The Lexus LC 500 is a concept that impressively sprang to life

We knew very well the production model wouldn’t be so imposingly broad, spectacularly sleek or exquisitely detailed as the eye-watering concept. Yet, here we are.

By James Whitbourn 15/05/2017

If the boldness and brilliance of Lexus’ LFA supercar of 2010 didn’t quite rub off across the Japanese brand’s blue-rinsed mainstream range, there’s a new technological tour-de-force poised to change both the way Lexus cars drive and people’s view of the marque.

Calling the LC a “Luxury Sports Coupé” is not a means of tempering expectations, but rather a succinct summary of what Lexus set out to create. On the strength of Robb Report Australia’s first overseas drive, its goal has been largely achieved.

When the public first laid eyes on the Lexus LF-LC concept in 2012 at the Detroit motor show (and in Sydney later the same year), Lexus had no intention of putting the car into production. Even if it had, we knew very well what would happen: as a mass-produced model, it wouldn’t be so imposingly broad, spectacularly sleek or exquisitely detailed as the eye-watering concept.

Yet here we are, precisely five years later, drinking in the smouldering form of the production LC – having just had our first taste on a race circuit, ahead of the model arriving on Australian shores in the middle of this year.

As well as being an accomplished and luxurious sports coupé, the LC signposts the Japanese luxury brand’s growing ambitions and provides a first taste of the GA–L (uninventively, ‘Global Architecture – Luxury’) underpinnings that will feature beneath all future front-engine, rear-wheel-drive Lexus models. This machine is all-new, mechanically and ideologically.

“Front-mid” – that is, a front engine, but wholly behind the front axle line – describes the location of the LC 500’s 5.0-litre, DOHC, naturally aspirated V8, which it shares with the RC F coupé and GS F executive-express. In the tradition of well-balanced sports machines, this location helps distribute 52 per cent of the coupé’s weight over the front wheels and 48 per cent over the rear.

The LC’s 10-speed torque converter automatic is a world first, in place of the electronic dual-clutch system typically found among European rivals. Lexus says it’s smoother and capable of shifts that are just as quick.

A sister to the regular LC 500, the petrol-electric LC 500h is powered by Lexus’ next-generation Multi Stage Hybrid system, incorporating a 3.5-litre V6 and 45kW electric motor. It delivers its output to the rear wheels through a four-stage transmission with a ‘shift control pattern’ to make it feel like a normal automatic, without the typical CVT drone and saggy-elastic response to the accelerator.

However, it’s the LC 500 that best fits the model’s personality and aspirations. That’s at least until the arrival of a twin-turbocharged LC F version. When one considers the cars against which the LC was benchmarked – the Porsche 911, for one – and the high-performance landscape into which it’s painted, this heavily rumoured development is almost certainly only a matter of time.

Lexus and Toyota president and CEO, and now Lexus chief branding officer and master driver, Akio Toyoda’s passion and uncommonly hands-on approach come through loud and clear in the LC.

On Toyoda’s watch, a concerted engineering effort went into translating the concept car’s presence into the production coupé’s crisp pressed metal. The LC stretches the brand’s electric-razor grille (and detail fussiness) across a broad two-door body, perched on a long 2870mm wheelbase, with short front and rear overhangs, a super-fast roofline and muscular haunches. The wheel arches are filled by 20- and 21-inch wheels and tyres.

An active rear spoiler could be a gimmick, though the carbon-fibre roof and aluminium door skins and suspension arms imply serious sporting focus. In spite of them, the coupé still nudges two tonnes.

Extensive high-strength steel in the structure, says Lexus, gives the LC a stiffer body than any preceding Lexus model – including, unbelievably, the carbon-fibre LFA.

The driver’s hip point is said to be aligned with the coupé’s centre of mass, one of many measures designed to make the LC feel right. Many of the available trim colours and the beautifully double-stitched, semi-aniline leather on most surfaces in the cabin suggest grand touring, with cool-to-touch magnesium paddle shift levers and cramped plus-two rear seats as reminders of the model’s dual purpose.

A rotary dial sprouting from the right of the instrument binnacle serves a selection of driving moods, from Comfort to Sports+, which provides a flamboyant burst of V8 noise during downshifts, stiffens the suspension and sharpens the big coupé’s responses.

The automatic is enlivened, too, though its closely stacked set of 10 ratios already provides rapid fire urgency and a tick-over highway hush, by dint of having three more ratios than most.

The LC 500 is not as thumpingly urgent as the turbocharged European establishment, and it says plenty about today’s sports car stakes that, at 4.5 seconds from 0-100km/h, the LC is merely quick in this competition.

If making the right noises is important, the 5.0-litre certainly satisfies. A rich, full-blooded baritone signals a flattened accelerator pedal. It pours from the tailpipes and, with acoustic assistance, into the cabin via the engine’s intake. The linearity of natural aspiration makes the 351kW V8’s fire of the friendly kind.

The company’s claim that triple the usual amount of tuning time went into developing the new coupé’s chassis is entirely believable. The weighty steering feels like the work of another maker altogether – as does Akio Toyoda’s pet-project Toyota 86 against a common-or-garden Corolla – and it’s this quality that marks the LC 500 as a real departure from any previous Lexus, excepting the LFA.

The taut monocoque provides the tangibly rigid structure for nicely balanced rear-wheel-drive handling, wherein subtle pushing of the front end is easily countered with a brush of the brake, or on the throttle via the limited-slip differential from mid-corner to exit.

There’s no disguising the LC’s significant weight on change of direction and when leaning hard on the left pedal after a big speed, yet the plus-sized two-door is ultimately agile and easily arrested.

The race-car engine note might be enough on its own – or at least, the icing – to entice a new breed of customer to the brand. But much deeper than that sonic satisfaction, the LC is surprisingly cohesive and rewarding as a complete coupé package.

The flipside of the Luxury Sports Coupé tag is that Lexus’ historical focus on comfort and quietness also carries into this new chapter. The LC is without question an enviably smooth and refined grand touring machine.

Given Lexus’ new resolve, the dynamic qualities that set the LC apart from any mass-produced model in the brand’s 27-year history have a better chance than ever before of filtering down to other Lexus models.

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Watch of the Week: TAG Heuer Formula 1 | Kith

The legendary sports watch returns, but with an unexpected twist.

By Josh Bozin 02/05/2024

Over the last few years, watch pundits have predicted the return of the eccentric TAG Heuer Formula 1, in some shape or form. It was all but confirmed when TAG Heuer’s heritage director, Nicholas Biebuyck, teased a slew of vintage models on his Instagram account in the aftermath of last year’s Watches & Wonders 2023 in Geneva. And when speaking with Frédéric Arnault at last year’s trade fair, the former CEO asked me directly if the brand were to relaunch its legacy Formula 1 collection, loved by collectors globally, how should they go about it?

My answer to the baited entreaty definitely didn’t mention a collaboration with Ronnie Fieg of Kith, one of the world’s biggest streetwear fashion labels. Still, here we are: the TAG Heuer Formula 1 is officially back and as colourful as ever.

As the watch industry enters its hype era—in recent years, we’ve seen MoonSwatches, Scuba Fifty Fathoms, and John Mayer G-Shocks—the new Formula 1 x Kith collaboration might be the coolest yet. 

TAG Heuer
TAG Heuer

Here’s the lowdown: overnight, TAG Heuer, together with Kith, took to socials to unveil a special, limited-edition collection of Formula 1 timepieces, inspired by the original collection from the 1980s. There are 10 new watches, all limited, with some designed on a stainless steel bracelet and some on an upgraded rubber strap; both options nod to the originals.

Seven are exclusive to Kith and its global stores (New York, Los Angeles, Miami, Hawaii, Tokyo, Toronto, and Paris, to be specific), and are made in an abundance of colours. Two are exclusive to TAG Heuer; and one is “shared” between TAG Heuer and Kith—this is a highlight of the collection, in our opinion. A faithful play on the original composite quartz watch from 1986, this model, limited to just 1,350 pieces globally, features the classic black bezel with red accents, a stainless steel bracelet, and that creamy eggshell dial, in all of its vintage-inspired glory. There’s no doubt that this particular model will present as pure nostalgia for those old enough to remember when the original TAG Heuer Formula 1 made its debut. 

TAG Heuer
TAG Heuer

Of course, throughout the collection, Fieg’s design cues are punctuated: the “TAG” is replaced with “Kith,” forming a contentious new brand name for this specific release, as well as Kith’s slogan, “Just Us.”

Collectors and purists alike will appreciate the dedication to the original Formula 1 collection: features like the 35mm Arnite cases—sourced from the original 80s-era supplier—the form hour hand, a triangle with a dot inside at 12 o’clock, indices that alternate every quarter between shields and dots, and a contrasting minuterie, are all welcomed design specs that make this collaboration so great. 

Every TAG Heuer Formula 1 | Kith timepiece will be presented in an eye-catching box that complements the fun and colour theme of Formula 1 but drives home the premium status of this collaboration. On that note, at $2,200 a piece, this isn’t exactly an approachable quartz watch but reflects the exclusive nature of Fieg’s Kith brand and the pieces he designs (largely limited-edition). 

TAG Heuer
TAG Heuer

So, what do we think? It’s important not to understate the significance of the arrival of the TAG Heuer Formula 1 in 1986, in what would prove integral in setting up the brand for success throughout the 90’s—it was the very first watch collection to have “TAG Heuer” branding, after all—but also in helping to establish a new generation of watch consumer. Like Fieg, many millennial enthusiasts will recall their sentimental ties with the Formula 1, often their first timepiece in their horological journey.  

This is as faithful of a reissue as we’ll get from TAG Heuer right now, and budding watch fans should be pleased with the result. To TAG Heuer’s credit, a great deal of research has gone into perfecting and replicating this iconic collection’s proportions, materials, and aesthetic for the modern-day consumer. Sure, it would have been nice to see a full lume dial, a distinguishing feature on some of the original pieces—why this wasn’t done is lost on me—and perhaps a more approachable price point, but there’s no doubt these will become an instant hit in the days to come. 

The TAG Heuer Formula 1 | Kith collection will be available on Friday, May 3rd, exclusively in-store at select TAG Heuer and Kith locations in Miami, and available starting Monday, May 6th, at select TAG Heuer boutiques, all Kith shops, and online at Kith.com. To see the full collection, visit tagheuer.com

 

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8 Fascinating Facts You Didn’t Know About Aston Martin

The British sports car company is most famous as the vehicle of choice for James Bond, but Aston Martin has an interesting history beyond 007.

By Bob Sorokanich 01/05/2024

Aston Martin will forever be associated with James Bond, ever since everyone’s favourite spy took delivery of his signature silver DB5 in the 1964 film Goldfinger. But there’s a lot more to the history of this famed British sports car brand beyond its association with the fictional British Secret Service agent.

Let’s dive into the long and colourful history of Aston Martin.

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What Venice’s New Tourist Tax Means for Your Next Trip

The Italian city will now charge visitors an entry fee during peak season. 

By Abby Montanez 01/05/2024

Visiting the Floating City just got a bit more expensive.

Venice is officially the first metropolis in the world to start implementing a day-trip fee in an effort to help the Italian hot spot combat overtourism during peak season, The Associated Press reported. The new program, which went into effect, requires travellers to cough up roughly €5 (about $AUD8.50) per person before they can explore the city’s canals and historic sites. Back in January, Venice also announced that starting in June, it would cap the size of tourist groups to 25 people and prohibit loudspeakers in the city centre and the islands of Murano, Burano, and Torcello.

“We need to find a new balance between the tourists and residents,’ Simone Venturini, the city’s top tourism official, told AP News. “We need to safeguard the spaces of the residents, of course, and we need to discourage the arrival of day-trippers on some particular days.”

During this trial phase, the fee only applies to the 29 days deemed the busiest—between April 25 and July 14—and tickets will remain valid from 8:30 am to 4 pm. Visitors under 14 years of age will be allowed in free of charge in addition to guests with hotel reservations. However, the latter must apply online beforehand to request an exemption. Day-trippers can also pre-pay for tickets online via the city’s official tourism site or snap them up in person at the Santa Lucia train station.

“With courage and great humility, we are introducing this system because we want to give a future to Venice and leave this heritage of humanity to future generations,” Venice Mayor Luigi Brugnaro said in a statement on X (formerly known as Twitter) regarding the city’s much-talked-about entry fee.

Despite the mayor’s backing, it’s apparent that residents weren’t totally pleased with the program. The regulation led to protests and riots outside of the train station, The Independent reported. “We are against this measure because it will do nothing to stop overtourism,” resident Cristina Romieri told the outlet. “Moreover, it is such a complex regulation with so many exceptions that it will also be difficult to enforce it.”

While Venice is the first city to carry out the new day-tripper fee, several other European locales have introduced or raised tourist taxes to fend off large crowds and boost the local economy. Most recently, Barcelona increased its city-wide tourist tax. Similarly, you’ll have to pay an extra “climate crisis resilience” tax if you plan on visiting Greece that will fund the country’s disaster recovery projects.

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Omega Reveals a New Speedmaster Ahead of the Paris 2024 Olympics

Your first look at the new Speedmaster Chronoscope, designed in the colour theme of the Paris Olympics.

By Josh Bozin 26/04/2024

The starters are on the blocks, and with less than 100 days to go until the Paris 2024 Olympics, luxury Swiss watchmaker Omega was bound to release something spectacular to mark its bragging rights as the official timekeeper for the Summer Games. Enter the new 43mm Speedmaster Chronoscope, available in new colourways—gold, black, and white—in line with the colour theme of the Olympic Games in Paris this July.

So, what do we get in this nicely-wrapped, Olympics-inspired package? Technically, there are four new podium-worthy iterations of the iconic Speedmaster.

Omega

The new versions present handsomely in stainless steel or 18K Moonshine Gold—the brand’s proprietary yellow gold known for its enduring shine. The steel version has an anodised aluminium bezel and a stainless steel bracelet or vintage-inspired perforated leather strap. The Moonshine Gold iteration boasts a ceramic bezel; it will most likely appease Speedy collectors, particularly those with an affinity for Omega’s long-standing role as stewards of the Olympic Games.

Notably, each watch bears an attractive white opaline dial; the background to three dark grey timing scales in a 1940s “snail” design. Of course, this Speedmaster Chronoscope is special in its own right. For the most part, the overall look of the Speedmaster has remained true to its 1957 origins. This Speedmaster, however, adopts Omega’s Chronoscope design from 2021, including the storied tachymeter scale, along with a telemeter, and pulsometer scale—essentially, three different measurements on the wrist.

While the technical nature of this timepiece won’t interest some, others will revel in its theatrics. Turn over each timepiece, and instead of a transparent crystal caseback, there is a stamped medallion featuring a mirror-polished Paris 2024 logo, along with “Paris 2024” and the Olympic Rings—a subtle nod to this year’s games.

Powering this Olympiad offering—and ensuring the greatest level of accuracy—is the Co-Axial Master Chronometer Calibre 9908 and 9909, certified by METAS.

Omega

A Speedmaster to commemorate the Olympic Games was as sure a bet as Mondo Deplantis winning gold in the men’s pole vault—especially after Omega revealed its Olympic-edition Seamaster Diver 300m “Paris 2024” last year—but they delivered a great addition to the legacy collection, without gimmickry.

However, the all-gold Speedmaster is 85K at the top end of the scale, which is a lot of money for a watch of this stature. By comparison, the immaculate Speedmaster Moonshine gold with a sun-brushed green PVD “step” dial is 15K cheaper, albeit without the Chronoscope complications.

The Omega Speedmaster Chronoscope in stainless steel with a leather strap is priced at $15,725; stainless steel with steel bracelet at $16,275; 18k Moonshine Gold on leather strap $54,325; and 18k Moonshine Gold with matching gold bracelet $85,350, available at Omega boutiques now.

Discover the collection here

 

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Here’s What Goes Into Making Jay-Z’s $1,800 Champagne

We put Armand de Brignac Blanc de Noirs Assemblage No. 4 under the microsope.

By Mike Desimone And Jeff Jenssen 23/04/2024

In our quest to locate the most exclusive and exciting wines for our readers, we usually ask the question, “How many bottles of this were made?” Often, we get a general response based on an annual average, although many Champagne houses simply respond, “We do not wish to communicate our quantities.” As far as we’re concerned, that’s pretty much like pleading the Fifth on the witness stand; yes, you’re not incriminating yourself, but anyone paying attention knows you’re probably guilty of something. In the case of some Champagne houses, that something is making a whole lot of bottles—millions of them—while creating an illusion of rarity.

We received the exact opposite reply regarding Armand de Brignac Blanc de Noirs Assemblage No. 4. Yasmin Allen, the company’s president and CEO, told us only 7,328 bottles would be released of this Pinot Noir offering. It’s good to know that with a sticker price of around $1,800, it’s highly limited, but it still makes one wonder what’s so exceptional about it.

Known by its nickname, Ace of Spades, for its distinctive and decorative metallic packaging, Armand de Brignac is owned by Louis Vuitton Moët Hennessy and Jay-Z and is produced by Champagne Cattier. Each bottle of Assemblage No. 4 is numbered; a small plate on the back reads “Assemblage Four, [X,XXX]/7,328, Disgorged: 20 April, 2023.” Prior to disgorgement, it spent seven years in the bottle on lees after primary fermentation mostly in stainless steel with a small amount in concrete. That’s the longest of the house’s Champagnes spent on the lees, but Allen says the winemaking team tasted along the way and would have disgorged earlier than planned if they’d felt the time was right.

Chef de cave, Alexandre Cattier, says the wine is sourced from some of the best Premier and Grand Cru Pinot Noir–producing villages in the Champagne region, including Chigny-les-Roses, Verzenay, Rilly-la-Montagne, Verzy, Ludes, Mailly-Champagne, and Ville-sur-Arce in the Aube département. This is considered a multi-vintage expression, using wine from a consecutive trio of vintages—2013, 2014, and 2015—to create an “intense and rich” blend. Seventy percent of the offering is from 2015 (hailed as one of the finest vintages in recent memory), with 15 percent each from the other two years.

This precisely crafted Champagne uses only the tête de cuvée juice, a highly selective extraction process. As Allen points out, “the winemakers solely take the first and freshest portion of the gentle cuvée grape press,” which assures that the finished wine will be the highest quality.  Armand de Brignac used grapes from various sites and three different vintages so the final product would reflect the house signature style. This is the fourth release in a series that began with Assemblage No. 1. “Testing different levels of intensity of aromas with the balance of red and dark fruits has been a guiding principle between the Blanc de Noirs that followed,” Allen explains.

The CEO recommends allowing the Assemblage No. 4 to linger in your glass for a while, telling us, “Your palette will go on a journey, evolving from one incredible aroma to the next as the wine warms in your glass where it will open up to an extraordinary length.” We found it to have a gorgeous bouquet of raspberry and Mission fig with hints of river rock; as it opened, notes of toasted almond and just-baked brioche became noticeable. With striking acidity and a vein of minerality, it has luscious nectarine, passion fruit, candied orange peel, and red plum flavors with touches of beeswax and a whiff of baking spices on the enduring finish. We enjoyed our bottle with a roast chicken rubbed with butter and herbes de Provence and savored the final, extremely rare sip with a bit of Stilton. Unfortunately, the pairing possibilities are not infinite with this release; there are only 7,327 more ways to enjoy yours.

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