Robb Review: McLaren 765LT

Lighter and quicker than its 720S sibling, the latest in McLaren’s Super Series is best left for the track.

By Robert Ross 12/11/2020

The 765LT has a base of $600,000, excluding on-roads, and only 765 examples will be produced (with the entire Australian allocation already sold out for 2021). The body was painted a color called Ceramic Gray, a $12,900 option with a distinct lilac tint that received compliments from many observers. Punctuated with orange calipers and black carbon-fiber bits, the car is a striking outlier parked next to almost anything else on four wheels—short of a few Italians and one French marque that come to mind.

The 765LT looks to be from another planet. That’d be a planet with wide roads, because the McLaren, while low—it’s only 1.2m high—is broad of beam. At 2.15m side-to-side with mirrors spread, that’s only a touch wider than a super king sized mattress, most of which do not ride as firmly as the McLaren.

The McLaren 765LT supercar.

A total of 765 examples of the car will be produced. Photo: Courtesy of McLaren Automotive Limited.

According to its designers, the 765LT’s mission is track-focused, and not aimed at everyday comfort in the manner of the 720S or, certainly, McLaren’s new GT. The driver is connected to everything, which is all felt by the seat-of-the-pants through components like stiffer engine mounts and vise-like carbon-ceramic brakes. Brake calipers from the McLaren Senna poke out from behind 10-spoke ultra-lightweight forged alloy wheels—19- and 20-inch front and rear, respectively—using titanium wheel bolts and running Pirelli P Zero Trofeo R tyres.

The most obvious connection to all that performance is McLaren’s 4.0-litre, twin-turbocharged V-8 engine, its uprated internals helping to deliver 563kW at 7,500 rpm and 800Nm of torque at 5500rpm. Those numbers, while hardly immodest, cannot convey the explosive acceleration and power band of the engine, which gets the 765LT from zero to 97km/h in 2.7 seconds, due in part to the seven-speed Sequential Shift gearbox with shortened gear ratios. Top speed is 330km/h, and half that velocity is achieved in seconds. It’s with such accelerative antics that the 765LT reminds us that its place really is on a circuit and not civilian asphalt.

The McLaren 765LT supercar.

The 563kW McLaren 765LT covers zero to 97km/h mph in 2.7 seconds and has a top speed of 330km/h. Photo: Courtesy of McLaren Automotive Limited.

Outwardly, the McLaren declares its competitive personality with a longer front overhang, deeper front splitter, long-tailed rear with its huge lower diffusor and an active rear wing that could double as a surfboard. As with other state-of-the-art supercars, active aerodynamics are key to speed, stability, handling and safety. Wicked side blades extend from the front wheels and across the doors and, combined with other bodywork, help create 25 percent greater downforce than the 720S. Optional front fender louvers aid cooling, further improve downforce and just plain look cool.

As noted, the 765LT is a big car, and not one to be glibly flicked into the tightest hairpins welcomed by any Lotus, Miata or even mid-engine Porsche. It’s for sweepers, running flat out on an empty highway or, better yet, on the tarmac.

The McLaren 765LT supercar.

The back of the vehicle features the performance-enhancing titanium exhaust, a huge lower diffusor and large active rear wing. Photo: Courtesy of McLaren Automotive Limited.

Despite its built-for-performance persona, the 765LT features an interior that’s not bereft of creature comforts. Once over the high side sill, occupants tumble into comfortable sports seats. The well-executed Alcantara upholstery, tidy switchgear and minimalist centre-tunnel touchscreen create a sober environment, which is a nice change from the visual assault of some glass cockpits—busier than a video pinball arcade. Two identical rotary switches on the central tunnel, one for engine and one for suspension, allow the driver to select modes for Comfort, Sport and Track, dialing in increasing amounts of aggression as one goes from C to T. Absent any selection, the car does its thing automatically and without any gear-change intervention from the driver. Manual shifts are possible via the paddle shifters, which rotate with the steering wheel and will require mental adjustment for drivers more familiar with stationary stalks.

Truth be told, the auto-shift, even in full-anger Track mode, is far and away the most efficient way to tackle shifting, and allows drivers to concentrate on the road ahead, which spools up real fast thanks to the McLaren’s blistering acceleration. One neat parlor trick is the digital display directly in front of the driver, which shows a full dash-load of “instruments” in Auto, Comfort and Sport, but which rotates to become a sliver of LEDs that show only rpm and the selected gear when in Track.

Inside the McLaren 765LT supercar.

The Alcantara-clad interior includes tidy switchgear and a minimalist centre-tunnel touchscreen. Photo: Courtesy of McLaren Automotive Limited.

McLaren engineers are justifiably proud of the lightweight, performance-enhancing titanium exhaust. It adds some high-strung urgency to the 765LT engine’s soundtrack, which doesn’t really sound like any other engine at all. But fans of the Prancing Horse still have the best sounding V-8 by a wide margin.

Stabbing the start button and setting off for an early morning drive down my hill to the boulevard below, the 765LT reminds me that it’s not happy being pressed into service as mere transportation, especially from a cold slumber. The carbon monocoque cage may be as stiff as Cheops’ pyramid, but until the drivetrain is warm, creaks and bucking shifts punctuate the first stretch, as if the machine got up on the wrong side of the bed. Owners desiring a magic carpet ride will need to look to McLaren’s neighbor in Goodwood, an hour south of the Woking factory, where Rolls-Royce Motor Cars set the bar for wafting tranquility.

The McLaren 765LT supercar.

The car’s side blades, which extend from the front wheels and across the doors, help the 675LT create 25 per cent greater downforce than the 720S. Photo: Courtesy of McLaren Automotive Limited.

Once things warm and the athlete gains its stride, however, everything changes—in a flash. Most cars convey a relative sense of velocity, but alarmingly, triple-digit speeds feel like half that in the 765LT, and it’s easy to run afoul of speed limits without even trying. As a habitual user of the rearview mirror, I find it ironic that as the speed increases, the active-aero wing elevates higher and higher, completely obscuring visibility through the rear window.

Drivers will find themselves backing off the throttle more than usual. And that is precisely why this McLaren is a track tool, thinly disguised as a street machine. Sure, it can shuttle from Point A to Point B with the same enthusiasm as Seabiscuit hitched to a 20-mule-team wagon. But for those desiring the sharpest track tool in the drawer, the McLaren 765LT will not disappoint when allowed to stretch its legs in the environment for which it was bred.

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Show Stopping Fun

Robb Report Australia and New Zealand teamed up with Sydney Harbour Concours d’Elegance in late February to celebrate a weekend of fine motor cars on Cockatoo Island.

By Robb Report Team 04/03/2025

Robb Report Australia & New Zealand and Citizen Kanebridge, the new private members’ club brought to you by this masthead’s publishers, offers exclusive access to magical experiences and unrivalled networking.

This year’s Sydney Harbour Concours d’Elegance on Cockatoo Island did not disappoint. Our invited guests—including speakers Gerard Doyle, General Manager ASX Refinitiv Charity Foundation; Ant Middleton, the British adventure and TV personality turned hydration-drink disruptor and owner R3SUP; and Lex Pedersen, CEO of automotive investment firm Chrome Temple—enjoyed unlimited access to the three-day event and an elegant sufficiently of Champagne, wine and whisky, as well as an exquisite catered lunch inside the Citizen Kanebridge Private Members’ Lounge. They enhanced their experience by VIP transport to and from the mainland via superyacht.

Courtesy of Sydney Harbour Concours d’Elegance

The British-born event, which also has iterations at Pebble Beach in California and Hampton Court Palace in England, once again teamed up with the world’s most prestigious marques (among them Aston Martin, Bentley, Brabus, Genesis, Lamborghini, McLaren, Rolls-Royce and Porsche), to display their latest supercars alongside the pageant of owner-driven vintage vehicles.

Courtesy of Sydney Harbour Concours d’Elegance

On Sunday, Robb Report’s Editor-in-Chief Horacio Silva treated guests to a special preview of the winners of this our annual Car of the Year awards, showcased in our coming March 2025 issue. Our lips are sealed.

Courtesy of Sydney Harbour Concours d’Elegance

To learn how to become a member of our exclusive new community, visit Citizen Kanebridge.

Thank you to the following sponsors: Whisky and Wealth, Jacob & Co, Wine Selectors, Mulpha, Jackson Teece, Young Henry’s and Resup.

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Patron’s New Ultra-Premium Tequila Is a Reposado Blend That Punches Way Above Its Age

Patron’s latest luxury tequila is a blend of ages.

By Jonah Flicker 13/03/2025

There are certain categories in the tequila world that indicate how long the spirit has been matured, so what happens when you combine a few of them together into one release? Patron is the latest brand to get in on this multiple-maturation blending action with the new high-end El Alto release, a combination of tequilas aged for different lengths of time.

In the whisky world, an age statement represents the minimum age of the liquid that’s in the bottle—in other words, a 10-year-old scotch may have liquid much older than that in the blend, but 10 years represents the minimum age. When it comes to tequila, there are also rules in regards to how it has to be labelled based on maturation, and like whisky that depends on the youngest liquid in the blend. The core of El Alto is an extra anejo tequila (the exact proportion isn’t revealed), meaning it was aged for a minimum of three years. But master distiller David Rodriguez decided to blend some anejo (aged one to three years) and reposado (two months to one year) tequila into the mix as well, making this an expression that is defined as reposado instead of extra anejo even though it has some ultra-aged liquid in the blend.

According to the brand, 11 different types of barrels were used to mature the tequila in El Alto, with the majority being hybrid barrels consisting of American oak bodies and French oak heads—each type of wood is thought to impart different flavours into the spirit. “The tequilas that harmoniously come together in Patron El Alto are a result of selecting the finest 100 percent Weber blue agave in the highest parts of Jalisco, Mexico, a territory known for producing the sweetest agaves,” said Rodriguez in a statement. “We took four years to focus on only the best of the best and perfect the bold, sweet flavors of this expression the right way: naturally.”

This type of multi-aged tequila seems to be part of a growing trend, with a few other brands releasing similar high-end expressions including Cincoro and Volcan de Mi Tierra. Perhaps it’s a way of stretching supplies or a tactic to get consumers to dip their toes (or tongues, preferably) into another luxe tequila, a category that is growing every year.

This month Australians are getting an exclusive taste of the El Alto as this formerly USA-exclusive release is launching here with The Bacardi Group. You can find El Alto in selected hospitality venues and at Barrel & Batch for $298 as these chic spots that represent the “pinnacle of celebrating momentous occasions,” according to the brand.

 

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Neutral, Not Boring: How to Wear This Season’s Most Stylish New Menswear

The soft tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

By Naomi Rougeau And Alex Badia 04/03/2025

Amid spring 2025’s myriad trends, there was one connecting element: colour. From Alessandro Sartori’s rusty hues at Zegna to Loro Piana’s subdued neutrals, the palette was more sun-bleached than saturated, and the muted tones of California’s Joshua Tree provide a perfect backdrop for the season’s refined yet relaxed vibe.

Stylists Naomi Rougeau and Alex Badia, teamed up with photographer Brad Torchia to create these casual looks that turn a bold statement into a confident whisper.

Brad Torchia

Berluti leather jacket, $14,067; L.B.M. 1911 merino crewneck, $450; Dolce & Gabbana linen trousers, $1,921; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Umit Benan silk jacket, silk shirt, and linen trousers, all prices upon request; Dolce & Gabbana suede loafers, $1600; Girard-Perregaux 38 mm Laureato Sage Green in steel, $23,954.

Photo: Brad Torchia

Brunello Cucinelli linen shirt, $1500; Loro Piana linen trousers, $908; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Anderson & Sheppard cotton jacket, $4,421; Gabriela Hearst cashmere turtleneck, $1,430; Louis Vuitton cotton jeans, $2n138; Tod’s suede sneakers, $1438.

Photo: Brad Torchia

Canali wool, silk, and linen tweed blazer, $4,011; Thom Sweeney silk shirt, $876; Paul Smith mohair trousers, $908; Church’s patent-leather loafers, $1,768; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Paul Smith cotton trench, $3528; Ferragamo cashmere sweater, $1,752, and cotton trousers, $4389; Dolce & Gabbana suede loafers, $1599.

Photo: Brad Torchia

Hermès denim shirt, $1,647, and belted cotton chinos, $1,366.

Photo: Brad Torchia

Loro Piana cotton cardigan, $4,381, and linen shirt, $1,768; Todd Snyder linen trousers, $639; Zegna Triple Stitch leather sneakers, $1,768; Morgenthal Frederics sunglasses, $2,564; Berluti silk scarf, $1,221; Parmigiani Fleurier 40 mm Tonda PF Micro-Rotor No Date Golden Siena in steel and platinum, $40,675.

Photo: Brad Torchia

Thom Sweeney cashmere and merino sweater, $956; Brunello Cucinelli linen shorts, $1045; Manolo Blahnik raffia and leather loafers, $1,438.; Leisure Society sunglasses, $1905; Zenith 37 mm Chronomaster Revival in steel, $13,987.

Photo: Brad Torchia

Kiton jean jacket, $6061; Officine Générale cashmere sweater, $932; Brioni wool trousers, $1,768; Ralph Lauren Purple Label leather belt, $562; Morgenthal Frederics sunglasses, $52081; Zenith 37 mm Chronomaster Revival in steel, $13,987

 

 

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This New York Jewellery Gallery Is Offering up a Treasure Trove of Vintage Watches

The Mahnaz Collection’s first formal collection of timepieces will include rare finds with fascinating histories

By Paige Reddinger 04/03/2025

There was a period when Mahnaz Ispahani Bartos found it hard to hold on to a watch. The prominent collector and dealer often would post pictures on social media of the uncommon, sculptural timepieces she purchased for herself. But every time, clients of her eponymous jewellery gallery—New York City’s Mahnaz Collection—would hound her into selling them.

“They found those photographs, and they are just diligent in bothering me,” she says with a laugh, adding that some would simply persist until she changed her mind about letting them go.

In response to that demand, this month her Madison Avenue space will begin offering its first formal collection of unique watches, curated with the same rigor and studious eye Ispahani Bartos has applied to sourcing rare jewellery. (Her specialty is the hard-to-find fare made by artists, designers, goldsmiths, and architects.) One coveted example is a gold-and-diamond pendant watch handmade by the late Italian-born avant-garde designer Andrew Grima, whose work was beloved by the British royal family. This example from his historic collaboration with Omega was made in the 1970s. Lesser known but no less noteworthy is the Spanish designer Augustin Julia-Plana, who created a gold-and-jadeite watch for his brand Schlegel & Plana, also in the ’70s. “He was a great jeweller and watch designer,” says Ispahani Bartos of Julia-Plana, who penned striking and visually creative work for everyone from Chopard to Tiffany. “He specialised in really unusual stones,” she adds, noting that he died far too young at age 41.

An 18-carat gold and jadeite watch designed by Augustin Julia-Plana, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

Ispahani Bartos knows something about legacy. Born in Bangladesh—when it was still called East Pakistan—she grew up in a culture steeped in traditions of wearing and appreciating jewellery. She recalls her grandmother giving her earrings made from yellow gold, turquoise, diamonds, and Burmese rubies at age 7. (Too young to wear them, she put them on her dolls’ ears for safekeeping. Both were lost when her family fled the violence of the country’s 1971 revolution; the ship carrying their belongings, she says, was sunk by an enemy carrier.)

When she was a teenager, her mother gifted her one of Omega’s Grima-designed watches, which she still owns. That early introduction to rare design influenced her own collecting journey, which turned into her full-time job when she opened her gallery in 2013.

“I didn’t focus on watches then, but increasingly, where I have an important jewellery collection where the jeweller also made watches, I started to feel like, ‘How can I not have that person’s watches?’ ” she says.
From left: Omega and Andrew Grima Winter Sunset pendant watch in 18-karat yellow gold, smokey quartz, and citrine crystal with Swiss manual-wind movement, circa 1968; Piaget bracelet watch in 18-karat yellow gold and tiger’s eye with Swiss manual-wind movement, circa 1970.
Photographed by Janelle Jones/Styled by Stephanie Yeh

That comprehensive approach befits Ispahani Bartos’s previous career and intellectual curiosity. After earning a Ph.D. in international relations, she served as a foreign- and security-policy expert for an array of global organisations, including the Ford Foundation and the Council on Foreign Relations.

She still employs the deep preparation she once used in the aid of diplomacy, researching every piece that comes into her hands, creating extensive and beautiful catalogs for the collections, and crafting museum-style exhibitions to present them to collectors. And this work, she says, takes ages. She’ll soon debut an Italian collection whose catalog she has been researching and preparing for nearly a decade, and her vault currently houses some Ettore Sottsass–designed watches she has been holding back for the right moment. “We tend to build collections all the time, collections we don’t show for years,” she says. Which means you never know what pieces might be hiding in the Mahnaz Collection—or the yet-to-be-told stories that may accompany them.
At top from far left: Omega De Ville Emerald bracelet watch designed by Andrew Grima in sterling silver with a tropical dial; Patek Philippe Golden Ellipse in 18-karat gold; Jaeger-LeCoultre Mystery watch in 18-carat gold and diamonds; Cazzaniga watch in 18-carat gold, diamonds, and sapphires with movement by Piaget; Gilbert Albert watch in platinum, 18-carat gold, and diamonds with movement by Omega. The pieces, made between the 1950s and ’70s, all have Swiss-made manual-wind movements. 

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Penfolds Saves Best For Last with Show-Stopping Release with Creative Partner NIGO

Penfolds has just dropped their limited-edition 65F by NIGO Cabernet Sauvignon Shiraz, a mouthwatering wine you need to nab now.

By Belinda Aucott-christie 28/02/2025

Though Penfolds holds many wonderful wines in its star-studded suite, their latest collaboration with NIGO is earmarked as a sure-fire collector’s item.

Retailing for $395 a bottle, the Penfolds 65F by NIGO is expected to sit snugly alongside the likes of Grange and Bin 389 as a standout single-vintage wine connoisseurs will vie for in years to come.

This prize wine isn’t just delicious and highly collectible, it looks the part. It features branding by artistic director and creative visionary NIGO, the founder of cult streetwear brands A Bathing Ape and Human Made, a pal of Pharrell Williams and current creative director of French fashion house Kenzo. For the box and packaging NIGO was inspired by the towering 65-foot chimney that prevails over Penfolds South Australian home, Magill Estate.

Penfolds archival material served as NIGO’s inspiration for the inclusions within the gift box and on the wine label. A chalkboard wine tag with coinciding chalk pencil pays homage to the chalk boards used in the original working winery at Penfolds Magill Estate and allows the opportunity for personalisation of the wine if used as a gift. The bottle label features a design which takes inspiration from the pressed bottle labels from the 1930-50s, and the tissue paper wrapping the bottle has been adapted from the Penfolds logo style used in the early 20th century. NIGO’s signature playful design style is emphasised with a chimney smoke wine stopper.

Inside it’s a classic embodiment of the way South Australian winemakers blend cabernet sauvignon with shiraz to stunning effect.

As a result this wine has a mouth-watering palate with plenty of fine grain tannins and silky mouth feel. A nose enriched with spicy nutmeg, cardamom and cassis is layered over blueberry compote and lush fig on a palate. There’s lots of blueberry soufflé, gamey tones and just a hint of fennel seed, with more complexity to come as the years fly by.

All the base wines were sourced from grapes grown in South Australia’s top wine regions of Coonawarra, Barossa Valley, McLaren Vale and Clare Valley. And while the 65F by NIGO Cabernet Sauvignon Shiraz is being released now, it will continue to reward cellaring for years to come.

Penfolds first announced NIGO as its Creative Partner in June 2023, with the global release of One by Penfolds. This was closely followed by the launch of Grange by NIGO (the first takeover of Penfolds flagship red wine) in February 2024, followed by Holiday Designed by NIGO in October 2024.A classic for the ages.

Penfolds 65F by NIGO Cabernet Sauvignon Shiraz 2021 is available globally from Thursday 27 February 2025 (RRP AUD$395.00 for 750ml). Available via Penfolds.com, at select Dan Murphy’s stores nationally and select independent retailers.

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