Opening Up The Valkyrie

Aston Martin has built a $4.2 million F1 car for the road. But what’s it like to drive this already mythical 849 kW creature?

By Jeremy Taylor 01/05/2023

The home straight at the Bahrain International Circuit measures just over one kilometre – or long enough for Max Verstappen and Lewis Hamilton to brake their F1 cars into the first turn at a speed approaching 330kph.

The circuit in the sand dunes provided the backdrop for the F1 season opener earlier this month (March). It was also an inspired location for the launch of perhaps the most eagerly-awaited hypercar of the new millennium, the Aston Martin Valkyrie.

Like the F1-inspired Mercedes-AMG One, Aston’s oft-delayed project has been a long time coming. Low-slung, lightweight and insanely fast, the $4.2 million Valkyrie claims to push the boundaries of automotive design to the max — and then some.

Production of the outrageous two-seater began in 2021 but thanks to Covid and further delays, this February was the earliest chance for journalists to experience this 849 kW car on the track. Naturally, Robb Report ANZ was first on the starting grid in Bahrain for the drive of a lifetime…

A split-second glance at instruments on the Valkyrie’s detachable steering wheel reveals I’m hurtling towards turn one at 301kph. It’s not far short of grand prix car performance but much, much faster than anticipated.

Harnessed in to an enclosed cockpit with air-con blasting in my face, there’s an otherworldly feel to driving the Valkyrie. And while my eyes focus on the distance markers leading into the corner, the numbers flicking up on the digital readout somehow feel far removed from my speed of travel.

Brake, brake, brake, then turn the perfectly weighted electro-hydraulic, power-assisted steering to clip the apex of the curve. Valkyrie definitely sounds like an F1 car, a 12-into-1 exhaust system providing the awesome soundtrack. That acoustic high is something that would likely be missing from a turbocharged V6.

The naturally aspirated, 6.5-litre V12 created by Cosworth screams as I flick down through the gears in Track mode, the most dynamic of the three settings. There’s no ‘drive’ button in a Valkyrie – every change of the ‘old school’ single clutch, seven-speed sequential ‘box is made via the paddle-shifters.

Grip is phenomenal but it’s the sheer shove-in-the-back power of the Aston as it exits the bend that astonishes most. Then comes the V12’s sting in the tail – an extra boost of 119 kW provided by a rear-mounted, Rimac-sourced hybrid system. Those same 1.7kWh batteries power the Valkyrie’s reverse gear, although hopefully I won’t be needing that today.

In the right hands, the rear-wheel drive Aston Martin will rocket from 0-100km/h in just 3.0 seconds and on to a frankly ridiculous top speed of around 380km/h. Maximum rpm is a head-spinning 11,100rpm. The coupe is silly quick but unlike the two F1 cars I’ve driven, Valkyrie is also remarkably easy to steer, with mid-engine balance and epic downforce that keeps everything firmly glued to the track.

Remember, this is a car built for the road, so it also features number plates, door camera mirrors and a full suspension lift system for creeping over speed humps. Luggage space is restricted to a tiny cubbyhole in the frunk no bigger than a bag of flour.

The all-alloy, overhead cam engine helps keep the Valkyrie down to a modest 1,270kg on the road. In fact, climbing out of the teardrop-shaped cockpit once back in the pitlane, I notice the bodywork is so trim that when fully open, the wing doors gently flutter in the breeze.

Engineers didn’t use a single steel component in the car’s structure, which is 100 percent carbon fibre. Every part has been on a strict diet, with magnesium alloy wheels weighing less than the Michelin Pilot Cup tyres, the world’s smallest, high-level brake light – just 6.5mm wide – and fantastically efficient titanium brakes with carbon ceramic discs.

“We used so much titanium that the Ministry of Defence called from London to ask exactly what we needed it for – they thought we might be building something we shouldn’t,” chuckles Miles Nurnberger, Aston Martin’s amiable director of design.

Nurnberger is one of the few members of the team involved in the Valkyrie project since its inception in 2016. Despite a brief and somewhat unlikely spell at budget brand Dacia in 2021, he returned last year in time to see the car come to life.

Conceived at a time when Aston Martin and Red Bull Racing were partners, the Valkyrie is the brainchild of F1 legend, Adrian Newey. Considered one of the best engineers in the sport, his racing car designs for McLaren, Williams and Red Bull have won 11 constructors’ titles and almost 200 grand prix.

Key to Newey’s radical design was a striking aerodynamic exterior and an open underfloor. Two channels large enough to hide an adult pass around the cockpit, serving up air to the car’s massive rear diffuser. The resulting downforce is in the region of 1,100kg at 150km/h.

“Adrian had always wanted to design a car for the road,” says Nurnberger. “He thought creating a road car would be less constrained by the regulations he faced in F1 and therefore easier – he soon realised it is equally as difficult.

“His idea was a teardrop-shaped cabin as compact as possible. It was an aerodynamic concept that challenged us every step of the way. In car design, most mornings you go to work and already know the answers. With Valkyrie it was solving a new problem every day.”

Among them was the thorny issue of the famous Aston Martin winged badge – a logo that has adorned every one of the British marque’s cars since the 1920s.
“Adrian didn’t want our badge on the front of the car because it was 6mm deep, weighed too much and created vortices that affected the aerodynamics.

“Once again it was left to the team to innovate, so we developed a metal badge that was 40 microns thick and now weighs 95 percent less than the one we use on a Vantage. We could have designed a sticker or painted it on but that wasn’t good enough.”

The windscreen wiper alone took more than a year to design. Sweeping water off a curved section of glass at high speed, as well as meeting strict road regulations, forced Aston to scour the internet for solutions.

“We even challenged the regulations and spoke to firms who specialised in high-tech glass. In the end, we contacted a company that designed the windscreen on the Space Shuttle and they came up with a solution. The Valkyrie wiper actually has a torsion bar and pivots as it crosses the curved surface.”

Just 150 examples of Aston Martin’s first hypercar will be built, plus a further 25 ‘track-focussed’ AMR Pro cars (if you’re lunatic enough). A run of 85 roofless Spider versions will be the last model off the company’s Gaydon production line. All versions are sold and there’s even a waiting list.

Nurnberger is currently working on the next generation of Aston Martin models and states he’ll utilise features from the Valkyrie in their design. That’s likely to include hybridisation and a number of high-performance versions, similar to the barnstorming DBX 707 SUV.

Of course, none will compete with the incredible Valkyrie, a car that is likely to achieve mythical status in the years ahead, like the ground-breaking McLaren F1 and Bugatti Chiron. Just climb into the Aston Martin’s space capsule cockpit and press the start button – everyone lucky enough enters like an astronaut and leaves a race track hero.

astonmartin.com

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Painted Black

Dion Lee is teaming up with Cho Cho San for an Australian Fashion Week event.

By Horacio Silva 10/05/2024

The more things change, the more things stay the same. Nowhere more than in the fashion world. Despite the vagaries of taste, black remains the go-to colour of choice. Fitting, then, that for next week’s Australian Fashion Week, the perennially black-clad media darling Dion Lee has partnered with Pott’s Point Izakaya joint Cho Cho San on a black-themed late-night ramen bar.

Lee, based in New York and not showing in Sydney next week, has worked with the restaurant to create a menu inspired by his inky, haute-industrial aesthetic and favourite flavours.

As part of the signature offering ($50pp) guests are offered “Dion’s Martini” on arrival (his take on the classic vodka drink spiked with a black olive, natch), a Tokyo-style shoyu ramen with shitake mushrooms, smoked daikon and crunchy tempura shiso leaf, and a winning black sesame and cocoa soft-serve ice-cream replete with black cone. (Trust us, it tastes infinitely better than it sounds.)

Lee rarely strays outside his fashion lane, but a little blackbirdie tells us to expect an announcement soon about a major new collaboration. Let’s hope it involves black ice cream.

Cho Cho San x Dion Lee: Late Night Ramen Bar

Available from May 13-16, 5pm to late.

Signature set: $50pp includes Dion’s Martini, Tokyo Shoyu Ramen and Black Sesame Soft Serve.

To book click here

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A New Chapter for Jaeger-LeCoultre’s ‘Reverso Stories’

A special Reverso exhibit arrives in Sydney this week.

By Josh Bozin 08/05/2024

Few watch enthusiasts would be unfamiliar with Jaeger-LeCoultre and its enduring Reverso collection. Since 1931, the Reverso has been celebrated as one of the great dress watches of the 20th century.

In recent years, the watch has gone from strength to strength—in 2023 alone, we received the new Reverso Tribute Chronograph, the impressive Duoface Tourbillon, and the slimmer Reverso Tribute Small Seconds—capturing the imagination of casual observers, collectors, and those looking to scale the horological ladder.

Jaeger-LeCoultre
Jaeger-LeCoultre

It is also part of the cultural conversation thanks to exceptional branding experiences, such as ‘Reverso Stories’, a travelling experiential trunk show. Jaeger-LeCoultre is again summoning its movable experience to Australia, this time in the heart of Sydney’s CBD. For a limited time, eager fans can glimpse the Reverso collection up close via a multi-sensory exhibition tracing the history of this remarkable timepiece.

Presented in four chapters ( Icon, Style and design, Innovation, and Craftsmanship), the Reverso story will be told through the lens of Jaeger-LeCoultre’s expert watchmakers, who combine nine decades of craftsmanship, inventiveness, and design into one interactive experience.

As a bonus, guests will be privy to a large-scale art installation by Korean artist Yiyun Kang—commissioned by the Maison under its ‘Made of Makers’ programme—and the launch of three exceptional new Reverso timepieces, yet to be revealed. These watches will showcase skills such as enamelling, gold-leaf paillonage, and gem-setting, mastered by the manufacturer’s in-house Métiers Rares (Rare Handcrafts) atelier.

Jaeger-LeCoultre
Jaeger-LeCoultre

Completing the immersion into the spirit of Art Deco, guests will be able to enjoy a complementary refreshment post-experience at the pop-up Jaeger-LeCoultre 1931 Café.

‘Reverso Stories’ will be held in Sydney’s Martin Place from 10–19 May 2024. It will be open daily from 9 a.m. to 7 p.m. (and 5 p.m. on Sundays) and free to the public. Visitors are welcome to book online here or register upon arrival.

For more information, visit Jaeger-LeCoultre.

 

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Watch of the Week: TAG Heuer Formula 1 | Kith

The legendary sports watch returns, but with an unexpected twist.

By Josh Bozin 02/05/2024

Over the last few years, watch pundits have predicted the return of the eccentric TAG Heuer Formula 1, in some shape or form. It was all but confirmed when TAG Heuer’s heritage director, Nicholas Biebuyck, teased a slew of vintage models on his Instagram account in the aftermath of last year’s Watches & Wonders 2023 in Geneva. And when speaking with Frédéric Arnault at last year’s trade fair, the former CEO asked me directly if the brand were to relaunch its legacy Formula 1 collection, loved by collectors globally, how should they go about it?

My answer to the baited entreaty definitely didn’t mention a collaboration with Ronnie Fieg of Kith, one of the world’s biggest streetwear fashion labels. Still, here we are: the TAG Heuer Formula 1 is officially back and as colourful as ever.

As the watch industry enters its hype era—in recent years, we’ve seen MoonSwatches, Scuba Fifty Fathoms, and John Mayer G-Shocks—the new Formula 1 x Kith collaboration might be the coolest yet. 

TAG Heuer
TAG Heuer

Here’s the lowdown: overnight, TAG Heuer, together with Kith, took to socials to unveil a special, limited-edition collection of Formula 1 timepieces, inspired by the original collection from the 1980s. There are 10 new watches, all limited, with some designed on a stainless steel bracelet and some on an upgraded rubber strap; both options nod to the originals.

Seven are exclusive to Kith and its global stores (New York, Los Angeles, Miami, Hawaii, Tokyo, Toronto, and Paris, to be specific), and are made in an abundance of colours. Two are exclusive to TAG Heuer; and one is “shared” between TAG Heuer and Kith—this is a highlight of the collection, in our opinion. A faithful play on the original composite quartz watch from 1986, this model, limited to just 1,350 pieces globally, features the classic black bezel with red accents, a stainless steel bracelet, and that creamy eggshell dial, in all of its vintage-inspired glory. There’s no doubt that this particular model will present as pure nostalgia for those old enough to remember when the original TAG Heuer Formula 1 made its debut. 

TAG Heuer
TAG Heuer

Of course, throughout the collection, Fieg’s design cues are punctuated: the “TAG” is replaced with “Kith,” forming a contentious new brand name for this specific release, as well as Kith’s slogan, “Just Us.”

Collectors and purists alike will appreciate the dedication to the original Formula 1 collection: features like the 35mm Arnite cases—sourced from the original 80s-era supplier—the form hour hand, a triangle with a dot inside at 12 o’clock, indices that alternate every quarter between shields and dots, and a contrasting minuterie, are all welcomed design specs that make this collaboration so great. 

Every TAG Heuer Formula 1 | Kith timepiece will be presented in an eye-catching box that complements the fun and colour theme of Formula 1 but drives home the premium status of this collaboration. On that note, at $2,200 a piece, this isn’t exactly an approachable quartz watch but reflects the exclusive nature of Fieg’s Kith brand and the pieces he designs (largely limited-edition). 

TAG Heuer
TAG Heuer

So, what do we think? It’s important not to understate the significance of the arrival of the TAG Heuer Formula 1 in 1986, in what would prove integral in setting up the brand for success throughout the 90’s—it was the very first watch collection to have “TAG Heuer” branding, after all—but also in helping to establish a new generation of watch consumer. Like Fieg, many millennial enthusiasts will recall their sentimental ties with the Formula 1, often their first timepiece in their horological journey.  

This is as faithful of a reissue as we’ll get from TAG Heuer right now, and budding watch fans should be pleased with the result. To TAG Heuer’s credit, a great deal of research has gone into perfecting and replicating this iconic collection’s proportions, materials, and aesthetic for the modern-day consumer. Sure, it would have been nice to see a full lume dial, a distinguishing feature on some of the original pieces—why this wasn’t done is lost on me—and perhaps a more approachable price point, but there’s no doubt these will become an instant hit in the days to come. 

The TAG Heuer Formula 1 | Kith collection will be available on Friday, May 3rd, exclusively in-store at select TAG Heuer and Kith locations in Miami, and available starting Monday, May 6th, at select TAG Heuer boutiques, all Kith shops, and online at Kith.com. To see the full collection, visit tagheuer.com

 

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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