply, Kinsman says, “is sweeter, but there was a lot of work done to ensure the final product retained the original level of sweetness.”

Harden’s clients are primarily fine cocktail bars around the world, which increasingly offer premium-priced vintage versions of Manhattans, martinis and such, using old spirits, often listed on stand-alone request-only menus. Stateside, San Francisco’s Smugglers Cove is a regular buyer of old rums, which owner Martin Cate adds to his 400-strong stock in an area of the bar he calls The Vault. The Aviary in New York and Seattle’s Canon are among his other customers. Harden works on a project basis with private clients, too—the most popular request is a 40-year-old bottle to gift for 40th birthdays. He also helps individuals keen to build their own throwback cellars, like a recent buyer who tasked him with a top-secret mission. For her 25th wedding anniversary, she wanted him to curate a dozen-strong cabinet for her husband, with bottles of gin, whisky and the like dating back to the era of their marriage.

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Gifts from the Gods

’Tis the season to be cheerfully flashing the credit card. And we’ve curated the ultimate Christmas wish-list.

By Horacio Silva And Belinda Aucott-christie 04/12/2024

Buying a holiday gift for the person who has everything is no easy feat. But fear not: Robb Report ANZ is here to help. We’ve assembled gift ideas for 2024, ranging from state-of-the-art fashion, to cutting-edge home design and high jewellery

Whether you’re shopping for a world traveller, a dedicated diamond lover or a budding watch collector, the gifts below will impress even the most discerning personalities on your list.

Over the Rainbow

Image courtesy of Cartier

Cartier Tuttitutti ring, POA; cartier.com

The Crown’s Jewels

Image courtesy of Rolex

Rolex Oyster Lady-Datejust, around $245,000; rolex.com

Hit the High Notes

Amouage Cristal & Gold Man eau de parfum, $2,990; libertineparfumerie.com.au

Hoop Dreams

Van Cleef & Arpels Bouton d’or bracelet, around $66,000; vancleefarpels.com

Neat Package

Glenmorangie’s Signet Highlands single malt $370; glenmorangie.com

Wristy Business

Images courtesy of Tiffany & Co.

Tiffany Elsa Peretti® Split Cuff, $35,000; tiffany.com

Best Foot Forward

Image courtesy of Fendi

Fendi Flow sneakers, $1,650; fendi.com

Silver Lining

Image courtesy of Buccelati

Buccellati caviar bowl, around $11,500; buccelati.com

Perfect Shot

Ardbeg The Abyss single malt whisky, around $27,500; ardbeg.com

Living the Cream

Image courtesy of Ralph Lauren

Ralph Lauren Purple Label Gregory tuxedo jacket, around $5,460; ralphlauren.com 

The Big Sleep

Image courtesy of Louis Vuitton

Louis Vuitton bed trunk, $325,000; louisvuitton.com

Flower Power


Hublot MP-15 Takashi Murakami Tourbillon Sapphire Rainbow watch, POA; hublot.com

Slip Service

Christian Louboutin Dandelion Strass Eternity loafers, around $7,395; christianlouboutin.com 

The Cutest Couple


Fairfax & Roberts Manhattan Collection Burmese red spinel and diamond earrings, $79,000; fairfaxandroberts.com.au

Mix Master


Armani Club cocktail cabinet, POA; armani.com

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Connoisseur: Champagne, Anyone?

Intellectually stimulating and beautiful to drink, Champagne is no longer clinging to staunch traditions. The category is now exploding in radical new ways.

By Belinda Aucott-christie 10/12/2024

For collectors and quick-to-pop connoisseurs, there’s never been a better time to focus their energies on Champagne. Quality has shot up dramatically in the last 15 years, with industry players and pundits all betting on the benefits of a more diverse expression of terroir across the entire region.

Fancy a vintage, rosé or single varietal to drink throughout a meal? Increasingly finessed examples of Champagne from small grower-producers (those who don’t sell their grapes to the big houses but instead focus on their own boutique labels) means the list at your local restaurant is showing more divergence than ever, with extra-dry, low-pressure and low-dosage styles also playing a starring role. Even major houses like Bollinger, Krug, Louis Roederer are bottling better Champagne than they have in decades.

Case in point, Dom Pèrignon. This past October, big daddy D partnered with Jean-Michel Basquiat’s estate to produce artful holiday packaging for its 2015 vintage release. This means Basquiat—the renegade Brooklynite credited with elevating graffiti to the realm of high art—has joined the ranks of artists like Björk, David Lynch, Jeff Koons and Karl Lagerfeld who have all been tapped previously to deck out the curvy black bottle.  

Private chef Tejas Bleu Ke’alohi attends the launch of Dom Pérignon’s new vintage at the BFA Foundation in East Village.             Image courtesy of Dom Pérignon. Photo by Sean Zanni/Getty Images

Midnight revellers queued down the block in New York’s East Village to enjoy Basquiat’s mastery at The Brant Foundation—and a night of free-flowing Dom. It was another highly considered collab in a world of high-brow hookups. Yet the embracing of the artist’s manic style only underlines how much this luxury lynchpin has changed. Champagne today criss-crosses the social spectrum, and while demand continues, beneath the gloss and glamour of 21st-century spin, the variety is going back to its roots.

The real revolution in Champagne is happening under the feet of makers, where earthy experimentations are the order of the day. Big houses like Krug and Louis Roederer have been shaken up by individual visionaries like Anselme Selosse who came along and overlaid a more Burgundian-type philosophy over the tightly regulated region. Since the grower-producer category exploded, it’s radically shifted perceptions away from the idea that Champagne is all about the label, to get people talking about what’s inside the bottle.

Louis Roederer’s zero dosage brut Nnature is a collaboration at Louis Roederer between designer chef de cave Jean-Baptiste Lécaillon, Frederic Rouzaud, Louis Roederer CEO and 7th generation, direct descendent of Louis Roederer) and designer Philippe Starck.

And in tiny wine bars, top hotels and trendy restaurants, you can dine out on once-obscure drops from fantastic producers like Egly-Ouriet, Larmandier-Bernier, Berêche et Fils, or Vouette et Sorbee to savour wines you simply couldn’t buy 10 years ago. Master of Wine, Ned Goodwin, believes Champagne is one of the most exciting categories of wine on earth right now, evolving faster than any other scene. “The grower revolution has been around for a while. But in terms of the quality, I mean: wow!” he says, shaking his hair from his eyes.

As this bona fide wine expert explains in his charismatic rapid-fire style, makers are breaking free of stereotypes to truly showcase their own backyards, and are on a mission to share not only their unique terroir but also their own family’s quiet corner of culture. “They’re striving to create wine that is properly demarcated not only by the way they are crafting it but by the geologies and the mesoclimates it represents.”

If the 20th century was about terrific winemaking, then the 21st century is about the vineyards; specifically, the health of the soil and the commitment to crafting wine in the vineyard, not in the blending room. It’s quite a shift for a region that’s been obsessed with luxury marketing and formal dinners at stuffy manor houses. Today you’re more likely to see a trending winemaker photographed in overalls next to their horse or chicken coop, sprouting about their biodynamic methods, as you are to find one standing in a Michelin-starred kitchen in a bow tie. 

Vineyards close to Reims. Photo courtesy of Maison Taitttinge.

Progressive producers like Chartogne-Taillet from Merfy, Cedric Bouchard in the Côte de Bars, Laherte Frères from Côteaux sud d’Épernay and Ulysse Collin from west of Congy in the Côteaux du Petite Morin, on the very southern tip of the Côte des Blancs, are gaining worldwide recognition.  Tourism to the region, as a result, is exploding. But the end consumer is the real winner, with more to explore than ever before.

Savoir faire at Perrier Jouët .Photo by Gerard Uferas

As wine critic Nick Stock points out, tiny labels are better placed to share their wares because of the trust the wider public have developed in the Champagne category.

Harvest time in the vineyard at Champagne Taittinger Photo: Courtesy of Taittinger

And while a softening of the general luxury market has occurred over the last five years, intriguing, mood-lifting new experiences are still being prioritised by punters. Moreover, a new generation of winemakers are shedding light on the diverse terroir that lies beneath Champagne so we can taste so much more that we would ever have dreamed could be possible. 

Jump to:

God Father of Soil – meet Charles Philipponnat

Speaking Volumes – How Jacquesson Has Secured It’s Place in History

Them The Rules – A Modern Guide to Drinking Champagne

Ladies First – Meet The Women Heading Up the Industry’s Leading Houses

Pick of the Bunch – Know the Top 5 Champagnes today

Now That’s What We Call a Bar Crawl – The Planet’s Top Spots for Good Fizz

Host with the most

 

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Connoisseur: Speaking Volumes

Underscoring quality over numbers, Champagne Jacquesson has secured its place in history—even in the face of a corporate buyout.

By Belinda Aucott-christie 10/12/2024

Champagne Jacquesson has come of age. With greater finesse than any other fledgling house, the brand has reinvented itself. By placing a priority on high-quality grapes, it has forged a style that embraces a fuller bodied elegance. 

For connoisseurs building up a cellar, Jacquesson is a must-have luxury. The Cuvée 700 is its flagship Champagne, and the house is often referred to as a “baby Krug” in wine circles as their base wines are matured in cask and then sold in a blended style. 

Photo by Brice Braastad

Don’t be fooled by the minimal packaging, though: for over 20 years, Jacquesson has captured the attention of those in-the-know for its prudent vineyard management which allows for a terrific expression of terroir. Based in the French village of Dizy, the label’s output stands apart for the character and concentration of its fruit. Their wines consistently deliver a mouth-filling Champagne that’s beautifully balanced, as complex as a white Burgundy and full of delectable chalk. Admired above all for its brave decision-making in the vineyards, Jacquesson now has 19 hectares being farmed using organic methods.

Champagne critic and author Tyson Stelzer has followed the label’s trailblazing, anti-establishment ascent more than most. “Jacquesson has done more to dramatically shift production than almost any other small producer,” he says. “They made a massive revolution by tearing up contracts with most of their growers and slashing production. They did the exact opposite of every other house for the sake of upholding quality. And now their wines have exceptional depth and character from large-format, open vinification and well-managed, mostly, estate vineyards.” 

Photo by Brice Braastad

Perhaps it’s the house’s formidable elegance, expressive style and long ageing capacity that helped them to attract a buyer, when it was acquired by the François Pinault-owned Chateau Latour in December 2022. With a strategy to stay small but beautiful, Pinault’s holding company Artémis Domaines seeks to purchase land with unique terroir all over the world. It currently holds some of the most prestigious estates in the world, across Burgundy, Bordeaux, Napa Valley and now, Champagne. Highlights include Château Latour in Pauillac, Clos D’Eugenie and Clos de Tart—both in Burgundy—and Château-Grillet located in Rhône Valley.

Jean Garandeau, Managing Director of Artémis Estates. Photo by Brice Braastad

Jean Garandeau, managing director of Artémis Domaines, says that although the holding company is ultimately owned by the luxury conglomerate Kering, it’s business as usual at Jacquesson. 

“Yann Le Gall and Mathilde Prier still form the core of the winemaking team despite ownership changes. They are young, talented and very naturally leaders in their field, so clearly there was no point to change them,” he says in his serious French tone.

Granadeau knows only too well what people will think; that the best vintages of Jacquesson are behind them. But he refutes the idea resolutely. “We don’t want to grow the company,” he says. “We don’t want to change the boutique-style positioning of the brand at all. We prefer to do less but to make the best quality possible. The first priority at Jacquesson is to always make sure that the best possible fruit is held for the Cuvée 700, and if we realise that this cuvée can live on its own without specific plots then we can look to bottle some single vineyard wine, but this is not something we are doing every year.”

This distinction is an important one. It means that single-varietal, single-plot and single-vintage wines from Jacquesson are rare, more sought after and only eventuate in excellent years when quality and quantity allow. These wines have been known to be exceptional, the kind collectors and drink-now connoisseurs lust for. 

“Running after volumes is really not our strategy,” insists Garandeau. “We are really much more focused on the singularity of the wines and of course the quality. We want to share the emotions of these wines with the universe.”

And we want what they are bottling in our glass.

Champagne Jacquesson

 

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Connoisseur: Around the World in Six Sips

Your one-way ticket to the planet’s fizz hotspots.

By Belinda Aucott-christie 10/12/2024

As the Champagne region’s output has diversified, so too have the number and names listed on restaurant wine lists. Champagne lists are now longer, reflecting a trend toward splitting a bottle of Champagne to start a meal, in place of white Burgundy.

To make shopping for your next drop that much easier, we have compiled our favourite places to explore the Champagne region, from afar. No matter where you find yourself next, from a quiet place run by Francophile in Ginza, to the grand old arcades of Paris’s second arrondissement, we give you some of finest Champagne lists written.

Caviar canapés at COQODAQ, when Simon Kim and Gracious Hospitality Management, blends Korean and American flavours to deliver a high-quality, sustainably sourced menu featuring fried chicken.

COQODAQ , New York

Lip-licking deliciousness awaits at a hip new bar that presents the classic pairing of Champagne and… fried chicken. Strange, yes. But here’s the thing: the tiny bubbles and high acid of the Champagne tempers the salt, spice and rich chew of chicken—to tasty effect. And on this compact list you will find first-rate rosé from great makers like Billecart-Salmon, blanc de noirs from Côte des Bars producer Fleury, and cheeky half bottles of Krug Grande Cuvée.

12 East 22nd Street; coqodaq.com

Legrand filles et fils, 2nd arrondissement, Paris.

Legrand Filles & Fils, Paris

For obvious reasons, the French capital is the best city in the world for Champagne quaffing, and this iconic Parisian destination doesn’t miss a beat. Founded in 1880, the restaurant and wine store occupy two sides of a covered arcade in the 2nd arrondissement. Expect to stumble across rare back vintages of Jacquesson, fresh and complex examples from Bérêche et Fils, and sporadically seen Frederic Savart bottles.

1 Rue de la Banque; caves-legrand.com

Open plan dining room at Lita, in Marleybone, London United Kingdom.

Lita, London

Nestled in the heart of Marylebone, this bistro is a chic spot from which to enjoy a memorable glass. Amid a modern, Mediterranean-inflected backdrop, rare drops are waiting to be discovered—from Chartogne-Taillet Sainte Anne brut to delicious rosé examples from the likes of Charles Heidsieck and Bollinger. Chef Luke Ahearne creates a confident seasonal menu that guests can dip in and out of, from tiny snacks to fully fledged meals. 

7-9 Paddington Street; litamarylebone.com

La Nuit Blanche, Ginza, Tokyo.

La Nuit Blanche, Tokyo

The perfect place to scratch an itch for French wine. Devoted owner Toshi Haba carries an inventory of around 6,000 wines, 1,500 of them hailing from the Champagne region. Here, it’s possible to run the gamut of taste, from tiny grower-producer imprints to long-forgotten back vintages by the grand marques.  

7-chōme-2-8, Ginza; la-nuit-blanche.therestaurant.jp

Gimlet, Cavendish House, Melbourne.

Gimlet, Melbourne 

At Andrew McConnell’s upscale cocktail bar in Cavendish House, his team has prepared a bible-sized wine list with an enviable Champagne selection (including an entire page devoted to cult producer Jacques Selosse). Beverage manager Anthony Pieri was recently honoured at Australia’s Wine List of the Year Awards for presiding over one of the best wine catalogues in the country. Come for the glamorous Chicago-style building, stay for the immense choice of tipples. 

33 Russell Street; gimlet.melbourne 

Le Parc at Domaine Les Crayeres, Champagne region

La Croix at the hotel, Domaine Les Crayeres, in Champagne.

With direct access to the province’s latest and greatest, this restaurant’s list is consistently voted the best in the world. Indeed, for serious Champagne lovers, there’s no better address in Reims. Featuring around 1,000 local examples and more than 2,000 French wines, the list is divided into style, maison, cooperative, region and vigneron. But, really, most drops can be filed under “Incredible”.

64 Boulevard Henry Vasnier, Reims; lescrayeres.com

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Trust Issues

In a case of life imitating Succession, bitter family infighting plagues the houses of Murdoch, Pratt and Rinehart. But are the sufferings of the super-rich intriguing because of schadenfreude, or for what say about ourselves?

By  alison Boleyn 10/12/2024

What could better illustrate a famous family divided than a convoy of its children arriving in separate black SUVs, then mounting the steps of a Nevada courthouse. The Silver State’s court system is fabulously discreet, thus the perfectly private setting for three of Rupert Murdoch’s children—Elisabeth, James and Prudence—to wage war on their father and his bid to change the family trust in favour of his eldest son, Lachlan.

Rupert Murdoch’s retirement last year cemented Lachlan, executive chairman of Fox and chair of News Corp, as his chosen successor. He’s never denied his children would compete for that crown. When asked if son Lachlan was his “natural heir apparent” in 1995, he responded, “Well I’ve got another son, and a daughter” (forgetting, presumably, in that moment his eldest child Prudence from his first marriage). In 1997, Murdoch told a journalist that his three children had agreed his successor would be Lachlan, the “first among equals”. (Again he’d overlooked Prudence, who later said she received a huge apology and the biggest bouquet she’d seen. According to Vanity Fair, Prudence is the only sibling “not directly competing for his business affections”, yet Murdoch’s oldest child still rolled up to Reno’s Second Judicial District Court in September.)

The ruthlessness and brutal pragmatism—even amorality—required to be politically powerful and inordinately rich are not qualities we’ve come to attach to being a good mum or dad. We just don’t view love as something subordinate to our financial interests. Certainly up to a hundred years ago, children of the West were regarded as smaller adults; one’s child was expected—depending on their class and circumstances—to either stay silent and elsewhere, or to labour for little pay with useful little hands. But more recent visions of good parenting include notions of warmth, encouragement and guiding the young to an uneasy mix of selfhood and citizenship (to being completely themselves and sharing their toys). Contemporary parenting ideals tend not to include pitting siblings against each other for favour or fortune, rewarding the progeny most like yourself, or battling three of your children in a probate court to protect the interests of a fourth.

Yet who does anyone appoint in old age as their executor? Surely it’s the person who seems most reliable and sensible among your offspring, the one whose values around money and legacy align most closely with your own. Why then shouldn’t the chairman emeritus of Fox Corporation and News Corp choose a successor on those same terms, just because we’re talking US$21 billion (around $31.7 billion) and the future of conservative media? 

He’s not the only Australian-born billionaire battling their children. Mining magnate Gina Rinehart vehemently rejected her son and daughter’s accusations of “fraudulent and dishonest design” in a protracted legal battle. John Hancock and Bianca Rinehart claim to be the rightful owners of Hancock Prospecting’s 50 percent stake in Hope Downs mine, left to them in 1992 by its founder, their grandfather Lang Hancock, in the family trust. Gina Rinehart, worth US$30.5 billion ($46 billion) and Australia’s richest person, argues that another legal dispute over ownership of the iron ore complex prevents that transfer of wealth, but John and Bianca want the $4.8 billion now.

Then, of course, there are the Pratts. Paula Hitchcock is fighting her half-siblings—billionaire Visy boss Anthony Pratt and his sisters Heloise and Fiona—to prove that as the love child of their father, the late packaging magnate Richard Pratt, she’s legally entitled to a share of the Pratt Family Trust. Born to Richard and his long-term mistress, socialite turned horse trainer Shari-Lea Hitchcock, in 1997, Paula’s asking the NSW Supreme Court to nullify a deed of exclusion that cut off her inheritance as a child.

She was not forgotten in her father’s will when Richard Pratt died in 2009. Paula inherited the waterfront house in which she’d been raised in Watson’s Bay, a rural property on the NSW South Coast and reportedly more than $22 million in shares. “It doesn’t matter how much you have,” said the Australian Financial Review’s Patrick Durkin, trying to explain on The Fin podcast why enough is never quite so for children of billionaires. “People will always want more.” But it’s as equally human that a child—whether they’re from a long marriage or a love affair, whether they be fully grown or not even close, whether the spoils in question are the Pratts’ $24.3 billion net worth or a cabinet of porcelain ladies—sees their own standing and the love of their parent reflected in how big the portion of the pie served to them.

Of course there’s another party in these outsized, juicy family dramas. It’s us, the spectators. But our response to the decimation of a famous family can’t be reduced to schadenfreude. Why else would we find ourselves siding with this heir or that lovechild, in the way we hope for a win for this Roy or that in Succession (depending on which loathsome character is on-screen in the moment)? Intra-family squabbles are so commonplace, so petty, so ripe with lifelong resentment. It’s their naked, bloody humanness—alongside the aberration of money trouncing family bonds—that’s the stuff of art. 

The short-changed illegitimate son Edmund in Shakespeare’s King Lear seethes, “Why bastard? Wherefore base?” before plotting his half-brother’s destruction. The children of an ageing warlord butcher his kingdom and each other as they grab for power in Akira Kurosawa’s Lear-inspired epic, Ran. In the Book of Genesis, Jacob cheats his older brother Esau out of his dying father’s blessing and buys his birthright for a well-timed bowl of soup. 

Why, even Rupert’s second wife, Anna Murdoch, in her 1987 novel Family Business, has the main character—a newspaper proprietor whose two sons and daughter are rivals for the empire—admonish her children: “I thought you would come to trust and respect each other. I thought that responsibility would teach each of you humility. I was wrong. It taught you greed and disloyalty and hatred.” 

Anna Murdoch could have asked for half of a fortune in her divorce from Rupert in 1999. Instead, as mother to Elisabeth, Lachlan and James, she insisted on the creation of the Murdoch Family Trust. It would ensure her three children and Prudence would have equal control of the empire—one vote each—while Rupert had four votes. (Grace and Chloe, his daughters with third wife Wendi Deng, would have an equal stake and no vote). Now Murdoch Sr wants to amend the “irrevocable” family trust so that Prudence, Elisabeth and James can’t dethrone Lachlan after his death. Just as Anna Murdoch feared her family would be corroded by the fortune, the 93-year-old Rupert fears his fortune will be corroded by family. He believes that after his death, the kingdom he’s built will fragment under the influence of the more politically moderate siblings. (James, for one, has expressed frustration over what he called News Corp’s “ongoing denial” of climate change.) For the ageing emperor Rupert Murdoch, only one child can be relied upon to preserve the commercial value of the empire.

The Nevada probate commissioner found that Murdoch could change the trust if he’s able to show he’s acting in good faith and for the sole benefit of his heirs. When he married his fifth wife Elena Zhukov at his Californian vineyard in June, neither James, Prudence, nor Elisabeth attended the wedding.

Illustration by James Dignan

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