What It’s Like To Compete In The Inferno, The World’s Most Treacherous Ski Race

The strenuous race is just as strange as it is fun. It also requires more than staying upright as one journalist discovers for Robb Report.

By Gabriella Le Breton 28/11/2022

High overhead, snow-capped mountains gleamed in the moonlight while a thousand people, their breath steaming in the frigid night, bayed for the blood of a giant effigy of the devil, about to go up in flames on a burning pyre. The soundtrack was base-thudding AC/DC, blaring through loudspeakers—and accompanied by a cacophony of large cow bells rung by Swiss men in lederhosen. It was the most peculiar opening ceremony for a sporting event I’d ever encountered. But then, this was the Inferno, the world’s most bonkers ski race.

Over the years, I had heard tales of gruesome injuries sustained on the infamous course above the chocolate-box-perfect Alpine village of Mürren, in the heart of Switzerland’s Bernese Oberland mountains. I had signed a waiver to confirm that the risk of serious injury or death “cannot be excluded” while taking part in the descent down Mount Schilthorn. Joining some 1,500 amateur competitors, including the occasional Olympian, I knew that my first Inferno would prove to be a more than averagely challenging day on the slopes, to put it mildly. By the time everyone would make it to the finish—or be carried off the mountain—the casualty tally would be considered a pretty good one, with only four shoulder fractures, two broken knees, some cracked ribs and a head injury that required an air ambulance to the nearest hospital.

The winner of the first Inferno clocked a time of one hour and 12 minutes. Today’s top entrants make it down in about 13 minutes.
Gaetan Bally/Keystone

It’s justified to question what, precisely, is the draw? Above all, the Inferno is a race of superlatives: It’s the world’s oldest, longest, largest and probably toughest downhill ski event. Organisers trace its origins to January 29, 1928, when Sir Arnold Lunn, the granddaddy of competitive downhill skiing, joined 16 other British skiers, including four women, in the very first Inferno Cup. Donning their tweeds, the intrepid crew strapped skins onto the undersides of their enormous hickory-wood skis, enabling them to slide forward on snow but not backward, then laboured over 1,219 vertical metres from the picturesque village of Mürren to the peak of the Schilthorn before setting off in unison to hurtle 13 kms back down the mountain through thick, untracked snow, trees and shrubs. (In that era, the pristinely manicured runs to which modern-day recreational skiers have grown accustomed were virtually nonexistent; all skiing was on natural terrain.) The race’s winner made it to the bottom in one hour and 12 minutes.

The writer and cartoonist Alan d’Egville painted a vivid picture of that inaugural race for the Ski Club of Great Britain’s 1928 British Ski Year Book: “The name Inferno comes from the torments endured by competitors on the most gruelling course ever set for a downhill race.”

The Inferno Cup was organised by (and mostly for) members of Britain’s Kandahar Ski Club—also founded by Lunn—until 1936, when the Mürren Ski School and Tourist Office took on the mantle. Run ever since with less British gung ho–ism and more Swiss organisation, the Inferno has been held in the resort most winters since its inception, with the odd cancellation due to events such as World War II, when competitors were busy fighting each other on the battlefields rather than on the pistes.

Skiers at the 1930 edition of the Inferno.
Gaetan Bally/Keystone

While today’s contestants race in catsuits instead of baggy plus fours and have the luxury of reaching the start line by way of cable car, the torments they face remain challenging in the extreme. Snow cover permitting, the race starts from just below the 2,969-metre Schilthorn summit and finishes in the valley in Lauterbrunnen, at 800 metres, a vertical drop—“vert,” in ski parlance—of over 1981 metres that covers more than 14 kms of piste. For comparison, that’s the same length as the longest ski trail in North America, the Last Spike at Revelstoke Mountain Resort, in British Columbia, which also delivers the continent’s most vert: a relatively paltry 1713 metres.

Competitors are seeded by previous race times and released at 12-second intervals. The rookies typically trail at the back of the pack, left to enjoy a maiden outing on what is by then a harrowingly rutted and chopped-up course. Whereas the top skiers finish in just over 13 minutes, reaching speeds of up to 130 km/h, mere mortals require somewhere in the 16-minute range.

They are thigh-busting, lung-burning minutes. A short, sharp start from the Schilthorn leads into a long tuck; then a drawn-out S curve is followed by the hair-raisingly steep and icy Kanonenrohr (“gun barrel”); a series of hairpins fly straight into a sharp right curve; and a steep climb through woodland precedes a bumpy, twisting forest trail to the finish line.

My inaugural Inferno race day dawned bright and crisp—perfect conditions—and, as a journalist, I was fortunate enough to have bagged an early starting bib. Other than losing my goggles on the cable-car ride up to the start line, I had zero excuses for racing poorly—particularly after a charming Swiss chap loaned me his goggles for the race.

As I shivered in the freezing-morning cold, surrounded by powerful Germanic types encased in Lycra and lunging aggressively at the snow, I listened to the conflicting advice of Inferno veterans. “You have to take chances to finish well!” “Go fast or go home!” “Reach the first path without falling over.” When I spotted the bottle of schnapps being proffered to racers as they stepped into the starting tent, that last tip, bestowed upon a friend of mine by Mürren local and four-time Inferno winner Kurt Huggler, won out. (It’s always important to consider the source: In addition to being a onetime World Cup skier, Huggler is largely responsible for building the Inferno’s following from a few dozen intrepid annual entrants to more than a thousand in the 1970s. He’s also credited with hatching the idea to torch that effigy of Satan.) Thanks to Huggler (and the schnapps?), I completed my Inferno without crashing—and without going terribly fast.

An effigy of the devil burns at the Inferno’s opening ceremony.
Bruno Petroni

That might be the universal truth of the Inferno: Your sole regret is not pushing yourself harder, and you compulsively relive each moment when you could have—should have—gone faster. It becomes an itch that can’t be scratched… except by competing in another Inferno. Take Franz Sonderegger, a Mürren man in his 80s who is said to have skied the annual race 54 times. When he entered his first Inferno in 1956, there still wasn’t a cable car to the Schilthorn—like those early Inferno pioneers, he had to strap skins onto his skis and trek up the mountain. He credits piste-side spectators, on hand to administer a bracing schnapps, with helping him scrape through his more spectacular falls. Or consider the countless skiers who boast Diamond Devils, coveted badges depicting the fallen angel with real diamonds for eyes, awarded in recognition of having completed 12 Infernos. Or Peter Lunn, Sir Arnold’s son, who led the British ski team in the 1936 Winter Olympics before becoming an important spy- master during the Cold War—he raced his last Inferno at the age of 90 and apparently believed that remaining upright on the slopes on any given day meant he hadn’t tried hard enough.

Despite—or, more likely, because of—the Inferno’s risks, perhaps the only thing harder than the race may be gaining access to it. Entrance is available via public ballot to “strong skiers” over 18 years of age, but race bibs are capped at 1,850, with applications most years exceeding 2,000. Priority goes to those who have raced before, making it particularly tricky for rookies to break in.

Which brings us back to the Kandahar Ski Club, founded by Sir Arnold in Mürren in 1924 to bolster the new sport of Alpine skiing. Given its history with the Inferno, the club snags around 200 bibs each year, making membership a solid bet for reaching the start line. But becoming a member (a “K,” to those in the know, of which there are currently around 1,400) means being thick as thieves with at least two existing Ks: one to propose your name and another to second your nomination.

Those who succeed in being welcomed into its tweedy embrace find themselves swept up by the other members’ infectious love of skiing, mountains and fun. Receiving the nod was how I gained entry to the Mürren event, and I learned that for members, the Inferno is more than a quarter-hour race: I joined many in decamping to the village’s cozy Hotel Eiger for a full week of Inferno shenanigans. We warmed up for the big event with informal ski-race training and sled races, as well as boozy lunches at the Suppenalp mountain hut and Jägerbomb-infused evenings in the hotel’s wood-paneled Tächi Bar.

Revelers party after the race
Tomas Wüthrich/13 Photo

 

Spurred on by my fellow members’ enthusiasm, I had joined the 500 skiers permitted to tackle the Inferno Super-Combination—a triple whammy that adds a nighttime cross-country contest around the village and a giant-slalom race on top of the Inferno. While I can’t recommend making your cross-country debut a highly competitive, technically challenging course that cinches around gingerbread-cute chalets in the pitch dark and subzero temperatures—and I still wince remembering my gawky attempts to tame those impossibly long and skinny skis—there’s a certain camaraderie that emerges from the mutual ordeal. It’s this solidarity, combined with the visceral excitement of taking part in an extraordinary and historic race, that makes the Inferno so special.

“I love the race, as it is about the only chance to have a really fast ski down a fantastic piste with no one in front, meaning I can go as fast as I like,” says James Palmer-Tomkinson, a self-described relative newcomer to the Kandahar Ski Club (he joined in 2009) but a member of British skiing aristocracy, with four ski champions in his family: his grandfather, father and two uncles. “The camaraderie with the other Ks is very special also.”

An exhausted skier at the finish line
Tomas Wüthrich/13 Photo

There’s no denying that everybody in Mürren takes the Inferno extremely seriously, but there’s more to it than winning or achieving a new personal best. The shared thrill, a connection that transcends languages and cultures, has brought skiers together here for nearly a century. The 78th Inferno, held on January 22, 2022, proved to be particularly celebratory for members of the Kandahar Club. On that same date, one century and a day after Sir Arnold Lunn spearheaded the world’s first slalom race, member Dave Ryding slalomed his way to World Cup victory in Kitzbühel, Austria, becoming the first Briton ever to take gold in an Alpine ski event.

The only celebration likely to beat that particular Inferno after-party will take place in Mürren in January 2024, when the 80th Inferno will coincide with the centenary of the Kandahar Club, setting the scene for a serious shindig. I have little doubt that the Ks will do Sir Arnold proud in his spiritual Alpine home.

The World’s Craziest Ski Races

If the Inferno has inspired you to put your carving, schussing and slaloming to the test, here are some of the wildest amateur events out there.

Der Weisse Ring

January 21 | Lech Zürs, Austria

Christoph Schoech Photography Gm

Der Weisse Ring (the White Ring), aka Das Speed Race, is a 22-km-long circuit around the resorts of Lech and Zürs in Austria’s Arlberg ski area. Open to 1,000 mostly amateur racers, the route covers some 5,486 metres of vertical descent, with five lifts, a short, sharp ascent and five downhill sections, including the ungroomed Madloch itinerary. It takes competitors anywhere between 44 minutes and two hours to complete the course, with clutches of 20 skiers released at the starting line every 100 seconds to achieve a degree of race decorum—although brace yourself for seriously competitive chairlift queuing.

Der Weisses Rausch

April 22 | St. Anton am Arlberg, Austria

St. Anton’s Weisses Rausch (White Thrill) opens to 555 hardcore competitors each April. Wearing an array of catsuits and “fancy dress” (as the British call flamboyantly festive attire) from ’80s retro get-ups to ballgowns, participants line up on the precipitous ridge of the off-piste Valluga route at 5 pm. Inspired by a scene in the seminal 1930s ski film Der Weisse Rausch, in which two people are chased down a mountain by a huge crowd of skiers, the race typically transforms the Valluga into a tangled mess of skiers, snowboarders, monoskiers and telemarkers. If you survive Valluga, you’re rewarded with a hike up “Pain Mountain,” followed by a crazed descent into St. Anton. Covering 9 kms of mostly ungroomed trails and a total of 1,350 vertical metres of descent, the event typically takes contestants around 15 minutes to complete—if they complete it at all.

Le Derby de la Meije

March 31 | La Grave, France

Courtesy of Le Derby de la Meije

The rugged French town of La Grave is the stuff of freeriding legend: a unique resort that boasts just one gondola and one groomed slope—and some of the most notorious off-piste skiing in the Alps. True to the area’s reputation, a top-to-bottom race on La Meije, the imposing glacial peak that looms above La Grave, is for neither the novice nor the faint-hearted. Celebrating its 33rd birthday this year, Le Derby de la Meije has developed into a three-day celebration of freeriding and music, where “fancy dress” on the slopes is optional but popular. The race itself is open to 800 competitors, who can compete as individuals or as part of three-person teams, riding on skis (Alpine, telemark, snowblades or monoski), snowboards or “all other types of sliding device.” Every team must include at least one female, with each member riding a different mode of snow transport.

The Power of Four Ski-Mountaineering Challenge

Aspen, Colo. | February 25

Jared Harrell

Prefer going uphill to down? Here’s an opportunity to spend over 10 hours climbing more than 3,048 vertical metres as fast as you can—on skis. The arduous event attracts some 200 lunatics, sorry, competitors each year to Aspen’s Rocky Mountains, thanks to the growing popularity of ski mountaineering—aka skimo—in which participants attach synthetic climbing skins to their skis to negotiate the ascent. Starting at dawn at the base of Snowmass Mountain, racers shimmy up and down Buttermilk Mountain before tackling the nearly 1219-metre climb to summit the Highland Bowl. Competitors next set their sights on the peak of Aspen Mountain, eventually descending into Aspen to a rapturous welcome.

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Federer and Nadal Team Up in New Louis Vuitton Ad

Just in time for the French Open, Louis Vuitton serves up a winning new campaign.

By 19/05/2024

They have scaled the dizzying heights of tennis, and now great rivals and friends Roger Federer and friend Rafael Nadal climb a majestic mountaintop in the new Louis Vuitton campaign.

The latest installment of the LV’s storied Core Values series of ads, once again shot by renowned portrait photographer Annie Leibovitz, reunites two tennis legends who have not faced off against each other since Wimbledon 2019. (Federer retired in 2022 and in his last match teamed up with Nadal in doubles, with the pair famously crying and holding hands afterwards.)

Three thousand metres high in the Italian Dolomites and in less familiar attire than their usual on-court drag, Federer sports a classic Monogram Christopher Backpack that is every bit as elegant as his balletic prowess, while Nadal’s is a fittingly dynamic Monogram Eclipse version.

The campaign recalls the brand’s 2010 grouping of soccer legends Diego Maradona, Pelé and Zinedine Zidane.  

Louis Vuitton’s 2010 campaign featuring Diego Maradona, Pelé and Zinedine Zidane in Madrid’s Café Maravillas. Photo: Annie Leibowitz for Louis Vuitton.

“I know how many important icons have been part of this campaign,” says Nadal. “Being part of it is something I am very proud of—especially sharing it with Roger who has been my biggest rival and is now a close friend.”

Federer adds, “It’s a unique opportunity to be working on this campaign with Rafa. How we could be such great rivals and at the end of our careers be beside each other doing this campaign is very cool.” Tennis fans everywhere agree.

Watch the behind-the-scenes video shot of the new Louis Vuitton campaign.

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Will Smith, Tom Brady And More Celebs Are Team Owners in a New Electric-Boat League

Will all that star power deliver?

By J. George Forant 16/05/2024

At one point during the debut broadcast of the world’s first electric-boat racing circuit, an on-air host stands on a platform overlooking the water and pummels the camera with enthusiasm: “I hope you’re ready for a landmark moment that can change the future of water transportation. The nerves, the excitement, the energy, it’s electric!” Behind her, a few dozen people mill about, leaning on a rail, drinking coffee, staring at their phones. One turns to look at her as if he’d like to ask her to keep it down.

That singular image might best encapsulate the cognitive dissonance that permeates the new UIM E1 Series Championship.

Take the boats. They look like remnants from a Star Wars movie, with long tapered noses leading to a glass-enclosed cockpit flanked on each side by a curving wing that acts as a hydrofoil, allowing the hulls fly over the surface while sending off huge sprays of white foam—but they’re nearly silent and, while they have explosive acceleration, they reach a top speed that wouldn’t even merit a ticket on an interstate.

The Racebird could be out of a Star Wars movie, which is not far off, given its futuristic foils and hyper-drive.
E1 RACING

Then there are the team owners, a mélange of famous people who don’t necessarily bring to mind boats or racing. For that matter, they don’t really have anything to do with one another. Sorry, but it’s going to take more than a few brief hype videos and a recorded Zoom call in which the eight celebrities playfully talk trash before anyone believes the relationship between, say, NFL legend Tom Brady and pop singer Marc Anthony contains any real competitive juice.

There’s also the meeting of mission and money. The series defines itself as “committed to healing our coastal waters and ecosystems . . . through innovative clean technologies and aquatic regeneration.” But Saudi Arabia’s Public Investment Fund (PIF), which controls more than $USD700 billion in cash largely derived from oil production, holds a chunk of equity and occupies the top sponsorship space. (Disclosure: Saudi Arabia’s Research and Media Group has invested in Penske Media Corporation, Robb Report‘s parent company).

The series had its first race in Jeddah, with the next scheduled for Venice on May 12. Expansion plans include 15 races globally.
E1 RACING

None of it quite seems to go together, and yet, by many measures that first race, held on an inlet of the Red Sea in Jeddah on Feb. 3, was a success. Expect a ninth team headed by a famous Hollywood actor. The series will host seven more races this year, starting on the waterways of Venice on May 12.

All of which raises the question: Can this actually work?

“Boat racing has never really caught on,” admits Powerboat P1 CEO Azam Rangoonwala, who’s been in offshore racing for more than 20 years and is also a principal on E1’s Team Aoki. “We got involved with E1 because we see an opportunity to finally make that breakthrough happen.”

In 2020, Rodi Basso spent a fair part of the year trying to visualise life after the pandemic. Unlike many others, Basso wasn’t so much longing for the way things had been, as attempting to conjure what new world would emerge.

An aerospace engineer who’d transitioned into motorsports, he’d held jobs at Ferrari, Red Bull and McLaren Applied Technologies, but he’d recently stepped aside and moved to England in pursuit of some then-undetermined new challenge.

When the world shut down, he started running to stay fit and get out of the house, excursions on which he was often joined by Alejandro Agag, who lived nearby. Agag had founded Formula E and Extreme E, each a successful racing series featuring electric vehicles. The pair had met when Basso, through McLaren, developed an improved battery pack that allowed Formula E drivers to complete a race on a single charge.

E1 founder Alejandro Agag, Racebird designer Sophi Horne and CEO Rodi Basso established the electric raceboat circuit following Agag’s success with Formula E.
E1 RACING

Basso, an Italian, and Agag, from Spain, debated the next big thing as they traversed the streets of London. Agag had invested in a start-up, Seabird, that was working on a foiling electric boat, and he asked Basso to help with the engineering. That simple request quickly morphed into a new idea—an electric boat racing series.

Perhaps no two individuals were better positioned to make it happen, and that night Basso created a deck summarizing the concept. The next day, he sent it to Agag who immediately signed on. The E1 World Championship Racing series was born amid expectations that it would become the next trending motorsports entity.

Within months they’d secured exclusive rights to stage electric boat races for 25 years through UIM, the international racing organization, and landed the PIF deal. Asked about the irony of Saudi oil money underwriting a series with a mission of “promoting sustainable energy use in marine sports,” and about assertions of greenwashing and sportswashing, Basso looked away from his computer screen.

CEO Basso, an aerospace engineer with a background in F1 racing, designed the electric drivetrain while Horne designed the foiler.

Turning back, he offered a joke and then framed his answer in terms of investing strategies: “I focus on the day-to-day job of the people working at PIF who study markets and industries and place bets on what will bring the highest return. In that sense, it’s a privilege to be noticed and have that initial funding.”

Asked a similar question via email, Brady chooses not to respond, but otherwise replies: “This is a new competition and it has great growth potential, so it was a no-brainer for me to be involved with E1.”

Basso later adds another point: “PIF’s money allowed us to get going. It paid for the development of the boat and the series. Now we have to stand on our own as a functioning business.”

What will that look like?

Location, location, location. Part of the difficulty for boat racing has been the “where.” Contests usually took place offshore or on small—often remote—lakes that offered flat calm, neither of which are particularly spectator friendly.

In recent years, the Sail GP series has solved that problem with a global race circuit featuring smaller, more maneuverable versions of full America’s Cup boats slugging it out on metropolitan waterways, such as San Francisco Bay and Sydney Harbor. In contrast to traditional America’s Cup racing yachts, the smaller SailGP boats also reduce the costs of building, maintaining, outfitting, and shipping them to races around the world.

“When I decided to get into electric, I researched how to compete with combustion engines, which led to foils,” says Sophi Horne, the CEO of Seabird, who designed the boat for E1. “I started with a cruiser for seven people, but then Alejandro and Rodi asked me to switch focus to a race boat and that led to the Racebird. At seven meters (23 feet), it can run at top speed for roughly 40 minutes.”
E1 has followed the same approach as SailGP, with one-class, techy raceboats, a global tour and extensive social media exposure.
SAILGP

Besides that, the boat looks sleek, part spaceship, part waterbug, as it skitters above the surface. And while 50 knots (92.5 kmph) on a boat is fast—especially an open boat low to the water—it’s not an attention-getting number to the general public. Still, the Racebirds distinguish themselves with a burst of acceleration that’s visible when they compete.

The power comes from a Mercury outboard built specifically for the purpose, with input from Seabird. It has a booster that jacks the output from 100 kilowatts to 150 for 20 seconds per minute, adding to the notable jumps in speed and putting a focus on driver skill and strategy. Each team has two pilots—as they’re called—one male and one female, who alternate turns behind the wheel through a qualifying round, the semi-finals and finals.

“We’re now packaging the propulsion system to sell to other builders,” says Horne. “What drives me is the mission to electrify boats, so we want to partner with other companies out there and help build the infrastructure with fast charging that we’ll need.”

ach team has one female and one male driver who both race. Team Brady’s Emma Kimiläinen and Sam Coleman won race 1 in Jeddah.
E1 RACING

The series’s green agenda goes beyond pushing the development of electric engines, high-output batteries and hydrofoils, which reduce drag in increase efficiency by lifting the boat’s hull out of the water. E1 intends to employ sustainable practices on-site at events—including the use of local vendors—and install and leave in place high-speed electric charging stations at each locale.

According to its website, organizers will collaborate on coastal restoration projects and education initiatives directed by chief scientist Carlos Duarte, an ocean ecology professor at King Abdullah University of Science and Technology.

“One of the barriers to ownership and sponsorship in powerboat racing has been the sustainability question,” says Rangoonwala of Powerboat P1. “E1 answers that question up front by building it into the mission.”

Whatever seeming contradictions arise from the use of PIF funds, the series has already had a real-world impact. Mercury Marine has incorporated much of the technology it developed for the Racebird engines into its Avator electric outboards. More than 12,000 Avators have been built in the last year. “Racebird was a good place for us to start,” David Foulkes, CEO of Brunswick Corp., Mercury’s parent, tells Robb Report. “It was a way to gain experience in a controlled environment, where the boats are centrally maintained.”

F1’s Sergio Perez was the first A-lister to sign up, followed by tennis great Rafael Nadal. The others soon followed.
GETTY IMAGES

Basso calls Agag a “marketing genius” for the way he tapped into existing audiences for Formula E and Extreme E by luring well-known names from Formula 1 and extreme racing—and their social media followings—into the fold. It’s a proven approach, but one that would not work for E1. “Unfortunately, in powerboat racing, there are no star drivers or famous owners,” Basso says.

The alternative involved finding celebrities from other walks of life to invest in teams. “First, we approached Sergio Perez and evidently our presentation was done right because he joined, then Rafa Nadal signed up,” Basso says. “The rest came as a consequence of a sort of missing-out syndrome, which worked out nicely for us.”

The sell might have been easy, but the selections reflect the sort of calculated demographic cross-section that would make a pollster drool. Besides Brady, the white American hero of seven Super Bowls, Smith, the Black Hollywood superstar, Nadal, the internationally known Spanish tennis star, Anthony, the Grammy-winning musician with Latino roots, and Perez, a Formula 1 driver from Mexico, there’s Didier Drogba, a Black European soccer icon from Ivory Coast; Steve Aoki, a world-renown DJ of Japanese descent; Virat Kohli, a cricket star from India; and Marcelo Claure, a Bolivian tech entrepreneur.

All appear engaged at the outset, sitting for video interviews and promoting the series on social media. Four showed up for the opening race and Brady plans to be in Venice. “I’ve been involved in a few things since retiring but this racing series has been incredible,” Brady tells Robb Report. “I love competition and racing. Seeing the vision of the sport come to life has been very fun and fulfilling.”

Basso says he and Agag intentionally created a “business mechanism that would give owners skin in the game and keep them engaged.” The owners put up €2 million (about $2.15 million) to license a team. E1 owns the series and the boats and handles all the logistics, including transportation, for which they charge teams another €1 million. The buy-in, Basso says, will go up for Year 2, since three of the original eight license holders have already resold them at five times the initial investment.

To ensure those values keep rising, E1 plans to cap the series at 12 or 15 teams competing in 15 races, hopefully by Year 3, with five events in Asia, five in the Mid-East/Europe and five in the West, where potential venues include Miami, Mexico and Brazil.

To help control costs, the boats must run as they come out of the box, and though teams can hire as many engineers as they want back at headquarters, they can’t have more than seven crew members, including drivers, on the dock during races.

The concept, launched in Venice in 2022, will return there this weekend.
MERCURY MARINE

“They made some really smart decisions to limit costs at the outset,” says Ben King, one of of Team Brady’s co-principals. “The plan is to start modifying the boats in Year 3, which would mean greater outlays for teams, but by then, hopefully, the circuit will be well established.”

Teams can bring on sponsors outside those attached to the wider series, including everything from patches on pilot uniforms to on-the-boat decals to partnerships that showcase technology. Visibility shouldn’t be a problem. E1 has both linear and streaming deals with 120 broadcasters that range from Asia through India, MENA, Europe, and the Americas, where CBS owns the US television rights.

In all, E1 says its global reach extends to 1.7 billion people, and media coverage of the Jeddah race in February had a total reach of 2.1 billion, with 125 million digital impressions. “For the first race, we are pleased,” Basso says. “We have a long way in front of us, but we are pleased.”

On the course at Jeddah, the four finalists line up for the rolling start of the final race, among them Team Brady. As the boats pass the marker buoy signaling the beginning of the first-ever E1 championship, three surge ahead while the Brady boat founders and wobbles forward, dropping to last.

In the previous heat, Brady’s Emma Kimiläinen finished third, meaning teammate Sam Coleman has to not just win the heat but make up the time deficit to claim the title. As the boats approach the first turn, Coleman mashes the booster and jolts forward, closing the gap and creating a three-boat bottleneck around the first buoy.

The scene turns chaotic as the boats speed through the curve within yards of each other and geysers of whitewater and churning wakes fill the space around them. Emerging into the straight, they jockey for the lead. “Racing these boats is super intense—insane,” says Coleman. “The trick is constantly managing the foil height. Too much power and the boat will drop and you’ll lose speed. The working window is so small, and while you don’t have engine noise, there’s feedback through cavitation and vibration that you have to learn to feel.”

Staying on the foils is tricky, but key to winning.
E1 RACING

Most of the drivers have come from other disciplines, motorcycles, cars, even Jet Skis and WaveRunners. Coleman started in motocross, then teamed with his sister to become a world champion and two-time U.K. champ in P1 Powerboat. Whether it’s that experience or his feel for his craft, Coleman’s boat levels and rises high on its foils as it shoots to the front.

Through the next turns, Coleman’s lead builds, creating another bit of intrigue. The course layout consists of a small oval inside a larger one, something like a paperclip. Over a five-lap race, each driver must circumnavigate the inner oval four times and the outer once. As Coleman continues to pull away, the question of when to take the long lap rises.

The Racebird and electric engines will be redesigned for season 2 if the series is successful.
E1 RACING

And while that gives the announcers something to talk about, it also highlights a shortcoming. The moments of close-quarters racing, the nuance of working the trim and booster and the strategic quirk of the long lap all make for good, engaging viewing. At the same time, the difficulty of keeping the boats running clean on the foils and the long lap spread the field, sapping most of the drama from the action. Those instances of intense, close-quarters racing are few and far between.

Ultimately, that’s what success will come down to: Will people understand the level of skill and strategy on display and will the competition hold up? A sustainability mission and a few 30-second hype videos from Tom Brady (whose team pulled through in Jeddah as the winner) provide a sense of purpose and attract eyeballs, but for people to continually show up and tune in—to pay up—the races themselves have to deliver.

Formula E and Extreme have made it work. Will E1? Ladies and gentlemen, start your very-quiet engines.

 

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10 Fascinating Facts You Never Knew About Porsche

The automaker is a sports car standard-bearer with a long, impressive history in racing.

By Bob Sorokanich 16/05/2024

Porsche has long stood at the pinnacle of automotive achievement. The automaker has won the 24 Hours of Le Mans 19 times—more than any other competitor—and has successfully competed in everything from rally racing to Formula 1. The history of Porsche vehicle production is equally impressive, as the company rose from the rubble of World War II to become one of the most widely recognised luxury and performance brands in the world today. Let’s dive into the history of Porsche with 10 facts you might not have known about the German brand.

Photo: Keystone

Ferdinand Porsche was born in 1875 in what is now the Czech Republic. Despite the fact that he had little formal education, from an early age Porsche was recognised as a brilliant engineer. In 1901, Porsche built the world’s first gasoline-electric hybrid vehicle, a motorised carriage that used a Daimler internal-combustion engine to generate power for electric motors in the wheels. Soon, Porsche was hired as technical director of Stuttgart-based Daimler, where he worked on Mercedes race cars including the hugely successful Mercedes-Benz SSK.

Photo: Fox Photos

In 1931, Ferdinand Porsche launched the company that still bears his name today. It wasn’t a car-building operation: Dr. Ing h.c. F. Porsche GmbH was a consulting agency, supplying design and engineering expertise to various automakers. Soon after launching his company, Ferdinand Porsche received an assignment directly from German Chancellor Adolf Hitler: A project to build a simple, durable, affordable vehicle that could be purchased by everyday Germans, codenamed Volkswagen, or “people’s car.”

Photo: Topical Press Agency

Ferdinand Porsche unveiled the first Volkswagen prototype in 1935; in 1939, the Volkswagen factory began production, with Ferdinand Porsche appointed as an executive. As part of his work with the government of Nazi Germany, Porsche renounced his Czechoslovak citizenship, joined the Nazi Party, and became a member of the SS paramilitary group. Ferdinand Porsche contributed to the design and engineering of Nazi tanks and troop transport vehicles, and after World War II ended, he was arrested for war crimes including the use of forced labor, serving 20 months in prison in France.

Photo: DOMINIK HILDEBRANDT

Following the end of World War II, Ferdinand Porsche’s son, Ferry, sought to build a sports car according to his father’s vision. In 1947, the first examples of the Porsche 356 were assembled in a small sawmill in Gmünd, Austria, where the Porsche family had moved operations to avoid Allied bombing. The 356 bore some resemblance to the Volkswagen, and like that vehicle, it used a rear-mounted four-cylinder engine along with some other VW components.

Photo: Porsche

Porsche built several versions of the 356 until 1965, but by the end, the vehicle was badly out-of-date. Ferdinand Alexander Porsche, grandson of the company’s founder, designed a new rear-engine sports car, this time with an air-cooled six-cylinder engine. The company intended to call this model 901, which was the internal code-name for the project, but Peugeot owned the trademark on all three-digit model numbers with a zero in the middle, so the name was swiftly changed to 911.

Photo: Wesley

Porsche found racing success with the 356, 911, and various competition-only prototypes, but the automaker’s rise to motorsport dominance began with the 917. First shown publicly in 1969, the 917 was the brainchild of Ferdinand Piëch, a grandson of Ferdinand Porsche who would later go on to lead the entire Volkswagen Group. The race car used an air-cooled mid-mounted flat-12 engine, and it was so compact, the driver’s feet sat ahead of the front axle. After some early developmental troubles, the 917 became a dominant endurance racer, winning the 24 Hours of Daytona, the Monza 1,000km, the Spa-Francorchamps 1000 km, and the 24 Hours of Le Mans back-to-back in 1970 and 1971. The 917 was a monster, reliably cresting 230 mph at Le Mans in an era when the typical racing prototype couldn’t break 200, and it launched Porsche on a path to becoming the winningest manufacturer in Le Mans history.

Photo: Porsche

The late 1970s were difficult for sports car companies, and in 1980 Porsche had its first year of financial losses. The 911 had gone without significant updates and was slated for cancellation, with the front-engine, V8-powered 928 intended to replace it. Newly-appointed CEO Peter Schutz, who was born in Germany but was raised in the U.S., realised that the impending death of the 911—considered the quintessential Porsche sports car—was contributing to low morale at Porsche. Schutz walked into the office of chief Porsche engineer Helmuth Bott, where a chart showed continued production of the 928 and 944, and the end of 911 production in 1981. In a scene that has become legend, Schultz took a marker from Bott’s desk, extending the 911’s line off the chart, onto the office wall, and out the door—signifying that the 911 would never be canceled. “Do we understand each other?” Schultz asked, and Bott nodded in the affirmative.

Photo: Porsche

In 1986, Porsche unveiled a supercar that shared the general shape of the 911, but was shockingly advanced in nearly every way: The 959. Developed to compete in Group B rally racing, the street-legal 959 had a twin-turbo engine making 326 kilowatts, Kevlar composite bodywork, wide-body fenders, and all-wheel drive. It soon became the fastest production car in the world, sprinting from zero to 96 in 3.7 seconds and reaching a 317 kmph top speed.

Photo: Porsche

Amazingly, from 1963 to 1997, Porsche never undertook a full redesign of the 911. In 1998, a brand-new sports car emerged. Internally known as Type 996, the all-new 911 had a completely redesigned body shell and an all-new flat-six engine that, for the first time, was cooled by water rather than air. Early 996s shared their front bodywork and some interior panels with the more affordable mid-engine Boxster, causing some controversy among Porsche fans, but today the 996 is considered the model that saved the Porsche 911.

Photo : Porsche

In 2002, Porsche introduced the Cayenne, the automaker’s first sport-utility vehicle. A few years later, in 2009, the four-door Panamera luxury sedan was launched. Today, Porsche’s best-selling model is the Macan, a small SUV, with the Cayenne not far behind. The automaker also sells an all-electric sport sedan, the Taycan, and is moving toward the future with plans for hybrid and all-electric sports cars.

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Sitting on the Dock of Balmain

Is The Dry Dock Sydney’s Hottest New Pub Renovation?

By Belinda Aucott-christie 15/05/2024

At its peak, in the late 1890s, Balmain had 55 pubs. They were noisy watering holes that serviced thirsty hordes after a day’s labour at the suburb’s harbourside coal mine and shipyards. Today, Balmain is dotted with charming workers’ cottages set behind picket fences and stolid corner pubs, which have been converted into restaurants and homes.

One such establishment, the Dry Dock on Cameron Street, has undergone a multi-million dollar renovation. As an original public house built in 1857, it remains fixed in a local backstreet and offers a porthole to the suburb’s blue-collar roots.

Locals can still bring their dogs into the front bar, or retreat to the lounge to sit next to a crackling log fire. 

The renovation carried out by Studio Isgro and H&E Architects combines rustic touches—like the acid-etched sandstone exterior, exposed brickwork and beams  —with elegant light fittings, an incredible sound system and tasteful art. “It has a transportive, escapist quality, where you could be anywhere, or right at home,” says interior designer Bianca Isgro of Studio Isgro, who spent two years on the overhaul. Her team designed a modern gastropub on the site after gutting and stripping the building, which had been neglected for years. 

Founder and managing director James Ingram (ex-Solotel and Merivale) has assembled a warm, friendly service team that matches the pub’s character. He says his team has fought hard to preserve the pub’s long-standing connection to residents and to get the mix of old and new right.

“Balmain is home to so many devoted residents who are rightly proud of the suburb’s working-class roots,” says Ingram over a frothy beer in the warm-toned front bar.

“The Dry Dock has been designed to have that timeless feel that stands the test of time.” 

The large open kitchen features an oyster bar and serves French-style fare, delicious sides, and hot desserts. The wine list is on point, with something in every price range and a friendly sommelier doing the rounds. 

The kitchen is led by seasoned chef Ben Sitton, who previously rattled the pans at institutions including Felix, Uccello and Rockpool Bar & Grill. His kitchen faces a large dining room with unclothed tables, bentwood chairs, tumbled marble floors and exposed trusses that give it a contemporary feel.

The back of the room overlooks a walled garden, with a giant ghost gum at its centre and views of neighbouring residential fences. 

 

Chef Sitton says his team relishes the opportunity to cook from an expansive modern European repertoire with quality produce. The robust flavours and textures are centred around the smoky quality that comes from Josper charcoal grills, wood-fired ovens, and the rotisserie.  

You can order steak frites with charred baby carrots, or baked market fish with a cheesy, potato gratin.

The Peninsula Hospitality Group, the team behind Dry Dock, is now looking to expand its foothold in Balmain by opening at least one other venue.

Visit for the food, stay for the vibe.

The Dry Dock, Public House & Dining Room, 22 Cameron Street, Balmain, NSW 2041. P: 02 9555 1306; drydock.com.au

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Animal Kingdom

A veritable menagerie of high-jewellery sparklers awaits this season.

By Robb Report Team 16/05/2024

Crocodiles, lions, snakes and flamingos have all found their way into magnificent high jewellery. 

At Chaumet master craftsmen draw inspiration from the balletic flight of swallows. At Cartier a mischievous crocodile makes a cunning circle around the throat and at Paspaley 137 sapphires and gem bejewels fascinators attached to a pair of Keshi pearl studs. 

Read on for ideas of how to spoil yourself or someone you love with something from the animal kingdom.

CARTIER
Crocodile necklace
White gold set with emeralds and brilliant-cut diamonds. POA; cartier.com.au

CHANEL 
Lion solaire earrings 18k white gold and diamonds. $140,200; chanel.com


A LA VIEILLE RUSSIE
Victorian diamond fish brooch Pavé diamond trout set in silver and gold. $14,300; alvr.com

DAVID WEBB
Bird of paradise brooch Cabochon star sapphire, carved emerald and ruby leaves, brilliant-cut diamonds, 18k gold and platinum. POA; davidwebb.com

CHAUMET
Capturing the aerial movements of swallows, in white and rose gold with marquise-cut diamonds. POA; chaumet.com

A LA VIEILLE RUSSIE
Mississippi River pearl flamingo brooch set Baguette diamond legs and brilliant-cut diamond head, tail and neck, and ruby eye. Circa 1930. $24,000; alvr.com

JEAN SCHLUMBERGER by Tiffany & Co.
Bird on a rock pendant
Platinum and 18k yellow gold, pink sapphires and diamonds (one of which is more than 15 carats). POA; tiffany.com

A LA VIEILLE RUSSIE
Antique green garnet frog brooch Demantoid garnet with old mine diamond eyes, set in gold
and platinum. $71,000; alvr.com

PASPALEY
Wild feather earring enhancer Featuring 43 white diamonds, 137 sapphires and 26 tsavorites set in 18k yellow gold. Keshi pearl studs sold separately. $11,800; paspaley.com

BULGARI

Mediterranean Sapphire Serpenti necklace, nine sapphires from Sri Lanka for a total of 40,81carats evoking snake’s scales are set in a precise and sinuous platinum and pavé diamond body construction culminating in a dramatic pendant tassel including 80 oval-shaped sapphire beads totaling 116 carats. POA’ Bulgari.com

 

 

 

 

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