Sonus Faber’s Second-Generation Stradivari Is An Instant Classic

Italy’s premium loudspeaker brand celebrates its 40th anniversary with a successor to one of its most iconic components.

By Robert Ross 30/05/2023

We’re no strangers to the auditory prowess of Sonus Faber. The Italian manufacturer, celebrating its 40th anniversary this year, is well known for making some of the most beautiful—and beautiful sounding—audio components on the planet, specifically loudspeakers. My visit to the factory in 2021 revealed some secrets, namely that centuries-old woodworking techniques and high-tech engineering can peacefully coexist. In an electronics industry dominated by robots, production lines, and outsourced components, Sonus Faber makes state-of-the-art speakers whose performance is matched by fit and finish that says “luxury” like few consumer products can.

The audio atelier’s new Stradivari Second Generation loudspeaker, on sale this June and retailing for $75,000 per pair, is a fitting tribute to the brand’s four-decade artisanal legacy. Located in Italy’s Veneto region, the company draws its inspiration from the violins of Antonio Stradivari, Andrea Amati, and Andrea Guarneri, master luthiers from Cremona whose instruments are renowned for their otherworldly sound.

The Sonus Faber Stradivari is thus aptly named, as its wide front baffle and sensuous form recall the hollow body of a violin. The enclosure of the latest Stradivari is a complex one—essentially a pentagonal shape when viewed from above—evolved from the elliptical footprint of the original, which launched in the early 2000s. Like its predecessor, the Stradivari Second Generation features a wide front baffle, which is partially responsible for the speaker’s organic, natural, full-bodied sound.

Wide front baffles are not terribly in vogue at present, and most loudspeakers today employ very narrow front profiles to mitigate diffraction anomalies inherent in mounting a dynamic driver in a cabinet with a wide, flat front. Of course, that’s an oversimplification, and exceptions to the rule, when circumvented brilliantly, are often the exceptions that render especially favourable results.

Sonus Faber's entirely new 10-inch woofer, of which two are used in the latest version of the Stradivari loudspeaker.
Sonus Faber’s entirely new 10-inch woofer, of which two are used in the latest version of the Stradivari.

The original Stradivari Homage was a sonic masterpiece, so when, during my factory visit, I spied a raw wooden cabinet bearing the approximate dimensions of that speaker, I asked if it was a prototype for a new Stradivari. My hosts quickly changed the subject to a discussion about some of the fine Amarone we’d been drinking at dinner. Naturally, I was beyond thrilled to recently receive news of the second-generation Stradivari.

“When the conversation came about redesigning Stradivari, it was challenging but also exhilarating,” says Sonus Faber designer Livio Cucuzza. “We wanted to ensure that the new Stradivari represented all the advancements Sonus Faber has made in sound technology to date, while still keeping that speaker’s classic external look and feel.”

The inner structure of Sonus Faber's Stradivari Second Generation loudspeaker.
The cabinet is divided and damped internally to provide individual, ducted compartments for tweeter and midrange transducers.

To that end, observers might even consider the new Stradivari to be a more elemental, beautiful speaker than the original. And while we’ve yet to hear it, a close look at the driver compliment and cabinet design suggests that it will improve on its impressive forebear.

The speaker, which weighs 63kg, stands 1.37 metres tall and is almost a metre wide. It has a relatively shallow visual profile and a depth of less than 43cm at the centre rear, proportions more akin to a planar design rather than a dynamic one. Set atop a metal base, the loudspeaker can have its angle changed by means of four height-adjustable spiked feet. Using what the designers call Intono technology, the cabinet is divided and damped internally to provide individual, ducted compartments for tweeter and midrange transducers, eliminating internal resonances and standing waves.

Unlike the original Stradivari, which employs dual 12-inch woofers, the latest version uses a pair of 10-inch units that are entirely new. The latter feature an anti-resonant organic basket, specially formed to avoid vibration modes naturally generated by the pulp-paper woofer cone and voice-coil assembly, producing usable bass down to 25 Hz.

What Sonus Faber calls Clepsydra Technology (“water thief” in Greek, apropos of the ancient water clocks designed circa 325 B.C.) is a downward-firing, hourglass-shaped bass-reflex port designed to maximize low frequency performance. And the six-inch Neodymium-magnet midrange driver handles the lion’s share of the sound signature for which the manufacturer is famous. From as low as 160 Hz to 2,200 Hz, this driver is the heart and soul of the Sonus Faber sound, aided and abetted in its role by the one-inch soft-dome tweeter. These loudspeakers are relatively sensitive, at 92 dB, but present a 4-Ohm nominal impedance, so a high-current amplifier of between 100 watts to 600 watts will go a long way toward making them sing.

On the rear, near the four terminals (which allow for bi-wiring low and mid/high sections), is a novel low-frequency adjustor that optimises low-frequency response relative to room acoustics. There’s also the crossover network, a portion of whose entrails are visible through a clear panel running up a portion of the enclosure’s centre rear, a reminder of where some of the customer’s money goes.

In the tradition of past Sonus Faber Homage series loudspeakers, the grilles are effectively transparent and comprised only of narrowly spaced, parallel black strings, a novel solution to discourage probing fingers and a wonderful allusion to the precious violins that inspired the speaker’s design.

Customers can select three cabinet finishes worthy of the most exclusive humidor: traditional Gloss Red, Wenge (a rich brown), and Graphite. We can’t wait to hear the new Stradivari, and if the previous iteration is any indication, this successor is bound to be a classic that will stand the test of time.

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A New Chapter for Jaeger-LeCoultre’s ‘Reverso Stories’

A special Reverso exhibit arrives in Sydney this week.

By Josh Bozin 08/05/2024

Few watch enthusiasts would be unfamiliar with Jaeger-LeCoultre and its enduring Reverso collection. Since 1931, the Reverso has been celebrated as one of the great dress watches of the 20th century.

In recent years, the watch has gone from strength to strength—in 2023 alone, we received the new Reverso Tribute Chronograph, the impressive Duoface Tourbillon, and the slimmer Reverso Tribute Small Seconds—capturing the imagination of casual observers, collectors, and those looking to scale the horological ladder.

Jaeger-LeCoultre
Jaeger-LeCoultre

It is also part of the cultural conversation thanks to exceptional branding experiences, such as ‘Reverso Stories’, a travelling experiential trunk show. Jaeger-LeCoultre is again summoning its movable experience to Australia, this time in the heart of Sydney’s CBD. For a limited time, eager fans can glimpse the Reverso collection up close via a multi-sensory exhibition tracing the history of this remarkable timepiece.

Presented in four chapters ( Icon, Style and design, Innovation, and Craftsmanship), the Reverso story will be told through the lens of Jaeger-LeCoultre’s expert watchmakers, who combine nine decades of craftsmanship, inventiveness, and design into one interactive experience.

As a bonus, guests will be privy to a large-scale art installation by Korean artist Yiyun Kang—commissioned by the Maison under its ‘Made of Makers’ programme—and the launch of three exceptional new Reverso timepieces, yet to be revealed. These watches will showcase skills such as enamelling, gold-leaf paillonage, and gem-setting, mastered by the manufacturer’s in-house Métiers Rares (Rare Handcrafts) atelier.

Jaeger-LeCoultre
Jaeger-LeCoultre

Completing the immersion into the spirit of Art Deco, guests will be able to enjoy a complementary refreshment post-experience at the pop-up Jaeger-LeCoultre 1931 Café.

‘Reverso Stories’ will be held in Sydney’s Martin Place from 10–19 May 2024. It will be open daily from 9 a.m. to 7 p.m. (and 5 p.m. on Sundays) and free to the public. Visitors are welcome to book online here or register upon arrival.

For more information, visit Jaeger-LeCoultre.

 

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Watch of the Week: TAG Heuer Formula 1 | Kith

The legendary sports watch returns, but with an unexpected twist.

By Josh Bozin 02/05/2024

Over the last few years, watch pundits have predicted the return of the eccentric TAG Heuer Formula 1, in some shape or form. It was all but confirmed when TAG Heuer’s heritage director, Nicholas Biebuyck, teased a slew of vintage models on his Instagram account in the aftermath of last year’s Watches & Wonders 2023 in Geneva. And when speaking with Frédéric Arnault at last year’s trade fair, the former CEO asked me directly if the brand were to relaunch its legacy Formula 1 collection, loved by collectors globally, how should they go about it?

My answer to the baited entreaty definitely didn’t mention a collaboration with Ronnie Fieg of Kith, one of the world’s biggest streetwear fashion labels. Still, here we are: the TAG Heuer Formula 1 is officially back and as colourful as ever.

As the watch industry enters its hype era—in recent years, we’ve seen MoonSwatches, Scuba Fifty Fathoms, and John Mayer G-Shocks—the new Formula 1 x Kith collaboration might be the coolest yet. 

TAG Heuer
TAG Heuer

Here’s the lowdown: overnight, TAG Heuer, together with Kith, took to socials to unveil a special, limited-edition collection of Formula 1 timepieces, inspired by the original collection from the 1980s. There are 10 new watches, all limited, with some designed on a stainless steel bracelet and some on an upgraded rubber strap; both options nod to the originals.

Seven are exclusive to Kith and its global stores (New York, Los Angeles, Miami, Hawaii, Tokyo, Toronto, and Paris, to be specific), and are made in an abundance of colours. Two are exclusive to TAG Heuer; and one is “shared” between TAG Heuer and Kith—this is a highlight of the collection, in our opinion. A faithful play on the original composite quartz watch from 1986, this model, limited to just 1,350 pieces globally, features the classic black bezel with red accents, a stainless steel bracelet, and that creamy eggshell dial, in all of its vintage-inspired glory. There’s no doubt that this particular model will present as pure nostalgia for those old enough to remember when the original TAG Heuer Formula 1 made its debut. 

TAG Heuer
TAG Heuer

Of course, throughout the collection, Fieg’s design cues are punctuated: the “TAG” is replaced with “Kith,” forming a contentious new brand name for this specific release, as well as Kith’s slogan, “Just Us.”

Collectors and purists alike will appreciate the dedication to the original Formula 1 collection: features like the 35mm Arnite cases—sourced from the original 80s-era supplier—the form hour hand, a triangle with a dot inside at 12 o’clock, indices that alternate every quarter between shields and dots, and a contrasting minuterie, are all welcomed design specs that make this collaboration so great. 

Every TAG Heuer Formula 1 | Kith timepiece will be presented in an eye-catching box that complements the fun and colour theme of Formula 1 but drives home the premium status of this collaboration. On that note, at $2,200 a piece, this isn’t exactly an approachable quartz watch but reflects the exclusive nature of Fieg’s Kith brand and the pieces he designs (largely limited-edition). 

TAG Heuer
TAG Heuer

So, what do we think? It’s important not to understate the significance of the arrival of the TAG Heuer Formula 1 in 1986, in what would prove integral in setting up the brand for success throughout the 90’s—it was the very first watch collection to have “TAG Heuer” branding, after all—but also in helping to establish a new generation of watch consumer. Like Fieg, many millennial enthusiasts will recall their sentimental ties with the Formula 1, often their first timepiece in their horological journey.  

This is as faithful of a reissue as we’ll get from TAG Heuer right now, and budding watch fans should be pleased with the result. To TAG Heuer’s credit, a great deal of research has gone into perfecting and replicating this iconic collection’s proportions, materials, and aesthetic for the modern-day consumer. Sure, it would have been nice to see a full lume dial, a distinguishing feature on some of the original pieces—why this wasn’t done is lost on me—and perhaps a more approachable price point, but there’s no doubt these will become an instant hit in the days to come. 

The TAG Heuer Formula 1 | Kith collection will be available on Friday, May 3rd, exclusively in-store at select TAG Heuer and Kith locations in Miami, and available starting Monday, May 6th, at select TAG Heuer boutiques, all Kith shops, and online at Kith.com. To see the full collection, visit tagheuer.com

 

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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Omega Reveals a New Speedmaster Ahead of the Paris 2024 Olympics

Your first look at the new Speedmaster Chronoscope, designed in the colour theme of the Paris Olympics.

By Josh Bozin 26/04/2024

The starters are on the blocks, and with less than 100 days to go until the Paris 2024 Olympics, luxury Swiss watchmaker Omega was bound to release something spectacular to mark its bragging rights as the official timekeeper for the Summer Games. Enter the new 43mm Speedmaster Chronoscope, available in new colourways—gold, black, and white—in line with the colour theme of the Olympic Games in Paris this July.

So, what do we get in this nicely-wrapped, Olympics-inspired package? Technically, there are four new podium-worthy iterations of the iconic Speedmaster.

Omega

The new versions present handsomely in stainless steel or 18K Moonshine Gold—the brand’s proprietary yellow gold known for its enduring shine. The steel version has an anodised aluminium bezel and a stainless steel bracelet or vintage-inspired perforated leather strap. The Moonshine Gold iteration boasts a ceramic bezel; it will most likely appease Speedy collectors, particularly those with an affinity for Omega’s long-standing role as stewards of the Olympic Games.

Notably, each watch bears an attractive white opaline dial; the background to three dark grey timing scales in a 1940s “snail” design. Of course, this Speedmaster Chronoscope is special in its own right. For the most part, the overall look of the Speedmaster has remained true to its 1957 origins. This Speedmaster, however, adopts Omega’s Chronoscope design from 2021, including the storied tachymeter scale, along with a telemeter, and pulsometer scale—essentially, three different measurements on the wrist.

While the technical nature of this timepiece won’t interest some, others will revel in its theatrics. Turn over each timepiece, and instead of a transparent crystal caseback, there is a stamped medallion featuring a mirror-polished Paris 2024 logo, along with “Paris 2024” and the Olympic Rings—a subtle nod to this year’s games.

Powering this Olympiad offering—and ensuring the greatest level of accuracy—is the Co-Axial Master Chronometer Calibre 9908 and 9909, certified by METAS.

Omega

A Speedmaster to commemorate the Olympic Games was as sure a bet as Mondo Deplantis winning gold in the men’s pole vault—especially after Omega revealed its Olympic-edition Seamaster Diver 300m “Paris 2024” last year—but they delivered a great addition to the legacy collection, without gimmickry.

However, the all-gold Speedmaster is 85K at the top end of the scale, which is a lot of money for a watch of this stature. By comparison, the immaculate Speedmaster Moonshine gold with a sun-brushed green PVD “step” dial is 15K cheaper, albeit without the Chronoscope complications.

The Omega Speedmaster Chronoscope in stainless steel with a leather strap is priced at $15,725; stainless steel with steel bracelet at $16,275; 18k Moonshine Gold on leather strap $54,325; and 18k Moonshine Gold with matching gold bracelet $85,350, available at Omega boutiques now.

Discover the collection here

 

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